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Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Commissioning Brief
RADIO COMMISSIONING FRAMEWORK Commissioning Brief Commissioning Brief No: 107001 Production of BBC Radio 5 Live’s new ‘Sport Entertainment’ podcast for BBC Sounds CONTENTS SECTION A: EDITORIAL OPPORTUNITY........................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................................. 8 1. TIMETABLE .......................................................................................................... 8 2. THE FIVE STAGES ................................................................................................. 9 3. ASSESSMENT CRITERIA ..................................................................................... 11 SECTION C: FULL PROPOSALS ...................................................................................... 12 1. WHAT WE NEED FROM YOU ............................................................................. 12 2. WHAT TO EXPECT FROM US ............................................................................. 13 3. IMPORTANT POINTS TO NOTE .......................................................................... 14 SECTION D: KEY CONTRACT TERMS…………………………………………………………………………15 2 of 15 SECTION A: EDITORIAL OPPORTUNITY Commissioning Brief 107001 Sports Entertainment Podcast Commission contact Richard Maddock Duration Average 30-60 minutes per episode Number of programmes available Minimum initial run of 15 eps with option to extend. Transmission period Starting early 2020 Guide price per episode £2k -
Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio
Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street. -
Service Review of BBC Radio 5 Live and 5 Live Sports Extra Analysis of Public Consultation August 2011
Service Review of BBC Radio 5 Live and 5 Live Sports Extra Analysis of Public Consultation August 2011 By Helen Mather Public Knowledge Table of Contents 1. EXECUTIVE SUMMARY 3 2. INTRODUCTION 5 3. SUMMARY OF KEY THEMES 7 4. RESPONSES TO CONSULTATION QUESTIONS 10 4.1: How do you listen to 5 Live and how often? 10 4.2: How do you listen to 5 Live Sports Extra and how often? 12 4.3: 5 Live has a number of commitments about news coverage: how well do you think it does these things? 14 4.4: 5 Live should offer instant access to breaking news from the UK and internationally, and become a rolling news service whenever appropriate. How well do you think it does this? 19 4.5: 5 Live has a number of commitments about political coverage: how well do you think it does these things? 21 4.6: 5 Live has a number of commitments about sports coverage: how well do you think it does these things? 24 4.7: 5 Live should provide commentary of major sports events and other programming on a broad range of sports. What do you think of the range of sports covered by 5 Live? 27 4.8: 5 Live should provide in-depth investigative journalism and analysis across a wide range of news and sports programmes. How well do you think it does this? 29 4.9: 5 Live also has commitments about covering news and sport from across the UK: How well do you think it does these things? 31 4.10: 5 Live also has commitments about encouraging participation: How well do you think it does these things? 34 4.11: What do you think of the range and mix of programmes on 5 live? 37 4.12: 5 Live Sports Extra aims to provide a complementary service to 5 Live by bringing live sports coverage of both mainstream and minority sports events from the UK. -
History of the BBC October 1922
9/9/2019 1920s - History of the BBC Home News Sport Weather Shop Reel Travel Capital M History of the BBC Menu 1920s Where it all began, turning early radio experiments into a new medium - broadcasting. 1920s The British Broadcasting Company, as the BBC was originally called, was formed on 18 October 1922 by a group of leading wireless manufacturers including Marconi. Daily broadcasting by the BBC began in Marconi's London studio, 2LO, in the Strand, on November 14, 1922. John Reith, a 33-year-old Scottish engineer, was appointed General Manager of the BBC at the end of 1922. October 1922 - 2LO launched Following the closure of numerous amateur stations, the BBC started its first daily radio service in London – 2LO. Aer much argument, news was supplied by an agency, and music drama and 'talks' filled the airwaves for only a few hours a day. It wasn't long before radio could be heard across the nation. https://www.bbc.com/historyofthebbc/timelines/1920s 1/7 9/9/2019 1920s - History of the BBC Pathe News marks the start of 2LO in a cinema newsreel. December 1922 - John Reith appointed Thirty-three year old John Charles Walsham Reith became General Manager of the BBC on 14 December 1922. I hadn't the remotest idea as to what broadcasting was. There were no rules, standards or established purpose to guide him. He immediately began innovating, experimenting and organising, and with the help of his newly appointed chief engineer, Peter Eckersley, the service began to expand. https://www.bbc.com/historyofthebbc/timelines/1920s 2/7 9/9/2019 1920s - History of the BBC John Reith September 1923 - Radio Times first edition The first edition of The Radio Times listed the few programmes on offer. -
