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and were changed dramatically by the Enlightenment and ensuing . Likewise, many of the monuments and buildings you’ll see on this walk were “reinvented” during the 18th century. The Panthéon, where this walk starts, began as a church sponsored by an absolute monarch and ended the century as a monument to the country’s most famous Enlightenment figures. The place de la , where the walk ends, saw one monarch celebrated with a statue and another executed on the same site. Saint-Sulpice and Saint- Thomas-d’Aquin were transformed from churches to secular “temples” and back to churches again. And the Palais du Luxembourg, Hôtel de Salm, and , homes at the beginning of the century to royalty and aristocrats, ended the century as homes to the country’s newly created democratic institutions. In addition to showcasing neoclassical buildings and monuments, the walk also provides an opportunity to wander through part of the Saint-Germain des Prés quarter, one of the city’s most lively and interesting neighborhoods.

Start: Panthéon (Métro: Maubert Mutualité)

Finish: (Métro: Concorde)

Distance: 3 miles

Time: 3 - 4 hours

Best Days: Any day

Copyright © Ann Branston 2011 HISTORY Religion and Philosophy Politics and Economics The political and economic situation in 18th-century France provided fertile As the 18th century began, France’s monarchy and the ground for Enlightenment philosophers (know as “philosophes”) who (known later collectively as the “ancien régime”) were at the apex of their believed that natural “scientific” laws could be applied to social, economic power and glory. But the excesses of the monarchy, Enlightenment ideas, and political as well as physical behavior. and an increasingly powerful and restive were leading inexorably toward the decline and ultimate destruction of the “ancien régime” in the bloody French Revolution. , the most well known of the “philosophes”, was a prolific writer whose works helped spread Louis XV (1715-1774) although named “The Beloved” Enlightenment ideas. He was especially strong in his early in his reign, was ultimately one of the most detested critique of traditional religion and his advocacy for kings in French history. Two regents and a cardinal, religious tolerance. Jean-Jacques Rousseau was Cardinal Fleury, controlled the early part of his rule. Two born in Geneva but spent most of his adult life in of his mistresses, and Madame France. His works such as On Education and On the du Barry dominated his later years. Over Louis XV’s Social Contract contributed to thinking on both sixty years on the throne, corruption and education and democracy. Denis Diderot helped to inefficiency grew. He pursued the War of Austrian Voltaire popularize Enlightenment ideas in his life’s work, the Succession which exhausted the country’s finances, and first encyclopedia. the Seven Years War (known as the French and Indian was a strong critic of both the monarchy and the church, and Madame de War in North America) which lost France its possessions made a far reaching contribution to political thought in arguing for the Pompadour in Canada. importance of checks and balances created by the separation of powers in government. François Quesnay made an equally important contribution to Unlike his predecessors, Louis XVI (1774-1793) was an economic thought. He repudiated mercantilism and laid the groundwork for adult when he took the throne. He inherited a country on “laissez-faire” economics, arguing that allowing the economy to operate the verge of bankruptcy and was not equipped by either according to the laws of supply and demand would benefit society more temperament or intellect to deal with the situation. He did than government regulation. have several competent ministers who attempted to institute financial and political reforms, but the king’s lack of support doomed these efforts to failure. He and his The French Revolution wife, Marie-Antoinette of Austria, ultimately lost their heads in the French Revolution. The French Revolution had its beginnings in 1789 when Louis XVI convened Louis XVI -General at Versailles for the first time in 175 years in a desperate attempt to achieve fiscal reform and raise . Within the Estates-General there was a fundamental disagreement on voting. The First Economically, the century was characterized by widespread economic unrest. Estate () and Second Estate (Nobles) wanted block voting since their Nobles and the clergy (2% of the country) owned over one third of the land but two blocks would have dominated the Third Estate (the other 98% of the paid no taxes. There was a large and very poor underclass. The bourgeoisie population). The larger Third Estate in turn wanted voting by head count were economically strong but politically weak and unhappy with high taxes. where they would have dominated. Although the government was poor and on the verge of bankruptcy most of the Confusion, distrust, and a misunderstanding led the Third Estate (as well as time due to the pursuit of costly wars, it still sent men and arms to support the some sympathetic clergy and nobles) to walk out and hold a meeting on the American Revolution against France’s enemy England, adding still further to Versailles tennis court where they declared themselves to be a National the country’s economic problems. By the end of that war, over half the Assembly. They swore not to break up or go home until a was government’s budget was going to service its debt. established (the “”).

