BBC Annual Report and Accounts 2017/18

Total Page:16

File Type:pdf, Size:1020Kb

BBC Annual Report and Accounts 2017/18 Annual Report and Accounts 2017/18 BBC Annual Report and Accounts 2017/18 Presented to Parliament by the Secretary of State for Digital, Culture, Media and Sport by Command of Her Majesty © BBC Copyright 2018 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/annualreport Designed by Emperor emperor.works Prepared pursuant to the BBC Royal Charter 2016 (Article 37) ABOUT THE BBC Contents Nations’ data packs p.150 Performance and market context p.02 p.59 p.168 About the BBC Detailed financial The year at a glance, award-winning statements content and how we’re structured p.08 Forewords from the Chairman and Director-General Performance against public commitments p.240 p.125 Equality Information Report Governance p.88 p.66 Finance and Delivering our creative remit operations How we’ve met the requirements of our public purposes p.18 About the BBC Governance Financial statements 02 The year at a glance 90 BBC Board 169 Certificate and Report of the Comptroller 92 Governance Report and Auditor General Strategic report 93 Remuneration Report 185 Consolidated income statement 08 A message from the Chairman 101 Pay disclosures 185 Consolidated statement of comprehensive 10 Director-General’s statement 107 NAO opinion on pay disclosures income/(loss) 16 Our reporting structure 108 Nominations Committee Report 186 Consolidated balance sheet 18 Delivering our creative remit 109 Audit and Risk Committee Report 187 Consolidated statement of changes in equity 20 – Impartial news and information 113 Risks and Opportunities 188 Consolidated cash flow statement 24 – Learning for people of all ages 117 Viability Statement 189 Key themes for the BBC 28 – Creative, distinctive, quality output 118 Editorial Guidelines and Standards 190 Notes to the accounts 38 – Reflecting the UK’s diverse communities Committee Report 52 – Reflecting the UK to the world 119 Nations Committee Reports Additional information 59 Performance and market context 121 Fair Trading Report 240 Equality Information Report 67 Deputy Director-General’s finance review 123 Regulatory Report 264 Index 69 Financial overview 124 Statement of Board responsibilities 265 Image credits 74 Our people 125 Performance against public commitments 266 Contact information and feedback 78 Developing our people 150 Nations’ data packs 79 Diversity 167 NAO opinion on Nations’ data packs 84 Charitable work 86 Environmental sustainability BBC Annual Report and Accounts 2017/18 01 ABOUT THE BBC The year at a glance In the first full year of a new Royal Charter, BBC Local Radio celebrated its 50th birthday, BBC iPlayer recorded its best year ever and we announced the merger of BBC Worldwide and BBC Studios into a single commercial organisation. We continue to bring audiences, across the UK and around the globe, award-winning content on television, on radio and online. 92% Blue Planet II Adult reach Percentage of UK adults Spectacular natural history programme who use BBC television, Blue Planet II was BBC iPlayer’s most radio or online each week. popular programme of the year, with Target: 92-95% 4.8 million requests for the first episode. The impact of the show led to widespread change in the public awareness of plastic waste. 12 new services 7/10 BBC World Service launched: General impression As the World Service undergoes its — Pidgin — Marathi Audiences’ general biggest expansion since the 1940s, we — Afaan Oromoo — Punjabi impression of the BBC — Amharic — Telugu (mean average). reached a record weekly global audience Target: 6-7/10 of 279 million people around the world. — Tigrinya — Igbo By this summer, our international news — Korean — Yoruba services will broadcast online, on TV, — Gujarati — Serbian and on radio in more than 40 languages. 19:12 BBC Local Radio Total time spent Length of time UK adult BBC Local Radio, which includes 40 local audiences spend with the BBC each week on average. radio stations across England and the Target: 18:15-19:45 Channel Islands, with more than six million listeners a week, celebrated its 50th anniversary. 