RESEARCH to EXPLORE PUBLIC VIEWS ABOUT the BBC: APPENDICES for the Department for Culture, Media and Sport
RESEARCH TO EXPLORE PUBLIC VIEWS ABOUT THE BBC: APPENDICES For the Department for Culture, Media and Sport Prepared by: GfK Social Research Appendices: contents Qualitative Discussion Guide and Stimulus ........................................................................... 3 Objective area 1 discussion guide and stimulus: group discussions ......................... 3 Objective area 1 discussion guide and stimulus: telephone depth interviews ....... 13 Objective area 2 discussion guide and stimulus: group discussions ....................... 18 Objective area 3 discussion guide and stimulus ............................................................. 30 Quantitative questionnaires ...................................................................................................... 44 First survey ................................................................................................................................ 44 Second survey .......................................................................................................................... 50 Qualitative Discussion Guide and Stimulus There were three strands of qualitative research, reflecting three strands of objectives: Objective Area 1: gathering views of the BBC amongst underserved audiences. Objective Area 2: exploring the Charter Review consultation themes amongst the general public. Objective Area 3: investigating attitudes towards willingness to pay for BBC services, and reaction to funding models amongst the general public. Separate discussion guides -
Power Play Sport the Media and Popular Culture.Pdf (2
Power Play Sport, the Media and Popular Culture Second edition Raymond Boyle and Richard Haynes Edinburgh University Press For Noelle, Lauren and Liam (RB) For Susan, Alice and Adam (RH) © Raymond Boyles and Richard Haynes, 2009 First edition published by Pearson Education Limited, 2000 Edinburgh University Press Ltd 22 George Square, Edinburgh www.euppublishing.com Typeset in 11/13 pt Stempel Garamond by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne A CIP record for this book is available from the British Library ISBN 978 0 7486 3592 4 (hardback) ISBN 978 0 7486 3593 1 (paperback) The right of Raymond Boyles and Richard Haynes to be identifi ed as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 Contents Preface v Acknowledgements x 1 Sport, the Media and Popular Culture 1 2 All Our Yesterdays: A History of Media Sport 19 3 A Sporting Triangle: Television, Sport and Sponsorship 43 4 Power Game: Why Sport Matters to Television 66 5 Who Wants to Be a Millionaire? Media Sport and Stardom 86 6 The Race Game: Media Sport, Race and Ethnicity 107 7 Playing the Game: Media Sport and Gender 122 8 Games Across Frontiers: Mediated Sport and 144 National Identity 9 The Sports Pages: Journalism and Sport 164 10 Consuming Sport: Fans, Fandom and the Audience 184 11 Conclusion: Sport in the Digital Age 204 Bibliography 223 Index 240 Sport, is of course one of the very best things about television; I would keep my set for it alone. -
Commissioning Brief
RADIO COMMISSIONING Commissioning Brief Commissioning Brief No.: 50032 2021 Ad Hoc commissioning round for 5 Live Version 1.0 07.01.21 BBC Radio Commissioning Brief CONTENTS SECTION A: EDITORIAL OPPORTUNITY ............................................................................................ 3 Important Points to Note: ......................................................................................................... 4 1. The Opportunity ................................................................................................................. 5 2. Editorial Strategy ................................................................................................................ 6 3. Editorial Objectives ............................................................................................................ 6 4. Key Deliverables ................................................................................................................. 6 5. Success Measures ............................................................................................................... 7 6. Social Media / Marketing ................................................................................................... 7 7. Risk Management ............................................................................................................... 7 8. Production Eligibility Questionnaire ................................................................................ 7 SECTION B: PROCESS, EVALUATION & ASSESSMENT .......................................................... -
BBC Performance Tracker 2019-20 Technical Report
