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Satan's Trance Media & Magic Final Exam Colleen Viana 12
SATAN’S TRANCE MEDIA & MAGIC FINAL EXAM https://vimeo.com/55339082 COLLEEN VIANA 12/11/12 Sensation can be defined as the mediation of body and world. It enforces and impacts a premonition of what our bodies experience upon some type of contact. Thus, it allows the body to be opened up to other forces and becomings that affirm in and as the future. This concept, posed by Elizabeth Grosz in Chaos, Territory, Art: Deleuze and the Framing of the Earth, is quite eminent in the subject of magic. The quandry of it as the mediation of object and experience, or science and religion, is what drew me to this video experimentation of the mediations created by media in occult and horror film. While sensation is, perhaps, the only state of consciousness that is impossible to scientifically measure, as are the limits of magic, I find it more valuable to visually see how it can be created/manipulated. The juxtaposition of horror film/television clips, and electronic music (with cosmological and haunting characteristics), and documentary footage from raves/electronic music festivals (that possess qualities of the occult) is experimented in this project. The latter adds an extra layer to this research, paralleling a cultural music phenomenon with the magical representations and rites defined by Mauss. With these media devices combined, I hope to embody this sensory experience that Grosz explains “as the contraction of vibrations...the forces of becoming-other” (Grosz, 80-1). Essentially, how can we experience Hollywood-defined magic and the magic associated with music and rave culture differently? In this video montage, I aim to highlight the three components of magic presented in Mauss’ A General Theory of Magic, in relation to the electronic dance music (EDM) culture. -
Intern Brochure 2021
NV-PIC Intern Brochure 2021 Intern Brochure 2021-2022 *Updated 10/16/20 NV-PIC RE: Dr. Emily Slife, SNAMHS 1650 Community College Dr. Las Vegas, NV 89146 www.NV-PIC.org NV-PIC Intern Brochure 2021 Aim: The aim of the Nevada Psychology Internship Consortium (NV-PIC) is to prepare doctoral psychology interns to: 1) serve, with cultural humility, broad psychological services to underserved clients in the Nevada public behavioral health system and 2) retain NV-PIC graduates to continue to serve the people of Nevada. The Nevada Psychology Internship Consortium (NV-PIC) is a state-wide workforce development program that represents the collaborative effort of two agencies within one state division, the Division of Public and Behavioral Health, to share resources and faculty for providing a diversified educational program for psychology interns. Training takes place at two training sites in Las Vegas and Carson City. Accreditation Status The Nevada Psychology Internship Consortium (NV-PIC) is fully accredited by the American Psychological Association (APA). NV-PIC has been accredited since May 2017. Questions related to the program’s accreditation status should be directed to the Commission on Accreditation: Office of Program Consultation and Accreditation American Psychological Association 750 1st Street, NE, Washington, DC 20002 Phone: (202) 336-5979 Email: [email protected] APPIC Membership Status NV-PIC is a participating member of APPIC and participates in the APPIC match. NV-PIC abides by all APPIC policies, including the APPIC policy that no person at this training facility will solicit, accept, or use any ranking-related information from any intern applicant. -
TAXICAB AUTHORITY Members JOSHUA C
TERRY JOHNSON BRIAN SANDOVAL Director Governor CHARLES D. HARVEY Administrator ILEANA DROBKIN Chairman STATE OF NEVADA VACANT DEPARTMENT OF BUSINESS AND INDUSTRY Vice Chairman TAXICAB AUTHORITY Members JOSHUA C. MILLER 1785 E. Sahara Avenue, Suite 200 JOSEPH P. HARDY, JR., ESQ. Las Vegas Nevada 89104 DENNIS NOLAN Telephone (702) 668-4000 • Fax (702) 668-4001 DEAN COLLINS http://taxi.state.nv.us BEFORE THE STATE OF NEVADA TAXICAB AUTHORITY BOARD MEETING AND PUBLIC HEARING MINUTES May 22, 2012 The Board Meeting and Public Hearing of the State of Nevada Taxicab Authority was held on Tuesday, May 22, 2012. The meeting was held at Nevada Taxicab Authority, 1785 E. Sahara Avenue, Suite 200, Las Vegas, Nevada 89104. The meeting began at 8:57 A.M. Present were: Chairman Ileana Drobkin, Member Josh Miller, Member Joe Hardy and Member Dean Collins. Others present: were Charles D. Harvey, Administrator, Legal Counsel, Deputy Attorney General Scott R. Davis and Recording Secretary, Barbara A. Webb. Absent: Member Dennis Nolan. 