Accelerated Reader Quiz List - Reading Practice 12/10/10 5:27 PM
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(XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released. -
Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160
Stand-up Comedy in Theory, or, Abjection in America John Limon Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 1 of 160 Stand-up Comedy in Theory, or, Abjection in America 6030 Limon / STAND UP COMEDY / sheet 2 of 160 New Americanists A series edited by Donald E. Pease Tseng 2000.4.3 18:27 Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 3 of 160 John Limon Duke University Press Stand-up Comedy in Theory, or, Abjection in America Durham and London 2000 6030 Limon / STAND UP COMEDY / sheet 4 of 160 The chapter ‘‘Analytic of the Ridiculous’’ is based on an essay that first appeared in Raritan: A Quarterly Review 14, no. 3 (winter 1997). The chapter ‘‘Journey to the End of the Night’’ is based on an essay that first appeared in Jx: A Journal in Culture and Criticism 1, no. 1 (autumn 1996). The chapter ‘‘Nectarines’’ is based on an essay that first appeared in the Yale Journal of Criticism 10, no. 1 (spring 1997). © 2000 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Typeset in Melior by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 5 of 160 Contents Introduction. Approximations, Apologies, Acknowledgments 1 1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up 11 2. Nectarines: Carl Reiner and Mel Brooks 28 3. -
Copyrighted Material
c01.qxd 12/18/06 1:10 PM Page 5 1 Out of the Ashes of Despair The difference [between a director and an auteur] is that a director who is working for a living simply does the job, which may not be akin to his philosophy, but it is not inconsistent to have the same man being both. The word is “hunger.” If you are hungry and nobody will buy your orig- inal idea, you might get lucky, direct a Kellogg’s cornflakes commercial and take home a few boxes. —Mel Brooks, 1971 n the early 1970s, Mel Brooks had reason to find himself in an ironic I position as far as his career was concerned. He had already won Acad- emy Awards and Emmys, and had hit radio commercials and three suc- cessful comedy albums (such as The 2000 Year Old Man). He was a veteran of the writing teams for two of the most cherished series of Amer- ican television’s golden age: Your Show of Shows and Caesar’s Hour. Brooks’s recent association with the highly successful sitcom Get Smart had enhanced his visibility with the public and given him additional industry credibility.COPYRIGHTED Although his movie TheMATERIAL Twelve Chairs (1970) had failed to make any tangible impact at the box office, The Producers (1968) was well on its way to becoming a cult favorite. Yet Brooks was now unable to get any new show business projects off the ground and into production. How many times, he must have won- dered, did he have to crash through the establishment’s barriers before he gained solid acceptance from his peers and the public? How long could he continue to subject himself to the ordeal of starting over—yet again? 5 c01.qxd 12/18/06 1:10 PM Page 6 6 IT’S GOOD TO BE THE KING For a time, Mel wanted to produce a film version of She Stoops to Conquer. -
February 23, 2016 (XXXII:5) Mel Brooks, the PRODUCERS (1967, 88 Min)