02 BBC Annual Report and Accounts 2017/18 Return to contents ABOUT THE BBC 48m General Election Close to 48 million UK browsers came to the BBC website and news app in the week of the General Election – an all-time record. £34m We announced our biggest investment in children’s services in a generation – an additional £34 million. BBC Studios 272m We announced BBC Worldwide BBC iPlayer recorded its best year ever in 2017. and BBC Studios would join With a host of box sets, forces, integrating programme hits from the archive and production, sales and distribution greater personalisation, in a single commercial viewers streamed organisation, and producing on average 272 million programmes per month. programmes such as Strictly Come Dancing, EastEnders, Countryfile and BBC One’s popular daytime drama Shakespeare & Hathaway. Live sports Three Girls coverage We announced plans to reinvent The BAFTA award-winning free-to-air sports broadcasting. drama dealt with the Working in partnership with the true stories of victims of sports industry and making the grooming and sexual violence most of digital technology, in Rochdale. Watched by our aim is to bring more more than eight million sports to more people. people, the programme helped highlight a petition for Sara Rowbotham to be recognised for her role in bringing the scandal to light. Return to contents BBC Annual Report and Accounts 2017/18 03 ABOUT THE BBC Award-winning 4 Association for International content Broadcasting Awards November 2017 We invest in award-winning programmes and services across television, radio and online. 10 Broadcasting Press Guild Awards March 2018 BBC named Broadcaster of the Year at the Diversity Media Awards 17 British Academy Television Awards 6 May 2018 Broadcast Digital Awards 7 July 2017 British Academy Scotland Awards November 2017 6 British Academy Children’s Awards November 2017 18 37 RTS Programme Audio and Radio Awards Industry Awards March 2018 October 2017 04 BBC Annual Report and Accounts 2017/18 Return to contents ABOUT THE BBC 8 11 RTS Television Grierson Awards Journalism Awards November 2017 March 2018 16 British Academy Cymru Awards October 2017 6 National Television Awards January 2018 15 British Academy 8 TV Craft Awards April 2018 Broadcast Awards March 2018 8 Comedy.co.uk Awards 6 January 2018 6 Creative Diversity Writers’ Guild Network Awards Awards June 2017 January 2018 Return to contents BBC Annual Report and Accounts 2017/18 05 ABOUT THE BBC Inform. Educate. Entertain. Distinctive, world-class content that is engaging, risk-taking, educational and award-winning. 75% 75% 72% 77% % of UK adults who say the % of UK adults who say the % of UK adults who say the % of UK adults who say the BBC is effective atinforming, BBC is effective atinforming BBC is effective ateducating BBC is effective atentertaining educating and entertaining people in the UK people in the UK people in the UK people in the UK (9% say ineffective) (9% say ineffective) (7% say ineffective) (8% say ineffective) Ipsos MORI: 3,568 UK adults 16+, April-May 2018. Documentaries that encourage change. Forging dynamic partnerships across We create Blue Planet II won the Special the country. From Hull City of Culture to Impact Award at the NTAs for its Super Movers with the Premier League; role in raising awareness of the from Tomorrow’s World to Opera Passion cutting edge deadly impact of plastic waste. with the Royal Opera House and the V&A. content... First TV programme with an all- Award-winning podcasts from one of autistic core cast. CBeebies launched the largest podcast producers in the animated TV series Pablo. world. We create bespoke, entertaining and revealing podcasts for a wide Using technology to broaden the audience including the new generation appeal of content. As part of the who increasingly listen online. Civilisations Festival we launched a suite of digital tools including the Channel of the Year. BBC One Read more on pages 02-05 and 28-37 Civilisations Augmented Reality app. was named Channel of the Year at the RTS Programme Awards. Television The BBC World Service television, ...broadcast Nine pan-UK television services, radio and online in more than including online-only youth service 40 languages. BBC Three. across Online National and regional television Online services including BBC News, multiple services across England, Northern Sport, Weather, CBBC and CBeebies, Ireland, Scotland and Wales. iPlayer and iPlayer Radio, BBC Red Button and our vast archive via a Radio channels... variety of internet-connected devices Ten pan-UK radio networks and two including tablets, smartphones and national radio services each in connected televisions – as well Scotland, Wales and Northern Ireland. as computers. 40 local radio stations across England Read more on pages 18-58 and the Channel Islands. 06 BBC Annual Report and Accounts 2017/18 Return to contents ABOUT THE BBC BBC staff Knowledge-sharing ...working Our people are talented, diverse, BBC engineers have always been dedicated and passionate. They at the forefront of technological make us what we are. development. We provide a ‘centre with talent of excellence’, sharing advances and Partnerships best practice across the industry. across the We work with organisations that share our passion for creativity, Training quality and distinctiveness. We are committed to offering UK creative opportunities to everyone.
