DOCSLIB.ORG

Conference Proceedings 2019!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FOREWORD PROCEEDINGS OF THE ESIDRP INTERNATIONAL CONFERENCE, 21ST – 23RD MARCH 2019 Ss Cyril and Methodius University in Skopje Универзитет „Св. Кирил и Методиј“ во Скопје ii ENGLISH STUDIES AT THE INTERFACE OF DISCIPLINES: RESEARCH AND PRACTICE Ss Cyril and Methodius University in Skopje Универзитет „Св. Кирил и Методиј“ во Скопје Proceedings of the ESIDRP International Conference: English Studies at the Interface of Disciplines: Research and Practice (ESIDRP) (March 21-23, 2019, Skopje, R. N. Macedonia) Зборник на трудови од меѓународната конференција: Студии по англистика – Интердисциплинарност во Истражувањата и практиката (ЕСИДРП) (21-23 март, 2019, Скопје, Р. С. Македонија) Skopje/Скопје, 2020 iii PROCEEDINGS OF THE ESIDRP INTERNATIONAL CONFERENCE, 21ST – 23RD MARCH 2019 Издавач/Publisher Универзитет ,,Св. Кирил и Методиј“, Скопје Филолошки факултет ,,Блаже Конески“ Ss Cyril and Methodius University in Skopje Blaze Koneski Faculty of Philology Уредник/Editor-in-chief Проф. д-р Анета Дучевска, Декан Prof. Aneta Duchevska, Dean Меѓународен одбор/International board of Reviewers: д-р Ричард Феј (Richard Fay), Велика Британија д-р Џој Егберт (Joy Egbert), САД д-р Стивен Фолк (Steven Foulke), САД д-р Нина Лазаревиќ (Nina Lazarevic), Србија д-р Рајна Кошка-Хот (Rajna Koshka-Hot), Р. С. Македонија д-р Анжела Николовска (Anzhela Nikolovska), Р. С. Македонија д-р Калина Малеска (Kalina Maleska), Р. С. Македонија д-р Елени Бужаровска (Eleni Buzarovska), Р. С. Македонија д-р Анастазија Киркова-Наскова (Anastazija Kirkova-Naskova), Р. С. Македонија д-р Борис Наимушин (Boris Naimushin), Бугарија д-р Даг Ливингстон (Doug Livingston), Канада д-р Људмила Арчимавичене (Liudmila Arcimaviciene), Литванија Уредници/Editors: д-р Мира Беќар/Mira Bekar, PhD д-р Зорица Трајкова/ Zorica Trajkova, PhD д-р Милан Дамјаноски/Milan Damjanoski, PhD д-р Анета Наумоска/ Aneta Naumoska, PhD Лектура/Proofreading: Biljana Naumoska-Sarakinska, PhD Aneta Naumoska, PhD Дизајн на корица/Cover design: Matthew Ager Компјутерска обработка/Graphic design and online print: Matthew Ager iv ENGLISH STUDIES AT THE INTERFACE OF DISCIPLINES: RESEARCH AND PRACTICE Contents Contents ............................................................................................................................................................................ v Предговор/Foreword ...................................................................................................................................................... vii Section 1: Plenary Talks ..................................................................................................................................................... 1 Joy Egbert: Task Engagement As A Facilitator Of Achievement In (Language) Learning ....................................................... 2 Richard Fay: Languaging And Epistemic Injustice: English At The Intercultural Interface .................................................... 14 Section 2: Linguistics (Theoretical Inquiry, Applied Linguistics, ELT, Translation and Interpreting) .................................... 35 Silvana Neshkovska & Zorica Trajkova: Hate Speech On Social Media Over The Macedonia Naming Dispute .................... 36 Elena Ončevska Ager: Power Relationships And Learning To Teach: Insights From Discourse Analysis ............................... 52 Tea Duza: From Small Data To Big Impact: Sentiment Analysis As A Stepping-Stone In Predictive Analytics ...................... 65 Katerina Vidova: English Absolute Participle Clauses And Their Macedonian Equivalents ................................................... 77 Biljana Naumoska-Sarakinska: Exploring Efl Assessment Through Learners’ Perceptions ................................................... 92 Michael B. Hinner: Identifying Potential Curricula Contents To Reduce Ethnocentrism, Stereotypes, And Prejudices ....... 106 Mira Bekar & Aleksandar Takovski: “While The Ball Is In The Air”: Metaphors And Humour In The 2018 World Cup Commentaries ..................................................................................................................................................................... 125 Section 3: Literature, Translation and Culture ................................................................................................................ 139 Ana Kečan: Irvin Yalom – Literature, Philosophy, Psychotherapy ....................................................................................... 140 Vasko Talevski: To Room Nineteen: A Psychoanalytic Analysis Of Susan Rawlings ............................................................ 149 Jonathan McCreedy: James Joyce And Experimental Music In Zurich And Paris: The Modern ‘Sirens’ Fugue, Acoustic Harmony Theory And Stravinsky’s The Rite Of Spring ........................................................................................................ 