Going to Hel: the Consequences of a Heathen Life
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Old Norse Mythology — Comparative Perspectives Old Norse Mythology— Comparative Perspectives
Publications of the Milman Parry Collection of Oral Literature No. 3 OLd NOrse MythOLOgy — COMParative PersPeCtives OLd NOrse MythOLOgy— COMParative PersPeCtives edited by Pernille hermann, stephen a. Mitchell, and Jens Peter schjødt with amber J. rose Published by THE MILMAN PARRY COLLECTION OF ORAL LITERATURE Harvard University Distributed by HARVARD UNIVERSITY PRESS Cambridge, Massachusetts & London, England 2017 Old Norse Mythology—Comparative Perspectives Published by The Milman Parry Collection of Oral Literature, Harvard University Distributed by Harvard University Press, Cambridge, Massachusetts & London, England Copyright © 2017 The Milman Parry Collection of Oral Literature All rights reserved The Ilex Foundation (ilexfoundation.org) and the Center for Hellenic Studies (chs.harvard.edu) provided generous fnancial and production support for the publication of this book. Editorial Team of the Milman Parry Collection Managing Editors: Stephen Mitchell and Gregory Nagy Executive Editors: Casey Dué and David Elmer Production Team of the Center for Hellenic Studies Production Manager for Publications: Jill Curry Robbins Web Producer: Noel Spencer Cover Design: Joni Godlove Production: Kristin Murphy Romano Library of Congress Cataloging-in-Publication Data Names: Hermann, Pernille, editor. Title: Old Norse mythology--comparative perspectives / edited by Pernille Hermann, Stephen A. Mitchell, Jens Peter Schjødt, with Amber J. Rose. Description: Cambridge, MA : Milman Parry Collection of Oral Literature, 2017. | Series: Publications of the Milman Parry collection of oral literature ; no. 3 | Includes bibliographical references and index. Identifers: LCCN 2017030125 | ISBN 9780674975699 (alk. paper) Subjects: LCSH: Mythology, Norse. | Scandinavia--Religion--History. Classifcation: LCC BL860 .O55 2017 | DDC 293/.13--dc23 LC record available at https://lccn.loc.gov/2017030125 Table of Contents Series Foreword ................................................... -
Snorri Sturluson Qua Fulcrum
MIRATOR 12/2011 1 Snorri Sturluson qua Fulcrum: Perspectives on the Cultural Activity of Myth, Mythological Poetry and Narrative in Medieval Iceland* Frog The present paper seeks to complement discussions of the social impacts of Snorri Sturluson’s (1179–1241) mythography, concentrating on Edda and the discourse it generated in medieval Iceland. It sets out to build an overview of Snorri’s impact on the cultural activity1 of mythology in medieval Iceland through a complementary set of specific examples with no pretence of a comprehensive survey. These examples concentrate on sites of probable innovation in Snorri’s handling of mythological material as contrasted with broader evidence of the traditions to which they are related. Each example could be presented in a paper-length discussion, but the emphasis here is on the construction of an overview in order to develop a broader frame for further discussion. Although no one example is unequivocally demonstrable, the outline of the broader social pattern presented here is not dependent on the specific details of each case nor on any one case independently. Moreover, the frame of the overview affirms that individual discussions are relevant and warranted when surveying and extending existing research. Of course, the recognition of the social impacts of Edda on the cultural activity of mythology does not demonstrate that individual examples are necessarily responses to Edda, it nevertheless shows that these would be consistent with a pattern and trend rather than arbitrary. For this reason, in addition to late or statistically demonstrable examples which are * I would like to thank my two anonymous reviewers as well as Haukur Þorgeirsson for their valuable comments and suggestions in the preparation of this paper for publication. -
Nú Mun Hon Sökkvask
Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Útskriftarmánuður: Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Félags - og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Ritgerð þessi er lokaverkefni til MA – gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Lauren Hamm, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Acknowledgements This thesis would not have been possible if it were not for the endless kindness and patience of my thesis advisor, Dr. Terry Gunnell. I truly do not have words eloquent enough to iterate how very much he deeply cares about his work and the work of his students nor how much this meant to me personally. The year of waking up to 6:00 AM skype meetings every Tuesday with Terry provided a gentle reminder of my duties and passion for this topic as well as a sense of stability and purpose I badly needed during a tumultuous time in my life. -