February 23, 2016 (XXXII:5) Mel Brooks, THE PRODUCERS (1967, 88 min) Directed by Mel Brooks Written by Mel Brooks Produced by Sidney Glazier Music John Morris Cinematography Joseph F. Coffey Film Editing Ralph Rosenblum Zero Mostel…Max Bialystock Gene Wilder…Leo Bloom Dick Shawn…L.S.D. - Lorenzo St. DuBois Kenneth Mars…Franz Liebkind Lee Meredith…Ulla Christopher Hewett…Roger De Bris Andréas Voutsinas…Carmen Ghia Estelle Winwood…'Hold Me Touch Me' Renée Taylor…Eva Braun David Patch…Goebbels William Hickey…The Drunk Martin…Göring Musical, Original Music Score and Book (musical); and 3 Shimen Ruskin…The Landlord Grammys- Best Spoken Comedy Album for "The 2000 Year Old Frank Campanella…The Bartender Man In The Year 2000" (1998, with Carl Reiner) and two for Josip Elic…Violinist The Producers (2001): Best Musical Show Album (as Madelyn Cates…Concierge (as Madlyn Cates) composer/lyricist) and Best Long Form Music Video (as artist). John Zoller…Drama Critic Brooks has many funny trademarks in his films, for instance his Brutus Peck…Hot Dog Vendor films often contain references to the film's sequel, which never Mel Brooks…Singer in 'Springtime for Hitler' (voice) come to pass. Good examples of this are History of the World: (uncredited) Part I (1981), Spaceballs (1987) and Robin Hood: Men in Tights Bill Macy…Jury Foreman (uncredited) (1993). Additionally, Brooks always features one scene in his movies in which the main character is seated and staring blankly, MEL BROOKS (b. Melvin James Kaminsky on June 28, 1926 wondering what went wrong, while friends console him. In fun in Brooklyn, New York) served in WWII, and afterwards got a trivia, The Producers (1967) was the inspiration for the title of job playing the drums at nightclubs in the Catskills. -
Department of English and American Studies Sid Caesar and His
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Be. Vojtěch Vokurka Sid Caesar and His Writers: Revolution in American Comedy Masters Diploma Thesis Supervisor: GeneTerruso, M.F.A. 2018 / declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Vojtěch Vokurka Acknowledgement I would like to thank my supervisor, Mr. Gene Terruso, for his time, for his ideas and for introducing me to Sid Caesar and his work. Also, I would like to thank Sid Caesar, his actors and writers for keeping me entertained while I was working on this thesis. Table of Contents Introduction 6 1. Caesar's Shows 8 1.1 When Liebman Met Caesar 8 1.1 The Cast 13 1.3 The Writers 16 1.4 Evolution of American Sketch Comedy 19 2. Jewishness in Caesar's Humor 23 2.1 Roots of Jewish Comedy in America 23 2.2 Muting the Jewishness 25 2.3 Characteristics of Jewish Humor 27 2.4 Reaching the General Audience 33 2.5 Being Openly Jewish 35 2.6 Evolution of American Humor 39 3. Parody in Caesar's Sketches 45 3.1 Caesar's Parodies 45 3.2 Parody on Saturday Night Live 48 3.3 Movie Parodies 50 4. Caesar and Physical Comedy 54 4.1 History of Physical Comedy 54 4.2 Physical Comedy in Caesar's Sketches 56 4.3 Physical Comedy in the Years after Caesar 59 Conclusion 64 Bibliography 66 Primary Sources 66 Secondary Sources 70 Introduction When comedian Sid Caesar died in 2014, the news outlets all over the United States printed their obituaries. -
Troy-Story-Non-Rhyming-Script-Sample
‘Troy Story’ by Andrew Oxspring NON-RHYMING SCRIPT SAMPLE (To the intro music (track 9) the whole cast enters and positions are taken for the first song.) Song (tracks 1 & 10, lyrics p17) (Whole cast) (To one side of the main stage stand four narrators, reading from scrolls.) Narrator 1 Welcome, one and all, to our little bit of theatre which tells a tragic tale from Ancient Greece! Prepare to be astonished, astounded and amazed at just how crazy things could get three thousand years ago! Narrator 2 Before we start, however, we must ask that you keep any coughing, sneezing and, dare we say, snoring to a minimum – our actors are very sensitive, you know! Oh, and in respect for the historical period we are portraying, please ensure that all your mobile phones have been switched off! They didn’t have them in those days, in case you weren’t aware! Narrator 3 So, let’s begin our story on Mount Olympus, a paradise home to the gods and goddesses of Ancient Greece. We say ‘paradise’, but on this particular day things weren’t so happy and relaxed. Three of the goddesses had really got the hump with each other! (Hera, Athene and Aphrodite enter and stand on one side of the stage, hands on hips, glaring angrily at each other. Zeus leads on the other gods and goddesses and they stand opposite.) Narrator 4 Hera, Athene and Aphrodite had fallen out! It seemed that these three ladies couldn’t agree on who the winner of ‘most glamourous goddess’ should be. -
