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A Sheffield Hallam University Thesis
How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University. -
The Annual Gala
The AMERICAN WOMEN’S GROUP IN PARIS Annual Gala MARCH 18, 2O17 Acknowledgements Thank you to all of you who are here tonight, and to those who could not attend but made a donation. A special recognition to our Platinum and Silver donors. Platinum Donors Mary-Louise Rynski Silver Donors Kathryn Brown Rebecca DeFraites Itinerary Sara and Jean-François Sautin 19h00 Arrival – Aperitif – Silent Auction 20h30 Dîner 21h30 Speeches 21h45 Live Auction 22h30 Dancing – After Dinner Drinks – Check-Out Midnight À l’année prochaine… PRESIDENT’S WELCOME ...................................... 4 GALA CO-CHAIR’S WELCOME ............................... 5 CHARITIES ......................................................... 6 OUR AUCTIONEER EXTRAORDINAIRE .................... 8 SILENT AUCTION ................................................ 9 LIVE AUCTION .................................................... 23 AMERICAN WOMEN’S GROUP .............................. 34 AWG BOARD ....................................................... 35 35 CONTENTS AWG GALA COMMITTEE ...................................... AWG GalaTo those who gave their services freely Géraldine de Kersaint-Gilly from Wine Domini for arranging the donation of the wonderful champagne and wines for this evening. Marie-Hélène Waris-Larmandier from Champagne Waris-Larmandier for giving the wonderful champagne you are having tonight. The talented Marie-Caroline Rozier from Château d’Arras in Bordeaux for giving all the red and white wines for the Gala. Media sponsor: lettredeparis.com PRESIDENT’S WELCOME Welcome to the Annual AWG Gala – a Party with a Purpose! Kathryn Brown What a magical La Vie en Rose evening we have planned for President you! The Gala Committee, headed by Lana Marrash and Paola Repetto, has really assembled an amazing evening that indeed puts the “Fun” in Fundraising. Their hard work and the generous donations of our many sponsors make it possible for us to have this wonderful evening and accomplish great things at the same time. -
Highlights of a Fascinating City
PARIS HIGHLIGHTS OF A FASCINATING C ITY “Paris is always that monstrous marvel, that amazing assem- blage of activities, of schemes, of thoughts; the city of a hundred thousand tales, the head of the universe.” Balzac’s description is as apt today as it was when he penned it. The city has featured in many songs, it is the atmospheric setting for countless films and novels and the focal point of the French chanson, and for many it will always be the “city of love”. And often it’s love at first sight. Whether you’re sipping a café crème or a glass of wine in a street café in the lively Quartier Latin, taking in the breathtaking pano- ramic view across the city from Sacré-Coeur, enjoying a romantic boat trip on the Seine, taking a relaxed stroll through the Jardin du Luxembourg or appreciating great works of art in the muse- ums – few will be able to resist the charm of the French capital. THE PARIS BOOK invites you on a fascinating journey around the city, revealing its many different facets in superb colour photo- graphs and informative texts. Fold-out panoramic photographs present spectacular views of this metropolis, a major stronghold of culture, intellect and savoir-vivre that has always attracted many artists and scholars, adventurers and those with a zest for life. Page after page, readers will discover new views of the high- lights of the city, which Hemingway called “a moveable feast”. UK£ 20 / US$ 29,95 / € 24,95 ISBN 978-3-95504-264-6 THE PARIS BOOK THE PARIS BOOK 2 THE PARIS BOOK 3 THE PARIS BOOK 4 THE PARIS BOOK 5 THE PARIS BOOK 6 THE PARIS BOOK 7 THE PARIS BOOK 8 THE PARIS BOOK 9 ABOUT THIS BOOK Paris: the City of Light and Love. -
The Psytrance Party
THE PSYTRANCE PARTY C. DE LEDESMA M.Phil. 2011 THE PSYTRANCE PARTY CHARLES DE LEDESMA A thesis submitted in partial fulfilment of the requirements of the School of Humanities and Social Sciences, University of East London for the degree of Master of Philosophy August 2011 Abstract In my study, I explore a specific kind of Electronic Dance Music (EDM) event - the psytrance party to highlight the importance of social connectivity and the generation of a modern form of communitas (Turner, 1969, 1982). Since the early 90s psytrance, and a related earlier style, Goa trance, have been understood as hedonist music cultures where participants seek to get into a trance-like state through all night dancing and psychedelic drugs consumption. Authors (Cole and Hannan, 1997; D’Andrea, 2007; Partridge, 2004; St John 2010a and 2010b; Saldanha, 2007) conflate this electronic dance music with spirituality and indigene rituals. In addition, they locate psytrance in a neo-psychedelic countercultural continuum with roots stretching back to the 1960s. Others locate the trance party events, driven by fast, hypnotic, beat-driven, largely instrumental music, as post sub cultural and neo-tribal, representing symbolic resistance to capitalism and neo liberalism. My study is in partial agreement with these readings when applied to genre history, but questions their validity for contemporary practice. The data I collected at and around the 2008 Offworld festival demonstrates that participants found the psytrance experience enjoyable and enriching, despite an apparent lack of overt euphoria, spectacular transgression, or sustained hedonism. I suggest that my work adds to an existing body of literature on psytrance in its exploration of a dance music event as a liminal space, redolent with communitas, but one too which foregrounds mundane features, such as socialising and pleasure. -
