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2010

Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Cultures

Eliot Bates CUNY Graduate Center

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Electronic cultures bibliography

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Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. : encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online]

Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / : Continuum. [view online]

Albiez, Sean. 2003. "'Strands of the Future: France and the birth of '." Volume! 2003(2), 99-114.

Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152.

Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early ." European Journal of American Culture 24(2), 131-152.

Amico, Stephen. 2001. "'I Want Muscles': , homosexuality and masculine signification." Popular Music 20(3), 359-378.

Anderson, Tammy L. 2009. "Better to Complicate Rather than Homogenize Urban Nightlife." Sociological Forum 24(4), .

Anderson, Tammy. 2009. Culture: the Alteration and Decline of a Music Scene. Philadelphia: Temple University Press. [view online]

Anthony, Wayne. 1998. Class of 88: The True Experience. London: Virgin.

Anthony, Wayne. 1999. Spanish Highs: Sex, Drugs & Excess in . London: Virgin.

Ashline, William. 2002. "Clicky Aesthetics: Deleuze, Headphonics, and the Minimalist Assemblage of 'Aberrations'." Strategies: Journal of Theory, Culture, Politics 15(1), 87-104.

Avery, Anthony P. 2005. Folklore and alternative masculinities in a rave scene. Ph.D. Dissertation (Folklore), University of New Mexico.

Ayers, Michael D. 2006. Cybersounds: Essays On Virtual Music Culture. New York: Peter Lang.

Bahr, Xenia and Oliver Rossdeutscher. 1995. No Rites: Techno-House in . Hamburg: Kellner.

Barr, Tim. 2000. Techno: The Rough Guide. London: Rough Guide Ltd.

Bates, Eliot. 1997. . M.A. Thesis (Ethnomusicology), Wesleyan University. [view online]

Bates, Eliot. 2004. "Glitches, Bugs, and Hisses: the degeneration of musical recordings and the contemporary musical work." In Bad Music: Music that you love to hate, edited by Chris Washburne and Maiken Derno. New York: Routledge.

Baumann, Gerd. 1990. "The Reinvention of Bhangra. Social Change and Aesthetic Shifts in Punjabi Music in Britain." World of Music 32(2), 81-98.

Beeler, Stanley. 2007. Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co.

Belle-Fortune, Brian. 2004. All Crews: Journeys Through Jungle / Drum & Bass Culture. London: Vision.

Bennett, Andy, Barry Shank and Jason Toynbee. 2006. Popular Music Studies Reader. New York: Routledge.

Bennett, Andy. 1999. "Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste." Sociology 33(3), 599-617.

Bennett, Andy. 2000. "Dance Music, Local Identity and Urban Space." In Popular Music and Youth Culture: Music, Identity and Place, edited by (Bennett, Andy). New York: St. Martin's Press, 73-102.

Bidder, Sean. 1999. The Rough Guide to House. London: Rough Guides Ltd.

Bidder, Sean. 2001. Pump Up The Volume: A History of House. London: Channel 4 Books.

Birgy, Phillipe. 2003. "French : The Invention of a Tradition." In Popular Music in France from Chanson to Techno: Culture, Identity and Society, edited by Hugh Dauncey and Steve Cannon. Aldershot: Ashgate, 225-242.

Blackman, Shane. 2004. Chilling : the cultural politics of substance consumption, youth and drug policy. Maidenhead: Open University Press.

Borthwick, Stuart. 1998. Dance, Culture, Television: An Analysis of the Politics of Contemproary Dance Culture and its Televisual Representations. Ph.D. Dissertation, Liverpool John Moores University. [view online] Bradby, B. 1993. "Sampling Sexuality: Gender, Technology and the Body in Dance Music." Popular Music 12(2), 155-176.

Breinl, Christiana. 2012. Free Tekno : Geschichte einer Gegenkultur. Wien: Lit-Verlag.