Orality, Fluid Textualization and Interweaving Themes
Orality,Fluid Textualization and Interweaving Themes. Some Remarks on the Doloneia: Magical Horses from Night to Light and Death to Life Anton Bierl * Introduction: Methodological Reflection The Doloneia, Book 10 of the Iliad, takes place during the night and its events have been long interpreted as unheroic exploits of ambush and cunning. First the desperate Greek leader Agamemnon cannot sleep and initiates a long series of wake-up calls as he seeks new information and counsel. When the Greeks finally send out Odysseus and Diomedes, the two heroes encounter the Trojan Dolon who intends to spy on the Achaeans. They hunt him down, and in his fear of death, Dolon betrays the whereabouts of Rhesus and his Thracian troops who have arrived on scene late. Accordingly, the focus shifts from the endeavor to obtain new knowledge to the massacre of enemies and the retrieval of won- drous horses through trickery and violence. * I would like to thank Antonios Rengakos for his kind invitation to Thessalo- niki, as well as the editors of this volume, Franco Montanari, Antonios Renga- kos and Christos Tsagalis. Besides the Conference Homer in the 21st Century,I gave other versions of the paper at Brown (2010) and Columbia University (CAM, 2011). I am grateful to the audiences for much useful criticism, partic- ularly to Casey Dué, Deborah Boedeker, Marco Fantuzzi, Pura Nieto Hernan- dez, David Konstan, Kurt Raaflaub and William Harris for stimulating conver- sations. Only after the final submission of this contribution, Donald E. Lavigne granted me insight into his not yet published manuscript “Bad Kharma: A ‘Fragment’ of the Iliad and Iambic Laughter” in which he detects iambic reso- nances in the Doloneia, and I received a reference to M.F. -
US Watermark
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Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Françoise Létoublon We Shall Here Study the Possible Coherence Or
Brolly. Journal of Social Sciences 1 (2) 2018 LIVING IN IRON, DRESSED IN BRONZE: METAL FORMULAS AND THE CHRONOLOGY OF AGES1 Françoise Létoublon UFR LLASIC University Grenoble-Alpes, France [email protected] Abstract. Names of important metals such as gold, silver, iron, and bronze occur many times in the Homeric Epics. We intend to look at them within the framework of oral poetry, with the purpose to determine if they form a more or less coherent set of “formulas”, in the sense defined by Milman Parry and the Oral Poetry Theory2, and to test a possible link with the stages of the evolution of humankind. Though several specialists criticized some excess in Parry’s and Lord’s definitions of the formula, we deem the theory still valuable in its great lines and feel no need to discuss it for the present study3. The frequent use of bronze in epical formulas for arms, while the actual heroes fight their battles with iron equipment, and the emphasis of gold in the descriptions of wealth may reflect a deep-seated linguistic memory within the archaic mindset of the Ages of Mankind. With Homer’s language as our best witness, metal formulas testify to the importance of the tradition of the Ages of Mankind in understanding the thought patterns and value-systems, as well as some linguistic usages of the Homeric Epics. Keywords: oral poetry, the Myth of Ages, metals, gold, bronze, iron, metaphors, anthropology We shall here study the possible coherence or opposition between linguistic and literary artefacts in Homer and Hesiod on one hand, and archaeological or historical data on the other. -
