Diverging Accounts of Japanese Policymaking
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Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
14 JPN 4930 Japanese Business Culture Section 08CE Spring 2017 COURSE DESCRIPTION
14 JPN 4930 Japanese Business Culture Section 08CE Spring 2017 COURSE DESCRIPTION This course is designed for undergraduate students who wish to acquire a broader understanding of prevailing values, attitudes, behavior patterns, and communication styles in modern Japan in regard to conducting business in the future. A key to being successful in business internationally is to understand the role of culture in international business. In this class we will explore cross-cultural issues and cultural values by reading essays from the perspective of Japan itself as well as from an external view, primarily that of Western society. Mutual assumptions, unconscious strategies, and different mechanics forming barriers to communication between Japanese and non-Japanese will be investigated in order to understand how cultural and communication differences can create misunderstanding and breakdown among individuals as well as during negotiations between companies and countries. Among other topics, business etiquette, business communication, the structure and hierarchy of Japanese companies, gender issues, socializing for success in business, and strategies for creating and maintaining effective working relationships with Japanese counterparts will be discussed. We will read several case studies on Japanese/American negotiations to understand how American managers or public officials negotiated successfully with Japanese counterparts, and what issues or problems were presented during negotiation. During the semester, students are required to submit (1) current relevant newspaper, magazine, or on-line article taken from news sources such as Japanese newspapers (English version), CNBC, Nikkei Net, JETRO, Reuters, BBC, THE ECONOMIST or TIME magazine, etc. to be pre-approved and posted by the instructor on the E-Learning in Canvas Discussion Board. -
Japanese Business Concepts You Should Know
1 Japanese Business Concepts You Should Know Edited by Parissa Haghirian Sophia University Tokyo, Japan 2 Contents About this Book ......................................................................................... 4 The Editor ................................................................................................ 5 Japanese Business Concepts You Should Know ................................................. 6 Contributors of This Book ............................................................................ 94 Bibliography ............................................................................................ 96 Further Reading on Japanese Management .................................................... 102 3 About this Book This book is the result of one of my “Management in Japan” classes held at the Faculty of Liberal Arts at Sophia University in Tokyo. Students wrote this dictionary entries, I edited and updated them. The document is now available as a free e-book at my homepage www.haghirian.com. We hope that this book improves understanding of Japanese management and serves as inspiration for anyone interested in the subject. Questions and comments can be sent to [email protected]. Please inform the editor if you plan to quote parts of the book. Japanese Business Concepts You Should Know Edited by Parissa Haghirian First edition, Tokyo, October 2019 4 The Editor Parissa Haghirian is Professor of International Management at Sophia University in Tokyo. She lives and works in Japan since 2004 -
Bachelor's Thesis in Japanese Studies VT 2015 Kaj Otaki Supervisor
STOCKHOLM UNIVERSITY Department for Asian, Middle Eastern and Turkish Studies Japanese characteristics associated with the concept amae Bachelor’s Thesis in Japanese Studies VT 2015 Kaj Otaki Supervisor: Akihiro Ogawa 1 Table of contents 1. Introduction 3 Background 3 Introduction 4 Purpose 4 The Definition of amae 5 Previous research 5 Material 6 Method 7 Research questions 7 2 Amae and related concepts 8 Definition and theories regarding amae 8 Amae and inappropriateness 11 Folk Psychology and inappropriateness 12 Positive and negative amae 14 Distance in interpersonal relations 14 Interpersonal concepts 15 Vertical and horizontal relationships 16 Verticality in Japan 16 East and West 18 3 Analyzing Japanese aspects associated with amae 20 Amae and hierarchal relationships 20 Temporary suspension of restraints 20 Important terms in interpersonal relationships in Japan 21 Amae and cuteness 22 Amae and sexuality in contemporary Japan 22 Western dependence and amae 23 4 Discussion 24 Amae as curry favor 25 Linguistic aspect 26 Own experiences of amae 29 5 Conclusion 30 6 Summary 31 Acknowledgements 32 References: 33 2 Transcription and references Japanese terms used in this essay will be italicized. Names and terms will be transcribed using the modified Hepburn method, unless they are known names of people and or locations such as “Tokyo”. The word amae will appear in its verb-form amaeru, and as an adjective: amai. Some researchers express the verb form as “perform amae” or “request amae”. This paper will express it as amaeru or amaeteiru as well as perform or request amae. Hence, an “amae requester” will also be described as person who is “amaeteiru”. -
Uchi-Soto (Inside-Outside): Language and Culture In
