History of the BBC October 1922
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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
LR003208 - Alfred Bradley (Interview 14) - No Date.Wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715
File: LR003208 - Alfred Bradley (interview 14) - no date.wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715 START AUDIO Interviewer: A history of north regional broadcasting, interview number 14, Alfred Bradley. Radio's very first play was broadcast from Station 2LO London on the 15th November 1922. The day after Broadcasting England first began and it was heard in the children's programme but the north region can probably boast the first adult play written for wireless. L. du Garde Peach was the author. It came from the British Broadcasting Company's Metrovix studio and was broadcast by Station 2ZY. By the start of the 1930s far more Northerners were hearing plays than seeing them in the theatre. They were produced by the likes of Jan Bussell, Cecil McGiven and by Edward Wilkinson. The radio dramatic feature became the invention and hallmark of Geoffrey Brideson and Frances Dillon, Olive Shapley and Joan Littlewood all working from North region. By the 1940s James R Gregson had started a school for Radio Playwrights at the Leeds Studios. No history of North Regional Broadcasting would be anywhere near compete without BBC Regional Drama's most distinguished name, that of Alfred Bradley who's with me now. 0:01:19 Alfred you joined in 1959? Alfred Bradley: Yes, I came from a strange job. I was drama advisor in Leicestershire. I suppose I started off wanting to be an actor and I grew out of that very quickly. Found I was better at directing than acting. I couldn't be bothered to remember the lines. -
Ideology of the Air
IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by SETH D. ASHLEY Dr. Stephanie Craft, Dissertation Supervisor MAY 2011 The undersigned, appointed by Dean of the Graduate School, have examined the dissertation entitled IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 presented by Seth D. Ashley a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________________ Professor Stephanie Craft ____________________________________________________________ Professor Tim P. Vos ____________________________________________________________ Professor Charles Davis ____________________________________________________________ Professor Victoria Johnson ____________________________________________________________ Professor Robert McChesney For Mom and Dad. Thanks for helping me explore so many different paths. ACKNOWLEDGEMENTS When I entered the master’s program at the University of Missouri School of Journalism, my aim was to become a practitioner of journalism, but the excellent faculty members I worked with helped me aspire to become a scholar. First and foremost is Dr. Stephanie Craft, who has challenged and supported me for more than a decade. I could not have completed this dissertation or this degree without her. I was also fortunate to have early encounters with Dr. Charles Davis and Dr. Don Ranly, who opened me to a world of ideas. More recently, Dr. Tim Vos and Dr. Victoria Johnson helped me identify and explore the ideas that were most important to me. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Commissioning Brief
RADIO COMMISSIONING FRAMEWORK Commissioning Brief Commissioning Brief No: 107001 Production of BBC Radio 5 Live’s new ‘Sport Entertainment’ podcast for BBC Sounds CONTENTS SECTION A: EDITORIAL OPPORTUNITY........................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................................. 8 1. TIMETABLE .......................................................................................................... 8 2. THE FIVE STAGES ................................................................................................. 9 3. ASSESSMENT CRITERIA ..................................................................................... 11 SECTION C: FULL PROPOSALS ...................................................................................... 12 1. WHAT WE NEED FROM YOU ............................................................................. 12 2. WHAT TO EXPECT FROM US ............................................................................. 13 3. IMPORTANT POINTS TO NOTE .......................................................................... 14 SECTION D: KEY CONTRACT TERMS…………………………………………………………………………15 2 of 15 SECTION A: EDITORIAL OPPORTUNITY Commissioning Brief 107001 Sports Entertainment Podcast Commission contact Richard Maddock Duration Average 30-60 minutes per episode Number of programmes available Minimum initial run of 15 eps with option to extend. Transmission period Starting early 2020 Guide price per episode £2k -
Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio
Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street. -
Service Review of BBC Radio 5 Live and 5 Live Sports Extra Analysis of Public Consultation August 2011
Service Review of BBC Radio 5 Live and 5 Live Sports Extra Analysis of Public Consultation August 2011 By Helen Mather Public Knowledge Table of Contents 1. EXECUTIVE SUMMARY 3 2. INTRODUCTION 5 3. SUMMARY OF KEY THEMES 7 4. RESPONSES TO CONSULTATION QUESTIONS 10 4.1: How do you listen to 5 Live and how often? 10 4.2: How do you listen to 5 Live Sports Extra and how often? 12 4.3: 5 Live has a number of commitments about news coverage: how well do you think it does these things? 14 4.4: 5 Live should offer instant access to breaking news from the UK and internationally, and become a rolling news service whenever appropriate. How well do you think it does this? 19 4.5: 5 Live has a number of commitments about political coverage: how well do you think it does these things? 21 4.6: 5 Live has a number of commitments about sports coverage: how well do you think it does these things? 24 4.7: 5 Live should provide commentary of major sports events and other programming on a broad range of sports. What do you think of the range of sports covered by 5 Live? 27 4.8: 5 Live should provide in-depth investigative journalism and analysis across a wide range of news and sports programmes. How well do you think it does this? 29 4.9: 5 Live also has commitments about covering news and sport from across the UK: How well do you think it does these things? 31 4.10: 5 Live also has commitments about encouraging participation: How well do you think it does these things? 34 4.11: What do you think of the range and mix of programmes on 5 live? 37 4.12: 5 Live Sports Extra aims to provide a complementary service to 5 Live by bringing live sports coverage of both mainstream and minority sports events from the UK. -
If You Missed the FBLA Meeting Yesterday, Please See Mrs. Angle in Room B1 Today to Pick up Information for Your Region Competition
Today’s Statistics: Thursday, November 14, 2019 Marking Period: 1 of 4 Student Day: 56 of 180 Snow Days Used: Not Yet Today’s Weather: 26° Sunny SW wind 8-11mph If you missed the FBLA meeting yesterday, please see Mrs. Angle in Room B1 today to pick up information for your region competition. Any student interested in taking a fan bus to Hazleton for Friday’s state playoff game, please sign up with Mrs. Mandzy in the 11/12 office. Please bring $4 for your ticket to the game. A minimum of 25 students is needed to run the bus, so sign up ASAP. Sign-ups will end Thursday afternoon. Attention 9th and 10th grade students: Be sure to report to the auditorium 3rd period for an assembly. Any student interested in taking a fan bus to Hazleton for Friday’s state playoff game, please sign up with Mrs. Mandzy in the 11/12 office. Please bring $4 for your ticket to the game. A minimum of 25 students is needed to run the bus, so sign up ASAP. Sign-ups will end Thursday afternoon. Attention FBLA members, volunteers are needed for the Turkey Trot on November 16. Sign- up sheets are on bulletin boards outside of Rooms S5 and B1. Basketball Cheerleading Tryouts will be held on Monday, November 18th from 3:00-6:00 in the 9/10 cafeteria. Pick up atryout packet from Coach Marchetti in the Green Gym outside the girls locker room. You must have a physical dated after June 1, 2019 to try out. -
RESEARCH to EXPLORE PUBLIC VIEWS ABOUT the BBC: APPENDICES for the Department for Culture, Media and Sport
RESEARCH TO EXPLORE PUBLIC VIEWS ABOUT THE BBC: APPENDICES For the Department for Culture, Media and Sport Prepared by: GfK Social Research Appendices: contents Qualitative Discussion Guide and Stimulus ........................................................................... 3 Objective area 1 discussion guide and stimulus: group discussions ......................... 3 Objective area 1 discussion guide and stimulus: telephone depth interviews ....... 13 Objective area 2 discussion guide and stimulus: group discussions ....................... 18 Objective area 3 discussion guide and stimulus ............................................................. 30 Quantitative questionnaires ...................................................................................................... 44 First survey ................................................................................................................................ 44 Second survey .......................................................................................................................... 50 Qualitative Discussion Guide and Stimulus There were three strands of qualitative research, reflecting three strands of objectives: Objective Area 1: gathering views of the BBC amongst underserved audiences. Objective Area 2: exploring the Charter Review consultation themes amongst the general public. Objective Area 3: investigating attitudes towards willingness to pay for BBC services, and reaction to funding models amongst the general public. Separate discussion guides -
