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"No Money Kids confirms its status as a new duo to "From the outset, these two French set the bar very high" survey closely, an effective universe where adjusted riffs alternate with studied ballads" "Between rough blues and high-flying electro, the duo "A modern blues, sincere and powerful, it sounds right offers an elegant return" and just like the biggest" "No Money Kids electro-blues strikes one more time "The planets line up, the duo electronises the blues, and touches right in the heart" intimates electronics and we thank them for that !" "An electric blues that makes you want to stage-dive in "An electro-rock tandem on the rise, their perfectly the street or from your bed" produced music hits the mark from the start" "Between pop sensuality, rock energy and electronic arrangements, the duo creates an original and effective "Only two years and already a musical maturity worthy electro-blues-garage" of future great." No Money Kids is back with a captivating new sound "This duo immediately shows that he knows how to sh aped by powerful indie-rock and contemporary pop- groove and also that he has things to say. A wide range of "Very rugged blues, electro samples and lyrics that do talents, which expresses itself even better in live " not use tweezers" culture. Forerunners in the new DIY generation that's palette de talents, qui s’exprime encore mieux en live » reinventing itself every day, their la test album, Trouble, features reck less riffs ripping through the hollows of a smoky electronic mist. The Kids repeatedly surprise and "No Money Kids is good to count among the groups to watch very closely" "A proof that France, on the groove side, has incredible astonish during this new and ca ptivating musical talent. " palette de talents, qui s’exprime encore mieux en live » journey: Trouble . "Dusts the" 12 bar blues "and shows us that rock is not dead" "Powerful, deep and dancing electric rhythms" palette de talents, qui s’exprime encore mieux en live » palette de talents, qui s’exprime encore mieux en live » Their sound first clicked during a studio gig where the duo met and it wasn't long before they were drawing media attention during Parisian concerts and indie festivals. Their first album, I Don't Trust You , was released in October, 2015 and several singles were quickly picked up to be used in TV series like Banshee, Night Shift, Veep (with Julia Louis -Dreyfus), Killjoys, Goliath and One Dollar and in movies such as Misconduct (with Al Pacino and Anthony Hopkins ) and Baby, Baby, Baby (with Bradley Cooper ). The ir music seduced not only music-lovers but the world of fashion, and songs were used in shows by Schwarzkopf and magazines Stylist and Glamour , among others before “prêt-à-porter ” clothing Cotélac claimed them as their “discovery” with the creation of a promotional EP distribut ed in their shops world-wide. With an acclaimed first album and over a hundred concerts under their belts, No Money Kids came back with a second album in the spring of 2017. Hear the Silence was met with a clamor of positive critical reviews from Rolling Stone, Le Monde, Inrockuptibles , and many others. The second LP led to new tours all over Europe and invitations to perform at such renowned festivals as Rock en Seine 2017 and Solidays 2018 . Now, t he Kids are back with Trouble, their third long-format in four years, proving o nce again that the band is jus t as prolific in the studio as on stage. Seduced by their cinematic “electro- blues ”, many movies and TV series (mostly in the U.S. with international broadcast ) have chosen No Money Kids for their original-soundtracks, credits or sound -effects. But also several documentaries, short films and various shows on Canal + (trailers) or BT Sport (Europa league ). "Stage is our fuel". No Money Kids have defended their first recordings with more than 200 concerts since 2015, have walked the planks of prestigious festivals ( Blues Passion 2016, Rock in Seine 2017, Solidays 2018 ...) and have opened for man y renowned bands (Maceo Parker , Rover, Jeanne Added, Dr. Feelgood ....). After more than a year with booking agency Nueva Onda , the band partner ed with Pyrprod for the 2017 -2018 tours and Dionysiac in September 2018, but also with agencies abroad, Next Step in Belgium and Patchanka in Germany. Opening acts : Maceo Parker, Rover, H F Thiefaine, Jeanne Added, Winston Mcanuff, Electro D eluxe, Cali, Heymoonshaker, Dr. Feelgood, Popa Chubby, Talisco... Venues : La Maroquinerie, La Boule Noire, Nouveau Casino (Paris), Le Plan (Ris - Orangis), Victoire 2 (Montpellier), West Rock (Cognac), le