Brewtser, Bill & Frank Broughton. 1999. Last Night a DJ Saved My Life. New York: Grove Press.

Bull, Michale, Les Back. 2003. The Auditory Culuture Reader (Sensory Formation). Oxford: Berg.

Bussman, Jane. 1998. Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin.

Butler, Mark J. 2001. "Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in ." Music Theory Online 7(6), n/a. [view online]

Butler, Mark J. 2003. Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. Ph.D. Dissertation, Indiana University.

Butler, Mark J. 2005. "‘Everybody Needs a 303, Everybody Loves a Filter’: Electronic Dance Music and the Aesthetics of Obsolescence." In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys. New York: Peter Lang, 111-18.

Butler, Mark J. 2005. ""Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music."." twentieth-century music 2(2), 221-243.

Butler, Mark J. 2006. Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and , IN: Indiana University Press.

Butler, Mark J. 2007. "• “Elektronische Tanzmusik: Loops, Patterns, Samples, Tracks – Musikalische Identitäten im Fluss.”." Lettre International 79, 113-117.

Carrie Gates, Sriram Subramanian, and Carl Gutwin. 2006. "DJs' Perspectives on Interaction and Awareness in ." State College (Pennsylvania): Designing Interactive Systems Conference. [view online]

Carrington, Ben and Brian Wilson. 2004. "Dance Nation: Rethinking Youth Subcultural Theory." In After Subculture: Critical Studies of Contemporary Youth Culture, edited by Andy Bennett and Keith Kahn-Harris. New York: Palgrave, 65-78.

Cascone, Kim. 2000. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary ." Computer Music Journal 24(4), 12-18. [view online]

Cascone, Kim. 2002. "Laptop Music—Counterfeiting Aura in the Age of Infinite Reproduction." Parachute 107, 52-60. [view online]

Cascone, Kim. 2004. "Grain, Sequence, System (three levels of reception in the performance of laptop music)." Hz 4, N/A. [view online]

Chan, Sara Wei-Ming. 2003. Imaginary soundscapes : electronic music culture and the aesthetics of the virtual. M.A. Thesis, Ryerson University and York University.

Chan, Seb. 1999. "Bubbling Acid: ’s Techno Underground." In Australian Youth Subcultures: On the Margins and in the Mainstream, edited by Rob White. Hobart: ACYS Publications, 65-73.

Chang, Jeff. 2005. Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador.

Chapman, Dale. 2003. "Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum n' Bass Music." Echo: A Music-Centered Journal V(2), . [view online]

Chapman, Dale. 2003. "The Hermeneutics of Suspicion." Echo: A Music-Centered Journal V(2), . [view online]

Cole, David R. 2007. "Techno-shamanism and Educational Research." Ashé! Journal of Experimental Spirituality 6(1), 6-34. [view online]

Cole, Fred and Hannan, Michael. 1997. ": A Psykotropic Trip Through Tribedelic Landscapes." Perfect Beat 3(3), ??.

Collin, Matthew. 1997. Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Tail.

Collins, Karen. 2005. "Dead Channel Surfing: The commonalities between cyberpunk literature and ." Popular Music 24(2), 165-178.

Colombié, Thierry, Nacer Lalam and Michel Schiray. 2000. Drogue et techno: les trafiquants de rave. : Stock.

Courtney, Dave. 2000. Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin.

D'Andrea, Anthony. 2003. "Global Nomads: Techno and as Transnational in Ibiza and Goa." In Rave Culture and Religion, edited by Graham St. John. New York and London: Routledge, 236-255.

D'Andrea, Anthony. 2007. Global Nomads: Techno and New Age as Transnational Countercultures. London/New York: Routledge.

David Fernández. 2006. "Discogràfiques dance. Una indústria cultural en transformació." Treballs de comunicació 21, 125-138. [view online]

Davis, Erik. 2004. "Hedonic Tantra: Golden Goa’s Trance ." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 256-272.

