Framework Agreement
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Assessing the Value of Public Service Programming on ITV1, Channel 4 and Five
Assessing the value of public service programming on ITV1, Channel 4 and Five Summary Report September 2008 Prepared for: Prepared by: Holden Pearmain Research, St. George's Business Park, 1st Floor, 205 Brooklands Road, Weybridge, Surrey, KT13 0BG Tel: 01932 850333 www.holdenpearmain.com Ofcom PSB Willingness to Pay – Summary Report TABLE OF CONTENTS 1.0 BACKGROUND ......................................................................................................................... 4 2.0 EXECUTIVE SUMMARY............................................................................................................ 5 3.0 INTRODUCTION ...................................................................................................................... 10 4.0 CONTEXT................................................................................................................................. 17 Most Watched TV Channels ..............................................................................................17 Regularly Watched TV Genres ..........................................................................................18 Perceived achievement of PSB aims by channel ..............................................................20 5.0 AUDIENCES VALUATION OF PUBLIC SERVICE BROADCASTING (GABOR GRANGER EXERCISE) .......................................................................................................................................... 23 Introduction ........................................................................................................................23 -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Exploring Welsh Speakers' Language Use in Their Daily Lives
Exploring Welsh speakers’ language use in their daily lives Beaufort contacts: Fiona McAllister / Adam Blunt [email protected] [email protected] Bangor University contact: Dr Cynog Prys [email protected] Client contacts: Carys Evans [email protected], Eilir Jones [email protected] Iwan Evans [email protected] July 2013 BBQ01260 CONTENTS 1. Executive summary ...................................................................................... 4 2. The situation, research objectives and research method ......................... 7 2.1 The situation ................................................................................................ 7 2.2 Research aims ......................................................................................... 9 2.3 Research method ..................................................................................... 9 2.4 Comparisons with research undertaken in 2005 and verbatim comments used in the report ............................................ 10 3. Main findings .............................................................................................. 11 4. An overview of Welsh speakers’ current behaviour and attitudes ........ 21 4.1 Levels of fluency in Welsh ...................................................................... 21 4.2 Media consumption and participation in online and general activities in Welsh and English .................................................. 22 4.3 Usage of Welsh in different settings ...................................................... -
Commissioning Brief
RADIO COMMISSIONING FRAMEWORK Commissioning Brief Commissioning Brief No: 107001 Production of BBC Radio 5 Live’s new ‘Sport Entertainment’ podcast for BBC Sounds CONTENTS SECTION A: EDITORIAL OPPORTUNITY........................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................................. 8 1. TIMETABLE .......................................................................................................... 8 2. THE FIVE STAGES ................................................................................................. 9 3. ASSESSMENT CRITERIA ..................................................................................... 11 SECTION C: FULL PROPOSALS ...................................................................................... 12 1. WHAT WE NEED FROM YOU ............................................................................. 12 2. WHAT TO EXPECT FROM US ............................................................................. 13 3. IMPORTANT POINTS TO NOTE .......................................................................... 14 SECTION D: KEY CONTRACT TERMS…………………………………………………………………………15 2 of 15 SECTION A: EDITORIAL OPPORTUNITY Commissioning Brief 107001 Sports Entertainment Podcast Commission contact Richard Maddock Duration Average 30-60 minutes per episode Number of programmes available Minimum initial run of 15 eps with option to extend. Transmission period Starting early 2020 Guide price per episode £2k -
Regional Variation in 140 Characters: Mapping Geospatial Tweets