VIP (Saint-Nazaire), le Silex (Auxerre ), 1989 Club (Rennes), La Vapeur (Dijon), Ninkasi (Lyon), ... Festivals : Rock en Seine, Solidays, MaMa Festival, Rhinoferock, Blues Passion, La Pamparina, Festival Relâche, Festi’val de Marne.... “When I learned that I was going to be a father, a voice begged me not to forget to tell my future daughter the story of her roots, about the great-grandfather who died of hunger on the roads of Spain, the grandmother who had to “From the band's beginnings, we really wanted to bring a social dimension to our lyrics, even in the choice of our name. Chains is no exception. It expresses an incomprehension of institutions, a feeling of confinement and a leave her native Algeria leaving everything behind, and the father who left us too soon to ever be called desire to be liberated. "Last day of a convict" and "Les Misérables" by Victor Hugo are readings that I had in mind "grandfather". This song is about my family, to those who are no longer here but also those who are not yet of this when writing. Musically the arrhythmias we can hear in bands like Lewis Del Mar influ enced us for the world. The musical choice is neither complaint nor nostalgia, but on the contrary energy and st rength, those to arrangement of the composition, and when this mix between rock and trap - acoustic and electric - began to pass on to future generations and those to keep to face the future. ” emerge, we naturally wanted to invite a rapper on the song, because hip-hop is for us a form of modern blues. The connection with the Californian Charles X was natural for us because we share the same publisher (Alter-K), we hit it off at one of his concerts and when we began to think about a collaboration, we knew that this song would “We met The Toxic Avenger during the making of our first album, our label (Roy Music) had asked him to remix be the one. ” "Old Man". For planning reasons and others that we don't know about, the title was never released, but we really liked the result ! We knew we would contact him to compose a track together as soon as we had a litt le time, and this album was the opportunity. His retro-synth universe is really different from ours, it was a challenge and a pleasure to go in the direction he proposed. The Lost Generation is a bit ours, the Y Generation that has lost its “This track is about lovers parting, temptation that defies fidelity, and also, more generally, about the impossibility bearings and whose dreams fade away with time. of crossing the same river twice. To embody that feeling, we wanted to confront various influences, from a blues leitmotiv to 90s synths or current pop, the idea was to mix organic and digital. Leigh Powis' video illustrates this contrast brilliantly by placing elderly people in a setting and era that doesn't belong to them. The starting point of No Money Kids has always been to mix the musical references that built us – mainly blues from the 30s and 50 - “The Tuareg -inspired riff was originally an arrangement that became the main theme. We always enjoyed bands 60-70's rock - and confront it with modern production that we find in electro, hip-hop or pop. ” like Tinariwen or Songhoy Blues and when the melody came to us, we decided to change the arrangement that was initially much more rock 'n' roll. I liked the contrast between a melody that evokes the African deserts and lyrics that speak about seduction in a nightclub, also the contrast between energetic verses and a folk chorus, the result is very hybrid. ” « The title of the song is a nod to the bluesmen recorded by the label Fat; like Possum, R.L. Burnside or Junior Kimbrough, who have left a strong mark on the history of rock, and bands that have influenced us like The Kills, “This one is about the absurd and the irrati onal. In a world where everyone is looking for eternal youth, a man only The Black Keys or Cage The Elephant. The verses express melancholy, uprooting, lost friendships, blues-like wants one thing, to grow old and look at the world with wise and distant eyes. There is of course a reference to topics contrasting with the chorus expressing hope, and glimmers of optimism: " Now you can see me rockin' ", a The Beatles song, to the indefinite and anonymous but I think the musical inspiration would be more somewhe re way of saying that they have led the path. ” between Junip, Manu Chao and Gorillaz, a form of electronic folk in slow-motion. “There have been several versions of this composition, one blues, another more rock, and it's finally the house “Th is one is sort of an answer to the calls of "Chains".

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