Download the CV's

Total Page:16

File Type:pdf, Size:1020Kb

Download the CV's IEVA GAIDAMAVIČIŪTĖ Soprano Ieva Gaidamavičiūtė began to study music at the art school in Klaipėda, in 2008 she graduated from the Lithuanian Academy of Music and Theatre as the choirmaster. Ieva Gaidamavičiūtė is in constant demand as a performer of early and classical music and is equally active in the field of contemporary music. She is also a member of Lithuanian chamber choir “Brevis”. Singer has performed at music festivals in Lithuania, Estonia, Germany, Italy, Russia, France, Spain, Belgium, etc. and has appeared as a soloist and choir member with symphony and chamber orchestras, under the direction of Sylvain Cambreling, Michael Andreas Gielen, Joshard Daus, Placido Domingo and Lithuanian conductors, including Juozas Domarkas, Saulius Sondeckis, Donatas Katkus, Martynas Staškus, Modestras Pitrėnas and Robertas Šervenikas in Lithuania. A singer has made many recordings for Lithuanian Radio, has sung in the concerts for Euroradio translations. RENATA DUBINSKAITĖ Mezzosoprano Renata Dubinskaite studied Art History and Theory at Vilnius Academy of Art, in 2002 gained a Master Degree. In 2011 she gained a degree of Doctor of Humanitarian Sciences at the Lithuanian Culture Research Institute. Dubinskaite started her musical career in 2009, in 2015 she finished her solo singing studies at the Lithuanian Music and Theatre Academy (professor Vladimiras Prudnikovas). Since 2010 she constantly performs in the „Duo Barocco“ and together with the Ensemble of the Lithuanian National Philharmonic House „Musica Humana“, she sang with the St. Christopher’s Chamber Music Orchestra, Belarussian State Chamber Orchestra and other orchestras under the conduction of Saulius Sondeckis, Algirdas Vizgirda, Vaclovas Augustinas and others, she also performed concerts in France and Switzerland. Among her opera roles she performed in a staged version of Pergolesi’s “Stabat Mater“, Holofernes in Antonio Vivaldi’s „Juditha Triumphans“, Xerxe in G.F. Handel’s opera „Xerxe“, a role in the opera pastiche “Gallant Baroque of Casanova”. She performed alto parts in J.S. Bach’s „Magnificat“, A. Vivaldi’s „Gloria“, „Magnificat“ and „Nissi Dominus“ etc. Dubinskaitė participated in several early music mastercourses: Sable Academy of Early Music and Dance (Sable and Prague, 2011, prof. Julie Hassler), Baroque opera mastercourses in Copenhagen (2014, prof. Paul Eswood) and Vilnius (prof. Julie Hassler, 2012, Vincent Dumestre, 2014), she also participated in singing mastercourses in Berlin (2011) and Gotenburg (Sweden, 2013). She is the winner of Vincė Jonuškaitė- Zaunienė Singers Competition (2014, Vilnius) and Tiit Kuusik International Lied Competition (Parnu, Estonia, 2012). Since 2010 Dubinskaitė is an active organiser of early music events, she has organised a number of early music concerts in Lithuania (of Vilnius based ensembles „Duo Barocco“, „Affectus“, „Concertino delle donne“) and educational events. In 2014 she was a manager of the International Early Music Festival “Banchetto Musicale”. Since the establishment of „Canto Fiorito“ in 2013 she is a manager of the ensemble. SAULĖ ŠERYTĖ Mezzosoprano Mezzosoprano Saulė Šerytė studied in the National Art Gymnasium of M. K. Čiurlionis, in 1998 she graduated with the Master Degree of solo singing from Graz University of Music and Performing Arts (Austria). At the doctoral studies in Lithuanian Music and Theatre Academy (2010-2014) she wrote a thesis “Italian and French Ornaments in Baroque Vocal Music: Comparative Analysis of Historical Resources” and received a doctor degree. Since 2014 she teaches solo singing in the same institution. Šerytė sang with Lithuanian Chamber Orchestra, St. Christopher Chamber Orchestra, Belorussian Chamber Orchestra and other orchestras under the direction ofJustus Fanz, Rolf Beck, Saulius