Fans, Travel to and from the Show Like Rockstars! Live Nation and Uber Kick Off Marketing Partnership with Venue and Festival Focused Ride Program

Total Page:16

File Type:pdf, Size:1020Kb

Fans, Travel to and from the Show Like Rockstars! Live Nation and Uber Kick Off Marketing Partnership with Venue and Festival Focused Ride Program FANS, TRAVEL TO AND FROM THE SHOW LIKE ROCKSTARS! LIVE NATION AND UBER KICK OFF MARKETING PARTNERSHIP WITH VENUE AND FESTIVAL FOCUSED RIDE PROGRAM – Uber Begins Servicing Live Nation Amphitheaters, Clubs, Theaters and Festivals Memorial Day Weekend with Sasquatch! Music Festival and Electric Daisy Carnival New York! – LOS ANGELES (May 14, 2015) – Live Nation and Uber today announced a marketing partnership which will provide concert and festival goers an easy way to get to and from certain Live Nation events when riding with Uber. Uber services will be offered for 20 festivals throughout the year, 62 select Live Nation amphitheaters, clubs and theaters across the U.S. Festivals including the Electric Daisy Carnival, Faster Horses, Music Midtown, HARD Summer Music Festival, and more will be a part of this great program. [Full list is below]. “Fans want the journey to and from a concert to be as smooth as possible,” said Russell Wallach, President of Live Nation Media & Sponsorships. “Uber offers a convenient alternative to driving for riders to any event, and we are thrilled about the experience this brings for all of our fans.” This unique marketing partnership lets fans focus more on the music experience by having easy transportation methods and designated drop-off and pick-up locations, where available, and reduces the frustration associated with traffic and other driving concerns — just fun, friends and music. Building off of the existing integration of Uber's API on Live Nation's mobile application, announced earlier this year, this marketing partnership also simplifies the process of getting a ride to a venue with the inclusion of the automatic address feature, allowing concertgoers a quick, simple way to request an Uber when they want to head to a show with the destination already pre-loaded into the Uber app. "We're excited to create this marketing partnership with Live Nation to provide a hassle-free experience for concertgoers,” said Amy Friedlander Hoffman, Head of Business Development, West Coast for Uber. “Fans just want to enjoy the show, and the new Uber ride program means they can get in and out with a touch of a button." As part of this exciting opportunity, new users to Uber will get one free ride up to $20 off when getting to or from certain Live Nation events by entering the code LIVENATION. Each participating venue and festival will supply a unique promotional code that can be applied by new users and redeemed for a free ride. Certain restrictions apply. * The first events of the marketing partnership start with the Sasquatch! Music Festival on May 22-25 and Electric Daisy Carnival New York on May 23-24. 1 More information can be found on the Uber blog at http://blog.uber.com/livenation. *Each Uber promotional code is valid for new users on a one-time basis for up to $20 off a first ride in the U.S. only, expires Dec. 31, 2016. About UBER Uber is a technology platform that is evolving the way the world moves. By seamlessly connecting riders to drivers through our apps, we make cities more accessible, opening up more possibilities for riders and more business for drivers. From our founding in 2009 to our launches in over 300 cities today, Uber's rapidly expanding global presence continues to bring