Regional variation in 140 characters: Mapping geospatial tweets George Bailey University of Manchester @grbails Using Twitter for Linguistic Research - University of Kent, 31st May 2016 What is Twitter? • Social media platform where users post short, 140-character messages called ‘Tweets’ So weird how like a potato can taste so diferent just by cookin it in an oven rather than boiling it - it's the same food #themindboggles • In most cases, Tweets are visible to anyone • You can choose to ‘follow’ other users, so that their Tweets populate your timeline • Noted for viral content, internet memes, early adoption (innovation?) of online slang terms, hashtags etc. 2 Why study it? • Great source of natural language data • more than 500 million tweets sent each day (Twitter 2015) • as of 2013, seven years after its founding, over 170 billion tweets had been sent (Leetaru et al. 2013) • Easy to collect, just leave the script running! • Informal style, which leads to lots of variation and creative use of language • Lots of metadata… 3 Metadata {"created_at":"Mon May 09 07:59:23 +0000 2016","id":729581517257740288,"id_str":"729581517257740288","text":"Dumb idea. Won't achieve anything. https:\/\/t.co\/ EGOno9VXNw","source":"\u003ca href=\"http:\/\/twitter.com\/download\/iphone\" rel=\"nofollow\"\u003eTwitter for iPhone\u003c\/a \u003e","truncated":false,"in_reply_to_status_id":null,"in_reply_to_status_id_str":null,"in_reply_to_user_id":null,"in_reply_to_user_id_str":null,"in_reply_to_screen_name":null,"user":{"id": 28327397,"id_str":"28327397","name":"Amy\u270c\ufe0f","screen_name":"amycfc90","location":"Birmingham, -
CHANNEL GUIDE AUGUST 2020 2 Mix 5 Mixit + PERSONAL PICK 3 Fun 6 Maxit
KEY 1 Player 4 Full House PREMIUM CHANNELS CHANNEL GUIDE AUGUST 2020 2 Mix 5 Mixit + PERSONAL PICK 3 Fun 6 Maxit + 266 National Geographic 506 Sky Sports F1® HD 748 Create and Craft 933 BBC Radio Foyle HOW TO FIND WHICH CHANNELS YOU CAN GET + 267 National Geographic +1 507 Sky Sports Action HD 755 Gems TV 934 BBC Radio NanGaidheal + 268 National Geographic HD 508 Sky Sports Arena HD 756 Jewellery Maker 936 BBC Radio Cymru 1. Match your package to the column 1 2 3 4 5 6 269 Together 509 Sky Sports News HD 757 TJC 937 BBC London 101 BBC One/HD* + 270 Sky HISTORY HD 510 Sky Sports Mix HD 951 Absolute 80s 2. If there’s a tick in your column, you get that channel Sky One + 110 + 271 Sky HISTORY +1 511 Sky Sports Main Event INTERNATIONAL 952 Absolute Classic Rock 3. If there’s a plus sign, it’s available as + 272 Sky HISTORY2 HD 512 Sky Sports Premier League 1 2 3 4 5 6 958 Capital part of a Personal Pick collection 273 PBS America 513 Sky Sports Football 800 Desi App Pack 959 Capital XTRA 274 Forces TV 514 Sky Sports Cricket 801 Star Gold HD 960 Radio X + 275 Love Nature HD 515 Sky Sports Golf 802 Star Bharat 963 Kiss FM 516 Sky Sports F1® 803 Star Plus HD + 167 TLC HD 276 Smithsonian Channel HD ENTERTAINMENT 517 Sky Sports Action 805 SONY TV ASIA HD ADULT 168 Investigation Discovery 277 Sky Documentaries HD 1 2 3 4 5 6 + 518 Sky Sports Arena 806 SONY MAX HD 100 Virgin Media Previews HD 169 Quest -
Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio
Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street. -
Sustaining the Public Value of ITV News in a Changing World
Robert Kenny Sustaining the public value of ITV News in a changing world October 2020 About the Author Rob Kenny is a founder of Communications Chambers. He has extensive experience on issues of TMT policy and regulation, and PSB and news in particular. He has worked on PSB issues for clients such as the BBC, ITV, RTÉ, Virgin Media, COBA, the Broadcasting Authority of Ireland and the Belgian government, addressing funding, public value, market impact, distribution strategy, and many other topics. He has also worked widely on news issues, including plurality, the business of news, and interventions to support news. Relevant clients have included the BBC, Sky, 21st Century Fox, News Corp, GMG, the Broadcasting Authority of Ireland and the Australian Competition & Consumer Commission. Previously Rob headed strategic planning and corporate development for Hongkong Telecom, and corporate development for Level 3. Disclaimer This is an independent report prepared for ITV. The opinions offered herein are purely those of the author. They do not necessarily represent the views of ITV, nor the views of all Communications Chambers members. [0] Contents 1. Executive Summary .................................................................................................................................. 2 2. Introduction ................................................................................................................................................. 6 3. A rapidly changing news market ........................................................................................................ 7 3.1. Shifting platform preference 7 3.2. News economics 10 3.3. The nature of news 12 4. A news service for everyone: the current role of ITV News ............................................... 15 4.1. ITV’s news offering 15 4.2. ITV’s investment in news 19 4.3. Consumption of ITV News 21 4.4. Trust in ITV News 25 4.5. ITV News during COVID-19 25 4.6. -