159 Kalina Maleska: Coexistence Of Incongruous Worlds In Game Of Thrones ........................................................................ 176 Ivana Trajanoska: Breaking Traditional Narratives And The Patriarchal Culture Through Music And Silence: Dorothy Richardson Vs Virginia Woolf ............................................................................................................................................. 189 Dragana R. Mašović: A Portrait Of The Terrorist: Where Fiction Ends And Non-Fiction Begins ......................................... 203 Iskra Tasevska Hadji Boshkova: The Familiar Letter And Its Generic Boundaries ............................................................... 219 Bojan Međedović: The Symbolism Of Trees In George Macdonald's Phantastes: Ash, Alder And Beech ........................... 233 Rumena Bužarovska: Translating Lewis Carroll’s Alice In Wonderland Poems Into Macedonian ...................................... 245 Tatjana Srceva-Pavlovska: Female Madness As A Sub-Element Of Gothic And Fantastic Literature ................................. 257 Slavica Srbinovska: What Does It Mean To Write About Humanity In The Field Of General And Comparative Literature?268 Hristina Madjirova: Adaptations Of Shakespeare’s Works As A Teaching Aid ................................................................... 284 Elena Damjanoska: Adaptation Of The Novel Into Different Media Through The Works Of Mo Yan And P. M. Andreevski ............................................................................................................................................................................................ 298 v PROCEEDINGS OF THE ESIDRP INTERNATIONAL CONFERENCE, 21ST – 23RD MARCH 2019 vi ENGLISH STUDIES AT THE INTERFACE OF DISCIPLINES: RESEARCH AND PRACTICE Предговор/Foreword Welcome to the second volume of the ESIDRP Proceedings which contains papers from the international conference English Studies at the Interface of Disciplines: Research and Practice (ESIDRP). The conference, organised by the Department of English language and literature, took place in March 11-13th, 2019, at Blazhe Koneski Faculty of Philology, Ss. Cyril and Methodus University in Skopje, R. N. Macedonia. The focus of this conference is interdisciplinarity, and it encourages scholars to present work that combines academic disciplines in order to understand better complex matters explored from various perspectives. The conference participants presented work combining disciplines such as linguistics (theoretical and applied), culture, intercultural education, literary theory, media studies, ethnography, foreign language teaching, sports, artificial intelligence, music, and philosophy. Besides scholars, the conference organisers invited practitioners who work in high schools, private language schools or have valuable experience teaching languages and literature to present their teaching practices. The session in which students presented posters with current research was impressive and inspired beneficial discussions. Interdisciplinary collaborations are complex and usually the explorations focus on the English language and Anglo-centered literature raising the possibility of preferred academic dominance. Many of the authors presented in the Proceedings questioned what happens when ideas from one discipline are brought into another through the use of English. Specifically, the following issues and concepts were addressed: task engagement in foreign language teaching, epistemic injustice, hate speech, power relation in teaching, artificial intelligence and machine learning, EFL assessment, music, female madness, ethnocentrism, Game of Thrones and Alice in Wonderland. We would like to thank the Organising Committee chaired by prof. Kalina Maleska, the Faculty of Philology and Ss. Cyril and Methodius University for providing all the needed support, funding and facilities. Through the Fulbright Exchange Program and The Embassy of the United States we were able to invite a Fulbright scholar to give a plenary talk. Without student volunteers conferences are hard, even sometimes impossible, to be organised. Their developing devotion to academic activities, along with their growing professionalism should be counted as another positive outcome of the conference and the Proceedings. vii FOREWORD As editors we are pleased that we have managed to compile this volume during difficult times marked by COVID-19. That is one of the main reasons why this year the Proceedings are published online online. All the papers included underwent blind review by members of the international editorial
Recommended publications
  • Aspects of Jazz and Classical Music in David N. Baker's Ethnic Variations

