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French Underground Raves of the Nineties. Aesthetic Politics of Affect and Autonomy Jean-Christophe Sevin
French underground raves of the nineties. Aesthetic politics of affect and autonomy Jean-Christophe Sevin To cite this version: Jean-Christophe Sevin. French underground raves of the nineties. Aesthetic politics of affect and autonomy. Political Aesthetics: Culture, Critique and the Everyday, Arundhati Virmani, pp.71-86, 2016, 978-0-415-72884-3. halshs-01954321 HAL Id: halshs-01954321 https://halshs.archives-ouvertes.fr/halshs-01954321 Submitted on 13 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French underground raves of the 1990s. Aesthetic politics of affect and autonomy Jean-Christophe Sevin FRENCH UNDERGROUND RAVES OF THE 1990S. AESTHETIC POLITICS OF AFFECT AND AUTONOMY In Arundhati Virmani (ed.), Political Aesthetics: Culture, Critique and the Everyday, London, Routledge, 2016, p.71-86. The emergence of techno music – commonly used in France as electronic dance music – in the early 1990s is inseparable from rave parties as a form of spatiotemporal deployment. It signifies that the live diffusion via a sound system powerful enough to diffuse not only its volume but also its sound frequencies spectrum, including infrabass, is an integral part of the techno experience. In other words listening on domestic equipment is not a sufficient condition to experience this music. -
Technics, Precarity and Exodus in Rave Culture
29 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 2 Technics, Precarity and Exodus in Rave Culture TOBIAS C. VAN VEEN MCGILL UNIVERSITY Abstract Without a doubt, the question of rave culture’s politics – or lack thereof – has polarized debate concerning the cultural, social and political value of rave culture not only within electronic dance music culture (EDMC) studies, but in disciplines that look to various manifestations of subculture and counterculture for political innovation. It is time for the groundwork of this debate to be rethought. Ask not what rave culture’s politics can do for you; nor even what you can do for it. Rather, ask what the unexamined account of politics has ever done for anyone; then question all that rave culture has interrogated – from its embodied and technological practices to its production of ecstatic and collective subjectivities – and begin to trace how it has complicated the very question of the political, the communal and the ethical. This complication begins with the dissolution of the boundaries of labour and leisure and the always-already co-optation of culture. To the negation of ethics, community and politics, this tracing calls for the hauntology of technics, precarity and exodus. And it ends with a list of impossible demands demonstrating the parallax gap of rave culture’s politics. Keywords exodus, precarity, technics, multitude, workplay He [Randy] predicted the [rave] parties will eventually disappear under the combined pressure of police, city and fire officials. “In the next year and a half it’s going to vanish”, he said. “Then, when they think it’s gone, it will come back, becoming more underground again”. -
826 INDEX 1066 Country Walk 195 AA La Ronde
© Lonely Planet Publications 826 Index 1066 Country Walk 195 animals 85-7, see also birds, individual Cecil Higgins Art Gallery 266 ABBREVIATIONS animals Cheltenham Art Gallery & Museum A ACT Australian Capital books 86 256 A La RondeTerritory 378 internet resources 85 City Museum & Art Gallery 332 abbeys,NSW see New churches South & cathedrals Wales aquariums Dali Universe 127 Abbotsbury,NT Northern 311 Territory Aquarium of the Lakes 709 FACT 680 accommodationQld Queensland 787-90, 791, see Blue Planet Aquarium 674 Ferens Art Gallery 616 alsoSA individualSouth locations Australia Blue Reef Aquarium (Newquay) Graves Gallery 590 activitiesTas 790-2,Tasmania see also individual 401 Guildhall Art Gallery 123 activitiesVic Victoria Blue Reef Aquarium (Portsmouth) Hayward Gallery 127 AintreeWA FestivalWestern 683 Australia INDEX 286 Hereford Museum & Art Gallery 563 air travel Brighton Sea Life Centre 207 Hove Museum & Art Gallery 207 airlines 804 Deep, The 615 Ikon Gallery 534 airports 803-4 London Aquarium 127 Institute of Contemporary Art 118 tickets 804 National Marine Aquarium 384 Keswick Museum & Art Gallery 726 to/from England 803-5 National Sea Life Centre 534 Kettle’s Yard 433 within England 806 Oceanarium 299 Lady Lever Art Gallery 689 Albert Dock 680-1 Sea Life Centre & Marine Laing Art Gallery 749 Aldeburgh 453-5 Sanctuary 638 Leeds Art Gallery 594-5 Alfred the Great 37 archaeological sites, see also Roman Lowry 660 statues 239, 279 sites Manchester Art Gallery 658 All Souls College 228-9 Avebury 326-9, 327, 9 Mercer Art Gallery -