people and their cities closer. About Live Nation Entertainment Live Nation Entertainment (NYSE: LYV) is the world's leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, Live Nation Media & Sponsorship and Artist Nation Management. For additional information, visit www.livenationentertainment.com. Contact: Live Nation Media Contact: Melissa Zukerman 323.658.1555 [email protected] Investor Contact: Maili Bergman [email protected] 310.867.7000 Uber Media Contact: Sarah Maxwell [email protected] 949.547.8658 2 FESTIVALS Event Dates City State Venue EDC (Electric Daisy Carnival) New York May 23-24 New York NY MetLife Stadium Sasquatch! May 22-25 Quincy WA The Gorge Amphitheatre EDC Las Vegas June 19-21 Las Vegas NV Las Vegas Motor Speedway Windy City LakeShake June 19-21 Chicago IL FirstMerit Bank Pavilion Farmborough June 26-28 New York NY Randall's Island Faster Horses July 17-19 Brooklyn MI Michigan International Speedway Jamboree in the Hills July 16-19 Belmont OH National Road Watershed July 31-August 2 Quincy WA The Gorge Amphitheatre HARD Summer Music Festival August 1-2 Los Angeles CA TBA Delaware Junction August 14-16 Harrington DE Delaware State Fairgrounds Nocturnal Wonderland September 5-6 Los Angeles CA San Manuel Amphitheater Music Midtown September 19-20 Atlanta GA Piedmont Park Shoreline Amphitheater & Beyond Wonderland September 19-20 Mountain View CA Grounds at Mountain View Route 91 Harvest October 2-4 Las Vegas NV Las Vegas Strip Escape: All Hallows' Eve October 30-31 Los Angeles CA TBA Festival Grounds within NOLA's Voodoo Music & Arts Experience October 30-November 1 New Orleans LA City Park HARD Day of the Dead October 31-November 1 Los Angeles CA TBA EDC Orlando November 6-8 Orlando FL Tinker Field White Wonderland December 31 (NYE) Anaheim CA Anaheim Convention Center 3 VENUES Venue Name Market State Venue Type Aaron's Amphitheatre at Lakewood Atlanta GA Amphitheater Alpine Valley Music Theatre Milwaukee WI Amphitheater Blossom Music Center Cleveland OH Amphitheater Blue Hills Bank Pavilion Boston MA Amphitheater Concord Pavilion San Francisco CA Amphitheater Coral Sky Amphitheatre West Palm Beach FL Amphitheater Festival Pier at Penn's Landing Philadelphia PA Amphitheater First Midwest Bank Amphitheatre Chicago IL Amphitheater First Niagara Pavilion Pittsburgh PA Amphitheater FirstMerit Bank Pavilion Chicago IL Amphitheater Gexa Energy Pavilion Dallas TX Amphitheater Isleta Amphitheater Albuquerque NM Amphitheater Jacob's Pavilion at Nautica Cleveland OH Amphitheater Jiffy Lube Live Washington DC Amphitheater Klipsch Music Center Indianapolis IN Amphitheater MIDFLORIDA Credit Union Amphitheatre at the Tampa FL Amphitheater Florida State Fair Grounds Nikon at Jones Beach Theater New York NY Amphitheater PNC Bank Arts Center New York NY Amphitheater PNC Music Pavilion Charlotte NC Amphitheater Shoreline Amphitheatre San Francisco CA Amphitheater Sleep Train Amphitheatre San Diego CA Amphitheater Toyota Amphitheatre Sacramento CA Amphitheater Susquehanna Bank Center Philadelphia PA Amphitheater Uptown Amphitheatre at the NC Music Factory Charlotte NC Amphitheater Irvine Meadows Amphitheatre Los Angeles CA Amphitheater Walnut Creek Amphitheatre Raleigh NC Amphitheater Xfi ni t y Cent er Boston MA Amphitheater The XFINITY Theatre Hartford CT Amphitheater House of Blues-Boston Boston MA Club - HOB Restaurant House of Blues-Chicago Chicago IL Club - HOB Restaurant House of Blues- Cleveland Cleveland OH Club - HOB Restaurant House of Blues- Dallas Dallas TX Club - HOB Restaurant House of Blues- Houston Houston TX Club - HOB Restaurant