14 JPN 4930 Japanese Business Culture Section 08CE Spring 2017 COURSE DESCRIPTION
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
Japanese Business Concepts You Should Know
1 Japanese Business Concepts You Should Know Edited by Parissa Haghirian Sophia University Tokyo, Japan 2 Contents About this Book ......................................................................................... 4 The Editor ................................................................................................ 5 Japanese Business Concepts You Should Know ................................................. 6 Contributors of This Book ............................................................................ 94 Bibliography ............................................................................................ 96 Further Reading on Japanese Management .................................................... 102 3 About this Book This book is the result of one of my “Management in Japan” classes held at the Faculty of Liberal Arts at Sophia University in Tokyo. Students wrote this dictionary entries, I edited and updated them. The document is now available as a free e-book at my homepage www.haghirian.com. We hope that this book improves understanding of Japanese management and serves as inspiration for anyone interested in the subject. Questions and comments can be sent to [email protected]. Please inform the editor if you plan to quote parts of the book. Japanese Business Concepts You Should Know Edited by Parissa Haghirian First edition, Tokyo, October 2019 4 The Editor Parissa Haghirian is Professor of International Management at Sophia University in Tokyo. She lives and works in Japan since 2004 -
Bachelor's Thesis in Japanese Studies VT 2015 Kaj Otaki Supervisor
STOCKHOLM UNIVERSITY Department for Asian, Middle Eastern and Turkish Studies Japanese characteristics associated with the concept amae Bachelor’s Thesis in Japanese Studies VT 2015 Kaj Otaki Supervisor: Akihiro Ogawa 1 Table of contents 1. Introduction 3 Background 3 Introduction 4 Purpose 4 The Definition of amae 5 Previous research 5 Material 6 Method 7 Research questions 7 2 Amae and related concepts 8 Definition and theories regarding amae 8 Amae and inappropriateness 11 Folk Psychology and inappropriateness 12 Positive and negative amae 14 Distance in interpersonal relations 14 Interpersonal concepts 15 Vertical and horizontal relationships 16 Verticality in Japan 16 East and West 18 3 Analyzing Japanese aspects associated with amae 20 Amae and hierarchal relationships 20 Temporary suspension of restraints 20 Important terms in interpersonal relationships in Japan 21 Amae and cuteness 22 Amae and sexuality in contemporary Japan 22 Western dependence and amae 23 4 Discussion 24 Amae as curry favor 25 Linguistic aspect 26 Own experiences of amae 29 5 Conclusion 30 6 Summary 31 Acknowledgements 32 References: 33 2 Transcription and references Japanese terms used in this essay will be italicized. Names and terms will be transcribed using the modified Hepburn method, unless they are known names of people and or locations such as “Tokyo”. The word amae will appear in its verb-form amaeru, and as an adjective: amai. Some researchers express the verb form as “perform amae” or “request amae”. This paper will express it as amaeru or amaeteiru as well as perform or request amae. Hence, an “amae requester” will also be described as person who is “amaeteiru”. -
Beyond Sumi-E
Beyond Sumi-e: A practice-led investigation into the influences of an ancient art form on contemporary artists, with reference to the artworks of Hiroshi Senju and Yoshio Ikezaki Denise Ingrid Adams Student Number 216076239 2019 University of KwaZulu-Natal, Pietermaritzburg DECLARATION Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Fine Art, College of Humanities, School of Arts: Centre for Visual Art, University of KwaZulu-Natal, Pietermaritzburg, South Africa. I, Denise Ingrid Adams, declare that 1. The research reported in this thesis, except where otherwise indicated, is my original research. 2. This thesis has not been submitted for any degree or examination at any other university. 3. This thesis does not contain other persons’ data, photographs of artworks and architecture, or other information, unless specifically acknowledged as being sourced from other persons. 