UCHI-SOTO (INSIDE-OUTSIDE): LANGUAGE AND CULTURE IN CONTEXT FOR THE JAPANESE AS A FOREIGN LANGUAGE (JFL) LEARNER ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Teaching International Languages ____________ by © Jamie Louise Goekler 2010 Fall 2010 UCHI-SOTO (INSIDE-OUTSIDE): LANGUAGE AND CULTURE IN CONTEXT FOR THE JAPANESE AS A FOREIGN LANGUAGE (JFL) LEARNER A Thesis by Jamie Louise Goekler Fall 2010 APPROVED BY THE DEAN OF GRADUATE STUDIES AND VICE PROVOST FOR RESEARCH: Katie Milo, Ed.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: _________________________________ _________________________________ Hilda Hernández, Ph.D. Hilda Hernández, Ph.D., Chair Graduate Coordinator _________________________________ Kimihiko Nomura, Ed.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii DEDICATION To all of us who have become someone else in order to communicate with someone from somewhere else while still remaining true to ourselves. iv ACKNOWLEDGMENTS I dedicate this Japanese as a Foreign Language research to patient, dedicated and loving mentors— my family and extended family, teachers, professors, students, and friends from around the globe, all of whom have stood beside me throughout my years as a student and a teacher. I’d especially like to thank Dr. Hilda Hernández, my committee chair and academic advisor, to whom I will always be grateful and indebted, and Dr. Kimihiko Nomura for his unfailing support. In addition, I would like to thank my favorite school teacher and mentor, Diane Lundblad and college Spanish professor, Martha Racine. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan Written by Motoko Tanaka
Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan Written by Motoko Tanaka This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. Apocalyptic Imagination: Sekaikei Fiction in Contemporary Japan https://www.e-ir.info/2013/02/01/apocalyptic-imagination-sekaikei-fiction-in-contemporary-japan/ MOTOKO TANAKA, FEB 1 2013 Benedict Anderson calls the concept of a communal space in which ideologies are supported and social norms are defined “imagined communities,” that is, virtual communal spaces in which individuals can meet others and which exceed the limitations of existing village communities; Anderson explains that cultural imaginations create such communal space. Grand narratives such as ideologies and cultural/political movements have been shared by various types of imagined communities.[1] Until the 1980s, people communicated in a modern communal space supported by modern ideologies that forced each member to share the reality created by grand narratives or worldviews. However, once the premise of grand narratives was no longer trusted since the 1980s due to the end of the Cold War and postmodernization, it became increasingly difficult to communicate by relying on consensus in these imagined communities. In the case of contemporary Japan, the two apocalyptic incidents of 1995, the Kobe Earthquake[2] and the Subway Sarin Incident[3], decisively made Japanese society as an imagined community insecure and unreliable. Critic and playwright Betsuyaku Minoru refers to this communal space as the middle ground, and claims that its role in fiction has changed. -
Ed 321 303 Author Title Pub Date Note Available
DOCUMENT RESUME ED 321 303 CS 506 892 AUTHOR Kitao, Kenj'; Kitao, S. Kathleen TITLE Intercultural Communication: Between Japan and the United States. PUB DATE 89 NOTE 588p. AVAILABLE FROMEichosha Shinsha Co., Ltd., Kusaka Bldg., 2-28 Kanda Jimbo-cho, Chiyoda-ku, Tokyo 101, Japan. PUB TYPE Books (010) -- Historical Materials (060)-- Reports - Research/Technical (143) EDRS PRICE MF03 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Cross Cultural Studies; *Cultural Differences; *Cultural Influences; Foreign Countries; Foreign Culture; *Intercultural Communication; International Relations; *Japanese; *Japanese American Culture; Japanese Americans; North American Culture IDENTIFIERS *Japan; *United States ABSTRACT This collection of papers on the intercultural communication between the United States and Japan is divided into three sections. The first section, "Introduction to Intercultural Cmmunication," describes the background of the relationship between Japan and the United States, the history of the study of intercultural communication, and some of the problems related to it--barriers that make communication between Americans and Japanese more difficult. The second section, "Influences on Culture and Cultural Influences," includes seven papers on various aspects of communication between Americans and Japanese. The third section, "Japanese Students' Ynowledge of American Culture," is made up of five studies related to Japanese students' contact with Americans and American culture, their knowledge of American culture, and the problems that they face in the United States. The book also includes a bibliography compiled for teachers of English in Japan who are interested in the influence of culture and intercultur0 communication on language teaching and llarning. (MS? Reproductions supplied by EDRS are the best that can be made from the original document. -
Miller MCW Thesis.Pdf (1.590Mb)