Sondeckis, Vaclovas Augustinas, and with the Ensemble of Lithuanian National Philharonic House „Musica Humana“ under the direction of Algirdas Vizgirda. She constantly performs with ensembles “Duo Barocco“ and „Affectus“. Besides Lithuania, Šerytė performed in festivals and concerts in Austria, Slovenia, Russia, France and Switzerland. She sang Bradamante in Handel’s „Alcina“, the Third Lady in Mozart’s „Magic Flute“, Marcelina in Mozart’s „Marriage of Figaro“, several roles in Purcell’s „Dido“, also alto parts in Handel’s „Messiah“, Pergolesi’s „Stabat Mater“, Vivaldi’s „Gloria“, Haydn’s masses etc. Šerytė often performs programs of lied. Šerytė participated in the mastercourses in Netherlands (1993 and 1996), Italy (prof. Daniel Ferro, 1996 and 1999), Slovenia (2000 and 2002), Sablé Academy of Early Music and Dance in Sable (2011) and in Prague (prof. Julie Hassler, 2011), also in early music mastercourses in Vilnius (2012) with prof. Julie Hassler. Šerytė won a special prize of the competition „Wagner forum Graz“ (1996) and became a winner Tiit Kuusik International Lied Competition (Parnu, Estonia, 2012). ALGIRDAS BAGDONAVIČIUS Tenor In 1995–2001 tenor Algirdas Bagdonavičius studied Economics at Vilnius University (Master Degree). In 2001–2009 he studied solo singing (prof. Vytautas Juozapaitis) at the Lithuanian Music and Theatre Academy (Licentiate of Arts). Since 2010 he also sings as a countertenor (altino). In 2005 and 2006 Bagdonavičius participated in summer festivals „Oper Oder Spree“ (Germany). He started his operatic career in 2006 at the 50 year anniversary‘s performance of the Lithuanian Opera of Chicago. Since 2006 he is a soloist of Panevėžys Music Theatre, since 2007 a guest soloist of Klaipėda State Music Theatre, since 2012 a soloist of the Baltic Chamber Opera Theater. Since 2009 he teaches solo singing in the Faculty of Arts of the Vilnius University of Applied Sciences. Among other roles Bagdonavičius sang Ottone in Monteverdi‘s opera "Coronation of Poppea", Cesar‘s role in Handel‘s opera “Gulio Cesare”, a role in the „Baroque Opera Pastiche“, Siebel in Gounod‘s opera “Faust”, also sang a role in Yijie Wang‘s opera in Germany. He sang alto and countertenor parts in Vivaldi‘s “Stabat Mater”, Bach‘s “Magnificat” and “St. Jonh‘s Passion”, Vivaldi’s “Juditha Triumphans” and other concert performances. Soloist constantly attends vocal master classes. Over the last couple of years he participated in Steglitzer Tage für alte Musik (Berlin) and studied under professors Andris Veismanis (Latvia), Barbro Marklund-Petersone (Norway), Buddug Verona- James (UK), Raminta Lampsatis (Germany, Lithuania), Mark Tucker (UK), Alessandro Pagliazzi (Italy), David Gowland (UK), Laura Sarti (UK), Roberto Balconi (Italy). In 2011 he won the 2nd prize of the V International Chamber Singers Competition “Beatričė” in Vilnius. NERIJUS MASEVIČIUS Bass-baritone Nerijus Masevičius started his musical career in Kaunas where he studied cello at the Juozas Naujalis Music Gymnasium. Later he took on choral conducting at the Juozas Gruodis Conservatory. He also obtained diplomas of vocal performance and choir conducting at the Lithuanian Academy of Music and Theatre. Masevičius specialises in baroque and contemporary music, but often sings different pieces from the classical repertoire as well. He is an active concert performer, he has performed with a number of orchestras, including Lithuanian and St. Christopher’s Chamber Orchestra, Lithuanian National and State Symphony Orchestra, Kaunas Symphony Orchestra, chamber orchestra of Oristano (Italy), as well as with the ensembles Musica Humana, Banchetto Musicale, Baltic Baroque Orchestra, Musica Silentii (Estonia), Antiphona (France), Flori Pari (Poland), Alta Capella (Russia), Le Tendre Amour (Spain). Masevičius participated in many festivals in Lithuania and abroad, such as the