RMN Newsletter 4: Approaching Methodology 2012
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Old Norse Mythology — Comparative Perspectives Old Norse Mythology— Comparative Perspectives
Publications of the Milman Parry Collection of Oral Literature No. 3 OLd NOrse MythOLOgy — COMParative PersPeCtives OLd NOrse MythOLOgy— COMParative PersPeCtives edited by Pernille hermann, stephen a. Mitchell, and Jens Peter schjødt with amber J. rose Published by THE MILMAN PARRY COLLECTION OF ORAL LITERATURE Harvard University Distributed by HARVARD UNIVERSITY PRESS Cambridge, Massachusetts & London, England 2017 Old Norse Mythology—Comparative Perspectives Published by The Milman Parry Collection of Oral Literature, Harvard University Distributed by Harvard University Press, Cambridge, Massachusetts & London, England Copyright © 2017 The Milman Parry Collection of Oral Literature All rights reserved The Ilex Foundation (ilexfoundation.org) and the Center for Hellenic Studies (chs.harvard.edu) provided generous fnancial and production support for the publication of this book. Editorial Team of the Milman Parry Collection Managing Editors: Stephen Mitchell and Gregory Nagy Executive Editors: Casey Dué and David Elmer Production Team of the Center for Hellenic Studies Production Manager for Publications: Jill Curry Robbins Web Producer: Noel Spencer Cover Design: Joni Godlove Production: Kristin Murphy Romano Library of Congress Cataloging-in-Publication Data Names: Hermann, Pernille, editor. Title: Old Norse mythology--comparative perspectives / edited by Pernille Hermann, Stephen A. Mitchell, Jens Peter Schjødt, with Amber J. Rose. Description: Cambridge, MA : Milman Parry Collection of Oral Literature, 2017. | Series: Publications of the Milman Parry collection of oral literature ; no. 3 | Includes bibliographical references and index. Identifers: LCCN 2017030125 | ISBN 9780674975699 (alk. paper) Subjects: LCSH: Mythology, Norse. | Scandinavia--Religion--History. Classifcation: LCC BL860 .O55 2017 | DDC 293/.13--dc23 LC record available at https://lccn.loc.gov/2017030125 Table of Contents Series Foreword ................................................... -
A Handbook of Norse Mythology
A HANDBOOK OF NORSE MYTHOLOGY BY KARL MORTENSEN DOCTOR OF PHILOSOPHY UNIVERSITY OF COPENHAGEN ; ADJUNCT AT THE CATHEDRAL SCHOOL (ROYAL GYMNASIUM) AT ODENSB TRANSLATED FROM THE DANISH BY A. CLINTON CROWELL ASSOCIATE PROFESSOR IN BROWN UNIVERSITY 1 ' , . * ' ' - r , * - . l I I . , NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS THE NEW YORK PUBLIC LIBRARY COPYRIGHT, 1913, BY THOMAS Y. CROWELL COMPANY. Published March, 1913. This compilation © Phoenix E-Books UK AUTHOR'S PREFACE THIS popular presentation of the myths and sagas which took shape here in the North but whose foundation is common property of all the people who speak a Gothic-Germanic language, first appeared in 1898 and has been used since then in the study of Xorse Mythology in the high schools and universities of all the Scandina- vian countries. Since Professor Crowell has thought that the little book might also achieve a modest success in the youngest but richest and.mosi powerful branch which has grown iron, cur ccmin-on >;uot, I have without hesitation, accopte^ his friendly pro- posal to transjate.jc into English. I find r great satisfaction m, hav -;ig my work put into the world's most comprehensive lan- guage and placed before students in the United States, where I have so many friends, where so many relatives and fel- low-countrymen have found a home and a iii iv AUTHOR'S PREFACE future, and toward which country we Northerners look with the deepest admira- tion and respect for the mighty forces which are seeking to control material things and to break new ground in the infinite realms of the intellect. -
3. Charakteristika Álfar V Odborné Literatuře
Obsah 1. Úvod.................................................................................................................................................3 2. Álfové ve staroseverských pramenech.............................................................................................5 2.1. Skaldská poezie.......................................................................................................................5 2.1.1. Ragnarsdrápa................................................................................................................5 2.1.2. Verše o cestě na Východ (Austrfararvísur)..................................................................6 2.2. Básnická (starší) Edda............................................................................................................7 2.2.1. Vědmina píseň (Völuspá).............................................................................................7 2.2.2. Výroky Vysokého (Hávamál).......................................................................................8 2.2.3. Píseň o Vaftrúdnim (Vafþrúðnismál)............................................................................8 2.2.4. Píseň o Grímnim (Grímnismál)....................................................................................8 2.2.5. Skírniho cesta (Skírnismál)..........................................................................................9 2.2.6. Lokiho svár (Lokasenna)...........................................................................................10 2.2.7. -
Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree -
Going to Hel: the Consequences of a Heathen Life
Going to Hel: The Consequences of a Heathen Life by William P. Reaves © 2014 For a moral code to remain in effect in any religion, there must be consequences for not following that code. Since Heathenism has a highly developed moral code, it stands to reason that it also spoke of the consequences of leading a life in accordance with or in opposition to its own moral standards, yet according to popular belief there is no mechanism for that to happen — primarily because Snorri’s Edda doesn’t mention a court to judge the dead or any reward for leading a pious heathen life; warriors go to Valhalla and everyone else goes to Hel, a dreary, dismal place. Do the sources of Heathen belief confirm this view? Fáfnismál 10 informs us: því at einu sinni “For there is a time skal alda hverr when every man fara til heljar heðan. shall journey hence to Hel." Fáfnismál unequivocally states that all men eventually travel to Hel. It names no exceptions. Other sources confirm that in heathen times, the way and its features were well known. Gylfaginning 49 (A. Broedur tr.): “Frigg spoke, and asked who there might be among the Æsir who would fain have for his own all her love and favor: let him ride the road to Hel, and seek if he may find Baldr, and offer Hel a ransom if she will let Baldr come home to Ásgard." And later in the same narrative: “…Now this is to be told concerning Hermódr, that he rode nine nights through dark dales and deep, so that he saw not before he was come to the river Gjöll and rode onto the Gjöll-Bridge; which bridge is thatched with glittering gold. -
Norse Mythology
A H AN D BOO K O F NO RSE MYTHO LOGY KA RL MORTENSEN DOCT O R OF PH I L OSO PHY UN IV E RS ITY O F CO P EN H AGEN ; A DJU NCT A T TH E CA TH E DRA L S CH OO L ( ROYAL GYM NASIUM) A T O DENSE TRAN SL A TED F ROM TH E DANISH I A . CL N TON CROWEL L ASS OCIATE PR OF ESSOR KN B ROW N UNIV ERS ITY N EW YORK W TH OMAS Y . CRO ELL COMPAN Y P UB LI SH E RS A U TH OR ’S P RE F A CE TH IS p o pular pre s entati o n o f th e myth s and s aga s w h ich to o k shap e he re in th e N o rth but wh o s e fo undati o n i s co mmo n pro perty o f all th e p e o ple w h o s pe ak a Go - Ge e s e e thic rmanic languag , fir t app ar d in 1898 and h as bee n u se d s ince th en in th e s tudy o f N o r s e Myth o l o gy in th e high s ch o o l s and unive rs iti e s o f all th e S candina P e o o e vian c o untries . S ince ro f s s r Cr w ll h as th o ught that th e little b o o k might al s o achieve a m o de s t s ucc es s in th e y o unges t but rich es t and m o st p o we r ful branch which “ - s o frOm our o mOn . -
The Viking Dialogue Narrative: Egil's Saga and Storytelling
Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 4-29-2019 The Viking Dialogue Narrative: Egil’s Saga and Storytelling Gabriel Hazeldine Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/honors_proj Part of the English Language and Literature Commons Recommended Citation Hazeldine, Gabriel. (2019). The Viking Dialogue Narrative: Egil’s Saga and Storytelling. In BSU Honors Program Theses and Projects. Item 375. Available at: https://vc.bridgew.edu/honors_proj/375 Copyright © 2019 Gabriel Hazeldine This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Hazeldine 1 The Viking Dialogue Narrative: Egil’s Saga and Storytelling Gabriel Hazeldine Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University April 29, 2019 Dr. John P. Sexton, Thesis Advisor Prof. Evan Dardano, Committee Member Prof. James Norman, Committee Member Hazeldine 2 The Viking Dialogue Narrative: Egil’s Saga and Storytelling Abstract Egil’s Saga1 invites inquiry about its composition with its unique use of poetry and prose. Its origins in the traditions of the Icelandic sagas grounds the text within a historical and cultural context that, while still under debate, guides the student of the Icelandic sagas in understanding the likely authorial purpose and intent behind the structure and motives behind the sagas and their tellers/writers. Egil’s Saga’s composition not only retells the life narrative of its titular poet but speaks to the purpose of storytellers and their craft. The Poetry of Structure in Composition Egil’s Saga draws much of its narrative material from oral sources and multiple stories about the warrior-poet Egil Skallagrimsson and his family (Andersson 19). -
Fantes Det Virkelig En Bronsealder I Norge?