1. Call to Order. Chairman Ileana Drobkin called the meeting to Order at 8:57 A.M. 2. Pledge of Allegiance to the Flag. Pledge was led by Member Miller. 3. Compliance with Open Meeting Law. Administrator Harvey stated that we were in compliance with the Open Meeting Law. 4. Public Comment. Steve Lanett commended Bill Shranko of YCS on his statements at prior meetings regarding drivers being able to handle the smaller conventions with the allocation given in August and because he was the only company that stands by his statements. Chairman Drobkin welcomed Virginia Valentine from the Nevada Resort Association to the meeting. -
Insomniac's 2013 Electric Daisy Carnival, Las Vegas Generated More Than $278 Million in Three Days for Local Economy
Source : Kirvin Doak Communications 04 déc. 2013 15h50 HE Insomniac's 2013 Electric Daisy Carnival, Las Vegas Generated More Than $278 Million in Three Days for Local Economy Over Three Years, EDC Las Vegas Has Generated More Than $621 Million for Clark County, Nev. LAS VEGAS, NV--(Marketwired - Dec 4, 2013) - The three-day Electric Daisy Carnival (EDC) held at the Las Vegas Motor Speedway in June 2013 pumped an estimated $278 million into the Clark County economy, according to an economic impact report released today by Beacon Economics, LLC. With incredible growth since its premiere in Las Vegas in 2011, Insomniac has generated more than $621 million dollars for the Las Vegas economy. The study, commissioned by Insomniac, revealed that the third annual event generated $136.9 million in attendee spending, a 38 percent increase from the 2012 event. Nearly 95 percent of attendees traveled from outside the Las Vegas area for the event, accounting for an estimated 92,000 hotel room nights alone, generating $25 million in accommodations. Additionally, fans spent more than $45 million on food and beverage, $22.1 million in transportation, $19.6 million in gaming, $13.1 million in entertainment and $11.8 million on retail spending. "Each year our goal with EDC Las Vegas is to improve the fan experience and I'm so happy that, as we continue to improve and grow, that Clark County continues to benefit too," said Pasquale Rotella, founder and CEO of Insomniac. "The Insomniac family and our fans have truly embraced Las Vegas as our home during EDC Week in the City, and the idea that the fans get to have fun while also creating hundreds of millions of dollars for the local economy is truly a win-win situation. -
Interns Evicted During Shutdown
Made to order Mexican WEEKEND page 20 OCTOBER 4, 2013 VOLUME 21, NO. 36 www.MountainViewOnline.com 650.964.6300 MOVIES | 23 Interns evicted during shutdown CLOSURE IMPACTS NASA OFFICES AS FURLOUGH TAKES HOLD AT MOFFETT By Eric Van Susteren and Andrea Gemmet neers made generous offers to let interns stay at their homes,” he t’s one thing to be out of work said. during the federal shutdown, Members of Mountain View’s Ibut it’s another to get evicted Hacker Dojo have stepped into when you’re far from home. the breach, offering places to stay, That’s the situation NASA and several members are offering Ames interns found themselves the interns paid work at their in when many federal govern- startups during the shutdown, ment operations ground to a said Katy Levinson, the Dojo’s halt at midnight Monday after director of development. Hacker Congress failed to pass a budget Dojo got involved when NASA in the culmination of a bitter Ames interns started posting fli- battle over the implementation ers asking for somewhere to stay, of the Affordable Care Act. she said. MICHELLE LE The first government shut- Levinson said she’s trying to get Graeme, a border collie, brings enthusiasm to his job chasing geese and coots from the Shoreline Golf Links. down in 17 years confirmation of will not close the how many interns Department of Most of the were ousted, and Thank dog, city’s golf course finally breaks even Veterans Affairs believes there are or U.S. Postal Ser- interns struggled as many as 50. -