Power Play Sport the Media and Popular Culture.Pdf (2
Power Play Sport, the Media and Popular Culture Second edition Raymond Boyle and Richard Haynes Edinburgh University Press For Noelle, Lauren and Liam (RB) For Susan, Alice and Adam (RH) © Raymond Boyles and Richard Haynes, 2009 First edition published by Pearson Education Limited, 2000 Edinburgh University Press Ltd 22 George Square, Edinburgh www.euppublishing.com Typeset in 11/13 pt Stempel Garamond by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne A CIP record for this book is available from the British Library ISBN 978 0 7486 3592 4 (hardback) ISBN 978 0 7486 3593 1 (paperback) The right of Raymond Boyles and Richard Haynes to be identifi ed as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 Contents Preface v Acknowledgements x 1 Sport, the Media and Popular Culture 1 2 All Our Yesterdays: A History of Media Sport 19 3 A Sporting Triangle: Television, Sport and Sponsorship 43 4 Power Game: Why Sport Matters to Television 66 5 Who Wants to Be a Millionaire? Media Sport and Stardom 86 6 The Race Game: Media Sport, Race and Ethnicity 107 7 Playing the Game: Media Sport and Gender 122 8 Games Across Frontiers: Mediated Sport and 144 National Identity 9 The Sports Pages: Journalism and Sport 164 10 Consuming Sport: Fans, Fandom and the Audience 184 11 Conclusion: Sport in the Digital Age 204 Bibliography 223 Index 240 Sport, is of course one of the very best things about television; I would keep my set for it alone. -
Commissioning Brief
RADIO COMMISSIONING Commissioning Brief Commissioning Brief No.: 50032 2021 Ad Hoc commissioning round for 5 Live Version 1.0 07.01.21 BBC Radio Commissioning Brief CONTENTS SECTION A: EDITORIAL OPPORTUNITY ............................................................................................ 3 Important Points to Note: ......................................................................................................... 4 1. The Opportunity ................................................................................................................. 5 2. Editorial Strategy ................................................................................................................ 6 3. Editorial Objectives ............................................................................................................ 6 4. Key Deliverables ................................................................................................................. 6 5. Success Measures ............................................................................................................... 7 6. Social Media / Marketing ................................................................................................... 7 7. Risk Management ............................................................................................................... 7 8. Production Eligibility Questionnaire ................................................................................ 7 SECTION B: PROCESS, EVALUATION & ASSESSMENT .......................................................... -
Professor Jeremy Summerly 17 September 2020
RADIO IN THE 78 RPM ERA (1920-1948) PROFESSOR JEREMY SUMMERLY 17 SEPTEMBER 2020 At 7.10 pm on 15 June 1920, a half-hour broadcast was given by Australian prima donna Dame Nellie Melba (‘the world’s very best artist’). Singing from a workshop at the back of the Marconi Wireless and Telegraph Company, the 59-year old soprano described her Chelmsford recital as ‘the most wonderful experience of my career’. The transmission was received all around Europe, as well as in Soltan-Abad in Persia (now Arak in Iran) to the East, and Newfoundland (at the time a Dominion of the British Empire) to the West. Dame Nellie’s recital became recognized as Britain’s first official radio broadcast and the Daily Mail (predictably, perhaps, in its role as sponsor) described the event as ‘a great initiation ceremony; the era of public entertainment may be said to have completed its preliminary trials’. The Radio Corporation of America had been founded a year earlier, run by a young Russian- American businessman David Sarnoff. Sarnoff believed that ‘broadcasting represents a job of entertaining, informing and educating the nation, and should therefore be distinctly regarded as a public service’, words that were later echoed more famously by John Reith of the British Broadcasting Company. On 11 May 1922, daily radio transmissions of an hour began from the 7th floor of Marconi House at London’s Aldwych. The Marconi Company’s London station was known as 2LO and its first concert (for voice, cello, and piano) was broadcast on 24 June; the Prince of Wales (later Edward VIII) broadcast from Marconi House on 7 October.