Historiestudentenes tidsskrift, UiO NR 1-2013 10. ÅRGANG. KR 100,- Fantes det virkelig en bronsealder i Norge? Black Metal og bruken av norsk historie Jernkansleren Bismarck En bunt reddiker og andre historier om edelt metall Jernvilje – om Norsk jern- og metallarbeider- forbund Dødbringende metall og brukne gevær Lystspill og nødmynt i Athen Østgoterne og myntene deres Det afrikanske blodmetallet Sølv - et magisk metall? Draktmetall mm. Metall ISSN 1504-1913 Trykkeri: 07 Gruppen Redaktører: Henriette Mikkelsen Hoel og Erik Tobias Taube Temaredaksjonen: Henriette Mikkelsen Hoel, Nils Holta, Caroline Juterud, Aslak Kittelsen Erik Tobias Taube, og Morten Haave Redaksjonen: Haavard Michael Fond-Garathun, Morten Haave, Henriette Mikkelsen Hoel, Nils Holta, Hanne Line Hvalby, Ole Kristian Håtveit, Miriam Finset Ingvaldsen, Caroline Juterud, Dag Jostein Juvkam, Aslak Kittelsen, Erik Tobias Taube, Linn Anette Lund Thorsen Grafisk utforming: Caroline Juterud Forside: Hammer og ambolt, tatt 1.jan 2013 i Molln, Østerrike. (Foto: Mathias Kniepeiss / Getty Images) Bakside: Viðr på Garage, Bergen, 2011. (Foto: Jarle H. Moe) Kontakt: Kontakttelefon: 41 76 37 79 (Henriette Mikkelsen Hoel) og 41 52 89 97 (Erik Tobias Taube) Henvendelser: [email protected] Abonnement: [email protected] Annonsesalg: [email protected] Postadresse: Universitet i Oslo, IAKH, Fortid, Pb. 1008 Blindern, 0315 Oslo. Fortid på nett: www.fortid.no facebook.com/fortid.tidsskrift Fortid er medlem av Tidsskriftforeningen, se http://www.tidsskriftforeningen.no Fortid utgis med støtte fra Institutt for arkeologi, kon- servering og historie ved Universitetet i Oslo og SiO Henriette Mikkelsen Hoel Erik Tobias Taube Leder Ambolten som pryder omslaget på dette nummeret mynter, våpen og smykker anvendes som kilder tar av Fortid tilhører en østerisk smed som for tiden oss fra folkedrakter og overtro til greske komedier og smir nye rustninger til Vatikanets sveitsergarde. -
Do Thor and Odin Have Bodies? Superperception and Divine Intervention Among the Old Norse Gods
religions Article Do Thor and Odin Have Bodies? Superperception and Divine Intervention among the Old Norse Gods Declan Taggart School of English, O’Rahilly Building, University College Cork, Cork, Ireland; [email protected] Received: 11 July 2019; Accepted: 2 August 2019; Published: 6 August 2019 Abstract: In Old Norse mythology, gods like Freyja, Odin, and Thor are usually characterized as human-like creatures: they walk and ride animals, eat, grow old, and even die. Was there more to conceptions of Old Norse gods than those anthropomorphic representations? This article presents evidence that the gods of early Scandinavia were sometimes thought of as superperceiving and able to act in ways that defied the limitations of a physical body. It engages with and challenges theological correctness, a prominent theory in the Cognitive Science of Religion, to elucidate the sources of Old Norse religion and the cognitive and contextual foundations of the representations of gods encountered there. Following an examination of the mechanisms through which Old Norse gods’ superperception and disembodied action were narrativized and rationalized, the article concludes with a discussion of the consequences of non-anthropomorphic representations of the gods for understanding Scandinavian worshippers’ everyday religious life. Keywords: Old Norse mythology; Old Norse religion; theological correctness; anthropomorphism; monitoring; Cognitive Science of Religion; Thor; Odin 1. Introduction When I was very young, I was taught in school how I should wait to receive the Eucharist in church. I was told that I should bow my head and not look up because, if I did, I would see Jesus Christ hovering near the church’s ceiling, watching and listening to my prayers, and that he would be angry if I caught sight of him. -
Beer, Vomit, Blood, and Poetry Egils Saga, Chapters 44-45 Thomas D. Hill