Thomas Mann Festival, the Vilnius Festival, Banchetto Musicale (Vilnius), Jauna Muzika (Vilnius), Gaida (Vilnius), Kultur Festival (Turkey), Millennium Pace (Spain), Zalataja Maska, Renaissance (Russia), Passages (France) etc. Together with other musicians, he has recorded 14 CDs, including “Cantate Domino” which contains music of the 17th-century Grand Duchy of Lithuania, W. A. Mozart “Vespere solennes de confessore”, “Misa Criolla” by Ariel Ramirez, Pawel Lukaszewski’s “Via Crucis”. IEVA BAUBLYTĖ Recorders, gothic arph Ieva Baublytė has graduated as recorder player (class of prof. Kathrin Bopp) from Shola Cantorum Basiliensis, Switzerland. There she also started playing gothic harp (with prof. Heidrun Rosenzweig and Masako Fujimura) and in 2006 she obtained the Diploma of Early Music. Later she went to Argentina, where she lived as a volunteer of association Points Coeur in one of the favelas of Buenos Aires. She has also studied and graduated from Philantrhopos Institute in Fribourg, Switzerland. Baublyte has participated in early music courses in Spain, France, Switzerland, Lithuania, with recorder teachers Pedro Memelsdorf, Pierre Hamon, Rodrigo Calveyra, Mitsuyuki Motomura. She also participated in improvisation courses in Corsica (France) with Jean Tubery, Nando Acquaviva and Nicole Casalonga. Baublyte regularly performs with choir and consort „Brevis, ensemble „Chiaroscuro“ and other groups. She also presents educational programmes about Renaissance and Baroque music in the Palace of the Grand Dukes of Lithuania, there she also organises Educational St. Cecilia Early Music festival and masterclasses for children and young musicians, and works as a teacher of recorder in The Music School of Balys Dvarionas in Vilnius. .
Recommended publications
  • Veronika Vitaitė: Discoveries in Pianism
    Veronika Vitaitė: Discoveries in Pianism Summary The book is devoted to the analysis of the performance skills, pedagog- ical and organisational activities of Veronika Vitaitė, a prominent cur- rent piano pedagogue, pianist, promoter of Lithuanian piano culture. Manifestations of the Professor’s personality in different fields of musi- cal activity, the universality of her works influenced the development of Lithuanian piano culture of the past decades: performance skills, a close relationship with Lithuanian composers encouraged the creation of piano duet, inspired the premiers of works of different genres; zeal- ous work, preparation of her students for international competitions yielded several generations of young pianists; intense organisational activities, long-time leadership of the Piano Department of the Lithua- nian Academy of Music and Theatre, constant supervision and care of training of young pianists of the Republic laid strong foundations for a further development of piano excellence. Thus far Veronika Vitaitė’s intense and multi-faceted activities have not been thoroughly discussed and properly assessed. Whereby the present monograph it is sought to fill the existing gap. In preparing the book, the following works by Lithuanian researchers were used: col- lections of articles compiled by Kęstutis Grybauskas (1984), Veronika Vitaitė (1993), studies of the development of the art of piano by Mariam Azizbekova (1991, 1998, 1999), Liucija Drąsutienė (1996, 2004, 2015), Eugenijus Ignatonis (1997, 2003, 2010), Rita Aleknaitė-Bieliauskienė (2003, 2014, 2017), Ramunė Kryžauskienė (2004, 2007), scientific in- sights of Leonidas Melnikas (2006, 2007), Lina Navickaitė-Martinelli (2013). To discuss Veronika Vitaitė’s artistic activities, we drew on the reviews of her concerts, and to analyse general principles of her teach- ing methods, reminiscences of her former students and a questionnaire survey were used, lessons of the experienced pedagogue, as well as workshops and master classes that she conducted were attended.