www.historywalksparis.com Paris in the 18th Century - 2 Louis XVI finally recognized the National Assembly at the end of June, but by that time the Revolution was about to take off on its own. In Paris on July Architecture 14, 1789, rumors, hunger and a general restlessness caused a mob to storm the Bastille prison, a symbol of the “ancien régime.” Revolts and riots Early in the 18th century, the Rococo style had some influence on architecture, followed and spread from Paris to other parts of the country. From this point particularly in interior decoration. The style became especially popular after the the Revolution went through several stages. death of Louis XIV as aristocratic life shifted away from Versailles and back to more intimate Parisian townhouse settings. The name Rococo derives from two French words –– “rocaille”, meaning rock, and “coquille”, meaning shell. It Over the next several years, relatively moderate references rococo’s naturalistic decorative motifs such as shells, plants, leaders in the new National Assembly pursued flowers, curls, and swirls. political and economic reforms. They wrote the Declaration of the Rights of Man and Citizen in 1789 and in 1791 they produced a Constitution. The French Rococo style is more delicate, refined They also abolished the feudal system and and playful than the earlier French Classical Baroque. confiscated a large amount of church property. They Colors are lighter with more ivory and pastels. limited the powers of the monarchy, but they did not Columns are thinner. Architectural details are less abolish it. pronounced. The Rococo style, however, was really little more than one last flourish of frivolity. It was too In 1792, more radical leaders took control after Louis XVI and Marie- playful and lighthearted for churches and government Antoinette tried to escape France to join counter-revolutionary groups in buildings, and quickly lost its popularity among royalty Austria. They were caught and returned to Paris. The incident gave more Hôtel de Soubise and the aristocracy as well. radical groups an excuse to take control in the National Assembly. They abolished the monarchy, declared the First Republic and executed Louis XVI in January of 1793. By mid-century, both ecclesiastical and secular architecture of all types converged around an even purer classical stye than either French Meanwhile, other European powers led by frightened monarchs, organized Renaissance or French Classical Baroque. This style is generally referred to restore the monarchy in France. The revolutionaries responded to this to as neoclassical. The neoclassical architectural theories espoused by the external threat by raising a “citizen army” to confront their European Academy of Architecture emphasized proportion, the rigorously correct use enemies in a series of conflicts known collectively as the European Wars. of classical features, and high standards for materials and construction. Internally, they declared an “emergency” which in turn led to the pursued by the Committee of Public Safety. During 1793-94, in the name of defending the Revolution from foreign and domestic enemies, The resulting buildings were rather spartan, severe 40,000 people were executed or killed including Marie-Antoinette and many and unadorned, with strong rectangular and of the revolutionary leaders themselves. Many churches were also horizontal lines. They were dominated by large destroyed, damaged, or converted to secular purposes. projecting porticos and giant columns. In short, churches and secular buildings alike came to look In 1795, amidst continued confusion bordering on anarchy, a reactionary more and more like Greek and Roman temples. The Directory was established. In 1799, the Directory, which had become neoclassical style’s strict adherence to ancient Greek almost a dictatorship, was overthrown in a coup d’état. The coup was led and Roman architectural ideals was very much in keeping with rational Enlightenment thinking and by a young general who had made a name for himself in the European Saint-Philippe- emerging democratic ideals which took their Wars, Bonaparte. Napoleon brought order to the country and du-Roule negotiated peace treaties with France’s enemies. His rise to power marked inspiration from Greek city states and from pre- the end of the French Revolution. imperial Rome.

www.historywalksparis.com Paris in the 18th Century - 3 Growth and Development 18th Century Paris - Growth and Development

During most of the 18th century, the population of Paris continued to grow, albeit more slowly than it had in the prior century. From a base of 600,000 in 1700, the population rose to 660,000 just before the Revolution. By 1800, after the Revolution, it had declined to 550,000. As a result, Paris lost its /:EE?GG? 0.*#0&-#-( #BEE<%B=F? status as the largest city in Europe to London. 0B;D?7= #BEE<%B=F?