De Haro, Sarah and Wilfrid Estéve. 2002. 3672: La Free Story. Paris: Trouble-Fête.

Demers, Joanna. 2006. "Dancing machines: ‘Dance Dance Revolution’, cybernetic dance, and musical taste." Popular Music 25(3), 401-414. [view online]

Dyer, Richard. 1990. "In Defence of ." In On Record: Rock, Pop and the Written Word, edited by Simon Frith and Andrew Goodwin. New York: Pantheon, 410-418.

Eshun, Kodwo. 1998. More Brilliant Than The Sun: Adventures In Sonic Fiction. London: Quartet Books.

Fairley, Jan. 2006. "Dancing back to front: regeton, sexuality, gender and transnationalism in Cuba." Popular Music 25(3), 471-488. [view online]

Farrugia, Rebekah L. 2004. Spin-sters: Women, new media technologies and electronic/dance music. Ph.D. Dissertation (Communication studies), University of Iowa.

Farrugia, Rebekah, Thomas Swiss. 2005. "Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies." Journal of Popular Music Studies 17(1), 30-44. [view online]

Farrugia, Rebekah. 2004. "Sisterdjs in the house: Electronic/dance music and women centered spaces on the net." Women’s Studies in Communication 27(2), 236-262.

Ferrigno, Emily. 2008. Technologies of Emotion: Creating and Performing Drum 'n' Bass. Ph.D. Dissertation (Ethnomusicology), Wesleyan University. [view online]

Fikentscher, Kai. 2000. "You Better Work!": Underground Dance Music in New York City. Middletown: Wesleyan University Press.

Fikentscher, Kai. 2003. "'There's not a problem I can't fix, 'cause I can do it in the mix': On the Performative Technology of 12-inch Vinyl." In Music and Technoculture, edited by Lysloff, René and Gay, Leslie C. Middletown: Wesleyan University Press, 290-315.

Fikentscher, Kai. 2006. "Disco and House." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 456-470.

Fink, Robert. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and : University of California Press.

Fraser, Alistair & Ettlinger, Nancy. 2008. "Fragile empowerment: The dynamic cultural economy of British music." Geoforum 39(5), 1647-1656.

Fraser, Alistair. 2012. "The spaces, politics, and cultural economies of electronic dance music." Geography Compass 6(8), 500-511. [view online]

Fritz, Jimi. 1999. Rave Culture: An Insider's Overview. Canada: Smallfry Press.

Gaillot, Michel. 1998. Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir.

Garcia, Luis-Manuel. 2005. "On and On: Repetition as Process and Pleasure in Electronic Dance Musi." Music Theory Online 11(4), . [view online]

Garcia, Luis-Manuel. 2011. "Pathological Crowds: Affect and Danger in Responses to the Disaster at ." Dancecult: Journal of Electronic Dance Music Culture 2(1), no pages. [view online]

Garcia, Luis-Manuel. 2011. ‘Can You Feel It, Too?’: Intimacy and Affect at Electronic Dance Music Events. Ph.D. Dissertation (Department of Music, Ethnomusicology), University of .

Garratt, Sheryl. 1998. Adventures in Wonderland: A Decade of Club Culture. London: Headline.

Gauthier, François. 2004. "Rapturous Ruptures: The ‘Instituant’ Religious Experience of Rave." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 65-84.

Gauthier, François. 2005. "Orpheus and the Underground: Raves and Implicit Religion—From Interpretation to Critique." Implicit Religion 8(3), 217-265.

Geoffrey Hunt, Molly Moloney and Kristin Evans. 2010. Youth, Drugs and Nightlife. London and New York: Routledge.

Gerard, Morgan. 2004. "Selecting Ritual: DJs, Dancers and Liminality in Underground Dance Music." In Rave Culture and Religion, edited by Graham St. John. London: Routledge, 167-184.

Gibson, Chris. 2001. "Appropriating the Means of Production: Dance Music Industries and Contested Digital Space." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. : Common Ground, 237-255.