    [Show full text]
  • RIGOLLETTO Reviews Updated 4-2020
    G. Verdi — RIGOLETTO If the rest of the season matches this production in artistic quality, it's going to be one hell of a good season for opera in Boston! "This is the 8th season of touring in the U.S. for this hardworking European company, and its opening in Boston with Verdi's popular RIGOLETTO was a propitious occasion, indeed. With smart and colorful sets and a moody use of lighting this production had all the feel of big theater. The sets filled the stage of the Cutler Majestic fully and added to a mood for this production that was at times both elegant and at others ominous. But sets and lighting were not all that shone last night. The magic of this production was an outstanding cast that could not only sing, but act as well. I must acknowledge at the start the wonderfully honed instrument of Russian soprano Larissa Yudina, whom we saw dazzling the audience in last year's "The Magic Flute." She thrilled us then with her Queen of the Night rendition of "Der Halle Rache Kocht in Meinem Herzen" (The wrath of hell is burning in my bosom), and she thrilled us again last night as the vulnerable and innocent Gilda. Ms. Yudina is gifted with amazing tonal clarity and vocal agility, and she put it all to good use in a performance that was wonderfully moving in all the right places. Equally up to the task was baritone Vytautas Juozapaitis who's tortured characterization of Rigoletto was near flawless, strong and acted with intelligence and emotional depth.
    [Show full text]
  • Merūnas Vitulskis Tenor
    Merūnas Vitulskis Tenor The young tenor Merūnas Vitulskis was born in Kaunas, Lithuania. Graduated from Kaunas Vaizganto high school . He already began to sing in the seventh grade, encouraged by music teacher Giedre Druskienės. He deepened later his musical skills at Gruodis Conservatory. 2004-2006 he continued his studies and graduated at the Music Academy with the vocal teacher Ohn Antanavicius . 2006 the young tenor participated in the music reality show " Road to 2 stars "at the time he studied further to be opera singer at the Music Academy with professor Vytautas Juozapaitis . 2009 he started at the famous tenor Professor V. Noreika singing class. 2010 Merūnas Vitulskis became his Bachelor of vocal studies. Vocal training continues at the Music Academy until his graduation. At the Lithuania National TV famous musical project " The path to the stars 2 " the young Lithuanian became the most popular singer. He has been invited to perform in numerous television shows and festivals among others: National Progress Prize ceremony in 2007 (with the Lithuanian State Symphony Orchestra ), XII and XIV Pažaislis Music Festival (with Kaunas City Symphony Orchestra ), Druskininkai Theatre Festival, Lithuanian Independence of the 90th anniversary commemoration of Latvian national Opera, International Tytuvėnai summer festival (with St. Christopher Chamber Orchestra), International Michael Oginsky Festival (with Michael Oginsky Festival Symphony Orchestra), 75- year anniversary of the Lithuanian National Opera (with the State Orchestra Brass "trumpet"), Operetta Festival in Kaunas Castle in 2009, St Moritz Summer festival 2011 and others. 2010 Merūnas Vitulskis started as soloist at the Lithuanian National Opera singing among others the parts of Sir Hervey/Anna Bolena, Lensky/Onegin, Nemorino/Elisir d´Amore, Duca/Rigoletto, Alfredo/Traviata.
    [Show full text]
  • Beata Adamczyk Cultural Cooperation Between Nations As an Important
    Beata Adamczyk Cultural cooperation between nations as an important factor of sustainable social development of the region of Central and Eastern Europe in the European Union : (for instance Poland and Lithuania) Studia Ecologiae et Bioethicae 5, 225-267 2007 Beata ADAMCZYK UW Warszawa Cultural cooperation between nations as an important factor of sustainable social development of the region of Central and Eastern Europe in the European Union (for instance Poland and Lithuania) Motto: So that the spirits of the dead leave us in peace... (Aby duchy umarłych zostawiły nas w spokoju...) CZESŁAW MIŁOSZA Cultural cooperation between nations is mainly based on pacts entered by the government of the Republic of Poland and the government of the Republic of Lithuania, on cooperation between academies and cultural facilities, and on collaboration of all nations living in the given area with respect to issues important to local communities, ^ e message of cultural cooperation is social and cultural integration. Cultural and social co-operation among nations lived in East and Central Europe has been sprung up over many centuries. In the 20th century, the nations of the part of Europe were subjected to an attempt to standardise their national cultures by means of introducing the socialist realist culture. According to purposes of contemporary authorities culture was created only officially. In language of the contemporary system, social issues were taken into account mainly in the mass aspect. ^ e author of article is a graduate of the Institute of Librarianship and Information Science at Warsaw University and because of it in the article mainly she treats of bookseller’s and publishing connected with Vilnius.