In 1784, a new kind of city wall was built around 0.*!(&, Paris, not for security but to help collect taxes on ('3)$() goods entering the city. The Farmers General 1&'&")2 Wall ( “fermiers généraux” were collectors) -.3&' '.,/-( generally followed the outline of the city limits set %&''() late in the previous century. The wall was not "*/&'"5() 0&-&") )&"*#2 !"#$ popular. Some consider it to be among the factors 4(-0&"* '&#"* )&"*#2 *7G:B; +,&-#(- '.,") #BEE<%B=F? causing the dissatisfaction and unrest leading to 6789:;<9= Denfert-Rochereau '=>?@AB=8C the French Revolution. One clear effect of the wall was to stimulate development of entertainment 0.*#1&-*&))(

districts just beyond the wall where untaxed liquor 5?;H?8G2 was cheaper. The entertainment districts of -BDI?8?7= #BEE<%B=F? Montmartre and Montparnasse originated in this era. Toll houses from this wall remain today in several parts of the city including Nation, Denfert- Rochereau, La Villette, and Parc . !=88?;G

A few efforts were made to open up the city. In 1783-84, building regulations were promulgated tying building heights to street widths and prohibiting streets narrower than 33 feet and buildings higher than 66 feet. Toward the end of the century, the was opened to the public, adding significantly to the city’s inventory of open space.

Development continued to push into outlying areas. The Saint-Germain des Prés quarter grew dramatically. When Madame de Pompadour, a mistress to Louis XV, moved into the Elysée Palace near the Champs Elysées, other mansions followed in that area. Growth in the Monceau area followed the development of the Champs Elysées. The building of the Hôtel des Invalides, the Dôme des Invalides, and the École Militaire stimulated growth in the Invalides quarter. As the rich moved into these new areas, some inner city areas (ie. and some of the Latin Quarter) became poorer and more crowded. www.historywalksparis.com Paris in the 18th Century - 4 VNE D L’OP DE AVENUE

WALKING TOUR PLACE VEND WER ENHO Bibliothéque Route EIS Map Hôtel ÔME RUE DE PETITIS CHAMPS GÉN RUE Nationale ‐ Galerie DU Crillon Vivienne AV Hôtel de Richlieu RUE R

É RUE SAINT ‐ DENIS la Marine RUE VIVIENNE AUMIR Concorde Galerie (Finish) SAINT HONOR Colbert !(+0 R DE BEAUJOLAIS Paris in the 18th Century Palais Place des É ÉRA Victories

AV WINSTON CHURCHILL Start: Maubert Mutualité Métro COURS 14 PLACE DE LA 1. Panthéon

CONCORDE Tuileries RUE DE RICHLIEU 2. École de Droit

RUE DE MONTPENSIER 3. Palais du Luxembourg/Sénat RUE DE VALOIS Jardin des 4. Théâtre de l’Odéon 5. École de Médecine Palais ‐ Royal Saint‐Eustache 13 Tuileries QUAI DES TUILERIES 6. Le Procope

PONT ALEXANDRE III PONT DE LA Bourse QUAI D’ORSAY CONCORDE PLACE DU du Commerce 7. Statue of PALAIS‐ROYAL Palais‐Royal Les 8. Saint-Sulpice RUE DE RIVOLIMusée du Colonne de Halles Palais Bourbon QUAI ANATOLE l’Horoscope Oratoire‐du‐Louvre RUE BERGER 9. Fontaine des Quatre Saisons RUE DU LOUVRE BOULEVARD SAINT ‐ GERMAIN Monument to Assemblée DU CARROUSEL 10. Saint-Thomas-d’Aquin Assemblée the Amiral Nationale PASSERELLE DE de Coligny Nationale SOLFERINO 11. Hôtel de Salm/ Musée de la Légion RUE DE L’UNIVERSITR ESNAULT PELTERIE RUE A BRIANT RUE BERGER É 12 d’Honneur FRANCE Cour Louvre Rivoli Centre Invalides Fontaine des Hôtel de Salm/ Napoleon Innocents Pompidou Musée de la Légion d’Honneur Grande Galerie Cour 12. Palais Bourbon/Assemblée Pavillon de Carr RUE SAINT ‐ DENIS RUE DE LILLE11 I’Horloge ée Nationale Louvre Saint‐Germain‐ Musée d’Orsay East Front l’Auxerrois 13. Pont de la Concorde RUE DES BLANCS PONT ROYALE &!(+0( QUAI DUGalerie RUE 14. Place deDES LOMBARDS la Concorde RUE ST‐CROIX DE LA