Gilbert, Jeremy and Ewan Pearson. 1999. Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge.

Gilbert, Jeremy. 1997. "Soundtrack to an Uncivil Society: Rave Culture, The Criminal Justice Act and the Politics of Modernity." New Formations 31, 5-24.

Goldschmitt, Kariann Elaine. 2004. Foreign Bodies: innovation, repetition, and corporeality in electronic dance music. M.A. Thesis (Music), University of California, San Diego.

Gore, G. 1997. "Trance, dance and Tribalism in Rave Culture." In Dance in the City, edited by Thomas, Helen. London: MacMillan, 73-83.

Goulding, Christina, Avi Shankar and Richard Elliott. 2002. "Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities." Consumption Markets & Culture 5(2), 261-284.

Grayson, Kyle. 2008. "The (Geo)Politics of Dancing: Illicit Drugs and Canadian Rave." In Chasing Dragons: Security, Identity, and Illicit Drugs in Canada, edited by Kyle Grayson. : University of Toronto Press.

Green, Jared. 2005. DJ, Dance and Rave Culture. Detroit: Greenhaven Press.

Greener, Tracey, Robert Hollands. 2006. "Beyond Subculture and Post-subculture? The Case of Virtual Psytrance." Journal of Youth Studies 9(4), 393-418.

Grynszpan, Emmanuel. 1999. Bruyante Techno: réflexion sur le son de la . Nantes: M. Séteun.

Halfacree, Keith and Rob Kitchin. 1996. "‘ Rave on’: Placing the Fragments of Popular Music." Arena 28(1), 47-55.

Hall, Joanna. 2008. "Mapping the Multifarious: The Genrification of Dance Music Club Cultures." In Decentring Dancing Texts: The Challenge of Interpreting Dances, edited by Lansdale, J. Basingstoke: Palgrave Macmillan.

Hansen, Kjetil Falkenberg. 2002. "The Basics of Scratching." Journal of New Music Research 31(4), 357-365. [view online]

Harrison, Anthony Kwame. 2006. "‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts." Popular Music 25(2), 283-301.

Hebdige, Dick. 1987. Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen.

Hecker, Tim. 2002. "Sound and the 'Victorious Realm of Electricity'." Parachute 107, 60-68. [view online]

Hemment, D. 1996. "E is for Ekstasis." New Formations 31, 23-38.

Hemmerling, Scott. 1999. Trance Dancing in Modern Urban America: Rave Culture and the Search for Ritual. M.A. Thesis (M.S. Thesis), University of New Orleans.

Hesmondhalgh, David, and Caspar Melville. 2001. "Urban Culture." In Global Noise: Rap and Hip-Hop Outside the USA, edited by Timothy Mitchell. Middletown: Wesleyan University Press.

Hesmondhalgh, David. 1997. "The Cultural Politics of Dance Music." Soundings 5, 167-178.

Hesmondhalgh, David. 1998. "The British Dance Music Industry: A Case Study of Independent Cultural Production." British Journal of Sociology 49(2), 234-251.

Hesmondhalgh, David. 2006. "Digital Sampling and Cultural Inequality." Social Legal Studies 15(1), 53-75.

Hier, Sean. 2002. "Raves, Risks and the Ecstacy Panic: A Case Study in the Subversive Nature of Moral Regulation." Canadian Journal of Sociology 27(1), 33-57.

Hill, Andrew. 2002. "Acid House and Thatcherism: Noise, the Mob and the English Countryside." The British Journal of Sociology 53(1), 89-105.

Hill, Andrew. 2003. "Acid House and Thatcherism: Contesting Spaces in late 1980s Britain." Space and Polity 7(3), 219-232.

Hill, Desmond. 1999. "Mobile Anarchy: The House Movement, Shamanism and Community." In Psychedelics Reimagined, edited by Thomas Lyttle. New York: Autonomedia, 95-106.