Travel and Drug Use in Europe: a Short Review 1
ISSN 1725-5767 ISSN Travel and drug use in Europe: a short review 1 Travel and drug use in Europe: a short review PAPERS THEMATIC Travel and drug use in Europe: a short review emcdda.europa.eu Contents 1. Introduction 3 2. Travelling and using drugs 4 Young people 4 Problem drug users 4 3. Examples of drug-related destinations 6 4. Prevalence of drug use among young travellers 9 Young holidaymakers in Europe 9 Young backpackers 10 Young clubbers and partygoers 11 5. Risks associated with drug use while travelling 13 Health risks 13 Risk related to personal safety 14 Legal risks 14 Risks related to injecting drug use 14 Risks to local communities 15 6. Potential for prevention interventions 17 7. Conclusions 19 Acknowledgements 21 References 22 Travel and drug use in Europe: a short review 3 emcdda.europa.eu 1. Introduction Recent decades have seen a growth in travel and tourism abroad because of cheap air fares and holiday packages. This has been accompanied by a relaxation of border controls, especially within parts of Europe participating in the Schengen Agreement. As some people may be more inclined to use illicit substances during holiday periods and some may even choose to travel to destinations that are associated with drug use — a phenomenon sometimes referred to as ‘drug tourism’ — this means that from a European drug policy perspective the issue of drug use and travel has become more important. This Thematic paper examines travellers and drug use, with a focus on Europeans travelling within Europe, although some other relevant destinations are also included. -
NOEA Yearbook2018
CREATE / COLLABORATE / CONTROL 2019 YEARBOOK CELEBRATING 40 YEARS National Outdoor Events Association AS THE UK’S LEADING OUTDOOR TRADE www.noea.org.uk ASSOCIATION NATIONAL OUTDOOR EVENTS ASSOCIATION 2019 YEARBOOK 3 CONTENTS An Introduction to the National Outdoor Events Association 5 Code of Professional Practice | Legal AdVice | Insurance Panel 6 Message from the President and Vice President 8-9 UniVersitY of DerbY – Event SafetY Diploma 9 NOEA – Values and Goals 10-11 CEO’s Report 12 NOEA Scotland 13 General Council Members 2018/2019 Picture GallerY 14 General Council Members 2018/2019 Contact Details 15 NeW Council Members 16 Events IndustrY Forum 17 So Where Did It Go Wrong – A Suppliers PerspectiVe 18 40th AnniVersarY of NOEA 18-19 Business Visits & Events Partnership Working With VisitBritain 20 Special Memberships and Affiliations 21 Event Solutions NOEA 16th Annual Convention and AWards Dinner 21 2018 AWard Winners Pictures 22 Judges for the AWards 23 NOEA 2018 AWard Winners 24-25 Recording Breaking Convention 25 NOEA AWard Sponsors Logos 25 Futures Sponsors 26 AWards Sponsors 27-28 Media Partner 28 2Can Productions Members NeWs 29-38 Front cover photographs: Annual Convention and AWards Dinner Packages 42-43 Stage Lighting SerVices, Tintern AbbeY List of NOEA Members – Full details 44-67 Bournemouth 7s, SomersbY Cider Garden Classified Headings IndeX 68-76 We Are the Fair, El Dorado FestiVal Richmond Event Management Ltd, The opinions expressed by contributors to this publication are not Bristol Balloon Fiesta always a reflection of the opinions or the policy of the Association National Outdoor Events Association, PO BoX 4495, Wells BA5 9AS Tel. -
2020-21 Parent-Student Handbook
LIGHTHOUSE CHRISTIAN SCHOOL www.lcschool.org 3008 – 36th St. NW, Gig Harbor, WA 98335 Ph. 253-858-5962 Fax 253-858-8911 PARENT-STUDENT HANDBOOK For 2020-2021 Let your light shine before men…. Matthew 5:16 LCS Parent/Student Handbook 2020-21 - 1 Table of Contents SECTION 1: ABOUT LIGHTHOUSE CHRISTIAN SCHOOL .................................................................. 4 WELCOME! .................................................................................................................................................. 4 OUR MISSION .............................................................................................................................................. 