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French Underground Raves of the Nineties. Aesthetic Politics of Affect and Autonomy Jean-Christophe Sevin
French underground raves of the nineties. Aesthetic politics of affect and autonomy Jean-Christophe Sevin To cite this version: Jean-Christophe Sevin. French underground raves of the nineties. Aesthetic politics of affect and autonomy. Political Aesthetics: Culture, Critique and the Everyday, Arundhati Virmani, pp.71-86, 2016, 978-0-415-72884-3. halshs-01954321 HAL Id: halshs-01954321 https://halshs.archives-ouvertes.fr/halshs-01954321 Submitted on 13 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French underground raves of the 1990s. Aesthetic politics of affect and autonomy Jean-Christophe Sevin FRENCH UNDERGROUND RAVES OF THE 1990S. AESTHETIC POLITICS OF AFFECT AND AUTONOMY In Arundhati Virmani (ed.), Political Aesthetics: Culture, Critique and the Everyday, London, Routledge, 2016, p.71-86. The emergence of techno music – commonly used in France as electronic dance music – in the early 1990s is inseparable from rave parties as a form of spatiotemporal deployment. It signifies that the live diffusion via a sound system powerful enough to diffuse not only its volume but also its sound frequencies spectrum, including infrabass, is an integral part of the techno experience. In other words listening on domestic equipment is not a sufficient condition to experience this music. -
Technics, Precarity and Exodus in Rave Culture
29 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 2 Technics, Precarity and Exodus in Rave Culture TOBIAS C. VAN VEEN MCGILL UNIVERSITY Abstract Without a doubt, the question of rave culture’s politics – or lack thereof – has polarized debate concerning the cultural, social and political value of rave culture not only within electronic dance music culture (EDMC) studies, but in disciplines that look to various manifestations of subculture and counterculture for political innovation. It is time for the groundwork of this debate to be rethought. Ask not what rave culture’s politics can do for you; nor even what you can do for it. Rather, ask what the unexamined account of politics has ever done for anyone; then question all that rave culture has interrogated – from its embodied and technological practices to its production of ecstatic and collective subjectivities – and begin to trace how it has complicated the very question of the political, the communal and the ethical. This complication begins with the dissolution of the boundaries of labour and leisure and the always-already co-optation of culture. To the negation of ethics, community and politics, this tracing calls for the hauntology of technics, precarity and exodus. And it ends with a list of impossible demands demonstrating the parallax gap of rave culture’s politics. Keywords exodus, precarity, technics, multitude, workplay He [Randy] predicted the [rave] parties will eventually disappear under the combined pressure of police, city and fire officials. “In the next year and a half it’s going to vanish”, he said. “Then, when they think it’s gone, it will come back, becoming more underground again”. -
AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro Spécial Été
WWW.TECKYO.COM Jr RODRIGUEZ: photo by Felicia Malecha INTERVIEW Jr RODRIGUEZ CITIZEN KAIN 20SYL DOLMA REC AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro spécial été TECKYO.COM Edito Sommaire 3 Pour cette édition spécial été 2017, je ne vais pas faire un édito classique. En effet, je tiens à rendre hommage à Kaosspat, instigateur de la première heure de ce projet fou que représente Teckyo et qui nous a quitté en Décembre dernier. Pour la première fois depuis presque 20 ans, je ne peux compter sur son aide précieuse. Je suis seule face à cette absence et me revient en mémoire sa bonne humeur, son soutien indéfectible, son humour ainsi que sa folie si particulière. Quand, en 1999, Lucie Association nous a proposé de sortir un fanzine spécialisé en musique électronique, il a, sans hésitation, voulu relever le défi. Il s’est investi sans compter, il a passé un temps précieux au développement du magazine et quand il a fallu faire face à diverses difficultés, il s’est naturellement proposé pour créer le site www.tec- kyo.com. Ceux qui l’ont côtoyé ou croisé en soirées ou en festivals, ont pu mesurer son amour pour la fête et la musique et tous en gardent un souvenir ému. Il aimait à dire : « the show must go on ». Alors continuons à vivre et à profiter pleinement des bons moments que la vie nous offre... Vous trouverez dans cette nouvelle parution, l’interview de Rodrigez Jr que nous suivons depuis le début de son ascension. Citizen Kain et 20syl ont accepté de nous détailler leur projet respectif, étant tous les deux omniprésents dans les soirées et festivals estivaux. -