Hitzler, Ronald & Pfadenhauer, Michaela. 2002. "Existential Strategies: The Making of Community and Politics in the Techno/Rave Scene." In Postmodern Existential Sociology, edited by Joseph Kotarba and John Johnson. Walnut Creek: Alta Mira, 87- 101.

Hitzler, Ronald and Michaela Pfadenhauer. 2001. Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich.

Hope, Donna P. 2004. "The British link-up crew." Interventions 6(1), 101-117.

Hope, Donna P. 2006. Inna di : Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press.

Huq, Rupa. 1999. "The Right to Rave: Opposition to the Criminal Justice and Public Order Act 1994." In Storming the Millennium: The New Politics of Change, edited by Tim Jordan. London: Lawrence and Wishart, 15-33.

Huq, Rupa. 2002. "Raving, not drowning: Authenticity, pleasure and politics in the electronic dance music scene." In Popular Music Studies, edited by David Hesmondhalgh and Keith Negus. London: Arnold.

Hutnyk, John. 2000. Critique of Exotica: music, politics and the culture industry. London: Pluto Press.

Hutson, Scott. 1999. "Technoshamanism: spiritual healing in the rave subculture." Popular Music and Society 23(3), 53-77.

Hutton, Fiona. 2001. Making Out in the City: Negotiating the Feminine on Club Scenes in . Ph.D. Dissertation, Manchester Metropolitan University.

Hutton, Fiona. 2006. Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate.

Jackson, Phil. 2004. Inside : Sensual Experiments in the Art of Being Human. Oxford: Berg.

Jagodzinski, Jan. 2005. Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan.

James, Martin. 1997. State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan.

James, Martin. 1998. Prodigy: Adventures with the Voodoo Crew. London: Ebury Press.

James, Martin. 2001. Moby: Replay - His Life and Times. London: Independent Music Press.

James, Martin. 2002. : Soul Brother. London: Sanctuary.

James, Martin. 2002. Prodigy. London: Sanctuary.

James, Martin. 2003. French Connections - From Discotheque to Discovery. London: Sanctuary.

Jason A. Hockman, Matthew E.P. Davies, and Ichiro Fujinaga. 2012. "One in the Jungle: Downbeat Detection in Hardcore, Jungle, and Drum & Bass." , Portugal: International Society for Music Information Retrieval Conference. [view online]

Javier Jimenez. 2009. Re-imagining the Chicano experience: DJs in L.A.'s rave culture circa 1990-1999. M.A. Thesis (Chicana and Chicano Studies), California State University Northridge. [view online]

Jones, Simon. 1995. "Rocking the House: Sound System Cultures and the Politics of Space." Journal of Popular Music Studies 7, 1- 24.

Jordan, Tim. 1996. "Collective Bodies: Raving and the Politics of Gilles Deleuze and Felix Guattari." Body and Society 1(1`), 125-144.

Kale, Stephanie. 2006. Beyond Gender?: Women in the Cultural Economy of Electronic Music. M.A. Thesis (Institute of Political Economy), Carleton University.

Kau, Cheryleen. 2006. Raves and drug use. M.A. Thesis (Criminology), California State University, Long Beach.

Kavanaugh, Philip R. 2006. Solidarity and drug use in the electronic dance music scene. M.A. Thesis (Cultural Anthropology), University of Delaware.

Kelly, Robert Thomas. 2001. Physicality and the Edmonton electronic dance music experience. M.A. Thesis, University of Alberta.

Kemper, Christian. 2004. Mapping techno: jugendliche Mentalitäten der 90er. am Main: Peter Lang.

Knowles, Cynthia. 2001. Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press.

Langlois, Tony. 1992. "Can You Feel It? DJs and House Music Culture in the UK." Popular Music 11(2), 229-238.

