City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. Amico, Stephen. 2001. "'I Want Muscles': House music, homosexuality and masculine signification." Popular Music 20(3), 359-378. Anderson, Tammy L. 2009. "Better to Complicate Rather than Homogenize Urban Nightlife." Sociological Forum 24(4), . Anderson, Tammy. 2009. Rave Culture: the Alteration and Decline of a Philadelphia Music Scene. Philadelphia: Temple University Press. [view online] Anthony, Wayne. 1998. Class of 88: The True Acid House Experience. London: Virgin. Anthony, Wayne. 1999. Spanish Highs: Sex, Drugs & Excess in Ibiza. London: Virgin. Ashline, William. 2002. "Clicky Aesthetics: Deleuze, Headphonics, and the Minimalist Assemblage of 'Aberrations'." Strategies: Journal of Theory, Culture, Politics 15(1), 87-104. Avery, Anthony P. 2005. Folklore and alternative masculinities in a rave scene. Ph.D. Dissertation (Folklore), University of New Mexico. Ayers, Michael D. 2006. Cybersounds: Essays On Virtual Music Culture. New York: Peter Lang. Bahr, Xenia and Oliver Rossdeutscher. 1995. No Rites: Techno-House in Hamburg. Hamburg: Kellner. Barr, Tim. 2000. Techno: The Rough Guide. London: Rough Guide Ltd. Bates, Eliot. 1997. Ambient Music. M.A. Thesis (Ethnomusicology), Wesleyan University. [view online] Bates, Eliot. 2004. "Glitches, Bugs, and Hisses: the degeneration of musical recordings and the contemporary musical work." In Bad Music: Music that you love to hate, edited by Chris Washburne and Maiken Derno. New York: Routledge. Baumann, Gerd. 1990. "The Reinvention of Bhangra. Social Change and Aesthetic Shifts in Punjabi Music in Britain." World of Music 32(2), 81-98. Beeler, Stanley. 2007. Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co. Belle-Fortune, Brian. 2004. All Crews: Journeys Through Jungle / Drum & Bass Culture. London: Vision. Bennett, Andy, Barry Shank and Jason Toynbee. 2006. Popular Music Studies Reader. New York: Routledge. Bennett, Andy. 1999. "Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste." Sociology 33(3), 599-617. Bennett, Andy. 2000. "Dance Music, Local Identity and Urban Space." In Popular Music and Youth Culture: Music, Identity and Place, edited by (Bennett, Andy). New York: St. Martin's Press, 73-102. Bidder, Sean. 1999. The Rough Guide to House. London: Rough Guides Ltd. Bidder, Sean. 2001. Pump Up The Volume: A History of House. London: Channel 4 Books. Birgy, Phillipe. 2003. "French Electronic Music: The Invention of a Tradition." In Popular Music in France from Chanson to Techno: Culture, Identity and Society, edited by Hugh Dauncey and Steve Cannon. Aldershot: Ashgate, 225-242. Blackman, Shane. 2004. Chilling Out: the cultural politics of substance consumption, youth and drug policy. Maidenhead: Open University Press. Borthwick, Stuart. 1998. Dance, Culture, Television: An Analysis of the Politics of Contemproary Dance Culture and its Televisual Representations. Ph.D. Dissertation, Liverpool John Moores University. [view online] Bradby, B. 1993. "Sampling Sexuality: Gender, Technology and the Body in Dance Music." Popular Music 12(2), 155-176. Breinl, Christiana. 2012. Free Tekno : Geschichte einer Gegenkultur. Wien: Lit-Verlag. Brewtser, Bill & Frank Broughton. 1999. Last Night a DJ Saved My Life. New York: Grove Press. Bull, Michale, Les Back. 2003. The Auditory Culuture Reader (Sensory Formation). Oxford: Berg. Bussman, Jane. 1998. Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin. Butler, Mark J. 2001. "Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music." Music Theory Online 7(6), n/a. [view online] Butler, Mark J. 2003. Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. Ph.D. Dissertation, Indiana University. Butler, Mark J. 2005. "‘Everybody Needs a 303, Everybody Loves a Filter’: Electronic Dance Music and the Aesthetics of Obsolescence." In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys. New York: Peter Lang, 111-18. Butler, Mark J. 2005. ""Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music."." twentieth-century music 2(2), 221-243. Butler, Mark J. 2006. Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and Indianapolis, IN: Indiana University Press. Butler, Mark J. 2007. "• “Elektronische Tanzmusik: Loops, Patterns, Samples, Tracks – Musikalische Identitäten im Fluss.”." Lettre International 79, 113-117. Carrie Gates, Sriram Subramanian, and Carl Gutwin. 2006. "DJs' Perspectives on Interaction and Awareness in Nightclubs." State College (Pennsylvania): Designing Interactive Systems Conference. [view online] Carrington, Ben and Brian Wilson. 2004. "Dance Nation: Rethinking Youth Subcultural Theory." In After Subculture: Critical Studies of Contemporary Youth Culture, edited by Andy Bennett and Keith Kahn-Harris. New York: Palgrave, 65-78. Cascone, Kim. 2000. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music." Computer Music Journal 24(4), 12-18. [view online] Cascone, Kim. 2002. "Laptop Music—Counterfeiting Aura in the Age of Infinite Reproduction." Parachute 107, 52-60. [view online] Cascone, Kim. 2004. "Grain, Sequence, System (three levels of reception in the performance of laptop music)." Hz 4, N/A. [view online] Chan, Sara Wei-Ming. 2003. Imaginary soundscapes : electronic music culture and the aesthetics of the virtual. M.A. Thesis, Ryerson University and York University. Chan, Seb. 1999. "Bubbling Acid: Sydney’s Techno Underground." In Australian Youth Subcultures: On the Margins and in the Mainstream, edited by Rob White. Hobart: ACYS Publications, 65-73. Chang, Jeff. 2005. Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador. Chapman, Dale. 2003. "Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum n' Bass Music." Echo: A Music-Centered Journal V(2), . [view online] Chapman, Dale. 2003. "The Hermeneutics of Suspicion." Echo: A Music-Centered Journal V(2), . [view online] Cole, David R. 2007. "Techno-shamanism and Educational Research." Ashé! Journal of Experimental Spirituality 6(1), 6-34. [view online] Cole, Fred and Hannan, Michael. 1997. "Goa Trance: A Psykotropic Trip Through Tribedelic Landscapes." Perfect Beat 3(3), ??. Collin, Matthew. 1997. Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Tail. Collins, Karen. 2005. "Dead Channel Surfing: The commonalities between cyberpunk literature and industrial music." Popular Music 24(2), 165-178. Colombié, Thierry, Nacer Lalam and Michel Schiray. 2000. Drogue et techno: les trafiquants de rave. Paris: Stock. Courtney, Dave. 2000. Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin. D'Andrea, Anthony. 2003. "Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa." In Rave Culture and Religion, edited by Graham St. John. New York and London: Routledge, 236-255. D'Andrea, Anthony. 2007. Global Nomads: Techno and New Age as Transnational Countercultures. London/New York: Routledge. David Fernández. 2006. "Discogràfiques dance. Una indústria cultural en transformació." Treballs de comunicació 21, 125-138. [view online] Davis, Erik. 2004. "Hedonic Tantra: Golden Goa’s Trance Transmission." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 256-272. De Haro, Sarah and Wilfrid Estéve. 2002. 3672: La Free Story. Paris: Trouble-Fête. Demers, Joanna. 2006. "Dancing machines: ‘Dance Dance Revolution’, cybernetic dance, and musical taste." Popular Music 25(3), 401-414. [view online] Dyer, Richard. 1990. "In Defence of Disco." 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