Glazbeni Turizam: Istraživanje Utjecaja Festivala Outlook U Kontekstu Lokalne Kulture
Glazbeni turizam: istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture Kariko, Helena Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:865870 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-08 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Rijeka, 2019 SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Mentorica: Dr. sc. Diana Grgurić Rijeka, 2019 SADRŽAJ: 1. Uvod ....................................................................................................................................... 1 2. Teorijski okvir razmatranja problematike glazbenog turizma ............................................... 2-9 2.1. O glazbenom turizmu ........................................................................................................... 2 2.2. Glazbeni festivali............................................................................................................. -
Download Press
LA PINCE RECORDS RELEASES ARTISTS PUBLIC RELATIONS CONTACT # PRESS KIT PRESS L A PINCE RECORDS THE GENESIS HOUSE OF THE CREW TECHNO reated in 2016 by the collective dj’s03 DUB CREATORS (DJD2B, Steve Ko & Lucho Misterhands), La Pince Records stand out by Creleasing its records in vinyl & digital. Rocked since the 90’s by the sounds of Detroit & Berlin, has bring to the collective on subtle blend to them music. Definitely dedicated to the dance floor, all tracks can be classified in the Techno / House categories. EP RELEASE VINYLS P LA PINCE RECORDS / PRESS KIT / 03 RELEASES LPR001 DJ D2B - MONGOLISTIC EP irst EP, DJ D2B deliver to you 3 unique & exclusive directed pieces House/Techno influenced by the minimal trends. FAlong with deep beats05 & shaman inspiration vocals, hypnotic melodies with sensual tones, “Which promise you a nice trip into the clouds”. A1 - MONGOLISTIC (Original Mix) A2 - SENSUAL EMOTION (Original Mix) B1 - FLOAT IN THE CLOUD (Original Mix) Released on: June 2016. AVAILABLE ON CLICK HERE TO LISTEN Syncrophone Records shop, Techno Import, House Monkey Records. decks.de, deejay.de, juno.co.uk, hhv.de, technique.co.jp, redeyerecords. co.uk. Beatport, JunoDownload, TrackSource, Apple Music, Spotifiy, Youtube P RELEASES / PRESS KIT / 05 LPR002 DUB CREATORS - KANPEKINA EP or the LPR002 DUB CREATORS release on their own imprint La Pince Records. This trio deliver to us their KANPEKINA EP. 06FMade up with 4 strong-deep bassline tracks the original mix & 3 dance-floor remix witch goes from House to Tech-House. A1 - KANPEKINA (Original Mix) A2 - KANPEKINA (Lucho Misterhands Remix) B1 - KANPEKINA (DJ D2B Remix) B2 - KANPEKINA (Steve Ko Remix) Supported by DJ Handmade (Tresor Berlin) . -
Terror Fried Brains
wake up! wake up! it’s yer sunny side up Summer Solstice 2003 Free/Donation Issue 411/412 TERROR FRIED BRAINS “Every ten years or so, the United States Poached Rights needs to pick up some small crappy little Switch on the news and you hear about CRAP ARREST OF THE WEEK country and throw it against the wall, just to more terrorists being arrested. But who For reading the paper! show the world we mean business.”-Michael are they? In December, five Turks and a An American anti-war prisoner serving time Ledden, holder of the ‘Freedom Chair’ at Briton were charged under the Terrorism for protesting at a military base was put the American Enterprise Institute. Act 2000 for supporting the Turkish into solitary confinement for eight days af- Last week a poll revealed that a third Revolutionary People’s Liberation Party- ter he got sent and distributed anti-war ar- of Americans believe that weapons of mass Front, or DHKP-C. They were nicked be- ticles from such radical publications as the destruction have been found in Iraq, while New York Times, Readers’ Digest, cause DHKP-C has been banned by the Newsweek, and The Guardian! Better not 22 per cent reckon Iraq actually used UK government and the six arrestees were send him this weeks SchNEWS then. them! Even before the war, half of those supposedly “facilitating the retention or www.naplesnews.com/03/06/florida/ polled said the Iraq regime was responsi- control of terrorist property.” Guns? d939395a.htm ble for September 11th. But no one’s found Bombs? Er, no, the people arrested were any weapons of mass destruction let alone simply in possession of magazines, vid- handcuffed at gunpoint and driven to Govan used them (well apart from the Americans eos and posters that supported the Police Station. -