The Queer of Color Sound Economy in Electronic Dance Music
The Queer of Color Sound Economy in Electronic Dance Music Blair Black Within electronic dance music cultures (EDMCs), musicality and experi- mentation have been indebted to black and Latinx DJs of color since its inception in the 1980s. Even today, queer DJs of color continue to push the envelope of experimental EDM by showcasing dance music from the “global south,” centering remix styles that border between hip hop and EDM, and sampling cultural references popular in queer communities of color. This article explores music’s complex entanglements with identity and community for queer people of color in underground electronic dance music scenes. To be specific, the individuals within these communities self-identify as racial/ethnic minorities on the genderqueer spectrum of non-normative gender and sexual identities (gay/lesbian, trans, non- binary, etc.). Moreover, I argue that these socio-economic positions act as an impetus of a sound economy – the shared system of socio-cultural aesthetics – for queer communities of color in EDM. The first section dis- cusses the identity politics that underlie this sound economy by tracing how intertextuality allows DJs to display these minoritarian1 perspectives. I then highlight why (re)centering racialized queer identities is radical by tracing EDM’s political shifts. Specifically, I highlight how narratives sur- rounding EDM changed due to the demographic turn in Europe during the 1990s. The last section explores the re-emergence of pivotal queer DJs of color and the scenes they founded in Los Angeles, Chicago, and New York by focusing on the flows of culture and people between cities to point to a more extensive global network of racialized queer communities in constant musical and political dialogue. -
Sourcing Sustainable Energy at Music Festivals
Sourcing Sustainable Energy at Music Festivals Item Type text; poster; thesis Authors Esparza, Jordan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the College of Architecture, Planning and Landscape Architecture, and the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 01:27:16 Link to Item http://hdl.handle.net/10150/636389 Sourcing Sustainable Energy at Music Festivals Jordan Esparza Abstract Concern for carbon emissions is growing and every day that the world uses fossil fuels pushes us closer to irreparable damage. This paper focuses on the impact of outdoor music festivals, their carbon footprints, where they source energy from, and how to make it more environmentally friendly. Thousands of large music events take places around the globe each year, and with a growing population, this issue will only get worse. Working with Relentless Beats of Arizona, this paper uses Decadence Arizona as a case study. Decadence Arizona is an annual 2-day music festivals taking place on New Year’s Eve and New Years Day, in Chandler, Arizona. This paper will determine how, and what resources are needed to power Decadence through solar panels alone. All costs calculated are based on averages of the Phoenix metropolitan area at the time of review. Table of Contents Abstract ........................................................................................................................................................ -
Darren Styles & Gammer
FREE, PARDNER TheHARD DATA FALL 2015 A.D. ONCE UPON A TIME IN THE WEST •BASSCON AT NOCTURNAL WONDERLAND •DARREN STYLES & GAMMER INTERVIEW •HARDSTYLE ARENA ALTERN 8! DJ RON D CORE! TR-99’s TRAUMA & NORTHKORE REPORTS! http://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR & MORE! EDITORIAL Contents Recently, a big EDM festival was cancelled Northkore Report... page 3 that claimed to bring all the “tribes” together. Yet, Basscon @ Nocturnal Wonderland... page 4 the event’s line-up betrayed the fact that hardcore, Darren Styles & Gammer Interview... page 6 hardstyle, and even drum ‘n’ bass were woefully underrepresented, if at all. Th e disregard for Digitrack Reviews... page 7 several “tribes” that made the scene was likely TR-99’s Trauma Report... page 8 a factor resulting in woeful ticket sales for the Vinyl Views... page 11 festival. Hardstyle Arena TSC & Th