Press Release – Launch of the Destination Contract
A new, creative, cultural, artistic and festive tourism offer from a bigger Paris www.exploreparis.com e-store launch #ExploreParis | PRESENTATION 3 Discover Greater Paris: a more generous tourism offer for original experiences Paris, the ultimate city break destination, is not simply a city centre. An abundance of cultural, artistic and festive offers on both sides of the ring road attract young tourists searching for something different. The aim is not only to develop the destination's image but also to increase Greater Paris has decided to boost and develop its tourism flows from the centre of Paris to tourism offer to meet young Europeans’ expectations the Capital's suburban districts and towns and gain their long-term loyalty. The comprehensive, - easily accessible by public transport - dynamic and creative offer is based on themes such and to promote these areas and their as street art, architecture, modern art, nature, tourist attractions. cosmopolitan Paris, and party-time Paris. A wide choice of venues, excursions and tours, often unknown The finalised offer has been launched in the to tourists, are available across the city. This new www.exploreparis.com e-store, both in French tourism scope also includes main attractions such and in English. Tourists can choose from a wide as the Royal Basilica of Saint-Denis, the Château choice of Greater Paris experiences to discover the de Vincennes and the Albert Kahn Museum. area and meet residents: tours, walks, workshops, cruises and parties, etc. Just like Berlin, London, Barcelona and Amsterdam, Greater Paris promises both exciting experiences in off-the-beaten-track venues and original encounters for a revamped tourism experience. -
English and INTRODACTION
CHANGES AND CONTINUITY IN EVERYDAY LIFE IN ALBANIA, BULGARIA AND MACEDONIA 1945-2000 UNDERSTANDING A SHARED PAST LEARNING FOR THE FUTURE 1 This Teacher Resource Book has been published in the framework of the Stability Pact for South East Europe CONTENTS with financial support from the Dutch Ministry of Foreign Affairs. It is available in Albanian, Bulgarian, English and INTRODACTION..............................................3 Macedonian language. POLITICAL LIFE...........................................17 CONSTITUTION.....................................................20 Title: Changes and Continuity in everyday life in Albania, ELECTIONS...........................................................39 Bulgaria and Macedonia POLITICAL PERSONS..............................................50 HUMAN RIGHTS....................................................65 Author’s team: Terms.................................................................91 ALBANIA: Chronology........................................................92 Adrian Papajani, Fatmiroshe Xhemali (coordinators), Agron Nishku, Bedri Kola, Liljana Guga, Marie Brozi. Biographies........................................................96 BULGARIA: Bibliography.......................................................98 Rumyana Kusheva, Milena Platnikova (coordinators), Teaching approches..........................................101 Bistra Stoimenova, Tatyana Tzvetkova,Violeta Stoycheva. ECONOMIC LIFE........................................103 MACEDONIA: CHANGES IN PROPERTY.......................................104 -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Bilan Positif Du Dispositif Autour De La Techno Parade
BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE DU 22 JUILLET AU 07 OCTOBRE TRANS-PORTEUR A CRÉÉ UN RÉEL ENGOUEMENT SUR INTERNET AVEC 1 011 407 PERSONNES TOUCHÉES PAR NOS COMMUNICATIONS (CHIFFRES AU 7 OCTOBRE 2015) DEUX GRANDS MÉDIAS ONT À EUX SEULS ATTEINTS PLUS D’UN MILLION D’AUDITEURS (ESTIMATION BASSE) ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 02 L’EXPÉRIENCE TRANS-PORTEUR ENTRE LE 22 JUILLET ET LE 19 SEPTEMBRE A ÉTÉ UN VIF SUCCÈS ! L’objectif étant de véhiculer un message positif et concret de la société en transition en utilisant d’une part Internet et d’autre part, le plan média de la Techno Parade. Le tout s’appuyant sur des technologies et de nouveaux usages développés par le club des partenaires et réunit lors d’un défi qui a étérelevé totalement. BRAVO À TOUS ! BRAVO À CHACUN DES MEMBRES DU CLUB DES PARTENAIRES. ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 03 L’engouement pour cette étape 1 du dispositif a été fort. C’est son caractère inédit, sa forme de laboratoire de technologie et sa capacité à mobiliser la société civile qui a séduit jusqu’aux plus hautes arcanes de l’Etat et des collectivités territoriales. Techniquement nous avons réussi ensemble une première : camion au biogaz, bus à l’éthanol, énergies renouvelables, stockage de l’énergie, économie circulaire, boisson avec un objectif zéro déchet et zéro carbone, streaming vidéo, émission de radio… ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 04 LES PERSONNALITÉS SUR LE CHAR ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 05 LES ARTISTES Certains présidents et fondateurs de festivals étaient aussi avec nous comme Aurélien Dubois ci-dessus. -
