TAM Programmheft Umschlag 2016
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Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources). -
Mafestival-2014.Pdf
I MAFESTIVAL 2014 1-10 AUG METAM ORPHOSES One of the biggest literary masterpieces of all time, Ovid’s Metamorphoses, served as a source of inspiration for the 51st edition of MAfestival Bruges, from 1–10 August 2014. A wide variety of transformations from Greek and Roman mythology unfolds in the epic poem, as Ovid narrates of numerous characters and their metamorphoses in a stunningly colourful and imaginative language. ‘Everything changes, nothing perishes,’ a thought which remains fascinatingly topical in the 21st century. With this quote as a starting point, MAfestival goes in search of diverse metamorphoses in music. It goes without saying that several mythological characters will pass in review, in programs with a metamorphosis as the thematic starting point. As such, the world renowned Italian ensemble Il Giardino Armonico devotes a concert to Händel’s Aci, Galatea e Polifemo. The youthful force of Cappella Mediterranea, conducted by the Argentinian top conductor Leonardo García Alarcón brings La Dafne by Marco da Gagliano. The illustrious poet-singer Orpheus makes his appearance during the concerts of L’Yriade and cantoLX. Apart from this context you will also hear some musical metamorphoses, like Schumann’s Papillons, performed by winner of the International Competition Musica Antiqua 2013 Elizaveta Miller, and Vivaldi’s Four Seasons in arrangements by carilloneur Arie Abbenes and recorder virtuoso Erik Bosgraaf. MAfestival 2014 also explores some processes of formal transformation in music. The duo Istomin-Sofronitsky and Hespèrion XXI illustrate the plethora of metamorphoses musical themes can undergo in the course of a series of variations, fugue or fantasia. -
Handel Rinaldo Tuesday 13 March 2018 6.30Pm, Hall
Handel Rinaldo Tuesday 13 March 2018 6.30pm, Hall The English Concert Harry Bicket conductor/harpsichord Iestyn Davies Rinaldo Jane Archibald Armida Sasha Cooke Goffredo Joélle Harvey Almirena/Siren Luca Pisaroni Argante Jakub Józef Orli ´nski Eustazio Owen Willetts Araldo/Donna/Mago Richard Haughton Richard There will be two intervals of 20 minutes following Act 1 and Act 2 Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back Harry Bicket as delighted by the extravagant magical and The English Concert for Rinaldo, the effects as by Handel’s endlessly inventive latest instalment in their Handel opera music. And no wonder – for Rinaldo brings series. Last season we were treated to a together love, vengeance, forgiveness, spine-tingling performance of Ariodante, battle scenes and a splendid sorceress with a stellar cast led by Alice Coote. -
Mafestival in Lissewege - M/V © Senne Van Der Ven a Nocte Temporis / Reinoud Van Mechelen — P
03.08 — 12.08.2018 1 De beloftevolle fotografe Tysje Severens creëert poëtische beelden met surreële trekjes. Hoewel haar foto’s berusten op realistische opnames, ademen ze een intrigerende, ondoorgrondelijke sfeer. De modellen zijn uit hun alledaagse Beste muziekliefhebber, decor getrokken en lijken een onwerkelijke omgeving te bevolken. Vooral vrouwen staan in de schijnwerpers, maar nét iets anders dan anders. Met kleur en schaduw, humor en mysterie Welkom op de 55e editie van MAfestival Brugge! Onder het motto tekent Severens voor het visuele contrapunt van MAfestival 2018. Cherchez la femme brengen we hulde aan de vrouw in de muziek. Tien dagen lang staan vrouwelijke componisten en musici, maar ook schrijfsters, http://tysjeseverens.wixsite.com/tysjeseverens patronessen, muzen en andere iconische personages centraal. In deze brochure leest u alles over de concerten, de Internationale Wedstrijd Musica Antiqua voor klavecimbel, de oudemuziekmarkt en de bruisende Fringe. Ook dit jaar gaan we naar Lissewege voor drie concerten, ditmaal onder de noemer M/V. En VéloBaroque bevestigt dat de vrouwelijke identiteit een meervoud is – ook in de muziek. Ontdek nu al de zes concerten rond Femmes Fortes. Zoals steeds stellen we klinkende namen én aanstormend talent aan u voor. Zo staan Skip Sempé, Correspondances en Elizabeth Kenny naast de jonge beloften ApotropaïK en Le Consort. We halen de banden aan met laureaten als Bertrand Cuiller, Jean Rondeau en Evgeny Sviridov. En we kruisen gregoriaans met pop in een avontuurlijke creatie door An Pierlé en Psallentes. Eeuwenlang was de muziekwereld een mannen bastion. Hoewel daar gelukkig verandering in is gekomen, blijft er werk aan de winkel. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXVII, Number 2 Summer 2012 FROM THE PRESIDENT’S DESK SUMMER 2012 I would like to thank all the members of the Society who have paid their membership dues for 2012, and especially those who paid to be members of the Georg-Friedrich-Händel Gesellschaft and/or friends of The Handel Institute before the beginning of June, as requested by the Secretary/Treasurer. For those of you who have not yet renewed your memberships, may I urge you to do so. Each year the end of spring brings with it the Handel Festivals in Halle and Göttingen, the latter now regularly scheduled around the moveable date of Pentecost, which is a three-day holiday in Germany. Elsewhere in this issue of the Newsletter you will find my necessarily selective Report from Halle. While there I heard excellent reports on the staging of Amadigi at Göttingen. Perhaps other members of the AHS would be willing to provide reports on the performances at Göttingen, and also those at Halle that I was unable to attend. If so, I am sure that the Newsletter Angelica Kauffmann, British, born in Switzerland, 1741-1807 Portrait of Sarah Editor would be happy to receive them. Harrop (Mrs. Bates) as a Muse ca. 1780-81 Oil on canvas 142 x 121 cm. (55 7/8 x 47 5/8 in.) Princeton University Art Museum. Museum purchase, Surdna Fund The opening of the festival in Halle coincided and Fowler McCormick, Class of 1921, Fund 2010-11 photo: Bruce M. White with the news of the death of the soprano Judith Nelson, who was a personal friend to many of us. -
The Harpsichord: a Research and Information Guide
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository THE HARPSICHORD: A RESEARCH AND INFORMATION GUIDE BY SONIA M. LEE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Charlotte Mattax Moersch, Chair and Co-Director of Research Professor Emeritus Donald W. Krummel, Co-Director of Research Professor Emeritus John W. Hill Associate Professor Emerita Heidi Von Gunden ABSTRACT This study is an annotated bibliography of selected literature on harpsichord studies published before 2011. It is intended to serve as a guide and as a reference manual for anyone researching the harpsichord or harpsichord related topics, including harpsichord making and maintenance, historical and contemporary harpsichord repertoire, as well as performance practice. This guide is not meant to be comprehensive, but rather to provide a user-friendly resource on the subject. ii ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my dissertation advisers Professor Charlotte Mattax Moersch and Professor Donald W. Krummel for their tremendous help on this project. My gratitude also goes to the other members of my committee, Professor John W. Hill and Professor Heidi Von Gunden, who shared with me their knowledge and wisdom. I am extremely thankful to the librarians and staff of the University of Illinois Library System for assisting me in obtaining obscure and rare publications from numerous libraries and archives throughout the United States and abroad. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
Rheingau Musik Festival