10 the Great British Ecstasy Revolution
10 The Great British Ecstasy revolution MARY ANNA WRIGHT Over the last ten years many people have changedtheir attitudes to drugs. A lot have changed the way they spend their leisure time. Some have changed the way they treat other people. They may have changed the music they listen to. Many have altered how they make money. Some have become slaves to the weekend, having the best night of their lives every single week. Some can take it or leave it. Others have tried to build their lives up to the level they learned to cherish. Hundreds of thousands have experienced the Ecstasy revolution. The Ecstasy revolution is based on a series of profound moments when the baggage of British values was brought out for an airing under the influence of this Class A drug. Packed within the baggage are rules of behaviour deeply ingrained within our society. Rules like the structure of the British class system, the role of men and women and the sanctity of the law have become increasingly untenable. As dissatisfaction with the political system increased and diverse cultures merged, the baggage was unpacked with a questioning of authority. For many, primarily young people, this questioning coincided with an introduction to a new drug and a new social experience. The Ecstasy revolution took time to gather force. In the begin- ning a few people took a few pills at a few parties. Now the E-thos of peace, love and unity has become so much accepted into our social lives it can almost be taken for granted. -
Issue 5 Working-Proof.P65
Autonomous Chaos-Strategy CONTENTS: (4) International Resistance News (11) The Bombs (1915) from ‘Carteles I’ (13) Report from the Autonomous Spaces Gathering, Dijon, France (19) Towards a Warm 2008 (19) Anti-G8 2007 : Report (28) Letter of Gabriel Pombo da Silva (29) Prison Revolt in Belgium (32) Against the Leaders from ‘Carteles I’ (33) Interview with Christian S, Anti-Fascist in Prison "Things have changed since 2005, we have (34) Running away from the Prison Society from ‘Incognito’ crossed a red line. When these kids aim their (36) Letter of Christina Tonidou guns at police officers, they want to kill them. They are no longer afraid to shoot a (37) Interview with Anonymous Anarchist from Bialystok, Poland policeman. We are only on the second day (42) Perspective of a Black Bloc Participant: “Atlantica” Riot since the accident and already they are shooting guns at the police." (43) Letter from Giorgos Voutsis-Vogiatzis Joachim Masanet, secretary general of the French (45) Anti-Colonial Struggle in Kanada UNSA police trade union. (50) Letter from Artur Konowalik (52) Stunning Like Marrasi in Flames (54) 10 Years in Jail - or in a Cave by Thomas Meyer-Falk ISSUE #5 > > (55) MG (Militant Group) : A Chronology Printed by the Anti-Copyright Network (57) Repression & Reports (64) Distro [email protected] #5 / 325collective.com laid to rest. Anarchism has always been antagonistic to organised exploitation and will remain so This magazine is an infrequent DIY printed inclined. It is not for nothing that project of incendiary texts & images, Copenhagen’s Chief of Police involving the collaboration of a small network of anarchists and anti-capitalists spread despaired of the ‘autonomous chaos- across Europe and the World. -
Festival Handbook