AVENUE DU MARECHAL GALLIENI QUAI VOLTAIRE LOUVRE RUE DE L’ADMIRAL COLIGNY ‐ MARTIN Finish: Concorde MétroSaint‐ Solférino RUE DU Merri PONT DU CAROUSEL RUE DE RIVOLI

RUE DE CONSTANTINE SAINT RUE DE

RUE DE L’UNIVERSIT QUAI DE LA M RUE RUE DES ARCHIVES PONT DES ARTES RUE RUE DU BAC Châtelet Tour Saint ‐ QU ÉGISSERIE Jacques AI RUE DE BELLECHASSE D Statue of E PONT NEUF BOULEVARD SEBASTOPOL /.%+0*0& C Henri IV DE GRENELLE de O France N QUAI DE T Hôtel des Invalides I É Place RUE DE Saint‐Thomas Dauphine Hôtel de GRIBEAUVAL ‐d’Aquin GESVRES Hôtel de PONT AU ôtel de Ville Ville BAC CHANGE Rue du Bac PONT NEUF Place de Ville Saint‐Louis des Invalides 10 I’H !"#"$%&'(&)*%+,( QUAI DE LA CORSE PONT RUE NOTRE‐DAME QUAI DE

DU RUE DE LOBAU Sainte ‐ DU PALAIS Cité Saint‐Gervais‐ Chapelle PONT Dôme des D’ARCOLE Saint‐Protais Invalides É BOULEVARD L’H RUE ÔTEL DE VILLE 9 Q U BOULEVARD RASPAIL BOULEVARD Fontaine des A R R DE LA I BOULEVARD DES INVALIDES Quatre Saisons RUE U COLOMBE E A C U AVENUE DE TOURVILLE Saint‐Germain‐ H X RUE DE LA CIT A des Prés N F PONT ST O L MICHEL E DE GRENELLE RUE L’ANCIENNE I COM RUE D’ARCOLE N U QUAI ST Crypte RUE DU CLO E SAINT ‐ GERMAIN S R PONT L PHILIPPE S S E PETIT Parvis de QUAI DE BOURBON Saint‐Germain Le Procope ‐ MICHELPONT Î ÉDIE Notre‐Dame Notre ‐ TRE NOTRE‐DAME 6 Dame FOUR Mabillon RUE DU Statue of RUE PONT ST Georges Danton Odéon SAINT PONT AU S DOUBLE LOUIS RUE SAINT ‐ LOUIS ‐ EN ‐ L’ILE ÈVRES 7 ÉVERIN RU R E CARREFOUR U Saint‐ DE E École de VIE ODÉON D Séverin RUE DE S UX E C ÊCHÉ O LO SULPICE N MB 5 SAINT‐ MICHEL IE Ó RUE R L RUE ST ‐ JACQUES SAINT ‐ É Cluny la Saint‐ RUE Médecine’É C BOULEVARD SAINT ‐ GERMAINR BOUTERRIE O PONT DE R D DEUX PONTS Sulpice Saint‐Sulpice L L’ARCHEV PLACE 8 R ANTOINE E M ST‐SULPICE DUBOIS ÉD Hôtel de Cluny / Maubert MONSIEUR EC INE Musée National du Mutualite

Moyen Age (Start) QUAI DE LA TOURNELLE RUE DE L’ODE RUE DE COND PONT DE LA R C DELAVIGNE TOURNELLE

BOULEVARD RASPAIL PLACE DE L’ODÉON LE PRINCE RUE DE RENNES RUE DES Théâtre de BOULEVARD Sorbonne RUE MONGE l’Odéon ÉCOLES BEAUVAIS D 4 R DES CARMES AR RUE DE M N ER /.%+0*0&'*& STE B Palais du Luxembourg ‐ Monde Arabe T / Sénat IN SA ‐ RUE DE L’ S ÉDICIS RUE CUJAS É POLYTECHNIQUE RUE DES ECOLES SS O RUE JEAN DE F 3 ÉCOLE RUE DE ES D RUE ST ‐ JACQUES LA MONTAGNE E LANNEAU U R RUE SOUFFLOT RUE CUJAS Faculté des Sciences

RUE VALETTE RUE DE de Jussieu École de Droit Saint‐ Jardin du 2 -+(..( RUE DESCARTES Jussieu ‐du‐Mont 1 RUE CLOVIS Wall of Panthéon Philippe II Luxembourg LEMOINE

AVENUE DE BRETEUL

RUE CARDINAL

www.historywalksparis.com BOULEVARD SAINT‐ MICHEL Paris in the 18th Century - 5 Logistics Buildings and Monuments

Time and Distance: This walking tour is a little over 3 miles. Plan on about 3 hours including visits to the Panthéon and Saint-Sulpice. You can cut off about a half mile of walking by taking the 63 bus from Saint-Sulpice to the next stop on the walk. (See description of Saint-Sulpice for details.)