    Aspects of Jazz and Classical Music in David N. Baker's Ethnic Variations

    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini Heather Koren Pinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Pinson, Heather Koren, "Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini" (2002). LSU Master's Theses. 2589. https://digitalcommons.lsu.edu/gradschool_theses/2589 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ASPECTS OF JAZZ AND CLASSICAL MUSIC IN DAVID N. BAKER’S ETHNIC VARIATIONS ON A THEME OF PAGANINI A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Heather Koren Pinson B.A., Samford University, 1998 August 2002 Table of Contents ABSTRACT . .. iii INTRODUCTION . 1 CHAPTER 1. THE CONFLUENCE OF JAZZ AND CLASSICAL MUSIC 2 CHAPTER 2. ASPECTS OF MODELING . 15 CHAPTER 3. JAZZ INFLUENCES . 25 BIBLIOGRAPHY . 48 APPENDIX 1. CHORD SYMBOLS USED IN JAZZ ANALYSIS . 53 APPENDIX 2 . PERMISSION TO USE COPYRIGHTED MATERIAL . 54 VITA . 55 ii Abstract David Baker’s Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term “third stream.” In regard to classical aspects, Baker’s work is modeled on Nicolò Paganini’s Twenty-fourth Caprice for Solo Violin, itself a theme and variations.
  • Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men

    Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men

    Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide
  • The American Stravinsky

    The American Stravinsky

    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries.
  • Universiv Micrcsilms International

    Universiv Micrcsilms International

    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. Tlie sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
  • Lo Spazio Ionico E La Comunità Della Grecia Occidentale: Territorio

    Lo Spazio Ionico E La Comunità Della Grecia Occidentale: Territorio

    Università Ca’ Foscari Venezia Dipartimento di Scienze dell’Antichità e del Vicino Oriente PRIN 2007 La ‘terza’ Grecia e l’Occidente Convegno Lo spazio ionico e le comunità della Grecia nord-occidentale Territorio, società, istituzioni a cura di Claudia Antonetti Venezia, 7-9 gennaio 2010 Si ringrazia Istituto Ellenico di Studi Bizantini e Postbizantini di Venezia Sede del convegno Venezia, Università Caʹ Foscari Palazzo Marcorà Malcanton, Sala Conferenze Dorsoduro 3484/D 30123 Venezia Segreteria dott. Damiana Baldassarra, dott. Edoardo Cavalli Laboratorio di Epigrafia greca Dipartimento di Scienze dellʹAntichità e del Vicino Oriente Palazzo Marcorà Malcanton ‐Dorsoduro 3484/D ‐30123 Venezia tel. +39 041 234 6361 fax +39 041 234 6370 e‐mail: [email protected] 2 PRESENTAZIONE Con questo convegno si desidera instaurare un dialogo tra storici ed archeologi che studiano la Grecia nord‐occidentale per favorire la discussione e la comunicazione di informazioni scientifiche. Le linee guida che strutturano l’incontro sono l’interconnessione fra la Grecia nord‐occidentale e le Isole ioniche, le analogie e i contatti con l’Occidente, la possibile esistenza di una koinè interregionale nell’ambito della storia materiale, sociale, istituzionale che esiga la costituzione di un autonomo campo di ricerca e ne motivi la funzionalità. Il convegno si situa all’interno delle attività del Progetto di rilevante interesse nazionale (PRIN) 2007 La ‘terza’ Grecia e l’Occidente (http://www.storia.unina.it/grecia/) ed è organizzato da Claudia Antonetti, responsabile scientifico dell’Unità di ricerca di Ca’ Foscari, con l’aiuto dei suoi colleghi e collaboratori: Stefania De Vido, Damiana Baldassarra, Edoardo Cavalli, Francesca Crema, Silvia Palazzo, Ivan Matijašić, Anna Ruggeri.
  • Troy-Story-Non-Rhyming-Script-Sample