4. This thesis does not contain other persons' writing, unless specifically acknowledged as being sourced from other researchers. Where other written sources have been quoted, then: a. Their words have been re-written but the general information attributed to them has been referenced; b. Where their exact words have been used, then their writing has been placed inside quotation marks, and referenced. 5. This thesis does not contain text, graphics or tables copied and pasted from the internet, unless specifically acknowledged, and the source being detailed in the thesis and in the References sections. Supervisor: Dr Katherine Arbuckle Co-supervisor: Dr Louise Hall Signature: ______________________ Signature: ______________________ Date: 13 November 2019 Date: __________________________ ii DEDICATION This research paper is dedicated to Louis Van Loon, who set me on the path of Sumi-e. -
Uchi-Soto (Inside-Outside): Language and Culture In
UCHI-SOTO (INSIDE-OUTSIDE): LANGUAGE AND CULTURE IN CONTEXT FOR THE JAPANESE AS A FOREIGN LANGUAGE (JFL) LEARNER ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Teaching International Languages ____________ by © Jamie Louise Goekler 2010 Fall 2010 UCHI-SOTO (INSIDE-OUTSIDE): LANGUAGE AND CULTURE IN CONTEXT FOR THE JAPANESE AS A FOREIGN LANGUAGE (JFL) LEARNER A Thesis by Jamie Louise Goekler Fall 2010 APPROVED BY THE DEAN OF GRADUATE STUDIES AND VICE PROVOST FOR RESEARCH: Katie Milo, Ed.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: _________________________________ _________________________________ Hilda Hernández, Ph.D. Hilda Hernández, Ph.D., Chair Graduate Coordinator _________________________________ Kimihiko Nomura, Ed.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii DEDICATION To all of us who have become someone else in order to communicate with someone from somewhere else while still remaining true to ourselves. iv ACKNOWLEDGMENTS I dedicate this Japanese as a Foreign Language research to patient, dedicated and loving mentors— my family and extended family, teachers, professors, students, and friends from around the globe, all of whom have stood beside me throughout my years as a student and a teacher. I’d especially like to thank Dr. Hilda Hernández, my committee chair and academic advisor, to whom I will always be grateful and indebted, and Dr. Kimihiko Nomura for his unfailing support. In addition, I would like to thank my favorite school teacher and mentor, Diane Lundblad and college Spanish professor, Martha Racine. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
Japan As Anthropological Object
Japan in Today’s World Program, Semester 1, Fall 2013-Winter 2014 Adjusting to Japan—Course Syllabus Class meets: Tuesdays, Period 5, 4:40-6:10 p.m., 403 International Student Center Instructor: Jordan Pollack, 2nd Floor, International Student Center, Hakozaki Campus Office hours: Fridays, 3:00-5:00 p.m. (at Hakozaki), or by appointment Office phone: 642-2153; Mobile phone: 080-56027368 Email: [email protected] or [email protected] Course Overview and Goal This orientational course, intended for students with little or no prior experience in Japan, introduces you to some of the more important requirements for effective, appropriate functioning in everyday contexts. Lectures, readings, discussions, and assignments will develop your awareness of many of the understandings, attitudes, and communicative skills that are needed for social competency, and we will consider these also in light of broader cultural patterns and principles. The objective is to equip you with insights and strategies for successful interaction. Procedure, Requirements, and Evaluation Each class meeting will consist of two segments: 1) discussion of readings (distributed in class the previous week) and your reflections on these; and 2) discussion of some aspect of everyday life as was assigned (in class, the week before) for “in-the-street” observation, whether individually or in groups. I will ask leading questions to provoke and guide those discussions, as may be needed, and offer brief lectures as well as supplementary comments when appropriate. Your final course grade will depend on your effort in five areas: writing of five reading- based reflections, writing of five observation reports, completing a group research project and presentation, keeping a personal journal, and participating regularly and actively in class discussions of assignments. -
Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan Written by Motoko Tanaka
Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan Written by Motoko Tanaka This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan https://www.e-ir.info/2013/02/01/apocalyptic-imagination-sekaikei-fiction-in-contemporary-japan/ MOTOKO TANAKA, FEB 1 2013 Benedict Anderson calls the concept of a communal space in which ideologies are supported and social norms are defined “imagined communities,” that is, virtual communal spaces in which individuals can meet others and which exceed the limitations of existing village communities; Anderson explains that cultural imaginations create such communal space. Grand narratives such as ideologies and cultural/political movements have been shared by various types of imagined communities.[1] Until the 1980s, people communicated in a modern communal space supported by modern ideologies that forced each member to share the reality created by grand narratives or worldviews. However, once the premise of grand narratives was no longer trusted since the 1980s due to the end of the Cold War and postmodernization, it became increasingly difficult to communicate by relying on consensus in these imagined communities. In the case of contemporary Japan, the two apocalyptic incidents of 1995, the Kobe Earthquake[2] and the Subway Sarin Incident[3], decisively made Japanese society as an imagined community insecure and unreliable. Critic and playwright Betsuyaku Minoru refers to this communal space as the middle ground, and claims that its role in fiction has changed. -
Ed 321 303 Author Title Pub Date Note Available
DOCUMENT RESUME ED 321 303 CS 506 892 AUTHOR Kitao, Kenj'; Kitao, S. Kathleen TITLE Intercultural Communication: Between Japan and the United States. PUB DATE 89 NOTE 588p. AVAILABLE FROMEichosha Shinsha Co., Ltd., Kusaka Bldg., 2-28 Kanda Jimbo-cho, Chiyoda-ku, Tokyo 101, Japan. PUB TYPE Books (010) -- Historical Materials (060)-- Reports - Research/Technical (143) EDRS PRICE MF03 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Cross Cultural Studies; *Cultural Differences; *Cultural Influences; Foreign Countries; Foreign Culture; *Intercultural Communication; International Relations; *Japanese; *Japanese American Culture; Japanese Americans; North American Culture IDENTIFIERS *Japan; *United States ABSTRACT This collection of papers on the intercultural communication between the United States and Japan is divided into three sections. The first section, "Introduction to Intercultural Cmmunication," describes the background of the relationship between Japan and the United States, the history of the study of intercultural communication, and some of the problems related to it--barriers that make communication between Americans and Japanese more difficult. The second section, "Influences on Culture and Cultural Influences," includes seven papers on various aspects of communication between Americans and Japanese. The third section, "Japanese Students' Ynowledge of American Culture," is made up of five studies related to Japanese students' contact with Americans and American culture, their knowledge of American culture, and the problems that they face in the United States. The book also includes a bibliography compiled for teachers of English in Japan who are interested in the influence of culture and intercultur0 communication on language teaching and llarning. (MS? Reproductions supplied by EDRS are the best that can be made from the original document. -
Unpacking Japan's 21 Century “National Conversation”
Unpacking Japan's 21st Century “National Conversation”: Images of the Future beyond the Iron Cage of the “Catch Up” Model A Thesis Presented to THE QUEENSLAND UNIVERSITY OF TECHNOLOGY Creative Industries Faculty For the award of DOCTOR OF PHILOSOPHY by David Lindsay Wright (BA, Japanese Studies, University of Waikato, New Zealand; MBusComm, Queensland University of Technology, Brisbane, Australia) September, 2010 KEY WORDS Futures Studies, Japan, Casual Layered Analysis, Futures Triangle Analysis, poststructuralism, image of the future, communication. ABSTRACT How does the image of the future operate upon history, and upon national and individual identities? To what extent are possible futures colonized by the image? What are the un-said futurecratic discourses that