Lasén, Amparo and Martínez de Albeniz, Iñaki. 2001. "El tecno: variaciones sobre la globalización." Política y Sociedad 36, 129-149. [view online]

Lasén, Amparo. 1999. "Une filiation bâtarde (techno et musique contemporaine)." Cultures en mouvement 21, 49-52.

Lasén, Amparo. 2002. "“Notas de felicidad extrema. La experiencia musical dance/ Notes of extreme happiness. Dance music experience”." PAC (Pensament i Arts Contemporanis) 2(2), 47-61. [view online]

Lasén, Amparo. 2004. "El baile de las mákinas." In Musiques, arts et technologies, edited by Roberto Barbanti, Enrique Lynch, Carmen Pardo, and Makis Solomos. Paris: L'Harmattan, 303-315.

Lawrence, Pete and Vicki Howard (eds). 2004. Crossfade: A Big Chill Anthology. London: Serpent’s Tail.

Lawrence, Tim. 2003. Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press.

Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou. 1999. Global Tekno vol.1 : Voyage initiatique au cœur de la musique électronique. Paris: Camion Blanc.

Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou. 2008. Global Techno 1.0 : l'authentique histoire de la musique électronique. Paris: Scali.

Leloup, Jean-Yves. 2007. Digital Magma : de l'utopie des rave parties à la génération ipod. Paris: Scali.

Leloup, Jean-Yves. 2010. Digital Magma:From the Utopia of Rave Parties to the Ipod Generation. New York: Lukas & Sternberg.

Leneghan, Sean. 2010. The Varities of Ecstasy Experience: An Exploration of Person, Mind and Body in Sydney's Club Culture. Sydney Australia: Lambert Academic Press.

Lipsitz, George. 2007. ""Techno: The Hidden History of Automation"." In Footsteps In The Dark: The Hidden Histories of Popular Music, edited by None. Minneapolis: Univ of Minnesota Press, 238-62. [view online]

Loza, Susana Ilma. 2004. Global rhetoric, transnational markets: The (post)modern trajectories of electronic dance music. Ph.D. Dissertation, University of California Berkeley.

Loza, Susana. 2001. "Sampling (hetero)sexuality: diva-ness and discipline in electronic dance music." Popular Music 20(3), 349- 357. [view online]

Luckman, Susan. 2002. Party people : mapping contemporary dance music cultures in Australia. Ph.D. Dissertation, University of Queensland.

Luckman, Susan. 2003. "Going Bush and Finding one’s “Tribe”: Raving, Escape and the Bush ." Continuum: Journal of Media and 17(3), 315-330.

Luvaas, Brent Adam. 2004. Electro clashes: the politics, practice, and performance of an electronic dance music. M.A. Thesis (Anthropology), University of California, Los Angeles.

Lynch, Gordon and Emily Badger. 2006. "The Mainstream Post-Rave Club Scene as a Secondary Institution: A British Perspective." Culture and Religion 7(1), 27-40.

Lysloff, René T.A. and Leslie C. Gay, editors. 2003. Music and Technoculture. Middletown: Wesleyan University Press.

Madrid, Alejandro L. 2003. "Navigating Ideologies in ‘In-Between’ Cultures. Signifying Practices in Nor-tec Music." Latin American Music Review 24(23), 270-286.

Madrid, Alejandro L. 2005. "Imagining Modernity, Revising Tradition. Nor-tec Music in Tijuana and Other Borders." Popular Music and Society 28(5), 595-618. [view online]

Madrid, Alejandro L. 2006. "Dancing with Desire. Cultural Embodiment in Tijuana's Nor-tec Music and Dance." Popular Music 25(3), 383-399.

Malbon , Ben. 1998. "Clubbing: Consumption, Identity and the Spatial Practices of Every-Night Life." In Cool Places: Geographies of Youth Cultures, edited by Skelton, T and Valentine, G. London: Routledge, 266-286.

Malbon, Ben. 1999. Clubbing: dancing, ecstasy and vitality. London: Routledge.