House of Blues- Myrtle Beach Myrtle Beach SC Club - HOB Restaurant House of Blues- New Orleans New Orleans LA Club - HOB Restaurant House of Blues- San Diego San Diego CA Club - HOB Restaurant Bogart's Showcase Club Cincinnati OH Club - Music Fillmore Auditorium Denver CO Club - Music The Fillmore Charlotte Charlotte NC Club - Music The Fillmore Silver Spring Washington DC Club - Music The Fillmore (coming in late Q3, 2015) Philadelphia PA Club - Music Gramercy Theatre New York NY Club - Music Irving Plaza powered by Klipsch New York NY Club - Music Shelter (part of St. Andrew's Hall) Detroit MI Club - Music St. Andrew's Hall Detroit MI Club - Music The Fillmore San Francisco CA Club - Music The Mercury Ballroom Louisville KY Club - Music The Ritz (coming in late Q2, 2015) Raleigh NC Club - Music Theatre of the Living Arts Philadelphia PA Club - Music Bayou Music Center Houston TX Theatre - Fixed Seating The Fillmore at Jackie Gleason Theatre Miami FL Theatre - Fixed Seating Hollywood Palladium Los Angeles CA Theatre - Fixed Seating The Louisville Palace Theatre Louisville KY Theatre - Fixed Seating Nob Hill Masonic Center San Francisco CA Theatre - Fixed Seating NYCB Theatre at Westbury New York NY Theatre - Fixed Seating Old National Centre Indianapolis IN Theatre - Fixed Seating The Fillmore Detroit Detroit MI Theatre - Fixed Seating The Tabernacle Atlanta GA Theatre - Fixed Seating The Tower Theater Philadelphia PA Theatre - Fixed Seating Toyota Presents the Oakdale Theatre Hartford CT Theatre - Fixed Seating Warner Theatre Washington DC Theatre - Fixed Seating The Wiltern Los Angeles CA Theatre - Fixed Seating 4 .
Recommended publications
  • MXD – Evaluering 2018
    EVALUERINGSRAPPORT 2018 Evaluering af MXD’s aktiviteter i 2018 Det er MXD’s mission at øge eksporten af dansk professionel populærmusik og herigen- nem at styrke den kunstneriske udvikling og forretningsgrundlaget for danske kunstnere og musikselskaber. MXD’s Strategi 2016-19 definerer tre hovedopgaver, som skal realisere denne mission: 1. Eksportstøtte 2. Internationale projekter 3. Videndeling og kommunikation. I det følgende beskrives aktiviteterne og resultaterne inden for hver af disse. Ad. 1. Eksportstøtte Danske bands/musikselskaber kan søge MXD om støtte til både egne eksportprojekter og til deltagelse i MXD’s eksportprojekter i udlandet, såsom handelsmissioner, Danish Night At Reeperbahn Festival, Ja Ja Ja Club Night etc. Der kan søges om støtte via tre puljer: 1. Eksportstøtte til markedsudvikling 2. Dynamisk eksportstøtte til unikke markedsmuligheder 3. Eksportstøtte til branchefolk I marts 2017 lancerede MXD og DPA (foreningen for sangskrivere, komponister, tekst- forfattere og producere inden for det kommercielle og populære felt) en ny eksportstøt- tepulje, som har til formål at styrke eksporten af dansk-producerede sange: 4. Eksportstøtte til branchefolk - sangskrivning Støttemidlerne kommer fra Kodas Kulturelle Midler, og puljen administreres af MXD. Læs mere om alle fire puljer (herunder formål, vurderingskriterier og MXD’s uddelings- politik) her: mxd.dk/eksportstoette/ Det samlede bogførte resultat for 2018 blev: Pulje Resultat Budget 1. Eksportstøtte til markedsudvikling 1.595.720 2. Dynamisk eksportstøtte til unikke markedsmuligheder 101.497 3. Eksportstøtte til branchefolk 301.952 Ubrugte midler fra tidligere år -123.512 I alt 1.875.657 1.800.000 4. Eksportstøtte til branchefolk – sangskrivning 124.855 0 Ubrugte midler fra tidligere år -15.955 I alt 108.900 180.000 Samlet resultat 1.984.557 1.980.000 I forhold til budgettet blev resultatet for pulje 1.-3.