    [Show full text]
  • Viesas Kreipimasis 2017 (PDF)
    Lietuvos Respublikos Prezidentei Lietuvos Respublikos Seimui Lietuvos Respublikos Vyriausybei Lietuvos Respublikos Seimo Kultūros komitetui LIETUVOS KULTŪROS BENDRUOMENĖS VIEŠAS LAIŠKAS 2017 m. birželio 28 d. Nors Lietuvos Respublika artėja prie savo šimtmečio ir skaičiuoja 27-erius metus nuo valstybingumo atkūrimo, apmaudu matyti, kad kultūra iš- rinktų valdžios atstovų vis dar nėra suprantama kaip esminis šalies kūrimo ir žmonių sugyvenimo pamatas. Valstybė tiek 1918-aisiais, tiek 1990-aisiais buvo sukurta iš kultūros, jos kultūros žmonių išmintimi, įžvalgomis ir pastan- gomis. Kalbėdami apie tarpukario Lietuvą mes pirmiausia prisimename kul- tūros įvykius ir žmones; šiandien net ginčijamės dėl paminklų jiems, įrašome kultūros reiškinius į pasaulio paveldo sąrašus. Tačiau dabar kultūra suprantama tik kaip fasadinis iškilmingas vakaras Valstybės dienos proga, ne pirmo būtinumo laisvalaikio forma, kuriai skirtos visuomenės lėšos gali būti atimtos ištikus bet kokiai krizei. Vìsos Lietuvos partijos kultūrą suprasdavo ir supranta kaip nebūtiną prabangą, kurią galima sau leisti patenkinus bazinius poreikius, nors seniai įrodyta esminė kultūros įtaka mažinant socialinę gyventojų atskirtį, priklausomybių ligų sukeliamas problemas, smurto apraiškas. Bet valdžiai reikia argumentuoti tik ekonomi- nę kultūros naudą, nors kultūringa visuomenė yra viena pagrindinių, jei ne svarbiausia šalies vystymosi sąlyga ir mūsų tapatybės, išskirtinumo pasaulyje pagrindas. Turtingos pasaulio šalys, į kurias lygiuojamės kaip į sėkmės pavyz- džius, pirmiausia yra
    [Show full text]
  • Regimantas Gudelis DAINŲ ŠVENTĖS IR JUNGTINIO
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Klaipeda University Open Journal Systems 160 RES HUMANITARIAE XIII ISSN 1822-7708 Regimantas Gudelis – Klaipėdos universiteto Chorvedy- bos ir pedagogikos katedros profesorius, socialinių mokslų daktaras, Muzikologijos instituto vyriausiasis mokslinis bendradarbis. Moksliniai interesai: chorinis menas, chorinio meno istorija, dainų šventės. Adresas: Kristijono Donelaičio g. 4, LT-92144 Klaipėda. Tel. (+370 ~ 46) 252 836. El. paštas: [email protected]. Regimantas Gudelis – Ph. D. in Social Sciences, Research Fellow at the Institute of Musicology, Prof. at the De- partment of Conducting and Pedagogics, Faculty of Arts, Klaipėda University (Lithuania). Research interests: choral music, history of choral music, song festival. Address: Kristijono Donelaičio str. 4, LT-92144 Klaipėda. Telephone: (+370 ~ 46) 252 836. E-mail: [email protected]. Regimantas Gudelis Klaipėdos universitetas DAINŲ ŠVENTĖS IR JUNGTINIO CHORO MENINĖS-DVASINĖS ENERGIJOS KLAUSIMU Anotacija Straipsnyje nagrinėjama Lietuvos dainų šventėse pasirodantis jungtinis choras – jo žanrinė specifika bei meninė-dvasinė energija. Pagrindinė tiriamoji medžiaga – tokio choro diri- gentų nuomonės, surinktos interviu metodu. Dainų šventes ir jungtinį chorą dirigentai laiko daugiareikšmiu socialiniu-meniniu fenomenu, vertingu tiek tautos chorinės kultūros, tiek ir tautiškumo aspektais. Choro meninė-dvasinė energija ir jos proveržio intensyvumas priklauso nuo jo meninio atlikimo techninės kokybės, meninės interpretacijos ir atlikėjų sutelktumo. Dirigentas – šių procesų įkvėpėjas ir koordinatorius. PAGRINDINIAI ŽODŽIAI: dainų šventė, jungtinis choras, dirigentas, muzikos interpre- tacija, meninė-dvasinė energija. Abstract The article analysis the joint choir performing in the Song Festival – its genre peculiarity and artistic-spiritual energy. The main research material consists of the interviews with the conductors of such choirs.
