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Music for the Christmas Season by Buxtehude and Friends Musicmusic for for the the Christmas Christmas Season Byby Buxtehude Buxtehude and and Friends Friends
Music for the Christmas season by Buxtehude and friends MusicMusic for for the the Christmas Christmas season byby Buxtehude Buxtehude and and friends friends Else Torp, soprano ET Kate Browton, soprano KB Kristin Mulders, mezzo-soprano KM Mark Chambers, countertenor MC Johan Linderoth, tenor JL Paul Bentley-Angell, tenor PB Jakob Bloch Jespersen, bass JB Steffen Bruun, bass SB Fredrik From, violin Jesenka Balic Zunic, violin Kanerva Juutilainen, viola Judith-Maria Blomsterberg, cello Mattias Frostenson, violone Jane Gower, bassoon Allan Rasmussen, organ Dacapo is supported by the Cover: Fresco from Elmelunde Church, Møn, Denmark. The Twelfth Night scene, painted by the Elmelunde Master around 1500. The Wise Men presenting gifts to the infant Jesus.. THE ANNUNCIATION & ADVENT THE NATIVITY Heinrich Scheidemann (c. 1595–1663) – Preambulum in F major ������������1:25 Dietrich Buxtehude – Das neugeborne Kindelein ������������������������������������6:24 organ solo (chamber organ) ET, MC, PB, JB | violins, viola, bassoon, violone and organ Christian Geist (c. 1640–1711) – Wie schön leuchtet der Morgenstern ������5:35 Franz Tunder (1614–1667) – Ein kleines Kindelein ��������������������������������������4:09 ET | violins, cello and organ KB | violins, viola, cello, violone and organ Johann Christoph Bach (1642–1703) – Merk auf, mein Herz. 10:07 Dietrich Buxtehude – In dulci jubilo ����������������������������������������������������������5:50 ET, MC, JL, JB (Coro I) ET, MC, JB | violins, cello and organ KB, KM, PB, SB (Coro II) | cello, bassoon, violone and organ Heinrich Scheidemann – Preambulum in D minor. .3:38 Dietrich Buxtehude (c. 1637-1707) – Nun komm der Heiden Heiland. .1:53 organ solo (chamber organ) organ solo (main organ) NEW YEAR, EPIPHANY & ANNUNCIATION THE SHEPHERDS Dietrich Buxtehude – Jesu dulcis memoria ����������������������������������������������8:27 Dietrich Buxtehude – Fürchtet euch nicht. -
Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources). -
Titelei Neu OB 5363 Orgel Quer320x250.Qxp
7 Einleitung Der vorliegende Band vereinigt alle Orgelkompositionen Bachs, die mit dem Titel Pieterszoon Sweelincks.3 Das Formschema ist in der Regel das einer klassischen, drei- „Fantasia“ überliefert sind,1 die (wenigen) zu einzelnen Fantasien gehörigen Fugen teiligen Rede, die aus Exordium, Medium und Finis besteht, und dies unter genau sowie alle einzeln überlieferte Fugen. Bei näherer Betrachtung gibt es kein einziges durchdachter Proportionierung. autorisiertes und vollständiges Fantasia-et-Fuga-Paar für Orgel. In der Überlieferung Anders als im Kreis der Sweelinck-Schule, wo die „Fantasia“ zum ,stylus phantasticus‘ von BWV 542 erscheinen Fantasia und Fuga meist getrennt, während bei den beiden der norddeutschen Organisten mutierte, reduzierte sich ihre Bedeutung in den meis- c-moll-Stücken BWV 537 und 562 die Fugen (im Falle von BWV 537 höchstwahr- ten anderen Teilen Europas in der zweiten Hälfte des 17. Jahrhunderts auf eine Art scheinlich) unvollendet geblieben sind. Besonders durch diesen Umstand und die Hilfsbegriff für meist kleinere Kompositionen, die nicht etwa als „Fuge“, „Canzone“ Tatsache, dass die Mehrheit der Fantasien als Einzelwerke überliefert sind, bietet es oder ähnliches bezeichnet werden konnten. Das gilt auch für die mitteldeutsche sich an, die Fantasien mit den Einzelfugen in einem Band zu vereinen. Das ermög- Claviermusik am Ende des 17. Jahrhundert, wo „Fantasia“ dann auch gelegentlich als licht auch die beiden Teile des g-moll-Werkes BWV 542 – in der zweiteiligen Gestalt Gattungsbezeichnung auftaucht. Am bedeutendsten sind die sechs erhaltenen eine der berühmtesten Kompositionen Bachs überhaupt – im Zusammenhang zu Beispiele Johann Pachelbels.4 Hier erscheinen als wichtigste Parameter die freie veröffentlichen, obwohl der Quellenbefund eventuell dagegen spricht. -