The Prose Edda
THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., -
Trees As a Central Theme in Norse Mythology and Culture an Archaeological Perspective
Trees as a Central Theme in Norse Mythology and Culture An Archaeological Perspective AMANDA GILMORE ABSTRACT: This article, the inaugural winner of the journal’s Gurli Aagaard Woods Undergraduate Publication Award, combines the analysis of ancient literature with an archaeological approach in an effort to further interpret the presence and significance of trees in medieval Scandinavian culture. The analysis of textual references to trees such as Yggdrasill and Barnstokkr found in the Norse works Völuspá, Grímnismál, Gylfaginning, and Völsunga Saga, are combined with academic articles, juxtaposed with the examination of archaeological sites at Fröso, Herresta, Bjarsgård, Österfärnebo, and Karmøy, and integrated with modern Scandinavian attitudes to explore an interest in tree-human relationships, literature, and archaeology in medieval Scandinavia. RÉSUMÉ : Cet article, premier lauréat du prix de la revue Gurli Aagaard Woods de publication pour étudiant de premier cycle, combine l’analyse d’une littérature ancienne avec une approche archéologique, dans un effort pour interpréter davantage la présence et l’importance des arbres dans la culture scandinave médiévale. Les analyses des références textuelles à des arbres tels que Yggdrasill et Barnstokkr trouvées dans les travaux Norse Völuspá, Grímnismál, Gylfaginning et la saga Völsunga, sont combinées à des articles académiques, juxtaposées à l’examen de sites archéologiques à Frösö, Herresta, Bjarsgård, Österfärnebo et Karmøy, et intégrées à des attitudes scandinaves modernes afin d’explorer un intérêt envers les relations arbre-humain, la littérature et l’archéologie en Scandinavie médiévale. Amanda Gilmore is an undergraduate student in the Department of Anthropology at the University of Manitoba. SCANDINAVIAN-CANADIAN STUDIES VOLUME 23 ÉTUDES SCANDINAVES AU CANADA 2016 Introduction he continual theme of trees in Norse Mythology is important to our understanding of the cosmology of Norse Mythology. -
Sniðmát Meistaraverkefnis HÍ
MA ritgerð Norræn trú Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Leiðbeinandi: Terry Adrian Gunnell Október 2019 Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Adrian Gunnell 60 einingar Félags– og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október, 2019 Að hitta skrímslið í skóginum Ritgerð þessi er lokaverkefni til MA-gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Caroline Elizabeth Oxley, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Caroline Oxley MA in Old Nordic Religion: Thesis Kennitala: 181291-3899 Október 2019 Abstract Að hitta skrímslið í skóginum: Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view This thesis is a study of animal shape-shifting in Old Norse culture, considering, among other things, the related concepts of hamr, hugr, and the fylgjur (and variations on these concepts) as well as how shape-shifters appear to be associated with the wild, exile, immorality, and violence. Whether human, deities, or some other type of species, the shape-shifter can be categorized as an ambiguous and fluid figure who breaks down many typical societal borderlines including those relating to gender, biology, animal/ human, and sexual orientation. As a whole, this research project seeks to better understand the background, nature, and identity of these figures, in part by approaching the subject psychoanalytically, more specifically within the framework established by the Swiss psychoanalyst, Carl Jung, as part of his theory of archetypes. -
Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
Introduction Carolyne Larrington