Rheingau Musik Festival Ausgabe 1/2016 Ausgabe · Ouvertüre Programm 2016 Das Festivalmagazin des Rheingau Musik Festivals 1/2016 · www.rheingau-musik-festival.de Hauptsponsoren: © Patrice Brylla © Marco© Borggreve Festival-Künstler 2016: Yannick Nézet-Séguin Isabelle Faust Till Brönner Hauptsponsoren 2 Co-Sponsoren Official Airline Medienpartner Premium-Projektpartner ab Inhalt © Andreas Bitesnich Andreas © Magazin 4 Ein Sommer voller Musik 6 Leitgedanken 8 Artist in Residence: Isabelle Faust 14 Fokus: Yannick Nézet-Séguin 18 Fokus Jazz: Till Brönner 22 Starke Frauen 24 Dvorˇák: 175. Geburtstag 26 Klanggewalten 28 Festival für Kinder und Jugendliche Hier können Sie Bitte beachten Sie, … 29 Auf einen Blick Karten bestellen: … dass Kartenbestellungen ab dem 31 Programm 2016 11. Februar 2016 schriftlich oder über die Rheingau Musik Festival Website entgegengenommen werden. Servicegesellschaft mbH & Co. KG 93 Service Postfach 1125 … dass der telefonische Vorverkauf erst am 94 Kartenvorverkauf 65367 Oestrich-Winkel 23. Februar 2016 beginnt. 3 … dass die Mitglieder des Rheingau Musik 96 Der Rheingau Am einfachsten mit dem Bestellschein Festival e. V. ein exklusives Vorkaufsrecht auf den auf Seite 48 folgenden Seiten genießen. Mit der Pressekonferenz am 97 Anreise oder über unsere Website: 11. Februar 2016 endet dieses Vorkaufsrecht www.rheingau-musik-festival.de und es beginnt der öffentliche Vorverkauf. 98 Spielstätten Ihre Bestellungen werden in der Reihenfolge Ab dem 23. Februar 2016 auch des Post- oder E-Mail-Eingangs bearbeitet. 104 Hotelempfehlungen telefonisch: Einfach und bequem bestellen Sie Ihre Konzert- 105 Förderverein karten mit dem Bestellschein auf den auf 0 67 23 / 60 21 70 Seite 48 folgenden Seiten. 106 Allgemeine Geschäftsbedingungen Möchten auch Sie in den Genuss der 107 Sponsor werden bevorzugten Bestellung kommen? Dann werden Sie Mitglied unseres 1 10 Impressum Fördervereins (siehe S. -
Press Folder 2021 Halle Handel Festival
PRESS KIT Handel Festival Halle 2021 since 1922 in Halle an der Saale 28 May – 13 June 2021 PRESS KIT for the presentation of the 2021 HANDEL FESTIVAL programme, a music festival in authentic venues in the city of George Frideric Handel’s birth, Halle an der Saale Virtual press conference 3 December 2020, 10 am, in the chamber music hall of the Handel House, Große Nikolaistraße 5, 06108 Halle (Saale) Live in the chamber music hall: • Clemens Birnbaum, Director of the Handel House Foundation and Di- rector of the Handel Festival • Karl Altenburg, curator of the annual exhibition "Off the Pedestal - Of Heroes and Redeemers” • Philipp Amelungsen, Chief dramaturge of the opera “Teseo” HWV 9 Live music from the Händel House: • Kammersängerin and Handel Prize winner Romelia Lichtenstein (soprano) will sing two arias from "Teseo" and one aria from the "Brock- es Passion" accompanied by Kathrin Wittrisch (harpsichord) and Dietlind von Poblozki (violin) Film statements will be made by: • Dr. Bernd Wiegand, Lord Mayor of the City of Halle (Saale) and Chair- man of the Board of Trustees of the Handel House Foundation • Prof. Dr. Wolfgang Hirschmann, Chairman of the Advisory Board of the Handel House Foundation and President of the Georg Friedrich Han- del Society, International Association e. V. • Walter Sutcliffe, Director and designated artistic director of the Halle Opera • Prof. Dr. Michael Maul, Director of the Bach Festival Leipzig • Dr. Jürgen Fox, Chairman of the Saalesparkasse Executive Board / Member of the Handel House Foundation Board -
Rheingau Musik Festival Ouvertüre 2017 Das Magazin Des Rheingau Musik Festivals 1/2017 Gesamtprogramm Vom 24.6
Rheingau Musik Festival Ouvertüre 2017 Das Magazin des Rheingau Musik Festivals 1/2017 Gesamtprogramm vom 24.6. bis 2.9.2017 Igor Levit Artist in Residence Aufbruch 30 Jahre Festival 1/2017 · www.rheingau-musik-festival.de Hauptsponsoren: © Jörg Steinmetz © Robbie Lawrence Robbie © Hauptsponsoren 2 Co-Sponsoren Official Airline Medienpartner Premium-Projektpartner Inhalt © Matthias Baus Matthias © Magazin 4 Aufbruch in den 30. Sommer voller Musik 6 Artist in Residence: Igor Levit 12 Fokus: Anna Lucia Richter 16 Fokus Jazz: Michael Wollny 19 Erinnerungen an Prades 24 30 Jahre Rheingau Musik Festival 35 Konzertführer live 36 Next Generation Fokus-Künstler 2017: 38 Tanz!Musik Michael Wollny 40 Expedition Sound Igor Levit Anna Lucia Richter 42 Festival für Kinder und Jugendliche 43 Programm 2017 113 Service Hier können Sie ab Bitte beachten Sie, … 114 Kartenvorverkauf sofort Karten bestellen: … dass Kartenbestellungen ab dem 115 Abonnements 20. Februar 2017 schriftlich oder über die Rheingau Musik Festival Website entgegengenommen werden. 116 Der Rheingau Servicegesellschaft mbH & Co. KG Postfach 1125 … dass der telefonische Vorverkauf erst am 117 Anreise 65367 Oestrich-Winkel 7. März 2017 beginnt. 