Service Review of BBC Radio 5 Live and 5 Live Sports Extra Analysis of Public Consultation August 2011
Service Review of BBC Radio 5 Live and 5 Live Sports Extra Analysis of Public Consultation August 2011 By Helen Mather Public Knowledge Table of Contents 1. EXECUTIVE SUMMARY 3 2. INTRODUCTION 5 3. SUMMARY OF KEY THEMES 7 4. RESPONSES TO CONSULTATION QUESTIONS 10 4.1: How do you listen to 5 Live and how often? 10 4.2: How do you listen to 5 Live Sports Extra and how often? 12 4.3: 5 Live has a number of commitments about news coverage: how well do you think it does these things? 14 4.4: 5 Live should offer instant access to breaking news from the UK and internationally, and become a rolling news service whenever appropriate. How well do you think it does this? 19 4.5: 5 Live has a number of commitments about political coverage: how well do you think it does these things? 21 4.6: 5 Live has a number of commitments about sports coverage: how well do you think it does these things? 24 4.7: 5 Live should provide commentary of major sports events and other programming on a broad range of sports. What do you think of the range of sports covered by 5 Live? 27 4.8: 5 Live should provide in-depth investigative journalism and analysis across a wide range of news and sports programmes. How well do you think it does this? 29 4.9: 5 Live also has commitments about covering news and sport from across the UK: How well do you think it does these things? 31 4.10: 5 Live also has commitments about encouraging participation: How well do you think it does these things? 34 4.11: What do you think of the range and mix of programmes on 5 live? 37 4.12: 5 Live Sports Extra aims to provide a complementary service to 5 Live by bringing live sports coverage of both mainstream and minority sports events from the UK. -
Mapping Lexical Dialect Variation in British English Using Twitter Grieve, Jack; Montgomery, Chris; Nini, Andrea; Murakami, Akira; Guo, Diansheng
University of Birmingham Mapping lexical dialect variation in British English using Twitter Grieve, Jack; Montgomery, Chris; Nini, Andrea; Murakami, Akira; Guo, Diansheng DOI: 10.3389/frai.2019.00011 License: Creative Commons: Attribution (CC BY) Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Grieve, J, Montgomery, C, Nini, A, Murakami, A & Guo, D 2019, 'Mapping lexical dialect variation in British English using Twitter', Frontiers in Artificial Intelligence, vol. 2, 11. https://doi.org/10.3389/frai.2019.00011 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 02/08/2019 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. -
History of the BBC October 1922
9/9/2019 1920s - History of the BBC Home News Sport Weather Shop Reel Travel Capital M History of the BBC Menu 1920s Where it all began, turning early radio experiments into a new medium - broadcasting. 1920s The British Broadcasting Company, as the BBC was originally called, was formed on 18 October 1922 by a group of leading wireless manufacturers including Marconi. Daily broadcasting by the BBC began in Marconi's London studio, 2LO, in the Strand, on November 14, 1922. John Reith, a 33-year-old Scottish engineer, was appointed General Manager of the BBC at the end of 1922. October 1922 - 2LO launched Following the closure of numerous amateur stations, the BBC started its first daily radio service in London – 2LO. Aer much argument, news was supplied by an agency, and music drama and 'talks' filled the airwaves for only a few hours a day. It wasn't long before radio could be heard across the nation. https://www.bbc.com/historyofthebbc/timelines/1920s 1/7 9/9/2019 1920s - History of the BBC Pathe News marks the start of 2LO in a cinema newsreel. December 1922 - John Reith appointed Thirty-three year old John Charles Walsham Reith became General Manager of the BBC on 14 December 1922. I hadn't the remotest idea as to what broadcasting was. There were no rules, standards or established purpose to guide him. He immediately began innovating, experimenting and organising, and with the help of his newly appointed chief engineer, Peter Eckersley, the service began to expand. https://www.bbc.com/historyofthebbc/timelines/1920s 2/7 9/9/2019 1920s - History of the BBC John Reith September 1923 - Radio Times first edition The first edition of The Radio Times listed the few programmes on offer. -
Mapping Lexical Dialect Variation in British English Using Twitter Grieve, Jack; Montgomery, Chris; Nini, Andrea; Murakami, Akira; Guo, Diansheng
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal Mapping lexical dialect variation in British English using Twitter Grieve, Jack; Montgomery, Chris; Nini, Andrea; Murakami, Akira; Guo, Diansheng DOI: 10.3389/frai.2019.00011 License: Creative Commons: Attribution (CC BY) Document Version Peer reviewed version Citation for published version (Harvard): Grieve, J, Montgomery, C, Nini, A, Murakami, A & Guo, D 2019, 'Mapping lexical dialect variation in British English using Twitter' Frontiers in Artificial Intelligence. https://doi.org/10.3389/frai.2019.00011 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 21/06/2019 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document.