IAMIC - IMS Conference 2006 Göteborgthursday June 22, 2006 Örgryte Nya Kyrka GÖTEBORG BAROQUE Vocal and Instrumental Music from the Düben Collection in Uppsala
IAML - IAMIC - IMS Conference 2006 GöteborgThursday June 22, 2006 Örgryte nya kyrka GÖTEBORG BAROQUE Vocal and Instrumental Music from the Düben Collection in Uppsala Johann Melchior Gletle 0 Beni gni ssi me Jesu 1626-1683 soprano, two violins, sackbutt, organ (Vmhs 85:85) Dieterich Buxtehude Toccata in F BuxWV 156 1637-1707 organ Johann Heinrich Schmelzer Sonata ä 3 1620-1680 two violins, sackbutt, organ (Imhs 8:12) Samuel F. [Bockshorn] Capricornus Laetare Jerusalem 1628-1665 soprano, violin, organ (Vmhs 10:3) Dieterich Buxtehude Vater unser im Himmelreich BuxWV 219 organ Vincenzo Albrici Sinfonia ä 2 1631-1690/96 two violins, organ (Imhs k :2 IOC« Vincenzo Albrici Ornnia qua fecit Deus soprano, two violins, sackbutt, organ (Vmhs 1:17) Kaspar Forster Sonata a 3 1616-1673 two violins, sackbutt, organ (Imhs 3:9a) Johann Adam Reincken Fuga g-moll I623-1722 organ Dieterich Buxtehude Herr, wenn ich nur dich hab BusWV 38 soprano, two violins, organ (Vmhs 6:1 1) Nun lob, mein Seel, den Herren BuxWV 214 organ Christian Geist Wie schön leuchtet der Morgenstern 1650-1711 soprano, two violins, sackbutt, organ (Vmhs 85:85) Anna Jobrant Dalnäs, soprano Fredrik From, baroque violin Per Buhre, baroque violin Daniel Stighäll, sackbut Magnus Kjellson, organ with special thanks to Örgryte Parish and the Göteborg Organ Art Center (GOArt) GÖTEBORG BAROQUE, founded in 2003 by its artistic director Magnus Kjellson, focuses on the instrumental and vocal music of Sweden, Germany, and Italy. Their concerts present the latest in historically-informed performance-practice ideas for the Baroque music, including the use of very few singers per part, a difficult but rewarding vocal practice that gives the music a clearness and transparency of text and musical counterpoint that has become one of the hallmarks of GÖTEBORG BAROQUE performances. -
Classical Series 1 2019/2020
classical series 2019/2020 season 1 classical series 2019/2020 Meet us at de Doelen! Bang in the middle of Rotterdam’s vibrant city centre and at a stone’s throw from the magnificent Central Station, you find concert hall de Doelen. A perfect architectural example of the Dutch post-war reconstruction era, as well as a veritable people’s palace, featuring international programming and festivals. Built in the sixties, its spacious state- of-the-art auditoria and foyers continue to make it look and feel like a timelessly modern and dynamic location indeed. De Doelen is home to the Rotterdam Philharmonic Orchestra, with the very young and talented conductor Lahav Shani at its helm. But that is not all! With over 600 concerts held annually, our programming is delightfully varied, ranging from true crowd-pullers to concerts catering to connoisseurs, and from children’s concerts to performances of world music, jazz and hip-hop. What’s more, de Doelen is the beating heart of renowned cultural festivals such as the IFFR, Poetry International, Rotterdam Unlimited, HipHopHouse’s Make A Scene and RPhO’s Gergiev Festival. Check this brochure for this season’s programme. You will hopefully be as thrilled as we are with what’s on offer. Meet us at de Doelen and enjoy! Janneke Staarink, director & de Doelen team Janneke Staarink © Sanne Donders classical series 3 contents classical series 2019/2020 season preface 3 Pierre-Laurent Aimard © Marco Borggreve Grupo Ruta de la Esclavitud © Claire Xavier classical series 6 - 29 suggestions per subject 30 chronological overview 32 piano great baroque ordering information 36 From classics to cross-overs: the versatility of the This series features great themes and signature baroque floor plans 38 piano takes centre stage. -