Cambridge University Press 978-1-107-13544-4 — A Handbook to Eddic Poetry Edited by Carolyne Larrington , Judy Quinn , Brittany Schorn Excerpt More Information Introduction Carolyne Larrington In the mythological eddic poem Hymiskviða the gods order the sea-ruler Ægir to entertain them all at a feast. Ægir responds with the claim that he does not possess a cauldron big enough for the purpose, and Týr and Þórr set off to find a suitable vessel at the home of Týr’s mother in Jo˛tunheimar (‘the lands of the giants’). Their success means that véar hverian vel skulu drekka o˛lðr at Ægis eitt ho˛rmeitið (‘the gods will drink well ale at Ægir’s every winter’, Hym 39/4–8). The most capacious of cauldrons is appro- priated from Hymir, whose hospitality is distinctly chilly, and brought to a hall where its contents can delight gods and elves alike. The mode of eddic poetry is just such a gigantic kettle, an all-encompassing container for the Old Norse myths and heroic legends which froth, bob, and jostle together within it, whether as substantial whole poems, fragmentary verse sequences, or single lausavísur (‘free-standing verses’). When in 1955 the English poet Philip Larkin eschewed drawing on the ‘common myth- kitty’ for the inspiration for his poems (Larkin 1955, 78), he was explicitly rejecting the recent Modernist poetic practice of employing wide-ranging cultural allusions. Yet Larkin’s metaphor for all that he refused has found resonance for those who write about traditional story. Thus, this Handbook engages closely with the ‘myth-kitty’, the shared resources of traditional knowledge that find their form within the accommodating mode of eddic poetry: the myths and legends of the Old Norse–Icelandic tradition. -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee. -
A Handbook of Norse Mythology
A HANDBOOK OF NORSE MYTHOLOGY BY KARL MORTENSEN DOCTOR OF PHILOSOPHY UNIVERSITY OF COPENHAGEN ; ADJUNCT AT THE CATHEDRAL SCHOOL (ROYAL GYMNASIUM) AT ODENSB TRANSLATED FROM THE DANISH BY A. CLINTON CROWELL ASSOCIATE PROFESSOR IN BROWN UNIVERSITY 1 ' , . * ' ' - r , * - . l I I . , NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS THE NEW YORK PUBLIC LIBRARY COPYRIGHT, 1913, BY THOMAS Y. CROWELL COMPANY. Published March, 1913. This compilation © Phoenix E-Books UK AUTHOR'S PREFACE THIS popular presentation of the myths and sagas which took shape here in the North but whose foundation is common property of all the people who speak a Gothic-Germanic language, first appeared in 1898 and has been used since then in the study of Xorse Mythology in the high schools and universities of all the Scandina- vian countries. Since Professor Crowell has thought that the little book might also achieve a modest success in the youngest but richest and.mosi powerful branch which has grown iron, cur ccmin-on >;uot, I have without hesitation, accopte^ his friendly pro- posal to transjate.jc into English. I find r great satisfaction m, hav -;ig my work put into the world's most comprehensive lan- guage and placed before students in the United States, where I have so many friends, where so many relatives and fel- low-countrymen have found a home and a iii iv AUTHOR'S PREFACE future, and toward which country we Northerners look with the deepest admira- tion and respect for the mighty forces which are seeking to control material things and to break new ground in the infinite realms of the intellect. -
The Goddess: Myths of the Great Mother Christopher R
Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives. -
3. Charakteristika Álfar V Odborné Literatuře
Obsah 1. Úvod.................................................................................................................................................3 2. Álfové ve staroseverských pramenech.............................................................................................5 2.1. Skaldská poezie.......................................................................................................................5 2.1.1. Ragnarsdrápa................................................................................................................5 2.1.2. Verše o cestě na Východ (Austrfararvísur)..................................................................6 2.2. Básnická (starší) Edda............................................................................................................7 2.2.1. Vědmina píseň (Völuspá).............................................................................................7 2.2.2. Výroky Vysokého (Hávamál).......................................................................................8 2.2.3. Píseň o Vaftrúdnim (Vafþrúðnismál)............................................................................8 2.2.4. Píseň o Grímnim (Grímnismál)....................................................................................8 2.2.5. Skírniho cesta (Skírnismál)..........................................................................................9 2.2.6. Lokiho svár (Lokasenna)...........................................................................................10 2.2.7.