    [Show full text]
  • Opera Bands and Artists List
    Opera Bands and Artists List Szeged Symphony https://www.listvote.com/lists/music/artists/szeged-symphony-orchestra-265888/albums Orchestra Marek Torzewski https://www.listvote.com/lists/music/artists/marek-torzewski-11768532/albums Frederic Toulmouche https://www.listvote.com/lists/music/artists/frederic-toulmouche-20001877/albums Dominique Girod https://www.listvote.com/lists/music/artists/dominique-girod-16056863/albums Livia Budaï-Batky https://www.listvote.com/lists/music/artists/livia-buda%C3%AF-batky-26988123/albums Vitaliy Kil'chevskiy https://www.listvote.com/lists/music/artists/vitaliy-kil%27chevskiy-19850392/albums Yaniv D'Or https://www.listvote.com/lists/music/artists/yaniv-d%27or-16131484/albums Malvīne Vīgnere- https://www.listvote.com/lists/music/artists/malv%C4%ABne-v%C4%ABgnere-gr%C4%ABnberga- Grīnberga 16363082/albums Rosa Rimoch https://www.listvote.com/lists/music/artists/rosa-rimoch-29419597/albums Karine Babajanyan https://www.listvote.com/lists/music/artists/karine-babajanyan-18628035/albums Jean-Baptiste Mathieu https://www.listvote.com/lists/music/artists/jean-baptiste-mathieu-11927434/albums Opera Las Vegas https://www.listvote.com/lists/music/artists/opera-las-vegas-16960608/albums Vicente Forte https://www.listvote.com/lists/music/artists/vicente-forte-11954634/albums Albert Lim https://www.listvote.com/lists/music/artists/albert-lim-23887792/albums Alban Berg https://www.listvote.com/lists/music/artists/alban-berg-78475/albums Bedřich Diviš Weber https://www.listvote.com/lists/music/artists/bed%C5%99ich-divi%C5%A1-weber-79023/albums
    [Show full text]
  • Strategy Academy 2020–2030
    STRATEGY 2020–2030 OF THE LITHUANIAN ACADEMY OF MUSIC AND THEATRE Approved by Resolution No 6-TS of the LAMT Council of 19 December 2019 Table of contents 1. INTRODUCTION ................................................................................................................................ 3 2. LAMT TODAY ................................................................................................................................ 4 2.1. STUDIES ................................................................................................................................................ 4 2.2. ART ....................................................................................................................................................... 5 2.3. RESEARCH ............................................................................................................................................. 7 2.4. OTHER ACTIVITIES ................................................................................................................................ 8 2.5. INFRASTRUCTURE ................................................................................................................................. 8 2.6. FINANce ................................................................................................................................................ 9 2.7. PARTNESHIPS AND COOPERATION ...................................................................................................... 9 3. COMPETITIVE ENVIRONMENT IN
    [Show full text]
  • 2009–2010 Season Sponsors
    2009–2010 Season Sponsors The City of Cerritos gratefully thanks our 2009–2010 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Friend Margie and Ned Cherry The Fish Company $50,001-$100,000 $1-$1,000 Drs. Frances and Philip Chinn Elizabeth and Terry Fiskin José Iturbi Foundation Maureen Ahler Patricia Christie Louise Fleming and Tak Fujisaki Cheryl Alcorn Richard Christy Jesus Fojo Patron Sharlene and Ronald Allice Rozanne and James Churchill Anne Forman $20,001-$50,000 Susan and Clifford Asai Neal Clyde Dr. Susan Fox and Frank Frimodig Bryan A. Stirrat & Associates Larry Baggs Mark Cochrane Sharon Frank National Endowment for the Arts Marilyn Baker Michael Cohn Teresa Freeborn Eleanor and David St. Clair Terry Bales Claire Coleman Roberta and Wayne Fujitani Sallie Barnett Mr. and Mrs. Joseph Consani II Elaine Fulton Patricia Cookus Partner Alan Barry Samuel Gabriel Cynthia Bates Nancy Corralejo Therese Galvan $5,001-$20,000 Barbara Behrens Virginia Correa Arthur Gapasin Dr.