Quiz List—Reading Practice Page 1 Printed Tuesday, October 22, 2013 8:29:42 AM School: Barker Middle School
Quiz List—Reading Practice Page 1 Printed Tuesday, October 22, 2013 8:29:42 AM School: Barker Middle School Reading Practice Quizzes Quiz Word Number Lang. Title Author IL ATOS BL Points Count F/NF 9018 EN Foot Book, The Seuss, Dr. LG 0.6 0.5 132 F 44926 EN Eye Book, The Seuss, Dr. LG 0.8 0.5 152 F 9020 EN Great Day for Up! Seuss, Dr. LG 0.8 0.5 162 F 6494 EN Gone Fishing Long, Earlene LG 0.9 0.5 180 F 7297 EN Tiger Is a Scaredy Cat Phillips, Joan LG 0.9 0.5 219 F 157808 EN Blackout Rocco, John LG 1.0 0.5 158 F 7254 EN Bunny Hop, The Slater, Teddy LG 1.0 0.5 223 F 914 EN Clifford's First Autumn Bridwell, Norman U 1.0 0.5 100 909 EN Clifford's Halloween Bridwell, Norman U 1.0 0.5 100 907 EN Five Spooky Ghosts Playing Metzger, Steve U 1.0 0.5 100 Tricks at School 6648 EN Sheep in a Jeep Shaw, Nancy LG 1.0 0.5 82 F 918 EN Turtle in the Sea Arnosky, Jim U 1.0 0.5 100 9035 EN Marvin K. Mooney Will You Seuss, Dr. LG 1.1 0.5 251 F Please Go Now! 27508 EN Top Cat Ehlert, Lois LG 1.1 0.5 182 F 139497 EN Buzz Boy and Fly Guy Arnold, Tedd LG 1.3 0.5 269 F 409 EN Curious George Flies a Kite Rey, Margret LG 1.3 0.5 2,398 F 17290 EN Pigs in the Mud in the Middle of Plourde, Lynn LG 1.3 0.5 279 F the Rud 14750 EN Snowballs Ehlert, Lois LG 1.3 0.5 122 F 31587 EN Biscuit Capucilli, Alyssa Satin LG 1.4 0.5 133 F 135780 EN Fly Guy Meets Fly Girl! Arnold, Tedd LG 1.4 0.5 275 F 7276 EN Just Me and My Dad Mayer, Mercer LG 1.4 0.5 160 F 6080 EN Old Black Fly Aylesworth, Jim LG 1.4 0.5 333 F 910 EN Bat Jamboree Appelt, Kathi U 1.5 0.5 150 905 EN Best Halloween Book Whitehead, Pat U 1.5 0.5 150 924 EN Buz Egielski, Richard U 1.5 0.5 168 908 EN Clifford's First Halloween Bridwell, Norman U 1.5 0.5 150 7264 EN Double-Header Herman, Gail LG 1.5 0.5 450 F 11360 EN Fish Faces Wu, Norbert LG 1.5 0.5 148 NF 9021 EN Green Eggs and Ham Seuss, Dr. -
Funny Man’ Review: Anything for a Laugh
DOW JONES, A NEWS CORP COMPANY DJIA 27931.02 0.12% ▲ S&P 500 3372.85 0.02% ▼ Nasdaq 11019.30 0.21% ▼ U.S. 10 Yr 1/32 Yield 0.709% ▲ Crude Oil 42.23 0.02% ▼ Euro 1.1844 0.25% ▲ The Wall Street Journal John Kosner English Edition Print Edition Video Podcasts Latest Headlines Home World U.S. Politics Economy Business Tech Markets Opinion Life & Arts Real Estate WSJ. Magazine Search 15-Year Fixed 2.25% 2.42% APR Today's Refinance Rate 30-Year Fixed 2.25% 2.46% APR 2.42% 5/1 ARM 3.00% 2.96% APR APR $225,000 (5/1 ARM) $944/mo 2.96% APR Calculate Payment $350,000 (5/1 ARM) $1,409/mo 2.74% APR Terms & Conditions apply. NMLS#1136 BOOKS | BOOKSHELF SHARE FACEBOOK‘Funny Man’ Review: Anything for a Laugh TWITTERMel Brooks was ‘a gifted monster—explosive, whip-smart, vulgar, histrionic, egomaniacal, yet miraculously able to make people laugh their guts out.’ EMAIL PERMALINK Mel Brooks in ‘High Anxiety’ (1977). PHOTO: ALAMY By Edward Kosner March 15, 2019 9:59 am ET SAVE PRINT TEXT 18 Rewatching “Blazing Saddles,” Mel Brooks’s 1974 sendup of western movies, may well shock and perhaps offend. The dialogue is full of “n—s” and “f—gs,” the randy female lead played by Madeline Kahn is named “Lili Von Shtupp,” and the moron Mongo commits animal abuse by K.O.-ing a blameless horse. Political correctness? What’s that? The movie was also deemed “culturally, historically or aesthetically” significant by the Library of Congress in 2006 and preserved in the National Film Registry.