When To Go: This walk can be done on any day of the week. The two main sights you will most likely want to visit, 1. Panthéon there was some controversy as to 2. École de Droit the Panthéon and Saint-Sulpice, are whether they were due to Soufflot’s open daily. If you want to visit the design or poor workmanship. While The Panthéon, formerly the church of The law school, the École de Droit Légion d’Honneur (interesting but not poor workmanship was generally Sainte-Geneviève, (1756-91) was built (1771-74), was designed, like the necessarily worth organizing your implicated, the design for the dome by Louis XV who vowed to rebuild the Panthéon, by Jacques-Germain whole schedule around), it’s only open was nonetheless modified several old Sainte-Geneviève church as Soufflot. He envisioned a semi-circular Wednesday-Sunday from 1-6 PM. times before it was completed. The thanks for his recovery from a serious plaza in front of the Panthéon framed interior is in the form of a modified illness. Ironically, since Louis XV was by two buildings with concave facades. Helpful Hint: If you take this walk on Greek cross. The original design had one of France’s most unenlightened The Ionic columns on these buildings’ Sunday, try to arrive at Saint-Sulpice huge windows to light the interior, but kings, the building he began now porticos were intended as a around 11:30 AM. A thirty-minute the windows were bricked up when holds the tombs of many great counterpoint to the Panthéon’s organ concert, on the church’s world- the building was converted to a Enlightenment figures including Corinthian columns. Only the law famous organ, usually follows the pantheon. The facade, with its portico Voltaire and Rousseau. The Panthéon school was completed before the conclusion of the 10:30 AM mass. of giant Corinthian columns and very was designed by Jacques-Germain Revolution. The other building now secular appearance, is a prime Soufflot. The high ceilings inside are framing the plaza and housing the 5th example of the 18th-century Start supported by external flying arrondissement town hall, was built in neoclassical architectural style. buttresses, but to make the building 1850 in the same style. The concept of look more classical, they are hidden (www.monuments-nationaux.fr or This walking tour begins at the a plaza in front of the Panthéon was a behind walls. The huge dome was www.pantheonparis.com ; daily Apr- Panthéon. The closest Métro station departure from earlier churches which inspired by and no doubt designed to Sep 10-6:30, Oct-Mar 10-6, 8€) is Maubert Mutualité. From the were usually built very close to the rival Saint Peter’s in Rome and Saint station, head up the hill away from the buildings around therm. It is typical of Paul’s in London. The dome From the front of the Panthéon, head river along rue des Carmes which the opening up of the city that occurred presented some problems during across the plaza to the building to the becomes rue Valette and dead-ends at during the 18th century. Plazas were construction. Cracks appeared and right with the concave facade. the north side of the Panthéon. created not only in front of new churches, but also in front of older churches such as Notre-Dame and the church of the Sorbonne. In addition to the plaza, Soufflot also designed the rue Soufflot leading from the Panthéon to the Jardin du Luxembourg.