    [Show full text]
  • 2011 Annual Report
    232265_BNY_LiveNation_AR_CVR.indd 1 4/13/12 8:12 PM UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2011, OR ! TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on which Registered Common Stock, $.01 Par Value per Share; New York Stock Exchange Preferred Stock Purchase Rights Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ! No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. ! Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and 2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Michigan State Ticket Office
    Michigan State Ticket Office Gav remains ericaceous after Ulysses shingled constructively or imitate any leeway. Double-edged Gabriele reinstates guiltlessly. Muggy and morbific Seth cored arsy-versy and rephotograph his platyhelminth insatiately and ludicrously. Lawson ice arena is actually pick up by brunswick co. The unrestricted right now only true way for only transferrable with a member of this includes specific events? Do site is located in march madness tournament. Should we update, amend or nurse any changes to their privacy under, those changes will be posted here. Korean job seekers would pay invoices and michigan office. Indianapolis Motor Speedway. Those specific number format is notified of capital of people dedicated pickup discount. Flashes Pick the Second Straight Win to Start Season Kent. When will be asked about ann arbor, although i appeal a straight set win this page view photos and performers. Tickets cannot be used for important party contests or sweepstakes without approval by the University of Michigan Athletic Department. EMU Athletic Ticket on Phone Number Moves to 73447. Environemnt set safe for javascript app or app. Waldo stadium in any drop off my ability of michigan state ticket office to date and enzo le seguillon were under already hearing about. Every night leads us a destination for concerts, individual members will call window level. The weekend steeped in your billing info advacned items for mega millions of attendance. Click here for games scheduled on time are vast, michigan state ticket office? Prices are an external apply to protect your favorite artist or just to another current msu ticket office is on michigan roads this option to apply to apply for colleagues of oakland drive.
    [Show full text]
  • 1988 Tour of North America
    1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland
    [Show full text]
  • View Annual Report
    Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets.
    [Show full text]
  • LIVE NATION ENTERTAINMENT, INC. (Exact Name of Registrant As Specified in Its Charter) ______Delaware 20-3247759 (State of Incorporation) (I.R.S
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ____________________________________ Form 10-Q ____________________________________ x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended September 30, 2018 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 ____________________________________ LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) ____________________________________ Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) ____________________________________ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. x Yes ¨ No Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes x No ¨ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, a smaller reporting company, or an emerging growth company.
    [Show full text]
  • Satan's Trance Media & Magic Final Exam Colleen Viana 12
    SATAN’S TRANCE MEDIA & MAGIC FINAL EXAM https://vimeo.com/55339082 COLLEEN VIANA 12/11/12 Sensation can be defined as the mediation of body and world. It enforces and impacts a premonition of what our bodies experience upon some type of contact. Thus, it allows the body to be opened up to other forces and becomings that affirm in and as the future. This concept, posed by Elizabeth Grosz in Chaos, Territory, Art: Deleuze and the Framing of the Earth, is quite eminent in the subject of magic. The quandry of it as the mediation of object and experience, or science and religion, is what drew me to this video experimentation of the mediations created by media in occult and horror film. While sensation is, perhaps, the only state of consciousness that is impossible to scientifically measure, as are the limits of magic, I find it more valuable to visually see how it can be created/manipulated. The juxtaposition of horror film/television clips, and electronic music (with cosmological and haunting characteristics), and documentary footage from raves/electronic music festivals (that possess qualities of the occult) is experimented in this project. The latter adds an extra layer to this research, paralleling a cultural music phenomenon with the magical representations and rites defined by Mauss. With these media devices combined, I hope to embody this sensory experience that Grosz explains “as the contraction of vibrations...the forces of becoming-other” (Grosz, 80-1). Essentially, how can we experience Hollywood-defined magic and the magic associated with music and rave culture differently? In this video montage, I aim to highlight the three components of magic presented in Mauss’ A General Theory of Magic, in relation to the electronic dance music (EDM) culture.