Recommended publications
  • Celebrities As Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field
    Celebrities as Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field Ellen Watts Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in Politics 2018 Declaration I, Ellen Watts, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Ellen Watts September 17, 2018. 2 Abstract The ability of celebrities to become influential political actors is evident (Marsh et al., 2010; Street 2004; 2012, West and Orman, 2003; Wheeler, 2013); the process enabling this is not. While Driessens’ (2013) concept of celebrity capital provides a starting point, it remains unclear how celebrity capital is exchanged for political capital. Returning to Street’s (2004) argument that celebrities claim to speak for others provides an opportunity to address this. In this thesis I argue successful exchange is contingent on acceptance of such claims, and contribute an original model for understanding this process. I explore the implicit interconnections between Saward’s (2010) theory of representative claims, and Bourdieu’s (1991) work on political capital and the political field. On this basis, I argue celebrity capital has greater explanatory power in political contexts when fused with Saward’s theory of representative claims. Three qualitative case studies provide demonstrations of this process at work. Contributing to work on how celebrities are evaluated within political and cultural hierarchies (Inthorn and Street, 2011; Marshall, 2014; Mendick et al., 2018; Ribke, 2015; Skeggs and Wood, 2011), I ask which key factors influence this process.
    [Show full text]
  • BBC SOUND BROADCASTING Its Engineering Development
    Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting.
    [Show full text]
  • Academy the State of Product Management 2010
    The State of Product Management 2010 Nic Newman Academy The State of Product Management 2010 A study of product management best practice in UK digital media CONTENTS Methodology and acknowledgments Executive summary and conclusions 1. The role of product management 2. The emerging product development process 3. Case studies 3.1. The Guardian 3.2. BBC iPlayer 3.3. Channel 4.com 3.4. Huddle.com 3.5. BBC Weather 3.6. Mobile IQ 3.7. BBC Wildlife Finder 4. Masterclass interviews 4.1. Anthony Rose – BBC (iPlayer/YouView) 4.2. Hunter Walk ‐ YouTube 5. Conclusions: The secrets of product success Glossary Interviewees Bibliography 1 THE AUTHOR: Nic Newman played a key role in shaping the BBC’s internet services over more than a decade. He was a founding member of the BBC News Website, leading international coverage as World Editor (1997‐2001). As Head of Product Development for BBC News he helped introduce innovations such as blogs, podcasting and on‐demand video. Most recently he led digital teams, developing websites, mobile and interactive TV applications for News, Sport, Weather and Local. Nic is currently a Visiting Fellow at the Reuters Institute for the Study of Journalism where he has published two recent reports on social media and mainstream media. He is a trainer, writer and consultant on digital media at the interface between technology and journalism. METHODOLOGY AND ACKNOWLEDGMENTS: This study was completed in June and July 2010 and aims to explore product management best practice in the digital media industry. It aims to raise the profile and understanding of the importance of the role of the product manager in the creation of successful digital products through interviews and case studies.
    [Show full text]
  • Lasa Journal 8 Pp.36- 43) to Set up a Working Group with Us
    laSa• International Association of Sound and Audiovisual Archives Association Internationale d' Archives Sonoreset Audiovisuelles Internationale Vereinigung der Schall- und Audiovisuellen Archive laSa• journal (formerly Phonographic Bulletin) no. 9 May 1997 IASA JOURNAL Journal of the International Association of Sound and Audiovisual Archives IASA Organie de l'Association Internationale d'Archives Sonores et Audiovisuelle IASA Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark, The British Library National Sound Archive, 29 Exhibition Road, London SW7 2AS, UK. Fax 441714127413, e-mail [email protected] Reviews and Recent Publications Editor: Pekka Gronow, Finnish Broadcasting Company, PO Box 10, SF-00241, Helsinki, Finland. Fax 358014802089 The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and 100GBP for institutional members. Back copies of the IASA Journal from -1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP. Le IASA Journal est publie deux fois I'an et distribue a tous les membres. Veuilliez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations anuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionelles. Les numeros precedeentes (a partir de 1971) du IASA Journal sont disponibles sure demande. Ceux qui ne sont pas membres de I' Assoociation puevent obtenir un abonnement du IASA Journal pour I'annee courante au cout de 35GBP.