    [Show full text]
  • Contemporary Opera Newsletter
    Leporello Contemporary Opera Newsletter Nr. 8 April 2012 World Première Performances In April 2012, six new operas will be performed for the first time, in Finland, France and Germany. Suzanne Giraud with Caravaggio and Ludger Vollmer with Border are both looking forward to the world première performance of their fourth opera. Ubu is Sidney Corbett’s eighth opera, since Noach in 2001. The Estonian composer Jüri Reinvere has composed his first opera. Enno Poppe has already composed for the stage, but IQ will be his first opera. Moritz Eggert has already composed several chamber operas and more than ten ‘grand’ operas. Suzanne Giraud : Caravaggio Ludger Vollmer : Border Opera in 4 acts Opera for children Libretto : Dominique Fernandez after his novel La Libretto : Stephanie Schiller, after Euripides’ Children Course à l’Abîme of Herakles Metz, Opéra-Théâtre (concert version) Köln, Palladium - Bühne 2 April 6, 2012 April 13, 2012 with Werner Sindemann, Sandra Janke, Gloria Rehm, Charlie Kedmenec, Matias Tosi, Ralf Rachbauer Conducted by Fuad Ibrahimov and directed by Elena Tzavara with Philippe Jaroussky, Maria Riccarda Wesseling, Anders Dahlin, Alain Buet, Luc Bertin-Hugault. After the political murder of her father, Macaria and her François-Xavier Roth conducts. siblings flee from their homeland. Their goal is to meet in exile an old friend of their father. Macaria falls in The opera describes the singular and violent life of the love with the friend’s son, but, pursued by their painter Michelangelo Merisi da Caravaggio in the enemies, they have to flee again. The son will follow beginning of the 17th century.
    [Show full text]
  • Festivalio GAIDA 2020 Programa-Katalogas
    Festivalio GAIDA 2020 žvilgsniai: ŽVILGSNIS Į MOTERIS ŽVILGSNIS Į VYRUS ŽVILGSNIS Į BALSUS ŽVILGSNIS Į MUŠAMUOSIUS ŽVILGSNIS Į AMERIKĄ ŽVILGSNIS Į MUŠAMUOSIUS ŽVILGSNIS Į MUŠAMUOSIUS ŽVILGSNIS Į ENERGIJĄ ŽVILGSNIS Į „TRANSĄ“ ŽVILGSNIS Į PRAEITĮ ŽVILGSNIS Į PRAEITĮ RINKTINĖ LIETUVIŲ MUZIKOS KOLEKCIJA–1 RINKTINĖ LIETUVIŲ MUZIKOS KOLEKCIJA–2 ŽVILGSNIS Į ATEITĮ ŽVILGSNIS Į MEISTRUS ŽVILGSNIS Į ATMINTĮ ŽVILGSNIS Į SAVE IN FOCUS – festivalio kompozitoriai | Guest Composers of the Festival: JENNIFER WALSHE | UNSUK CHIN | BEAT FURRER PB 1 PROGRAMA | TURINYS In Focus: JENNIFER WALSHE 6 UNSUK CHIN 9 BEAT FURRER 13 Susitikimai: Spalio 28 d., trečiadienis, 18 val. Spalio 30 d., penktadienis, 18 val. Menų spaustuvė Vilniaus kongresų rūmai JENNIFER WALSHE TAMARA STEFANOVICH, ANU TALI Spalio 29 d., ketvirtadienis, 18 val. Lapkričio 6 d., penktadienis, 18 val. Šiuolaikinio meno centras Šiuolaikinio meno centras UNSUK CHIN BEAT FURRER 16 Spalio 22 d., ketvirtadienis, 19 val. 36 Spalio 25 d., sekmadienis, 19 val. Lietuvos nacionalinė filharmonija Lietuvos