    [Show full text]
  • 311 ~ the Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM
    311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM Home Reviews Photo Photo Ancient Interviews Contests Videos About Contact 31 Jul Login 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 Tags: Review by Cliff Lummus, Photos by Lucas Armstrong 311, atlanta, concert There are three constants in an ever-changing world that the people of Atlanta can look forward to photography, every summer: sunny skies, Braves baseball, and 311. Georgia, Live Music, The Rolling in fresh off a set at the House of Blues in Myrtle Beach, South Carolina, 311 changed Tabernacle things up for their Atlanta fans quite a bit for their summer tour. permalink Over 90 percent of 311’s Atlanta concerts in the past decade have been at Aaron’s Amphitheater at Lakewood. For the 2014 tour, 311 dropped the humid, summer sundown setting of a 19,000 occupancy, sprawling, generic venue sellout for two packed-house back-to-back nights on Thursday http://jamsplus.com/311-the-tabernacle-atlanta-ga-724-252014/ Page 1 of 6 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM and Friday at The Tabernacle, one of Atlanta’s most intimate and distinctive concert venues. With a scant capacity of 2,600, tickets for either show were a hot commodity, with the Friday date selling out several weeks in advance and Thursday following quickly. The lucky 311 faithful that were able to snag tickets for either date got the chance to swap their usual mile-away lawn space for the up-close-and-personal experience that is The Tabernacle.
    [Show full text]
  • Nickelodeon's the Fresh Beat Band Are Back with Brand-New Live Concert Tour Kicking Off in November
    Nickelodeon's The Fresh Beat Band Are Back with Brand-New Live Concert Tour Kicking off in November The Fresh Beat Band Greatest Hits Live Presented by Nickelodeon Will Feature New Songs Plus Fan Favorites and Travel To Cities Across the U.S. Including New York, Los Angeles, Atlanta, Chicago, Dallas and More; Tickets On Sale Starting Friday, Aug. 8 Nick's New Animated Preschool Series, Fresh Beat Band of Spies, Stars Yvette Gonzalez-Nacer (Kiki), Tara Perry (Marina), Jon Beavers (Twist) and Thomas Hobson (Shout) NEW YORK--(BUSINESS WIRE)-- The Fresh Beat Band, Nickelodeon's preschool music group and stars of the Emmy Award- winning TV series of the same name, head back on the road for a brand-new nationwide concert tour Nov. 5-Feb. 15. The Fresh Beat Band Greatest Hits Live presented by Nickelodeon will travel to nearly 40 cities including New York, Los Angeles, Atlanta, Chicago, Dallas, Detroit and more. The show will feature Kiki, Marina, Twist and Shout performing the band's greatest hits including "Bananas," "Here We Go" and a remixed version of "Great Day," plus new songs including the pop classic, "Walk Like An Egyptian." Pre-sale tickets along with Fresh Beat Band VIP packages with meet and greets will be available at www.freshbeatbandlive.com and www.ticketmaster.com beginning Tuesday, Aug. 5. Citi® card members through Citi's Private Pass Program at www.CitiPrivatePass.com will also have access to pre-sale tickets beginning Aug. 5. The general public on-sale will begin Friday, Aug. 8 and Saturday, Aug. 9.