June 2020 BBC Performance Tracker Technical Report Prepared for Ofcom by Ipsos MORI 1 Contents Contents ........................................................................................................................................... 2 1. Preface ......................................................................................................................................... 3 2. Methodology ............................................................................................................................... 4 2.1 Sample design and quotas .............................................................................................................................. 4 3. Questionnaire .............................................................................................................................. 7 3.1 Questionnaire changes .................................................................................................................................... 7 4. Analysis ........................................................................................................................................ 9 4.1 Weighting targets ............................................................................................................................................ 9 4.2 Precision of estimates .................................................................................................................................... 10 5. Appendix .................................................................................................................................. -
Framework Agreement
BROADCASTING An Agreement Between Her Majesty’s Secretary of State for Culture, Media and Sport and the British Broadcasting Corporation Presented to Parliament by the Secretary of State for Culture, Media and Sport by Command of Her Majesty December 2016 Cm 9366 BROADCASTING An Agreement Between Her Majesty’s Secretary of State for Culture, Media and Sport and the British Broadcasting Corporation Presented to Parliament by the Secretary of State for Culture, Media and Sport by Command of Her Majesty December 2016 Cm 9366 © Crown copyright 2016 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected]. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us at [email protected] Print ISBN 9781474138932 Web ISBN 9781474138949 ID P002846302 12/16 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office 2 AN AGREEMENT BETWEEN HER MAJESTY’S SECRETARY OF STATE FOR CULTURE, MEDIA AND SPORT AND THE BRITISH BROADCASTING CORPORATION THIS DEED is made the 7 November 2016 BETWEEN: HER MAJESTY’S SECRETARY OF STATE FOR CULTURE, MEDIA AND SPORT (“the Secretary of State”) and THE BRITISH BROADCASTING CORPORATION whose chief office is at Broadcasting House, Portland Place, London W1A 1AA (“the BBC”). -
BBC Performance Tracker 2019 Questionnaire
GfK BBC Performance Tracker V37 272.201.20323 I. SAMPLE VARIABLES RESEARCHER: If there are questions or variables that are not quotas and you want to track them, list the variable name and type here, so programming knows that you want to monitor. II. QUOTA CHECK BASED ON SAMPLE VARIABLES RESEARCHER: Insert description of the quota based on sample information. Sample plan to be provided separately. III. INTRODUCTION We are conducting a study looking at people’s attitudes to television, radio and online services in the UK, and we are keen to know your views. This study is being carried out for Ofcom (the Office of Communications), which is responsible for overseeing broadcast services in the UK. Your answers to the survey will remain completely confidential. They will never be reported on at an individual level or be used to identify you in any way. The information collected by GfK is on behalf of, and will remain, the property of Ofcom and will not be passed on to any third parties. First, we will ask you a few questions about yourself and the media you use. This will only take a few minutes. This will allow us to see whether you qualify to complete the full survey. The full survey will take 20-25 minutes depending on the media you use. IV. SCREENER BASE: ALL RESPONDENTS INTERNET USE INTU [S] In the past week, how many hours have you spent using the internet? This includes email, social media, online shopping, online gaming, browsing/searching or using apps, or watching TV programmes, films and videos, or listening to music and radio programmes online. -
An Introductory History of British Broadcasting
An Introductory History of British Broadcasting ‘. a timely and provocative combination of historical narrative and social analysis. Crisell’s book provides an important historical and analytical introduc- tion to a subject which has long needed an overview of this kind.’ Sian Nicholas, Historical Journal of Film, Radio and Television ‘Absolutely excellent for an overview of British broadcasting history: detailed, systematic and written in an engaging style.’ Stephen Gordon, Sandwell College An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: ■ The latest developments in digital broadcasting and the internet ■ Broadcasting in a multimedia era and its prospects for the future ■ The concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view ■ An evaluation of recent political pressures on the BBC and ITV duopoly ■ A timeline of key broadcasting events and annotated advice on further reading Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of Understanding Radio, also published by Routledge.