    Troy-Story-Non-Rhyming-Script-Sample

    ‘Troy Story’ by Andrew Oxspring NON-RHYMING SCRIPT SAMPLE (To the intro music (track 9) the whole cast enters and positions are taken for the first song.) Song (tracks 1 & 10, lyrics p17) (Whole cast) (To one side of the main stage stand four narrators, reading from scrolls.) Narrator 1 Welcome, one and all, to our little bit of theatre which tells a tragic tale from Ancient Greece! Prepare to be astonished, astounded and amazed at just how crazy things could get three thousand years ago! Narrator 2 Before we start, however, we must ask that you keep any coughing, sneezing and, dare we say, snoring to a minimum – our actors are very sensitive, you know! Oh, and in respect for the historical period we are portraying, please ensure that all your mobile phones have been switched off! They didn’t have them in those days, in case you weren’t aware! Narrator 3 So, let’s begin our story on Mount Olympus, a paradise home to the gods and goddesses of Ancient Greece. We say ‘paradise’, but on this particular day things weren’t so happy and relaxed. Three of the goddesses had really got the hump with each other! (Hera, Athene and Aphrodite enter and stand on one side of the stage, hands on hips, glaring angrily at each other. Zeus leads on the other gods and goddesses and they stand opposite.) Narrator 4 Hera, Athene and Aphrodite had fallen out! It seemed that these three ladies couldn’t agree on who the winner of ‘most glamourous goddess’ should be.
  • Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung

    Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JASCHA HEIFETZ, DAVID OISTRAKH, JOSEPH SZIGETI: THEIR CONTRIBUTIONS TO THE VIOLIN REPERTOIRE OF THE TWENTIETH CENTURY By Jae Won (Noella) Jung A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Jae Won (Noella) Jung All Rights Reserved The members of the Committee approve the treatise of Jae Won (Noella) Jung on March 2, 2007. ____________________________________ Karen Clarke Professor Directing Treatise ____________________________________ Jane Piper Clendinning Outside Committee Member ____________________________________ Alexander Jiménez Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS First of all, I would like to express my sincere appreciation to my advisor, Professor Karen Clarke, for her guidance and support during my graduate study at FSU and I am deeply grateful for her advice and suggestions on this treatise. I would also like to thank the rest of my doctoral committee, Professor Jane Piper Clendinning and Professor Alexander Jiménez for their insightful comments. This treatise would not have been possible without the encouragement and support from my family. I thank my parents for their unconditional love and constant belief, my sister for her friendship, and my nephew Jin Sung for his precious smile.
  • The Ithacan, 1934-02-23

    The Ithacan, 1934-02-23

    Ithaca College Digital Commons @ IC The thI acan, 1933-1934 2-23-1934 The thI acan, 1934-02-23 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1933-34 Recommended Citation Ithaca College, "The thI acan, 1934-02-23" (1934). The Ithacan, 1933-1934. 19. http://digitalcommons.ithaca.edu/ithacan_1933-34/19 This Newspaper is brought to you for free and open access by Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1933-1934 by an authorized administrator of Digital Commons @ IC. ' "Scampers" The Oracle! ''Srampers"J Get Your ·Tickets! aran February 28 rOI .. IV. No. 19 Ithaca College, Ithaca, New York, Febduary 23, 1934 I. C. Basketball T earn Sergei Rachmaninoff Ithaca College Engages Scores Another Victory Accepts Membership Pryor, Noted Conductor, ·th M h . On I. College Board I n Game W1 ec antes - To Head I. C. Band Dept. ~---------- ·------ At the meeting of the Boar<l ol • T i'rustees of Ithaca College formerly Ben Pismanoff Stars, Making TO TEACH HERE Famous Conductor and Trom­ I • C• W restI tng earn lthaca Conservatory, held' Februar\' bonist, Engaged for Summer 19 Points; Score 50-43. Frosh Loses To E. Stroud. 1 ?, the n~te<l . composer ~nd pian~ Will Probably Continue 1d Also Score Over M. I. virtuoso, Sergei Rachmamnoff, was Fall The Ithaca College wrestling team el.ected a member of the Board. In went down to a 24¼ to 7 ½ defeat his letter of acceptance, to the Cha.ir­ The following is reprinted from Ithaca College's basketball team at the hands of a powerful East man ~f t~~ Board, ~1r ..Rachmamn­ the Ithaca-Journal News and is of continued along its winning way Fri­ Stroudsburg contingent on the local off said: .
  • Orality, Fluid Textualization and Interweaving Themes