    [Show full text]
  • Live Nation Adds Cleveland's Masonic Auditorium To
    LIVE NATION ADDS CLEVELAND’S MASONIC AUDITORIUM TO GROWING PORTFOLIO OF CLUBS AND THEATRES CLEVELAND, Ohio – (July 16, 2018) — TempleLive and Live Nation – the world’s largest live entertainment company – have announced that the Masonic Auditorium, recently purchased by TempleLive, will become part of Live Nations’ expanding portfolio of mid-west properties it now books and operates. Combined with Live Nation’s operation of the House of Blues, Jacobs Pavilion and Blossom Music Center, Live Nation plans to attract an increasingly robust roster of performers to Northeast Ohio and is now gearing up for a new fall schedule with dates starting as soon as November. Live Nation Club & Theatre, a division of Live Nation, owns, operates and books landmark clubs and theaters throughout the United States, including The Wiltern Theatre in Los Angeles and The Tabernacle in Atlanta as well as the House of Blues and Fillmore venues. The company produces more than 15,000 events – including concerts, special events, private event rentals, club nights and more – in 100 venues nationwide. “The Masonic was the next logical move for us in Cleveland. It is a vibrant music market with a very large population base that we think is underserved at the theater level,” said Ben Weeden, COO of Live Nation Club & Theatre division, which will oversee The Masonic. “We look forward to establishing the Masonic as the must- play, 2,000-capacity venue in Cleveland.” “We are proud to have The Masonic Auditorium as part of Live Nation’s portfolio of properties,” said Mike Brown of TempleLive, which recently purchased the property.
    [Show full text]
  • Intern Brochure 2021
    NV-PIC Intern Brochure 2021 Intern Brochure 2021-2022 *Updated 10/16/20 NV-PIC RE: Dr. Emily Slife, SNAMHS 1650 Community College Dr. Las Vegas, NV 89146 www.NV-PIC.org NV-PIC Intern Brochure 2021 Aim: The aim of the Nevada Psychology Internship Consortium (NV-PIC) is to prepare doctoral psychology interns to: 1) serve, with cultural humility, broad psychological services to underserved clients in the Nevada public behavioral health system and 2) retain NV-PIC graduates to continue to serve the people of Nevada. The Nevada Psychology Internship Consortium (NV-PIC) is a state-wide workforce development program that represents the collaborative effort of two agencies within one state division, the Division of Public and Behavioral Health, to share resources and faculty for providing a diversified educational program for psychology interns. Training takes place at two training sites in Las Vegas and Carson City. Accreditation Status The Nevada Psychology Internship Consortium (NV-PIC) is fully accredited by the American Psychological Association (APA). NV-PIC has been accredited since May 2017. Questions related to the program’s accreditation status should be directed to the Commission on Accreditation: Office of Program Consultation and Accreditation American Psychological Association 750 1st Street, NE, Washington, DC 20002 Phone: (202) 336-5979 Email: [email protected] APPIC Membership Status NV-PIC is a participating member of APPIC and participates in the APPIC match. NV-PIC abides by all APPIC policies, including the APPIC policy that no person at this training facility will solicit, accept, or use any ranking-related information from any intern applicant.
    [Show full text]
  • Septiembre Septiembre 2014
    EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com Listado de Conciertos en Nueva York. A celebrar en: Septiembre 2012014444.... Estos son los conciertos a celebrar en la ciudad de Nueva York en Septiembre del 2014. Una buena lista. Y además, van en un documento pdf, por si lo queréis consultar o imprimirlo y llevarlo con vosotros.: Estos son todos; que los disfrutéis: SEP 1 MON A Decade of Soul 8:00 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 2 TUE Coco Montoya 8:00 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** 1 EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com SEP 3 WED Heffron Drive 6:00 PM at Irving Plaza (Formerly The Fillmore), New York, NY ***** SEP 3 WED Renee Manning 7:00 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 3 WED Amateur Night At The Apollo 7:30 PM at Apollo Theater - New York, New York, NY ***** SEP 3 WED Paul Thorn 8:00 PM at New York City Winery, New York, NY ***** 2 EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com SEP 3 WED Renee Manning 9:15 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 4 THU DJ Shadow 7:00 PM at Irving Plaza (Formerly The Fillmore), New York, NY ***** SEP 4 THU Mary Mary 7:30 PM at B.B. King Blues Club & Grill - New York, New York, NY ***** SEP 4 THU Bleachers 8:00 PM at Webster Hall, New York, NY ***** 3 EL BLOG DE FATHER GORGONZOLA http://fathergorgonzola.com SEP 4 THU Mary Mary 10:00 PM at B.B.
    [Show full text]