Bach Academy Bruges
ENGLISH Wed 24 Jan — Sun 28 Jan 2018 BACH BEWERKT BACH ACADEMY BRUGES Bach rearranged — 01 — Dear music lover Festival summary Welcome to this eighth Bach than composing for religious services: WED 24 JAN 2018 15.00 Concert hall 17.00 Chamber music hall seeking the essence of music, distilling out BELGIAN PREMIERE Oxalys & Bojan Cicic Academy, with a programme that its language as far as he was able. 19.15 Stadsschouwburg Dietrich Henschel All roads lead to Bach focuses on the parody. The last ten years of his life saw the Introduction by Gloria Schemelli’s Gesangbuch p. 20 composition of the second part of the Carlier (in Dutch) p. 10 Well-Tempered Clavier, the Goldberg 19.15 Chamber music hall As you undoubtedly know, Bach frequently Variations, the Von Himmel Hoch choral 20.00 Stadsschouwburg 17.00 Chamber music hall Introduction by Ignace drew on music by other composers or his variations, The Musical Offering, the Mass Mass B Christine Busch & Bossuyt (in Dutch) own earlier work to mould into new works of in B minor and The Art of the Fugue. None Béatrice Massin & Jörg Halubek his own. The Mass in B minor, for example, of these compositions was written on Compagnie Fêtes galantes Bach. Violin sonatas 20.00 Concert hall is a brilliant interweaving of largely commission. For these works, Bach was i.c.w. Cultuurcentrum Brugge p. 11 Collegium Vocale Gent refashioned parts of earlier cantatas with driven only by artistic inspiration. They So singen wir recht das earned him nothing, and only thirty copies 19.15 Chamber music hall Gratias newly-composed passages. -
Handel Rinaldo Tuesday 13 March 2018 6.30Pm, Hall
Handel Rinaldo Tuesday 13 March 2018 6.30pm, Hall The English Concert Harry Bicket conductor/harpsichord Iestyn Davies Rinaldo Jane Archibald Armida Sasha Cooke Goffredo Joélle Harvey Almirena/Siren Luca Pisaroni Argante Jakub Józef Orli ´nski Eustazio Owen Willetts Araldo/Donna/Mago Richard Haughton Richard There will be two intervals of 20 minutes following Act 1 and Act 2 Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back Harry Bicket as delighted by the extravagant magical and The English Concert for Rinaldo, the effects as by Handel’s endlessly inventive latest instalment in their Handel opera music. And no wonder – for Rinaldo brings series. Last season we were treated to a together love, vengeance, forgiveness, spine-tingling performance of Ariodante, battle scenes and a splendid sorceress with a stellar cast led by Alice Coote. -
NEWSLETTER Editor: Francis Knights
NEWSLETTER Editor: Francis Knights Volume v/1 (Spring 2021) Welcome to the NEMA Newsletter, the online pdf publication for members of the National Early Music Association UK, which appears twice yearly. It is designed to share and circulate information and resources with and between Britain’s regional early music Fora, amateur musicians, professional performers, scholars, instrument makers, early music societies, publishers and retailers. As well as the listings section (including news, obituaries and organizations) there are a number of articles, including work from leading writers, scholars and performers, and reports of events such as festivals and conferences. INDEX Interview with Bruno Turner, Ivan Moody p.3 A painted villanella: In Memoriam H. Colin Slim, Glen Wilson p.9 To tie or not to tie? Editing early keyboard music, Francis Knights p.15 Byrd Bibliography 2019-2020, Richard Turbet p.20 The Historic Record of Vocal Sound (1650-1829), Richard Bethell p.30 Collecting historic guitars, David Jacques p.83 Composer Anniversaries in 2021, John Collins p.87 v2 News & Events News p.94 Obituaries p.94 Societies & Organizations p.95 Musical instrument auctions p.96 Conferences p.97 Obituary: Yvette Adams, Mark Windisch p.98 The NEMA Newsletter is produced twice yearly, in the Spring and Autumn. Contributions are welcomed by the Editor, email [email protected]. Copyright of all contributions remains with the authors, and all opinions expressed are those of the authors, not the publisher. NEMA is a Registered Charity, website http://www.earlymusic.info/nema.php 2 Interview with Bruno Turner Ivan Moody Ivan Moody: How did music begin for you? Bruno Turner: My family was musical. -
Danish Radio Concert Orchestra, Peter Marschik (Conductor) DKDR
08-May-2019 12:01 AM Friedrich Kunzen (1761-1817) Husitterne (The Hussites), (Overture) Danish Radio Concert Orchestra, Peter Marschik (conductor) DKDR 12:08 AM Josef Suk (1874-1935) Elegie, Op 23 Aronowitz Ensemble GBBBC 12:15 AM Sergey Rachmaninov (1873-1943) Caprice Bohemien, Op 12 Queensland Symphony Orchestra, Vladimir Verbitsky (conductor) AUABC 12:35 AM Robert Schumann (1810-1856) Adagio and allegro in A flat major, Op 70 Li-Wei (cello), Gretel Dowdeswell (piano) GBBBC 12:45 AM Antonio Bertali (1605-1669) Ciacona in C Daniel Sepec (violin), Hille Perl (viola da gamba), Lee Santana (theorbo), Michael Behringer (harpsichord) PLPR 12:57 AM Felix Mendelssohn (1809-1847) Hebrides overture, Op 26 Oslo Philharmonic Orchestra, Arvid Engegård (conductor) NONRK 01:08 AM Fryderyk Chopin (1810-1849) Piano Sonata No 3 in B minor, Op 58 Marc-André Hamelin (piano) PLPR 01:39 AM Joseph Martin Kraus (1756-1792) Sinfonie in E flat, Vb.144 Concerto Koln DEWDR 02:01 AM George Enescu (1881-1955) Nocturne and Saltarello Rudolf Leopold (cello), Raluca Știrbăț (piano) ROROR 02:08 AM Johannes Brahms (1833-1897) Cello Sonata in E minor, Op 38 Rudolf Leopold (cello), Raluca Știrbăț (piano) ROROR 02:31 AM Alban Berg (1885-1935) Piano Sonata, Op 1 Raluca Știrbăț (piano) ROROR 02:42 AM Constantin Silvestri (1913-1969) Concert Piece, Op 25, No 3; Bacchanale Rudolf Leopold (cello), Raluca Știrbăț (piano) ROROR 02:51 AM Constantin Silvestri (1913-1969) Cello Sonata, Op 22, No 1 Rudolf Leopold (cello), Raluca Știrbăț (piano) ROROR 03:05 AM Béla Bartók (1881-1945) -
GÖTEBORG INTERNATIONAL ORGAN ACADEMY 13–15 September 2012
GÖTEBORG INTERNATIONAL ORGAN ACADEMY 13–15 sEPTEMBER 2012 The North German Chorale Fantasias and Georg Böhm’s Organ Works 1 TABLE OF CONTENTS VÄLKOMMEN! WELCOME! Informationcover inside 2 Göteborg har utvecklats från en hamn- och in- At the beginning of the twenty-first century, Welcome 3 dustristad till ett regionalt centrum för näringsliv, Göteborg has undergone a metamorphosis from its Göteborg International Organ Academy 2012 4 utbildning, forskning och kultur. Göteborgs Sym- historical position as a harbor city and an industrial The Göteborg International Organ Academy 5 foniker är, sen ett antal år, Sveriges nationalorkes- center into a regional center for business, educa- Academy programme 2012 6-7 ter, vid älven står vårt vackra operahus, på många tion, research and culture. For some years, the Concert programmes and Vespers 8-12 scener i staden pågår intensiva teateraktiviteter, Göteborg Symphony Orchestra has also been the Master-classes 13 Göteborgs Filmfestival och bokmässan är händelser National Orchestra of Sweden. The beautiful Göte- GOArt library and instruments on display 13 av internationell betydelse och högskolevärlden borg Opera stands on the banks of the Göta River. Biographies 13-19 kan inte bara uppvisa forskningsfält av internatio- The city’s many stages support an active theater Organ specifications 19-22 nell