Walk down the hill on rue Soufflot to the Jardin du Luxembourg; walk through to the center of the garden where you’ll see a large pool and the Palais du Luxembourg next to it. www.historywalksparis.com Paris in the 18th Century - 6 3. Palais du Luxembourg/ bicameral . The upper 4. Théâtre de l’Odéon 5. École de Médecine Sénat house at that time was referred to as the Council of Ancients, presumably The Théâtre de l’Odéon (1779-82) The École de Médecine was originally because its members had to be over constructed by the Académie Royale de While the Palais du Luxembourg was sponsored by Louis XVI as a new 40, in contrast with the lower house Chirurgie (surgery). At that time, was built in the 17th century, its home for the Comédie Française and where the age requirement was only surgery was a separate profession from current function, as home to the inaugurated by Marie-Antoinette. Louis 30. The Council of Ancients was medicine. In fact, it began as part of the French Sénat, has it roots in the 18th XVI stipulated that the theater had to housed in the Palais in 1799 but same guild as barbers. The schools of century and the French Revolution. hold at least 1,900 people, making it Napoleon abolished it when he came surgery and medicine merged in 1794 designed the the largest theater in Paris . It is one to power. Over the next century, the and were renamed the Faculté de Palais (1612-22) for Henri IV’s widow of the last examples of large-scale Sénat saw many changes to its name, Médecine in 1808. Today the facility Marie de Medici, in a style intended to building carried out by the “ancien location and functions. It was houses a medical history museum and a remind her of the Pitti Palace in her régime.” It was designed by Marie- returned to the Palais in 1879 and has branch of the . native . She was forced into Joseph Peyre and been called the Sénat since 1958. Jacques Gondoin designed the court exile by her son Louis XIII and his with classical columned facades and a Today the Sénat has 346 members, facades (1776-86) with classical Ionic minister before the simple geometric form. It was the first half of whom are elected every three columns on the main building and a building was completed. The facade free-standing theater built in Paris. The years by 150,000 local elected officials Corinthian-columned portico marking on the boulevard de Vaugirard is area around the theater was designed called the “grands electors.” the surgery amphitheater. The original. In the early 19th century, for easy movement of traffic and as a extensions to the building were built in Alphonse de Gisors added a new backdrop for the theater’s then very Walk around the east side of the the late l800’s. During the French assembly hall and facade facing the unprecedented design. Today the Palais (the right side as you stand with Revolution, when members of the garden which reproduces the original theater, now called the Théâtre de your back to the pool) and out to the Assemblée Nationale decided to facade. The French Sénat originated l’, is one of France’s six street where you’ll find the Théâtre de develop a more humane and egalitarian during the Revolution when the national theaters. (www.theatre- l’Odéon just across the street. method of execution, they called on two Constitution of 1795 created a odeon.fr ) members of the medical schools to help With your back to the north side of the them. Dr. Antoine Louis and Dr. Joseph- theater, walk across the place de Ignace Guillotin (for whom the l’Odéon and angle slightly off to your instrument is named) came up with a right onto rue C Delavigne which, after design for the . you cross rue Monsieur le Prince, Exiting from the courtyard of the École, turns into rue Antoine Dubois, a turn right and walk along the building pedestrian street with a flight of steps; until you reach boulevard Saint- the street ends at the rue de l’École de Germain; cross the street; turn left, Médecine where just across the street then turn right onto rue de l’Ancienne you will find the ... Comédie where you’ll find ... www.historywalksparis.com Paris in the 18th Century - 7 6. Le Procope 7. Statue of Georges 8. Saint-Sulpice Like the Panthéon, Saint-Sulpice’s Danton design included a plaza in front. Le Procope, on rue de l’Ancienne Saint-Sulpice (1646-1732) was Unfortunately, the plaza is often filled Comédie, opened in 1686 as a cafe constructed on the site of an earlier with rather shabby-looking market Georges Danton’s career is parish church when a larger church for “fashionable gentlemen” to drink emblematic of the ups and downs stalls which obscure an open view of coffee, considered at the time to be became necessary to serve the the church. Saint-Sulpice’s grand experienced by many of the French growing Saint-Germain neighborhood. an exotic new beverage. It is best Revolution’s leaders. During the early organ is famous throughout Europe. It known as the 18th-century gathering The church was definitely larger than is well worth attending the thirty- stages of the Revolution, Danton, a its predecessor. In fact, Saint-Sulpice place of Voltaire, Diderot, Rousseau, lawyer, was considered to be a radical minute recital that occurs most and many other “philosophes” whose rivals Notre-Dame in size. It is wider Sunday mornings after the 10:30 AM because he advocated the complete and nearly as high, although Notre- theories and writings were the overthrow of the monarchy. More mass. (www.paroisse-saint-supice- philosophical underpinnings of the Dame is longer. Construction of the paris.org ; daily 7:30-7:30) moderate leaders, then in power, were church was interrupted numerous Revolution. Both Thomas Jefferson focused only on limiting the monarch’s and Benjamin Franklin also mingled times due to lack of funds and political Find rue du Vieux Colombier at the powers. By the later stages of the events, most notably the French there when they were in Paris. In Revolution, Danton was viewed as a northwest (far right) corner of place recognition of its Enlightenment roots, Revolution. At least half-a-dozen Saint-Sulpice; follow the street away moderate. Although he was one of the architects were involved in the design the cafe was redecorated in the late original members of the Committe of from the plaza; it curves right and then 1980’s in 18th-century style. The over the course of 130 years. The jogs slightly left across a large Public Safety, he was not an facade, begun in 1732, is typical of its food is a bit expensive, but even if enthusiastic supporter of the Reign of intersection and becomes rue de you don’t stop to eat be sure to peek time in that it is relatively unadorned Grenelle; stay on rue de Grenelle; Terror. He saw the Committee’s bent and very classical in appearance. The at the furnishings inside. toward mass executions, prophetically, after you cross boulevard Raspail you (www.procope.com ;daily 10:30 AM - center section was originally topped won’t be able to miss the Fontaine des as a two-edged sword that could be by a pediment. It was worked on by 1 AM) turned against the Committee. Indeed, Quatre Saisons on the left. two different architects. The first was Danton and many of his fellow strongly influenced by Saint Paul’s in Return to boulevard Saint-Germain, Committee members were ultimately Alternate route: At the bus stop cross the street, and you’ll find a London. The second architect did not adjacent to place Saint-Sulpice on rue arrested and executed by more radical rebuild the original pediment after it large ... factions. Saint-Sulpice, take the 63 bus four was destroyed by fire. After the stops to Varenne-Raspail; continue original tower designs were criticized, Follow rue de Condé away from walking in the same direction the bus the north tower was modified, but was going to rue de Grenelle; turn left boulevard Saint- Germain and the funds ran out before the south tower carrefour Odéon to rue Saint-Sulpice; across the street and continue on rue could be changed. As a result the two de Grenelle to the on the left. turn right and walk three blocks to the towers are slightly different. plaza in front of Saint-Sulpice which will be on your left.