Malone, Seamus. 2008. M24:Starlight. M.A. Thesis (London Consortium / Cultural Studies), / Birkbeck College. [view online]

Malone, Seamus. 2010. "Liquid Dancing in the Space of Flows." London: Bodies and Socio-Histories, Goldsmiths.

Manuel, Peter, and Wayne Marshall. 2006. "The method: aesthetics, practice, and ownership in Jamaican dancehall." Popular Music 25(03), 447-470.

Marontate, Jan. 2005. "Digital recording and the reconfiguration of music as performance." American Behavioral Scientist 48(11), 1422-1438.

Marsh, Charity. 2005. Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Toronto's Rave Culture. Ph.D. Dissertation (Popular Music Studies/ Ethnomusicology), York University, Toronto, Canada.

Marsh, Charity. 2006. "‘Understand Us Before You End Us’: Regulation, Governmentality, and the Confessional Practices of Raving Bodies." Popular Music 25/3, 415-430.

Martin, Daniel. 1999. "Power Play and Party Politics: The Significance of Raving." Journal of Popular Culture 32(4), 77-99. [view online]

May, Beverly. 2006. "Techno." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 313-352.

McCutcheon, Mark A. 2007. "Techno, Frankenstein and Copyright." Popular Music 26(2), 259-280.

McLeod, Kembrew. 2001. "Genres, Subgenres, Sub-Subgenres and more: Musical and Social Difference Within Electronic Dance Music Communities." Journal of Popular Music Studies 13, 59-75.

McRobbie, Angela. 1994. "Shut up and Dance: Youth Culture and Changing Modes of Femininity." In Postmodernism and Popular Culture, edited by McRobbie, Angela. London; New York: Routledge.

Measham, F. and K. Moore. 2006. "Reluctant Reflexivity, Implicit Insider Knowledge, and the Development of Club Studies." In Drugs, Clubs and Young People: Sociological and Public Health Perspectives, edited by B.Sanders. Aldershot: Ashgate.

Melechi, Antonio. 1993. "The Ecstasy of Disappearance." In Rave Off: Politics and Deviance in Contemporary Youth Culture, edited by Redhead, Steve. Avebury: Aldershot, 29-40.

Mellonee V. Burnim and Portia K. Maultsby. 2006. African American Music: An Introduction. New York: Routledge.

Miles, S. and Moore, K. 2004. "Young People, Dance and the Subcultural Consumption of Drugs." Addiction Research and Theory 12(6), 507-524.

Miller, Graham. 2005. The Sound of The Third Wave: Science Fiction, Imaginary Machines and the Future of Techno. M.A. Thesis (Ethnomusicology), York University, Toronto. [view online]

Moloney, Molly, Geoffrey Hunt and Kristin Evans. 2008. "Asian American identity and drug consumption: From acculturation to normalization." Journal of Ethnicity and Substance Abuse 7(1), 376-403. [view online]

Montano, Ed. 2007. DJs, Clubs and Vinyl: The Cultural Commodification and Operational Logics of Contemporary Commercial Dance Music in Sydney. Ph.D. Dissertation (Department of Contemporary Music Studies), Macquarie University. [view online]

Montano, Ed. 2008. "'You’re Not A Real DJ Unless You Play Vinyl’ – Technology and Formats – The Progression of Dance Music and DJ Culture." Journal on the Art of Record Production 3, 1-9. [view online]

Montano, Ed. 2009. ""Being Kept in the 'Back' Doesn't Mean That We're Sort of the Poor Cousin": Dance Music and Club Culture in Sydney." Stuck in the Middle: The Mainstream and Its Discontents: Selected Proceedings of the 2008 IASPM-ANZ Conference 1, 135- 141.

Montano, Ed. 2009. "DJ Culture in the Commercial Sydney Dance Music Scene." Dancecult: Journal of Electronic Dance Music Culture 1(1), 81-93. [view online]

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