underlie the image of the future? Such questions inspired the examination of Japan’s futures images in this thesis. The theoretical point of departure for this examination is Polak’s (1973) seminal research into the theory of the ‘image of the future’ and seven contemporary Japanese texts which offer various alternative images for Japan’s futures, selected as representative of a ‘national conversation’ about the futures of that nation. These seven images of the future are: 1. Report of the Prime Minister’s Commission on Japan’s Goals in the 21st Century—The Frontier Within: Individual Empowerment and Better Governance in the New Millennium, compiled by a committee headed by Japan’s preeminent Jungian psychologist Kawai Hayao (1928-2007); 2. Slow Is Beautiful—a publication by Tsuji Shinichi, in which he re-images Japan as a culture represented by the metaphor of the sloth, concerned with slow and quality-oriented livingry as a preferred image of the future to Japan’s current post-bubble cult of speed and economic efficiency; 3. -
Japanese Ancestral Practices: a Contextualized Teaching Tool on the Afterlife in the Local Church (Hibachi Theology)
JAPANESE ANCESTRAL PRACTICES: A CONTEXTUALIZED TEACHING TOOL ON THE AFTERLIFE IN THE LOCAL CHURCH (HIBACHI THEOLOGY) by MARIANA NESBITT A THESIS SUBMITTED FOR THE DEGREE OF MASTER of THEOLOGY at the SOUTH AFRICAN THEOLOGICAL SEMINARY in 2007 SUPERVISOR: Dr Mark Stewart i DECLARATION I hereby acknowledge that the work contained in this thesis is my own original work and has not previously in its entirety or in part been submitted to any academic institution for degree purposes. _Mariana Nesbitt__________________________ July, 2007 ii ACKOWLEDGEMENTS I would like to give honour to our Lord who has led and inspired me, to my husband who always unfailingly encourages and supports me in all my efforts, to my supervisor, Dr Mark Stewart for his input and encouragement. Hirokawa Luke for his cultural insights, Dr Billy Nishioka, Dr Mitsuo Fukuda, Dr Yamaguchi and Dr Kurosawa for their useful discussions. Thanks to Mark Dominey, Chua How Chuang and Pat Hansen for helping me get started. I am grateful for the linguistic help from Nakanishi Yooko and Koba Noriko. Thanks to Sophia University and Kobe Lutheran Seminary for the use of their libraries. Mariana Nesbitt July, 2007 iii SUMMARY The vexing multi-dimensional question of Japanese Ancestral Practices is central to most missiological studies in the Japanese church. Statistics show the need for new strategies and a new movement of the Holy Spirit in the local church. We examine the background of Ancestor Practices in the folk religion, Buddhism, Shintoo, Confucianism and Taoism, which all go to make up traditional Japanese religion. The actual rites are listed and details explained. -
Miller MCW Thesis.Pdf (1.590Mb)
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. MORE DREAM THAN MEMORY: The Inextricable Link Between Fiction and Dreaming A Novella, “Daydreams of Empty Skies,” Together with a Critical Essay presented in partial fulfilment of the requirements for the degree of Masters in Creative Writing at Massey University, Albany, New Zealand Peri Miller 2019 ABSTRACT There is a clear and inextricable link between dreaming and fiction. Because of the way REM- sleep dreaming functions, as a hyper-creative state, dreams often serve as the source of inspiration for many authors. Dreaming is also, as one of the most central and yet mysterious aspects of the human experience, commonly used as a plot device or theme in multiple genres of fiction. Furthermore, in terms of how it works in the brain, the experience of reading fiction is remarkably similar to that of a dream. The critical essay argues the above and investigates the use of dream-related themes and devices in Banana Yoshimoto’s Asleep (1989) and Ursula Le Guin’s The Lathe of Heaven (1971). The three short stories that comprise Asleep each take place in a transitional period in each of the respective protagonists’ lives, and the protagonist is required to confront and come to terms with the past in order to escape this dreamlike limbo. The Lathe of Heaven protagonist George Orr’s ability to change reality via his dreams is reflective of the fluctuating dreaming/creative process itself: it is only once Orr loses this ability that he is able to escape the entangled dreams and realities.