    [Show full text]
  • Diversity and Inclusion in the European Audiovisual Sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print Version)
    Diversity and inclusion in the European audiovisual sector IRIS Plus IRIS Plus 2021-1 Diversity and inclusion in the European audiovisual sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print version) Director of publication – Susanne Nikoltchev, Executive Director Editorial supervision – Maja Cappello, Head of Department for Legal Information Editorial team – Francisco Javier Cabrera Blázquez, Julio Talavera Milla, Sophie Valais Research assistant - Léa Chochon European Audiovisual Observatory Authors (in alphabetical order) Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Translation Marco Polo Sarl, Sonja Schmidt Proofreading Jackie McLelland, Johanna Fell, Catherine Koleda Editorial assistant – Sabine Bouajaja Press and Public Relations – Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76, allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax: +33 (0)3 90 21 60 19 [email protected] www.obs.coe.int Cover layout – ALTRAN, France Please quote this publication as Cabrera Blázquez F.J., Cappello M., Talavera Milla J., Valais S., Diversity and inclusion in the European audiovisual sector, IRIS Plus, European Audiovisual Observatory, Strasbourg, April 2021 © European Audiovisual Observatory (Council of Europe), Strasbourg, 2021 Opinions expressed in this publication are personal and do not necessarily represent the views of the Observatory, its members or the Council of Europe. Diversity and inclusion in the European audiovisual sector Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Foreword Let me tell you a few stories about extraordinary people. Artemisia Gentileschi was a seventeenth century painter, and quite a talented one at that.
    [Show full text]
  • Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
    BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter
    [Show full text]
  • Ramsey-OA-Con-2016
    ‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2016) ‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online. Convergence. (http://dx.doi.org/10.1177/1354856516659001) Abstract In November 2015 the BBC Trust gave its final approval for BBC Three to cease broadcasting on television in the UK and become an online-only entity. The decision is a landmark moment in the history of BBC Television, and has significant implications for BBC planning in relation to the continued transition from broadcast television to streaming and download services. In this article the original proposals for BBC Three’s move online are assessed, and are discussed within the wider context of current BBC policy. It is argued that the rationale used for moving BBC Three online is based on arguments that vary in the extent to which they are backed by evidence. It is also argued that the plans have significant regulatory implications for the future of BBC Television and for the television licence fee in the UK. Keywords: BBC, BBC policy, BBC Three, online television, multi- platform approach, public service media, public value tests, media regulation. ‘It could redefine public service broadcasting in the digital age’: assessing the rationale for moving BBC Three online Introduction In March 2014 the BBC first announced that its UK television channel BBC Three, aimed at 16-34 year olds, would cease broadcast on digital terrestrial television (DTT) and on other broadcasting platforms and become an online-only entity.
    [Show full text]
  • Broadcast and on Demand Bulletin Issue Number 377 29/04/19
    Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Issue number 377 29 April 2019 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Contents Introduction 3 Notice of Sanction City News Network (SMC) Pvt Limited 6 Broadcast Standards cases In Breach Sunday Politics BBC 1, 30 April 2017, 11:24 7 Zee Companion Zee TV, 18 January 2019, 17:30 26 Resolved Jeremy Vine Channel 5, 28 January 2019, 09:15 31 Broadcast Licence Conditions cases In Breach Provision of information Khalsa Television Limited 34 In Breach/Resolved Provision of information: Diversity in Broadcasting Various licensees 36 Broadcast Fairness and Privacy cases Not Upheld Complaint by Symphony Environmental Technologies PLC, made on its behalf by Himsworth Scott Limited BBC News, BBC 1, 19 July 2018 41 Complaint by Mr Saifur Rahman Can’t Pay? We’ll Take It Away!, Channel 5, 7 September 2016 54 Complaint Mr Sujan Kumar Saha Can’t Pay? We’ll Take It Away, Channel 5, 7 September 2016 65 Tables of cases Investigations Not in Breach 77 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Complaints assessed, not investigated 78 Complaints outside of remit 89 BBC First 91 Investigations List 94 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2.
