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Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
14 JPN 4930 Japanese Business Culture Section 08CE Spring 2017 COURSE DESCRIPTION
14 JPN 4930 Japanese Business Culture Section 08CE Spring 2017 COURSE DESCRIPTION This course is designed for undergraduate students who wish to acquire a broader understanding of prevailing values, attitudes, behavior patterns, and communication styles in modern Japan in regard to conducting business in the future. A key to being successful in business internationally is to understand the role of culture in international business. In this class we will explore cross-cultural issues and cultural values by reading essays from the perspective of Japan itself as well as from an external view, primarily that of Western society. Mutual assumptions, unconscious strategies, and different mechanics forming barriers to communication between Japanese and non-Japanese will be investigated in order to understand how cultural and communication differences can create misunderstanding and breakdown among individuals as well as during negotiations between companies and countries. Among other topics, business etiquette, business communication, the structure and hierarchy of Japanese companies, gender issues, socializing for success in business, and strategies for creating and maintaining effective working relationships with Japanese counterparts will be discussed. We will read several case studies on Japanese/American negotiations to understand how American managers or public officials negotiated successfully with Japanese counterparts, and what issues or problems were presented during negotiation. During the semester, students are required to submit (1) current relevant newspaper, magazine, or on-line article taken from news sources such as Japanese newspapers (English version), CNBC, Nikkei Net, JETRO, Reuters, BBC, THE ECONOMIST or TIME magazine, etc. to be pre-approved and posted by the instructor on the E-Learning in Canvas Discussion Board. -
Japanese Business Concepts You Should Know
1 Japanese Business Concepts You Should Know Edited by Parissa Haghirian Sophia University Tokyo, Japan 2 Contents About this Book ......................................................................................... 4 The Editor ................................................................................................ 5 Japanese Business Concepts You Should Know ................................................. 6 Contributors of This Book ............................................................................ 94 Bibliography ............................................................................................ 96 Further Reading on Japanese Management .................................................... 102 3 About this Book This book is the result of one of my “Management in Japan” classes held at the Faculty of Liberal Arts at Sophia University in Tokyo. Students wrote this dictionary entries, I edited and updated them. The document is now available as a free e-book at my homepage www.haghirian.com. We hope that this book improves understanding of Japanese management and serves as inspiration for anyone interested in the subject. Questions and comments can be sent to [email protected]. Please inform the editor if you plan to quote parts of the book. Japanese Business Concepts You Should Know Edited by Parissa Haghirian First edition, Tokyo, October 2019 4 The Editor Parissa Haghirian is Professor of International Management at Sophia University in Tokyo. She lives and works in Japan since 2004 -
Japanese Business Concepts You Should Know
1 Japanese Business Concepts You Should Know Edited by Parissa Haghirian Sophia University Tokyo, Japan 2 Contents About this Book ......................................................................................... 4 The Editor ................................................................................................ 5 Japanese Busines Concepts You Should Know .................................................. 6 Contributors of This Book ............................................................................ 94 Bibliography ............................................................................................ 96 Further Reading on Japanese Management .................................................... 102 3 About this Book This book is the result of one of my “Management in Japan” classes held at the Faculty of Liberal Arts at Sophia University in Tokyo. Students wrote this dictionary entries, I edited and updated them. The document is now available as a free e-book at my homepage www.haghirian.com. We hope that this book improves understanding of Japanese management and serves as inspiration for anyone interested in the subject. Questions and comments can be sent to [email protected]. Please inform the editor if you plan to quote parts of the book. Japanese Business Concepts You Should Know Edited by Parissa Haghirian First edition, Tokyo, October 2019 4 The Editor Parissa Haghirian is Professor of International Management at Sophia University in Tokyo. She lives and works in Japan since 2004 -
The Spiritual Quest of Uchimura Kanzō by Christopher A