is magazine admittedly concentrates on Hard Beyond Belief... page 12 the harder side of rave/EDM. We aren’t all things Event Calendar... page 15 to everyone; we can’t be. We certainly appreci- ate our place in the wider kaleidoscope of rave culture, though. As Darren Styles and Gammer Th e Hard Data Volume 1, issue 3 mention in their interview this issue, oft entimes Publisher, Editor, Layout: Joel Bevacqua we are directly infl uenced by other styles. Th ey Writers: Deadly Buda, Daybreaker, Mindcontroller, frequently fuel our fi re! Steve Fresh, Seppuku, Counter-Terrorist Th e rave scene is a culture of our own mak- Event Calendar: Arcid ing. Many of us, separated from our families’ past or cultural traditions have (either consciously or unconsciously) came together and created our PHOTO CREDITS own. -
The Underrepresentation of Female Personalities in EDM
The Underrepresentation of Female Personalities in EDM A Closer Look into the “Boys Only”-Genre DANIEL LUND HANSEN SUPERVISOR Daniel Nordgård University of Agder, 2017 Faculty of Fine Art Department of Popular Music There’s no language for us to describe women’s experiences in electronic music because there’s so little experience to base it on. - Frankie Hutchinson, 2016. ABSTRACT EDM, or Electronic Dance Music for short, has become a big and lucrative genre. The once nerdy and uncool phenomenon has become quite the profitable business. Superstars along the lines of Calvin Harris, David Guetta, Avicii, and Tiësto have become the rock stars of today, and for many, the role models for tomorrow. This is though not the case for females. The British magazine DJ Mag has an annual contest, where listeners and fans of EDM can vote for their favorite DJs. In 2016, the top 100-list only featured three women; Australian twin duo NERVO and Ukrainian hardcore DJ Miss K8. Nor is it easy to find female DJs and acts on the big electronic festival-lineups like EDC, Tomorrowland, and the Ultra Music Festival, thus being heavily outnumbered by the go-go dancers on stage. Furthermore, the commercial music released are almost always by the male demographic, creating the myth of EDM being an industry by, and for, men. Also, controversies on the new phenomenon of ghost production are heavily rumored among female EDM producers. It has become quite clear that the EDM industry has a big problem with the gender imbalance. Based on past and current events and in-depth interviews with several DJs, both female and male, this paper discusses the ongoing problems women in EDM face. -
International Computer Music Conference (ICMC/SMC)
Conference Program 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Music Technology Meets Philosophy: From digital echos to virtual ethos ICMC | SMC |2014 14-20 September 2014, Athens, Greece ICMC|SMC|2014 14-20 September 2014, Athens, Greece Programme of the ICMC | SMC | 2014 Conference 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Editor: Kostas Moschos PuBlished By: x The National anD KapoDistrian University of Athens Music Department anD Department of Informatics & Telecommunications Panepistimioupolis, Ilissia, GR-15784, Athens, Greece x The Institute for Research on Music & Acoustics http://www.iema.gr/ ADrianou 105, GR-10558, Athens, Greece IEMA ISBN: 978-960-7313-25-6 UOA ISBN: 978-960-466-133-6 Ξ^ĞƉƚĞŵďĞƌϮϬϭϰʹ All copyrights reserved 2 ICMC|SMC|2014 14-20 September 2014, Athens, Greece Contents Contents ..................................................................................................................................................... 3 Sponsors ..................................................................................................................................................... 4 Preface ....................................................................................................................................................... 5 Summer School ....................................................................................................................................... -
Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. -
Boom Festival | Rehearsing the Future
Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies .........................................................................................