    [Show full text]
  • Annual Report on the BBC 2019/20
    Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
    [Show full text]
  • Quality Measures
    BBC ‘Quality’ measures revealed to be at highest levels in recent years The BBC has today for the second time published a range of audience data showing how the BBC and its services perform against key attributes of Quality and Reach. These results cover the period April – June 2011. The results, which the BBC published for the first time in July 2011, are published quarterly. They include the audience Appreciation Index (AI) - a score out of 100 given to BBC services by an independently run panel of 20,000 people. The results here show the BBC is performing extremely strongly across TV, radio and online with many measures remaining at record levels. As well as the AI measurement, the BBC has also published reach data (how many people consume BBC services, and for how long) and whether audiences view programmes and services across the BBC as distinctive. James Holden Head of Audiences, BBC said “We are pleased with this recent set of figures. The BBC constantly strives to deliver a range of content and services that licence fee payers will choose and enjoy. These figures show that they continue to do so despite the wide range of media options available” Results for April - June 2011 include: Quality Measures Based on age of 15+ General Impression of the BBC Mean score out of 10 All BBC 7.0 Source: The BBC Brand and Reputation Tracking Survey by Kantar Media for BBC, Sample of 2940 Adults 15+, April – June 2011, Mean score out of 10 where 1= extremely unfavourable and 10= extremely favourable.
    [Show full text]
  • BMJ in the News 29 March
    BMJ in the News is a weekly digest of journal stories, plus any other news about the company that has appeared in the national and a selection of English-speaking international media. A total of 27 journals were picked up in the media last week (29 March-4 April) - our highlights include: ● Research published in The BMJ finding that levels of adherence to the UK’s test, trace, and isolate system are low made national headlines, including BBC News, The Guardian, and The Daily Telegraph. ● A BJSM study suggesting that physical inactivity is responsible for up to 8% of non-communicable diseases and deaths worldwide was picked up by CNN, ITV News, and Gulf Today. ● A study in The BMJ revealing that people discharged from hospital after covid-19 appear to have increased rates of organ damage compared with similar individuals in the general population made headlines in the Times of India, Huffington Post, and Asian Image. BMJ PRESS RELEASES The BMJ | British Journal of Ophthalmology British Journal of Sports Medicine | Thorax EXTERNAL PRESS RELEASES BMJ Nutrition, Prevention & Health | BMJ Open Gut | Journal for Immunotherapy of Cancer Stroke & Vascular Neurology OTHER COVERAGE The BMJ | Annals of the Rheumatic Diseases BMJ Case Reports | BMJ Global Health BMJ Open Gastroenterology | BMJ Open Ophthalmology BMJ Open Science | BMJ Open Sport & Exercise Medicine BMJ Supportive & Palliative Care| Heart Journal of Epidemiology & Community Health | Journal of Medical Ethics Journal of Medical Genetics | Journal of NeuroInterventional Surgery Journal
    [Show full text]
  • Jennifer Hampson Avid Offline Editor
    Jennifer Hampson Avid Offline Editor Profile Jen is a fantastic editor. She is very popular and is always asked back to work with the same clients over and over again. She has creative, meticulous storytelling skills with a strong eye for visuals and the ability to provide constructive input together with a strong instinctive ability to form narrative. She is confident working across a variety of genres and is happy working both independently or as part of a team, always giving 100%. Jen also has her own edit suite set up at home which enables her to work effectively even remotely. Editing Credits “Getaway Driver” 2 x 60min. Episodes 4 & 8. This 8-episode competition series hosted by Fast & Furious actress Michelle Rodriguez features 24 elite drivers from drift champions to street racers to hotshot YouTubers who compete to prove they have the skill behind the wheel and the mental toughness to outrun and out-drive the competition in a massive nearly 60-acre compound filled with obstacles. Part Baby Driver, part Grand Theft Auto, the Getaway Drivers will put it all on the line – sacrificing their own cars for the opportunity to be the wheelman in a real-life car chase. October Films for Discovery Channel “New Labour: Rebirth” Series 2, Episode 1. 1 x 60min archive doc. From the ashes of the 1983 election, two new MPs Tony Blair and Gordon Brown dare to dream of making Labour electable again. This series charts the rise and fall of New Labour, featuring interviews with Blair, Brown, Campbell, Mandelson and their close aides.
    [Show full text]