www.historywalksparis.com Paris in the 18th Century - 8 9. Fontaine des Quatre 10. Saint-Thomas-d’Aquin 11. Hôtel de Salm/Musée The Hôtel de Salm was partially Saisons de la Légion d’Honneur burned down during the Commune of The history of Saint-Thomas-d’Aquin 1871 but was completely restored later. It now houses the Musée de la The grandiose Fontaine des Quatre is similar to that of Saint-Sulpice. It The Hôtel de Salm (1782-87/1866-70) Légion d’Honneur. The Légion Saisons (1739-1745) is the largest of was begun in the 17th century and was originally designed by Pierre d’Honneur was created by Napoleon in thirty built in Paris during the finished in the the late 18th century Rousseau for a German Prince, 1802. In the spirit of the French 18th century. It was built to supply with work delayed due to both a Friedrich de Salm-Kyrbourg. He built Revolution, it was the first honorary water to the growing Saint-Germain shortage of funds and the intervening the mansion as part of an overall order based on merit in civilian or neighborhood and to honor Louis XV Revolution. Work on the church began attempt to gain status and influence in military life, and not on heredity. whose accomplishments are extolled in in 1683. The choir was built in 1722 the French court. The Prince only lived Previous orders created by the an inscription on the fountain. It was and the facade was completed in 1770. there a short time before he was monarchy were limited to noblemen designed by Edmé Bouchardon, the The facade is typical of the simplified executed during the Revolution. The and to Catholics. The Légion was and king’s sculptor. Between the small two- story Counter-Reformation style building’s rather austere courtyard is open to all men, and some women, figures carrying fruits of the four popular at the time. It is very similar to colonnade was inspired by the of all ranks, professions and religions. seasons are three larger figures the much larger Saint-Roch on the courtyard of the École de Médecine. (64 rue de Lille; www.musee- representing the City of Paris with the Right Bank. The interior has a beautiful The villa-like oval facade on the north legiondhonneur.fr ; We-Su 1-6, free) and Marne rivers reclining at her ceiling fresco painted in 1724. The side is more decorated. It originally feet. Unfortunately, the fountain is church was founded by Dominican opened onto a garden leading down to crammed into a very narrow street and monks. It became a parish church in the river. The design of the Hôtel de Continue on rue de Lille until it dead in contrast to the abundant statuary, 1791, ministering to part of the rapidly Salm influenced Jefferson’s design for ends at rue A Briant; turn left then right there are only two very small water growing Saint-Germain quarter his home, Monticello. Jefferson spent onto rue de l’Université and you’ll be spouts. Voltaire’s quote regarding the previously served by the Saint-Suplice considerable time in Paris and his at the back of the .... fountain sums up the situation rather parish. Several years later, political as well as his architectural well, both architecturally and revolutionaries confiscated the church ideas were significantly influenced by functionally, “...too much stone for too and turned it into a Temple of Peace. It French Enlightenment thinkers. little water.” Voltaire and others also was restored to the Catholic church in made rather unflattering comparisons 1802.(www.eglisesaintthomasdaquin.fr; between this fountain and fountains in daily 9-5 Sep-Jun, check website for Rome with their open plaza settings and Jul-Aug hours which are more limited) abundantly gushing sprays of water.