Programme Description 2015 (PDF, 1.6
Table of contents Sciences Po at a glance Overview Map of Sciences Po Campus Programme curriculum Coordination & teaching Summer Camp Agenda Course syllabus To go further: useful resources Students class List Around Sciences Po The district of Saint-Germain-des-Prés Cultural attractions near Sciences Po Cafés’ and restaurants near Sciences Po Transportation Useful contacts Useful French Words and phrases Sciences Po at a glance Overview Sciences Po was established in February 1872 as the École Libre des Sciences Politiques by a group of French intellectuals, politicians and businessmen led by Émile Boutmy. Following defeat in the 1870 war, the demise of Napoleon III, and the Paris Commune, these men sought to reform the training of French politicians. Politically and economically, people feared France's international stature was waning due to inadequate teaching of its political and diplomatic corps. The new school developed a humanistic and pragmatic teaching program with instructors including academics as well as practitioners such as ministers, high civil servants, and businessmen. Sidney and Beatrice Webb used the purpose and curriculum of Sciences Po as part of their inspiration for creating the London School of Economics and Political Science in 1895. Sciences Po further strengthened its role as a scientific publication centre with significant donations from the Rockefeller Foundation. Sciences Po periodicals such as la Revue française de science politique, la Chronologie politique africaine, and the Cahiers de la Fondation as well as its nine research centers and main publishing house, Presses de Sciences Po, contribute to the notoriety attained by Sciences Po research. Sciences Po has undergone many reforms and introduced a compulsory year abroad component to its Bachelor degree, and now offers a multilingual curriculum in French, English, and other languages. -
– Agenge D'épopées Musicales –
– AGENGE D’ÉPOPÉES MUSICALES – L’AGENCE SUPER! est une agence artistique créée en 2006 par Julien Catala, à la fois défricheuse de talent, producteur de concerts et festivals, tourneur, programmateur d’événements, agitateur… Représentant aujourd’hui plus de 300 artistes internationaux entre têtes d’affiches confirmées (The XX, Nicolas Jaar, Bon Iver, Cigarettes After Sex, Polo & Pan…) et jeunes loups de l’avant garde musicale internationale (Alex Cameron, Shame, Bicep, Tom Misch … ), SUPER! est devenu en quelques années un véritable “label”, symbole de la musique live indépendante mondiale. PLUS DE SUPER! est aussi producteur du Pitchfork Music Festival Paris 16 000 LIKES qui se déroule depuis 2011 à la Grande Halle de la Villette, coproducteur du Festival Cabourg Mon Amour en juin sur la côte normande et coproducteur de Biarritz En Eté! dont la première édition aura lieu en juillet 2018. PLUS DE 11 000 FOLLOWERS Au fil des années, SUPER! a également développé une activité de production évènementielle en travaillant avec des marques et médias comme Red Bull, Converse, Chanel, Society et de direction artistique avec le festival Villette Sonique, les Inrocks ou encore la Fondation Louis Vuitton. Enfin, SUPER! PLUS DE dirige la salle de concert Le Trabendo, lieu parisien des 3 000 FOLLOWERS musiques actuelles et émergentes, situé dans le Parc de la Villette. Défricheur des nouvelles tendances musicales : rock, folk, pop et électronique, SUPER! incarne un projet WWW.SUPERMONAMOUR.COM artistique fort, radar de l’innovation musicale internationale. -
Rooted Practices in Globalized and Digital French Popular Music Michael Spanu
Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music Michael Spanu To cite this version: Michael Spanu. Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music. Open cultural studies, 2019, 10.1515/culture-2019-0018. hal-02556157 HAL Id: hal-02556157 https://hal.archives-ouvertes.fr/hal-02556157 Submitted on 27 Apr 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Open Cultural Studies 2019; 3: 195-206 Research Article Michael Spanu* Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music https://doi.org/10.1515/culture-2019-0018 Received April 30, 2018; accepted December 7, 2018 Abstract: Nowadays, popular music artists from a wide range of cultures perform in English alongside other local languages. This phenomenon questions the coexistence of different languages within local music practices. In this article, I argue that we cannot fully understand this issue without addressing the sacred dimension of language in popular music, which entails two aspects: 1) the transitory experience of an ideal that challenges intelligibility, and 2) the entanglement with social norms and institutions. Further to which, I compare Latin hegemony during the Middle Ages and the contemporary French popular music, where English and French coexist in a context marked by globalisation and ubiquitous digital technologies. -
Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152.