4 STATEMENT OF FAITH ............................................................................................................................... 4 OUR CORE VALUES ................................................................................................................................... 5 PHILOSOPHY OF EDUCATION .................................................................................................................. 5 EDUCATIONAL AFFILIATIONS ................................................................................................................... 6 SECTION 2: SCHOOL LEADERSHIP ..................................................................................................... 7 SCHOOL BOARD ......................................................................................................................................... 7 -
10 the Great British Ecstasy Revolution
10 The Great British Ecstasy revolution MARY ANNA WRIGHT Over the last ten years many people have changedtheir attitudes to drugs. A lot have changed the way they spend their leisure time. Some have changed the way they treat other people. They may have changed the music they listen to. Many have altered how they make money. Some have become slaves to the weekend, having the best night of their lives every single week. Some can take it or leave it. Others have tried to build their lives up to the level they learned to cherish. Hundreds of thousands have experienced the Ecstasy revolution. The Ecstasy revolution is based on a series of profound moments when the baggage of British values was brought out for an airing under the influence of this Class A drug. Packed within the baggage are rules of behaviour deeply ingrained within our society. Rules like the structure of the British class system, the role of men and women and the sanctity of the law have become increasingly untenable. As dissatisfaction with the political system increased and diverse cultures merged, the baggage was unpacked with a questioning of authority. For many, primarily young people, this questioning coincided with an introduction to a new drug and a new social experience. The Ecstasy revolution took time to gather force. In the begin- ning a few people took a few pills at a few parties. Now the E-thos of peace, love and unity has become so much accepted into our social lives it can almost be taken for granted. -
Issue 5 Working-Proof.P65
Autonomous Chaos-Strategy CONTENTS: (4) International Resistance News (11) The Bombs (1915) from ‘Carteles I’ (13) Report from the Autonomous Spaces Gathering, Dijon, France (19) Towards a Warm 2008 (19) Anti-G8 2007 : Report (28) Letter of Gabriel Pombo da Silva (29) Prison Revolt in Belgium (32) Against the Leaders from ‘Carteles I’ (33) Interview with Christian S, Anti-Fascist in Prison "Things have changed since 2005, we have (34) Running away from the Prison Society from ‘Incognito’ crossed a red line. When these kids aim their (36) Letter of Christina Tonidou guns at police officers, they want to kill them. They are no longer afraid to shoot a (37) Interview with Anonymous Anarchist from Bialystok, Poland policeman. We are only on the second day (42) Perspective of a Black Bloc Participant: “Atlantica” Riot since the accident and already they are shooting guns at the police." (43) Letter from Giorgos Voutsis-Vogiatzis Joachim Masanet, secretary general of the French (45) Anti-Colonial Struggle in Kanada UNSA police trade union. (50) Letter from Artur Konowalik (52) Stunning Like Marrasi in Flames (54) 10 Years in Jail - or in a Cave by Thomas Meyer-Falk ISSUE #5 > > (55) MG (Militant Group) : A Chronology Printed by the Anti-Copyright Network (57) Repression & Reports (64) Distro [email protected] #5 / 325collective.com laid to rest. Anarchism has always been antagonistic to organised exploitation and will remain so This magazine is an infrequent DIY printed inclined. It is not for nothing that project of incendiary texts & images, Copenhagen’s Chief of Police involving the collaboration of a small network of anarchists and anti-capitalists spread despaired of the ‘autonomous chaos- across Europe and the World. -
Festival Handbook