betydelse utan ger också betydande bidrag till scene. The annual Film Festival and Book Fair are Artisten, Bjurum organ 19 kulturlivet i form av konst, formgivning, musik, international events, and Göteborg’s universities Artisten, Gustavsson & Kjersgaard organ 20 teater, internationella vetenskapsfestivalen, osv. not only support research of international signifi- Haga Church, Brombaugh organ 20-21 cance, but also make important contributions to Örgryte New Church, Willis organ 21-22 Kulturlivet bygger också broar till andra delar the city’s cultural life, in the areas of art, music, Concerts and Vespers 23 av Europa. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXVII, Number 2 Summer 2012 FROM THE PRESIDENT’S DESK SUMMER 2012 I would like to thank all the members of the Society who have paid their membership dues for 2012, and especially those who paid to be members of the Georg-Friedrich-Händel Gesellschaft and/or friends of The Handel Institute before the beginning of June, as requested by the Secretary/Treasurer. For those of you who have not yet renewed your memberships, may I urge you to do so. Each year the end of spring brings with it the Handel Festivals in Halle and Göttingen, the latter now regularly scheduled around the moveable date of Pentecost, which is a three-day holiday in Germany. Elsewhere in this issue of the Newsletter you will find my necessarily selective Report from Halle. While there I heard excellent reports on the staging of Amadigi at Göttingen. Perhaps other members of the AHS would be willing to provide reports on the performances at Göttingen, and also those at Halle that I was unable to attend. If so, I am sure that the Newsletter Angelica Kauffmann, British, born in Switzerland, 1741-1807 Portrait of Sarah Editor would be happy to receive them. Harrop (Mrs. Bates) as a Muse ca. 1780-81 Oil on canvas 142 x 121 cm. (55 7/8 x 47 5/8 in.) Princeton University Art Museum. Museum purchase, Surdna Fund The opening of the festival in Halle coincided and Fowler McCormick, Class of 1921, Fund 2010-11 photo: Bruce M. White with the news of the death of the soprano Judith Nelson, who was a personal friend to many of us. -
Second Thoughts and Short Reviews: Autumn 2017-3
SECOND THOUGHTS AND SHORT REVIEWS AUTUMN 2017/3 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson except where signed [DM]. Autumn 2017/1 is here and Autumn 2017/2 here. As before, I must remind readers that preparing such a large review – especially large this time – carries the risk of incorrect catalogue numbers or purchase links, though I have tried to make the latter clearer than before. Please check before ordering. Some time ago I mentioned that trusty old Winamp, though it works with downloads in Windows 10, has not been updated for quite some time and that I had noticed occasional glitches. Recently I have been trying another free programme, MusicBee (https://getmusicbee.com/) and have found it to work well after a few initial problems. It does everything that Winamp does and adds the ability to display the artwork, if it’s included in the metadata – which isn’t always the case. An alternative would be MediaGo (http://mediago.sony.com/enu/download), actually designed to work with the high-res digital Sony Walkman, but a useful programme in itself and operating very much like MusicBee. Index ABEL Symphonies_CPO - String Quartet, Op.8/5_Hyperion ALFONSO ‘El Sabio’ Cantigas de Santa Maria_Alia Vox BACH CPE Cello Concerto_Hyperion BACH Johann Bernhard Overtures_Ricercar BACH JS BWV…or not?_Harmonia Mundi BEN HAIM Chamber Music_Naxos_Chandos BRIDGE Cello Sonata (Cello in Wartime)_BIS; Oration_BIS (In the Shadow of War) BRITTEN Violin Concerto_Pentatone BRUCKNER Symphony No.8_Profil BUXTEHUDE and Friends Music for Christmas_DaCapo