This booklet was inspired by and written for participants in the Festival Encouragement Project (FEP), a program co-created in 2003 by the Center for Cultural Innovation and supported by a grant from the City of Los Angeles Department of Cultural Affairs (LADCA). The goal of 2 the FEP is to build the strength and capacity of selected outdoor cultural celebrations produced in L.A. that serve residents and tourists. Book Photography: Aaron Paley Book Design: Peter Walberg Published by the Center for Cultural Innovation TABLE OF CONTENTS Artists shown on the following pages: INTRODUCTION Judith Luther Wilder Cover Dragonfly by Lili Noden’s Dragon Knights ONE Festivals: Their Meaning and Impact in the City of Angels Page 2 Titus Levi, PhD. Jason Samuels Smith, Anybody Can Get It TWO Page 4 A Brief Historical Overview of Selected Festivals in Los Angeles- 1890-2005 Nathan Stein Aaron Paley Page 6 THREE Tracy Lee Stum Madonnara, Street painter Why? An Introduction to Producing a Festival Hope Tschopik Schneider Page 7 Saaris African Foods FOUR Santa Monica Festival 2002 Choosing Place: What Makes a Good Festival Site? Page 9 Maya Gingery Procession, streamers by Celebration Arts Holiday Stroll in Palisades Park, FIVE Santa Monica Timelines & Workplans Page 11 Aaron Paley Body Tjak, created by I Wayan Dibia and Keith Terry SIX Santa Monica Festival 2002 The Business Side of Festivals Sumi Sevilla Haru Page 12 Ricardo Lemvo and Makina Loca on stage at POW WOW SEVEN Grand Avenue Party 2004 Public Relations Advice for Festival Producers -
International Computer Music Conference (ICMC/SMC)
Conference Program 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Music Technology Meets Philosophy: From digital echos to virtual ethos ICMC | SMC |2014 14-20 September 2014, Athens, Greece ICMC|SMC|2014 14-20 September 2014, Athens, Greece Programme of the ICMC | SMC | 2014 Conference 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Editor: Kostas Moschos PuBlished By: x The National anD KapoDistrian University of Athens Music Department anD Department of Informatics & Telecommunications Panepistimioupolis, Ilissia, GR-15784, Athens, Greece x The Institute for Research on Music & Acoustics http://www.iema.gr/ ADrianou 105, GR-10558, Athens, Greece IEMA ISBN: 978-960-7313-25-6 UOA ISBN: 978-960-466-133-6 Ξ^ĞƉƚĞŵďĞƌϮϬϭϰʹ All copyrights reserved 2 ICMC|SMC|2014 14-20 September 2014, Athens, Greece Contents Contents ..................................................................................................................................................... 3 Sponsors ..................................................................................................................................................... 4 Preface ....................................................................................................................................................... 5 Summer School ....................................................................................................................................... -
Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. -
Shonky, Dyed Soundorom & Dan Ghenacia
Apollonia left to right: Shonky, Dyed Soundorom & Dan Ghenacia 030 djmag.com djmag.com DJ571.Features-apollonia.indd 30 19/06/2017 16:07 t’s late May 2017 in Ibiza, and the end of a long underground while conquering the island’s most Apollonia are the gods week of opening parties on the island. Shortly cavernous spaces. of groovy, stripped-back after Apollonia close the terrace on the fi rst Forming their three-piece back-to-back-to-back night at Hï — the all-new White Isle superclub DJ outfi t and label in 2012, made up of Shonky, underground house music. opened on the former site of Space — Shonky, Dyed Soundorom and Parisian house stalwart Dan of the French DJ trio, is hosting an after-party Ghenacia — who each had formidable individual The French trio — consisting at his apartment in the hills overlooking careers before forming Apollonia — the trio are of Dan Ghenacia, Shonky Talamanca Bay just outside Ibiza Town. He’s long-serving residents of CircoLoco, a bastion of the beenI spinning for hours with his Apollonia band- underground on the island. But last year saw what and Dyed Soundorom — mate, Dyed Soundorom, on the set-up on his dining once might have seemed unthinkable happen, with table — made up of two Technics 1210s and a DJR their alternative sound of Ibiza taking over the main have been slowly but surely 400 portable rotary mixer from Parisian audio design rooms. Booked by Marco Carola’s Music On to play company E&S. Amnesia’s famous Terrace for six dates throughout bringing the sound of the Work by American artists Jim Dine and Georgia the summer, they also span at ANTS at Ushuaïa Beach after-party to the biggest O’Keeffe adorn the walls, while a small collection of Club.