nacionalinė filharmonija FESTIVALIO ATIDARYMO KONCERTAS STEVE REICH | DRUMMING PORTLAND PERCUSSION GROUP (JAV) PORTLAND PERCUSSION GROUP (JAV) COLIN CURRIE GROUP (Jungtinė Karalystė) Douglas Hertz. Fixtures in the Fold (2017) Lina Valionienė, Milda Zapolskaitė (balsai), Paul Lansky. Threads (2005) Lina Baublytė (fleita), Džiugas Daugirda (mušamieji) Steven Snowden. Van Gogh from Space (2015) Connor Shafran (C. Snow). Continental Steve Reich. Drumming (1970–1971) Divide (2015) Spalio 27 d., antradienis, 19 val. Philip Glass. Opening, Island, Closing 40 Lietuvos nacionalinė filharmonija iš Glassworks (1981) RINKTINĖ LIETUVIŲ MUZIKOS KOLEKCIJA–1 26 Spalio 23 d., penktadienis, 19 val. LIETUVOS KAMERINIS ORKESTRAS Lietuvos nacionalinė filharmonija PETRAS GENIUŠAS (fortepijonas) UGNIUS DIČIŪNAS (obojus) COLIN CURRIE GROUP VAIVA EIDUKAITYTĖ-STORASTIENĖ (Jungtinė Karalystė) (klavesinas) Joseph Pereira.
    [Show full text]
  • Page 1 of 1 Menų Faktūra 08/08/2011
    Men ų fakt ūra Page 1 of 1 LT EN 2011 m. rugpj ūč io 08 d., pirmadienis Paie ška Naujienos Naujienos Recenzijos Nauj ą sezon ą „Multikino” pradeda transliacija iš Taorminos meno festivalio Komentarai 2011 08 01 Versija spausdinimui Užsienyje lrytas.lt, 2011 08 01 Salonas Rugpj ūč io 9 dien ą, antradien į, kino centras „Multikino" pradeda nauj ąjį oper ų Anonsai ir šokio spektakli ų transliacij ų sezon ą, kur į atidarys Giuseppe Verdi opera „Nabukas". J ą kino centras transliuos tiesiogiai iš vieno geriausiai išlikusi ų, Lai škai į scen ą didingo kraštovaizdžio apsupto, atviro Taorminos senov ės graik ų teatro Sicilijoje - opera įtraukta į vasar ą vykstan čio prestižinio Taormino meno Apie mus festivalio program ą. „Opera „Nabukas" - vienas nuostabiausi ų Verdžio parašyt ų kūrini ų. Lietuvoje Režisieriai ji buvo viena populiariausi ų, ta čiau jau dešimtmet į nerodyta ir labai laukiama", - sako maestro Vytautas Juozapaitis, kurio vadovaujamas Vytauto Dailininkai Juozapai čio edukacinis kult ūros ir meno centras tapo naujojo „Multikino" sezono ambasadoriumi ir glob ėju. Kompozitoriai Lietuvos teatrai Operoje pagrindin į Babilono karaliaus Nabuko vaidmen į kuria vienas Verdi „Aida” Taorminos graik ų teatre žymiausi ų pasaulio bariton ų Juanas Ponsas, kuris kaip kviestinis sve čias Užsienio teatrai pasirodo Milano „La Scala", Niujorko „Metropolitan", Londono „Covent Garden", Paryžiaus, Ciuricho, Barselonos „Liceo" ir kit ų garsiausi ų operos teatr ų scenose. Tuo tarpu Jeruzal ės karaliaus s ūnėno Izmaelio Institucijos partij ą atliks Massimiliano Chiarolla, išgars ėjęs lyrinio baritono vaidmenimis prestižiniuose Italijos teatruose, aukšto žyd ų dvasininko Zakarijaus - daugelio konkurs ų, tarp kuri ų - Luciano Pavarotti konkursas Filadelfijoje, laim ėtojas ital ų bosas Francesco Ellero d´Artegna.
    [Show full text]