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2017 Native Roots and Foreign Grafts: The pirS itual Quest of Uchimura Kanzō Christopher Andrew Born Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, Asian Studies Commons, East Asian Languages and Societies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Born, Christopher Andrew, "Native Roots and Foreign Grafts: Thep S iritual Quest of Uchimura Kanzō" (2017). Arts & Sciences Electronic Theses and Dissertations. 1247. https://openscholarship.wustl.edu/art_sci_etds/1247 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Dissertation Examination Committee: Marvin H. Marcus, Chair Rebecca Copeland Jamie Lynn Newhard David Schmitt Lori Watt Native Roots and Foreign Grafts: The Spiritual Quest of Uchimura Kanzō by Christopher A. Born A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree -
Bachelor's Thesis in Japanese Studies VT 2015 Kaj Otaki Supervisor
STOCKHOLM UNIVERSITY Department for Asian, Middle Eastern and Turkish Studies Japanese characteristics associated with the concept amae Bachelor’s Thesis in Japanese Studies VT 2015 Kaj Otaki Supervisor: Akihiro Ogawa 1 Table of contents 1. Introduction 3 Background 3 Introduction 4 Purpose 4 The Definition of amae 5 Previous research 5 Material 6 Method 7 Research questions 7 2 Amae and related concepts 8 Definition and theories regarding amae 8 Amae and inappropriateness 11 Folk Psychology and inappropriateness 12 Positive and negative amae 14 Distance in interpersonal relations 14 Interpersonal concepts 15 Vertical and horizontal relationships 16 Verticality in Japan 16 East and West 18 3 Analyzing Japanese aspects associated with amae 20 Amae and hierarchal relationships 20 Temporary suspension of restraints 20 Important terms in interpersonal relationships in Japan 21 Amae and cuteness 22 Amae and sexuality in contemporary Japan 22 Western dependence and amae 23 4 Discussion 24 Amae as curry favor 25 Linguistic aspect 26 Own experiences of amae 29 5 Conclusion 30 6 Summary 31 Acknowledgements 32 References: 33 2 Transcription and references Japanese terms used in this essay will be italicized. Names and terms will be transcribed using the modified Hepburn method, unless they are known names of people and or locations such as “Tokyo”. The word amae will appear in its verb-form amaeru, and as an adjective: amai. Some researchers express the verb form as “perform amae” or “request amae”. This paper will express it as amaeru or amaeteiru as well as perform or request amae. Hence, an “amae requester” will also be described as person who is “amaeteiru”. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2014 The orP trayal of Suicide in Postmodern Japanese Literature and Popular Culture Media Pedro M. Teixeira Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Teixeira, Pedro M., "The orP trayal of Suicide in Postmodern Japanese Literature and Popular Culture Media" (2014). UVM Honors College Senior Theses. 15. https://scholarworks.uvm.edu/hcoltheses/15 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. THE PORTRAYAL OF SUICIDE IN POSTMODERN JAPANESE LITERATURE AND POPULAR CULTURE MEDIA Pedro Manço Teixeira Honors Thesis Final Draft, Spring 2014 Thesis Advisor: Kyle Keoni Ikeda INTRODUCTION Within Japanese society, suicide has been a recurring cultural and social concern explored extensively in various literary and artistic forms, and has evolved into a serious societal epidemic by the end of the 20 th century. This project investigates contemporary Japan’s suicide epidemic through an analysis of the portrayal of suicide in post-1970s Japanese literature, films, and popular culture media of manga 1 and anime 2, and in comparison to empirical data on suicide in Japan as presented in peer-reviewed psychology articles. In the analysis of these contemporary works, particular attention was given to their targeted demographic, the profiles of the suicide victims in the stories, the justifications for suicide, and the relevance of suicide to the plot of each work. -
Aesthetics and Ethics in the Reception of Noh Theatre in the West
AESTHETICS AND ETHICS IN THE RECEPTION OF NOH THEATRE IN THE WEST Diego Pellecchia Thesis submitted for the degree of Doctor of Philosphy (PhD) Royal Holloway, University of London Department of Drama & Theatre Studies September, 2011 2 Declaration of Authorship I Diego Pellecchia hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 3 Acknowledgements I wish to express my gratitude to my supervisors, Prof. David Wiles and Dr. Libby Worth, and to my advisor, Prof. Matthew Cohen, for providing invaluable assistance, guidance and feedback at all stages of my research. I owe my deepest gratitude to Master-Actor Udaka Michishige, whose efforts in opening the tradition of Noh to foreigners allow me and other students of the International Noh Institute to practice the art and experience the world of Noh. I will be forever indebted to Monique Arnaud, who initiated me to the way of Noh, and encouraged me to embark upon this project, and to Rebecca Ogamo Teele, whose achievements in Noh motivate me to pursue the study of Noh, and greatly inspired this thesis. A special mention goes to Udaka Tatsushige, Udaka Haruna, John Mac Ateer and Dr. Jonah Salz: numerous discussions on Noh and on its transmission in intercultural contexts greatly contributed to the development of central concepts of this thesis. Special thanks to Elena Cazzaro at Biennale ASAC archive for the technical support, and Hara Maiko at Mie Prefectural Museum for facilitating research on Kitasono Katsue. -
Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan Written by Motoko Tanaka
Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan Written by Motoko Tanaka This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan https://www.e-ir.info/2013/02/01/apocalyptic-imagination-sekaikei-fiction-in-contemporary-japan/ MOTOKO TANAKA, FEB 1 2013 Benedict Anderson calls the concept of a communal space in which ideologies are supported and social norms are defined “imagined communities,” that is, virtual communal spaces in which individuals can meet others and which exceed the limitations of existing village communities; Anderson explains that cultural imaginations create such communal space. Grand narratives such as ideologies and cultural/political movements have been shared by various types of imagined communities.[1] Until the 1980s, people communicated in a modern communal space supported by modern ideologies that forced each member to share the reality created by grand narratives or worldviews. However, once the premise of grand narratives was no longer trusted since the 1980s due to the end of the Cold War and postmodernization, it became increasingly difficult to communicate by relying on consensus in these imagined communities. In the case of contemporary Japan, the two apocalyptic incidents of 1995, the Kobe Earthquake[2] and the Subway Sarin Incident[3], decisively made Japanese society as an imagined community insecure and unreliable. Critic and playwright Betsuyaku Minoru refers to this communal space as the middle ground, and claims that its role in fiction has changed. -
Ed 321 303 Author Title Pub Date Note Available
DOCUMENT RESUME ED 321 303 CS 506 892 AUTHOR Kitao, Kenj'; Kitao, S. Kathleen TITLE Intercultural Communication: Between Japan and the United States. PUB DATE 89 NOTE 588p. AVAILABLE FROMEichosha Shinsha Co., Ltd., Kusaka Bldg., 2-28 Kanda Jimbo-cho, Chiyoda-ku, Tokyo 101, Japan. PUB TYPE Books (010) -- Historical Materials (060)-- Reports - Research/Technical (143) EDRS PRICE MF03 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Cross Cultural Studies; *Cultural Differences; *Cultural Influences; Foreign Countries; Foreign Culture; *Intercultural Communication; International Relations; *Japanese; *Japanese American Culture; Japanese Americans; North American Culture IDENTIFIERS *Japan; *United States ABSTRACT This collection of papers on the intercultural communication between the United States and Japan is divided into three sections. The first section, "Introduction to Intercultural Cmmunication," describes the background of the relationship between Japan and the United States, the history of the study of intercultural communication, and some of the problems related to it--barriers that make communication between Americans and Japanese more difficult. The second section, "Influences on Culture and Cultural Influences," includes seven papers on various aspects of communication between Americans and Japanese. The third section, "Japanese Students' Ynowledge of American Culture," is made up of five studies related to Japanese students' contact with Americans and American culture, their knowledge of American culture, and the problems that they face in the United States. The book also includes a bibliography compiled for teachers of English in Japan who are interested in the influence of culture and intercultur0 communication on language teaching and llarning. (MS? Reproductions supplied by EDRS are the best that can be made from the original document. -
An Examination of Kaizen Drift in Japanese Genba : Implications For
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. AN EXAMINATION OF KAIZEN DRIFT IN JAPANESE GENBA: IMPLICATIONS FOR BUSINESS IN THE ANGLOSPHERE A THESIS PRESENTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF BUSINESS AND ADMINISTRATION AT MASSEY UNIVERSITY, MANAWATU, NEW ZEALAND WAYNE GORDON MACPHERSON 2013 ABSTRACT In attempting to decode the industrial competitive success of Japan, researchers in the Anglosphere have predominantly identified with the highly visible tools and methods of the quality management philosophy of kaizen. However, due to data collection methodologies and significant cross-cultural limitations kaizen appears to have been largely misinterpreted and misunderstood. This ‘gap’ has resulted in literature riddled with deterministic models of mechanical methodologies promoted to pursue business excellence. Further, there has been a plethora of attempts at transplanting Japan-centric tools and techniques, with little – if any – regard for the country’s individual and indigenous social characteristics. To deepen understanding of kaizen a phenomenological study was conducted in middle-to-large sized industrial companies in Japan to investigate Japanese workers’ perspectives of kaizen. Two parallel and complementary philosophies of the pursuit of business excellence were identified. The Japanese thread explored how Japanese workers acknowledge and exercise kaizen; and, the Anglosphere thread examined how workers in the Anglosphere attempt to adopt and practise kaizen. In the Japanese context, society is identified as being highly bounded with little opportunity for individual creativity.