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. MORE DREAM THAN MEMORY: The Inextricable Link Between Fiction and Dreaming A Novella, “Daydreams of Empty Skies,” Together with a Critical Essay presented in partial fulfilment of the requirements for the degree of Masters in Creative Writing at Massey University, Albany, New Zealand Peri Miller 2019 ABSTRACT There is a clear and inextricable link between dreaming and fiction. Because of the way REM- sleep dreaming functions, as a hyper-creative state, dreams often serve as the source of inspiration for many authors. Dreaming is also, as one of the most central and yet mysterious aspects of the human experience, commonly used as a plot device or theme in multiple genres of fiction. Furthermore, in terms of how it works in the brain, the experience of reading fiction is remarkably similar to that of a dream. The critical essay argues the above and investigates the use of dream-related themes and devices in Banana Yoshimoto’s Asleep (1989) and Ursula Le Guin’s The Lathe of Heaven (1971). The three short stories that comprise Asleep each take place in a transitional period in each of the respective protagonists’ lives, and the protagonist is required to confront and come to terms with the past in order to escape this dreamlike limbo. The Lathe of Heaven protagonist George Orr’s ability to change reality via his dreams is reflective of the fluctuating dreaming/creative process itself: it is only once Orr loses this ability that he is able to escape the entangled dreams and realities. -
The Japanese Sense of Information Privacy
AI & Soc DOI 10.1007/s00146-009-0228-z The Japanese Sense of Information Privacy Andrew A. Adams Kiyoshi Murata Yohko Orito October 6, 2009 Abstract We analyse the contention that privacy is an alien concept within Japanese society, put forward in various presentations of Japanese cultural norms at least as far back as Benedict (1946). In this paper we distinguish between information pri- vacy and physical privacy. As we show, there is good evidence for social norms of limits on the sharing and use of personal information (i.e. information privacy) from traditional interactions in Japanese society, as well as constitutional evidence from the late 19th century (in the Meiji Constitution of 1889). In this context the growing awareness of the Japanese public about problems with networked information pro- cessing by public sector and commercial organisations from the 1980s (when a law governing public sector use of personal information was first passed) to recent years (when that law was updated and a first law governing commercial use of personal information was adopted) are not the imposition or adoption of foreign practices nor solely an attempt to lead Japanese society into coherence with the rest of the OECD. Instead they are drawing on the experience of the rest of the developed world in developing legal responses to the breakdown of social norms governing interchange and use of personal information, stressed by the architectural changes wrought by networked information processing capabilities. This claim is supported by consid- Supported by a Global Research Award from the UK's Royal Academy of Engineering. -
Designing for a Japanese High-Context Culture: Culture's Influence on the Echnicalt Writer's Visual Rhetoric
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2005 Designing For A Japanese High-context Culture: Culture's Influence On The echnicalT Writer's Visual Rhetoric Russell Carpenter University of Central Florida Part of the Japanese Studies Commons, and the Technical and Professional Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Carpenter, Russell, "Designing For A Japanese High-context Culture: Culture's Influence On The echnicalT Writer's Visual Rhetoric" (2005). Electronic Theses and Dissertations, 2004-2019. 293. https://stars.library.ucf.edu/etd/293 DESIGNING FOR A JAPANESE HIGH-CONTEXT CULTURE: CULTURE’S INFLUENCE ON THE TECHNICAL WRITER’S VISUAL RHETORIC by RUSSELL GORDON CARPENTER B.A. University of Central Florida, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Sciences at the University of Central Florida Orlando, Florida Spring Term 2005 © 2005 Russell G. Carpenter ii ABSTRACT This thesis analyzes the challenges technical writers face when designing documents for high-context cultures, such as the Japanese. When developing documents intended to cross cultural gulfs, technical writers must take into consideration cultural expectations, preferences, and practices in document design and communication. -
Through the Yata No Kagami 八咫鏡 Stein-Are Storsveen
Through the Yata no Kagami 八咫鏡 Stein-Are Storsveen Scholarship Report Meiji Jingu (明治神宮) & Shiseikan (至誠館 Meiji Jingu Shiseikan Scholarship Programme Report by Stein-Are Storsveen, April-May 2013 Firstly I would like to thank the Meiji Jingu for their very generous sponsorship of my visit to Japan, and for the great support I have received during my stay. I would like to thank Nakajima Guji san for the support the Meiji Jingu brings to the Shiseikan, for organization and financing of the scholarship, and to Miyazaki Gonguji san who honoured me by his attendance at the presentation of the May 15th, 2013 at Shamusho Kodo I would like to thank Araya Kancho for the scholarship received. It was a privilege and honor given to me in order to deepen my knowledge in Budo, Shinto and Japanese culture. The practise, the ceremonies, the everyday life, and especially the culture trip, are reviving my soul, mind and heart; I feel grateful for this opportunity and I would like to express my deepest gratitude. I would like to thank Inaba Sensei for what he is and that he is willing to share his knowledge and understanding. The inspiration he gives has given my Budo studies a deeper meaning. I would like to thank Uematsu Jimucho san for his thorough support and kindness during my stay at Shiseikan, the wonderful visit to Mitake-san, his planning and concern for all my events and Culture trip, his humor and taste of music. I would like to thank and Mr Majima, Mr Daimaru, Mr Ito and Mr Uchikoshi for their lectures, their patience and motivation in the transmission of keys to open the essential concepts of Shinto and Japanese culture.