Beer, Vomit, Blood, and Poetry Egils saga, Chapters 44-45 Thomas D. Hill Co r n e ll u n iv e r s it y Chapters 44 and 45 of Egils saga1 concern the prequel of what SigurSur Nordal has described as one of the most understated love stories in the history of Western literature.2 Egil’s charismatic brother Thorolf has gone off to marry Asgerd, the young, beautiful, and intelligent girl who was fostered and raised in Egil’s and Thorolf’s home, but who was not related to them. The reader of the saga who is reading or listening to the saga for the first time can have no way of knowing what Egil feels for Asgerd. All the reader can know is that Egil became uncharacteristically sick just before his brother’s wedding, that later after Thorolf’s death in battle, Egil seeks Asgerd’s hand in marriage with great determination, and that Egil becomes pitiably depressed when it appears that Asgerd has refused his suit. The point of anticipating Egil’s later wooing of Asgerd, however, is that Egil’s swift recovery after his brother’s departure and his emotional volatility during the adventures that ensue are well moti vated, although only in retrospect. Egil is on the rebound, and as his friends might say, if saga men could use twenty-first-century idioms, he is in a funny mood. Thus when he encounters a bad and ultimately 1. All quotations from Egils saga are from the edition of Bjarni Einarsson (London: Viking Society for Northern Research, 2003) by page number. -
Háskóli Íslands Hugvísindasvið Interdisciplinary Studies from The
Háskóli Íslands Hugvísindasvið Interdisciplinary Studies Elves From The Eddas To Legolas Ritgerð til BA / MA-prófs í Viking And Medieval Norse Studies Capucine André Kt.: 140887-4399 Leiðbeinandi: Ármann Jakobsson December 2015 Introduction: In recent movies reaching a large public across the world, at the forefront Peter Jackson in his trilogies movies of The Lord Of The Rings and The Hobbit, elves are portrayed in a manner that is now dominant in the public imagination. They are tall, beautiful, most sophisticated and with the tell-tale pointed ears. They are very different from the elves most prominent merely a century ago, minuscule in size and their behavior mischievous and playful. The much more serious appearance is viewed as an original creation by J.R.R. Tolkien for his books, which Peter Jackson fixed visually and lent future generations. Elves are no more seen with butterfly wings. They are cold towards people yet attractive, and Tolkien, not content with giving elves a body and temperament completely different to what was expected before, gave them a history, language and mythology fitting his own Middle-Earth. However, this novel view of elves is not in essence Tolkien’s creation but his interpretation of medieval sources. These origins are located in ancient Nordic mythology. They were preserved in manuscripts, even though they were written down centuries after the Christian conversion. In these texts on parchment, what elves are, especially in relation to dwarves, is not expressed clearly, but while Christianity altered these creatures’ nature, the manuscripts preserved the older ideas they represented. Tolkien when writing his own mythology went to these Nordic sources and other medieval sources and far from giving elves a new revolutionary appearance described them as close as he could to their first form. -
Norse Mythology: a Guide to the Gods, Heroes, Rituals, and Beliefs
Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow OXFORD UNIVERSITY PRESS Norse Mythology This page intentionally left blank Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow 3 3 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2001 by John Lindow First published by ABC-Clio 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 First issued as an Oxford University Press paperback, 2002 198 Madison Avenue, New York,New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press Library of Congress Cataloging-in-Publication Data Lindow, John. [Handbook of Norse mythology] Norse mythology: a guide to the Gods, heroes, rituals, and beliefs / by John Lindow. p. cm. Includes bibliographical references and index. ISBN 0-19-515382-0 (pbk.: alk. paper) 1. Mythology, Norse. I.Title. BL860.L56 2001 293'.13—dc21 2001058370 10987654321 Printed in the United States of America on acid-free paper CONTENTS A Note on Orthography, xv 1 Introduction, 1 The Historical Background, 2