    Orality, Fluid Textualization and Interweaving Themes

    Orality,Fluid Textualization and Interweaving Themes. Some Remarks on the Doloneia: Magical Horses from Night to Light and Death to Life Anton Bierl * Introduction: Methodological Reflection The Doloneia, Book 10 of the Iliad, takes place during the night and its events have been long interpreted as unheroic exploits of ambush and cunning. First the desperate Greek leader Agamemnon cannot sleep and initiates a long series of wake-up calls as he seeks new information and counsel. When the Greeks finally send out Odysseus and Diomedes, the two heroes encounter the Trojan Dolon who intends to spy on the Achaeans. They hunt him down, and in his fear of death, Dolon betrays the whereabouts of Rhesus and his Thracian troops who have arrived on scene late. Accordingly, the focus shifts from the endeavor to obtain new knowledge to the massacre of enemies and the retrieval of won- drous horses through trickery and violence. * I would like to thank Antonios Rengakos for his kind invitation to Thessalo- niki, as well as the editors of this volume, Franco Montanari, Antonios Renga- kos and Christos Tsagalis. Besides the Conference Homer in the 21st Century,I gave other versions of the paper at Brown (2010) and Columbia University (CAM, 2011). I am grateful to the audiences for much useful criticism, partic- ularly to Casey Dué, Deborah Boedeker, Marco Fantuzzi, Pura Nieto Hernan- dez, David Konstan, Kurt Raaflaub and William Harris for stimulating conver- sations. Only after the final submission of this contribution, Donald E. Lavigne granted me insight into his not yet published manuscript “Bad Kharma: A ‘Fragment’ of the Iliad and Iambic Laughter” in which he detects iambic reso- nances in the Doloneia, and I received a reference to M.F.
  • Tennyson's Poems

    Tennyson's Poems

    Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
  • With an English Translation

    With an English Translation

    THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LX,.D. EDITED BY fT. E. PAGE, C.H., LITT.D. E. CAPPS, PH.D., LL.D. tW. H. D. ROUSE, litt.d. A. POST, M.A. E. H. WARMINGTON, m.a., f.r.hist.soc. LIVY XIII BOOKS XLIII—XLV m^( LIYY WITH AN ENGLISH TRANSLATION IN FOURTEEN VOLUMES XIII BOOKS XLIII—XLV TRANSLATED BY ALFRED C. SCHLESINGER, Ph.D. ASSOCIATE PROFESSOR OP CLASSICS IN OBERLIN COLLEGE LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MCMLI Printed in Great Britain V.I3 TRANSLATOR'S PREFACE A FULLER report of the text is given in this vohmie than in the immediately preceding volume. The attempt has been made to present all emendations subsequent to the editio pri?iceps ; but a few repeated misspellings of proper names and similarly obvious corrections are not reported. A few of the emenda- tions of the princeps have been included exempli gratia. The apparatus of Giarratano (Titi Livi Ah Urhe Condita Libri XLI-XLF, Rome, 1933) has been constantly consulted, but not always followed. The maps are intended to show the location of all places mentioned in the volume, if the location is known. Kiepert's Atlas Antiquus has been used in preparing these maps ; places not located by Kiepert have a question-mark following the name. Where the name is spelled by Kiepert in a way conspicuously different from the Livy text, the Kiepert spelling will be found in parentheses in the Index. The map of Rome is taken from O. Richter, Topograpkie der Stadt Rom, Miinchen, Beck, 1901 (Iwan MuUer, Handbuch, III, 3), by kind permission of the pub- lishers.
  • Françoise Létoublon We Shall Here Study the Possible Coherence Or

    Françoise Létoublon We Shall Here Study the Possible Coherence Or

    Brolly. Journal of Social Sciences 1 (2) 2018 LIVING IN IRON, DRESSED IN BRONZE: METAL FORMULAS AND THE CHRONOLOGY OF AGES1 Françoise Létoublon UFR LLASIC University Grenoble-Alpes, France [email protected] Abstract. Names of important metals such as gold, silver, iron, and bronze occur many times in the Homeric Epics. We intend to look at them within the framework of oral poetry, with the purpose to determine if they form a more or less coherent set of “formulas”, in the sense defined by Milman Parry and the Oral Poetry Theory2, and to test a possible link with the stages of the evolution of humankind. Though several specialists criticized some excess in Parry’s and Lord’s definitions of the formula, we deem the theory still valuable in its great lines and feel no need to discuss it for the present study3. The frequent use of bronze in epical formulas for arms, while the actual heroes fight their battles with iron equipment, and the emphasis of gold in the descriptions of wealth may reflect a deep-seated linguistic memory within the archaic mindset of the Ages of Mankind. With Homer’s language as our best witness, metal formulas testify to the importance of the tradition of the Ages of Mankind in understanding the thought patterns and value-systems, as well as some linguistic usages of the Homeric Epics. Keywords: oral poetry, the Myth of Ages, metals, gold, bronze, iron, metaphors, anthropology We shall here study the possible coherence or opposition between linguistic and literary artefacts in Homer and Hesiod on one hand, and archaeological or historical data on the other.