118 Spielstätten 3 … dass die Mitglieder des Rheingau Musik Am einfachsten mit dem Bestellschein Festival e. V. ein exklusives Vorkaufsrecht 124 Hotelempfehlungen auf den auf Seite 82 folgenden Seiten genießen. Mit der Pressekonferenz am oder über unsere Website: 20. Februar 2017 endet dieses Vorkaufsrecht, 126 Allgemeine Geschäftsbedingungen www.rheingau-musik-festival.de und es beginnt der öffentliche Vorverkauf. Ihre Bestellungen werden in der Reihenfolge 130 Impressum Ab dem 7. März 2017 können Sie des Post- oder E-Mail-Eingangs bearbeitet. Karten auch telefonisch bestellen: Einfach und bequem bestellen Sie Ihre Konzert- karten mit dem Bestellschein auf den auf 0 67 23 / 60 21 70 Seite 82 folgenden Seiten. -
19-08-06 EVE Song of Songs.Indd
VANCOUVER BACH FESTIVAL 2019 the artists tuesday august 6 at 7:30 pm | christ church cathedral Suzie LeBlanc song of songs & — a concert designed and led by alex potter — Dorothee Mields sopranos the audience is requested not to applaud until the end of each half Alex Potter (Song of Songs Chapter 1 complete) alto & leader Giovanni Pierluigi da Palestrina: Osculetur me Palestrina: Trahe me post te Samuel Boden reading: tenor song of songs 1:1-8 Matthew Brook Palestrina: Si ignoras te bass-baritone reading: song of songs 1: 8-15 Lucas Harris Palestrina: Ecce tu pulcher theorbo (End of Song of Songs Chapter 1 complete) Michael Jarvis harpsichord & organ Alessandro Piccinini: Toccata XI (lute solo) Maria Xaveria Perucona: Propera veni dilecte mi and with readers Alessandro Grandi: Surge propera Dana Camil Hewitt reading: & song of songs chapter 5 complete Yotam Ronen Orlande de Lassus: Anima mea liquefacta est INTERVAL “O friends; drink, yea, drink abundantly, O beloved.” Thanks to Ray Nurse (Excerpt from Song of Songs, Chapter 5, Verse 1) for the use of his theorbo — wine is available for sale at intermission! — based on 17th-century Venetian models (Ray Nurse, 1999, Vancouver, B.C.) reading: song of songs 2:1-13 Generously supported by the Claudio Monteverdi: Ego flos campi EMV Board of Directors Cristóbal de Morales: Ecce amica mea Girolamo Frescobaldi: Toccata Terza (harpsichord solo) Pre-concert chat with Giovanni Antonio Rigatti: Surge Columba host Matthew White at 6:45: reading: Alex Potter song of songs 2:14-17 Lucrezia Orsina Vizana: -
NABUCCO in DE BAROK Cappella Mediterranea Chœur De Chambre
OM5 oude muziek 2016-2017 56e seizoen NABUCCO IN DE BAROK zaterdag 29 april 2017 14.15-15.40 uur Cappella Mediterranea Chœur de Chambre de Namur Leonardo García Alarcón dirigent Nabucco Fernando Guimarães tenor Daniele Alejandro Meerapfel bariton Arioco Owen Willets countertenor Eufrate Matteo Bellotto bas Azaria/Idolatria Arianna Venditelli sopraan Anania Caroline Weynants sopraan Misaele Lucía Martín Cartón sopraan Superbia Capucine Keller sopraan Michelangelo Falvetti 1642-1692 Il dialogo del Nabucco 1683 nederlandse première libretto Vincenzo Giattini er is géén pauze na het concert blijven de buffetten nog enige tijd geopend Jurjen Stekelenburg boventiteling OM5 2 Matinee Café uitzending NPO Radio 4 56e seizoen 29 april 2017 3 Na afloop van het concert en terugluisteren via het web praten Hans Haffmans Dit concert wordt live uit gezonden via NPO Radio 4. Via en zijn gasten met elkaar de website kunt u de gehele uitzending terug luisteren op EEN NABUCCO UIT DE BAROK na in ‘Matinee Café’. Live radio4.nl. Enkele dagen ná ieder concert kunt u het voor NPO Radio 4 vanuit concert (zonder pauzeprogramma) terugluisteren op het Concertgebouwcafé. radio4.nl/concerten Vrijwel iedereen die de aankondiging van Michelangelo Falvet- Vandaag: Keyvan Chemi- ti’s Nabucco ziet staan, zal even aan Giuseppe Verdi’s gelijkna- nari, slagwerker uit Cap- Oude Muziek mige opera uit 1842 denken. Tussen Verdi’s klassieker en het pella Mediterranea. Leden in 2017-2018 oratorium van de tot enkele jaren geleden volslagen onbekende van het Dudok Kwartet Vijf concerten, met wereld- Falvetti ligt 160 jaar, en het verbaast dan ook niet dat beide schuiven aan om te vertel- namen als het Orkest werken totaal verschillend klinken.