This booklet was inspired by and written for participants in the Festival Encouragement Project (FEP), a program co-created in 2003 by the Center for Cultural Innovation and supported by a grant from the City of Los Angeles Department of Cultural Affairs (LADCA). The goal of 2 the FEP is to build the strength and capacity of selected outdoor cultural celebrations produced in L.A. that serve residents and tourists. Book Photography: Aaron Paley Book Design: Peter Walberg Published by the Center for Cultural Innovation TABLE OF CONTENTS Artists shown on the following pages: INTRODUCTION Judith Luther Wilder Cover Dragonfly by Lili Noden’s Dragon Knights ONE Festivals: Their Meaning and Impact in the City of Angels Page 2 Titus Levi, PhD. Jason Samuels Smith, Anybody Can Get It TWO Page 4 A Brief Historical Overview of Selected Festivals in Los Angeles- 1890-2005 Nathan Stein Aaron Paley Page 6 THREE Tracy Lee Stum Madonnara, Street painter Why? An Introduction to Producing a Festival Hope Tschopik Schneider Page 7 Saaris African Foods FOUR Santa Monica Festival 2002 Choosing Place: What Makes a Good Festival Site? Page 9 Maya Gingery Procession, streamers by Celebration Arts Holiday Stroll in Palisades Park, FIVE Santa Monica Timelines & Workplans Page 11 Aaron Paley Body Tjak, created by I Wayan Dibia and Keith Terry SIX Santa Monica Festival 2002 The Business Side of Festivals Sumi Sevilla Haru Page 12 Ricardo Lemvo and Makina Loca on stage at POW WOW SEVEN Grand Avenue Party 2004 Public Relations Advice for Festival Producers -
Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. -
Recipients Address Goes Here
Summer Days Festival 2016 Clitheroe Castle, Clitheroe Peppermint Events Ltd. Bar & Alcohol Management Plan (CONFIDENTIAL) Contents 1. Introduction to Peppermint Bars & Events Ltd 2. Core team names & further information 3. Operating Systems 4. Responsible Drinking Policy SUMMER DAYS FESTIVAL 2016 - CLITHEROE P E P P E R M I N T B A R S A N D E V E N T S | P R I V A T E A N D C O N F I D E N T I A L P A G E 1 O F 14 1. Introduction With over 10 years’ experience, we are industry leaders in providing festival bars for events of all sizes. Our reputation is based on a quality, accountability and a professional service. During that time we worked on a wide range and breath of UK festivals including; The British Summer Time Concerts in Hyde Park, Glasgow Summer Sessions, Bestival, Secret Garden Party, Shakedown Festival, Bingley Music Live, Field Day, RockNess, Camp Bestival, Henley Regatta, T4 on the Beach, Lovebox, Hevy Festival, Led Festival, Red Bull X fighters, Cowes Week, Metro Weekender, Eastern Electrics, Circo Loco, Shakedown and many more. One of the other sides to our business is to build and manage “pop up” bar environments which can last between 1 week to 3 months, past projects have included The Moose bar in Canary Wharf, The Moose in Manchester Spinning Fields and The Feast Restaurant and Bar as part of the Brighton Pavilion Ice Rink. We are committed to the continual process of making the event a safe and pleasant environment for the public to enjoy themselves through effectively managing the sale of alcohol. -
Association of Independent Festivals Six-Year Report 2014
Association of Independent Festivals Six-Year Repor t 2014 Dr Emma Webster Live Music Exchange [email protected] Executive Summary ............................................................................................ 1 Introduction ...................................................................................................... 4 The festival ‘ecology’ ....................................................................................... 6 The Association of Independent Festivals ............................................................... 6 A brief history of festivals .................................................................................... 8 Risk factors for the festival sector and examples of cancelled festivals ...................... 11 The festival market in context ............................................................................ 12 Festivals and the state – austerity and secondary ticketing ....................................... 12 Consumer confidence ................................................................................... 13 Is PRS for Music getting tough on festival promoters? .............................................. 14 Festivals and the broader music industries .......................................................... 14 The ‘Glastonbury effect’ ............................................................................... 15 Competition in and outside of the UK ................................................................ 16 Technology – social media, RFID