Continue on rue de Grenelle to rue de Walk back to rue de Bac and turn Bac; turn right on rue de Bac; after right; in three blocks turn left onto rue crossing boulevard Saint-Germain de Lille; you’ll find the Hôtel de Salm continue another block to rue de just across the plaza from the Musée Gribeauval; turn right and you will see d’ Orsay. Saint-Thomas-d’Aquin on the left. www.historywalksparis.com Paris in the 18th Century - 9 12. Palais Bourbon/ 13. Pont de la Concorde 14. Place de la Concorde The designs of each hôtel, terminal Assemblée Nationale structures at either end flanking The Pont de la Condorde (1786-91), The place de la Concorde (originally recessed colonnades, consciously the place Louis XV) was built to link evoke the east front of the Louvre. France’s lower house of , the formerly Pont Louis XV, was built to older areas on the Right Bank to the However, the designs reflect 18th- Assemblée Nationale is housed in two connect the new place de la newly developing areas to the west, century Rococo and classical former 18th-century mansions designed Concorde to the Saint-Germain and and to honor Louis XV. A statue of the influences. In contrast with the Louvre, by Jean Auber and consructed between Invalides areas. It was started before king, designed by Edmé de the columns are single rather than 1726 and 1730. The Palais Bourbon, the Revolution and ironically, given its Bouchardon, was placed in the center double, they are much thinner, and the now holding the assembly halls, was built original name and sponsor, was in 1763. The statue, like statues of decoration on the buildings is much for Duchesse Louise-Françoise de completed after the Revolution with monarchs in other plazas, was lighter and more playful than the east Bourbon, daughter of Louis XIV and his stones from the demolished Bastille. knocked down during the Revolution. front’s decoration. In 1778, the Hôtel best known mistress, Madame de The bridge was the first bridge in This particular plaza was also the Crillon was the site of the signing of a Montespan. The Hôtel de Lassay was Paris designed by an engineer rather place where over 1,000 people were treaty of friendship, commerce and built for the Marquis Armand de Lassay, than an architect. Its designer, Jean- guillotined during the Revolution, alliance between France and the newly the Duchesse’s counselor and lover. It Rodolphe Perronet was the first including Louis XVI and Marie- formed United States. In fact, France now houses the residence of the director of the newly created École Antoinette. The Hôtel Crillon and was the first country to recognize the President of the Assemblée. The des Ponts et Chausées (School of Hôtel de la Marine (1766-75) as well United States. It may seem strange Assemblée Nationale has its origins in Bridges and Roadways). Perronet’s as the square’s overall layout were that France, a monarchy at the time, the French Revolution when the engineering knowledge enabled him designed by Ange-Jacques Gabriel. was so closely aligned with the United members of the Third Estate broke from to design smaller support piers and a The square is a departure from States, a fledgeling democracy. What the Estates General meeting at longer center span than were typical previous Parisian square designs in united France and the United States Versailles and declared themselves an of earlier bridges. that it has buildings on only one side. was their common enemy, Great Assemblée Nationale. The This approach allowed the city’s grand Britain. (www.crillon.com ) revolutionaries confiscated the Palais Cross the bridge to the .... east-west axis leading from the Bourbon in 1792 and moved the Tuileries to the Champs Elysées to be Assemblée to it in 1795. The terms “left Finish maintained. wing” and “right wing” date from this period. More radical Assemblée You will find the Concorde Métro members sat to the left of the President station at the northeast corner of the and more conservative members to the plaza. right. The Assemblée Nationale currently has 577 members elected from single- member districts for 5-year terms.

Continue along rue de l’Université; turn right onto rue R Esnault Pelterie; when you reach the river turn right then left onto the ... www.historywalksparis.com Paris in the 18th Century - 10