Mar 1 to 7.Txt

Total Page:16

File Type:pdf, Size:1020Kb

Mar 1 to 7.Txt CLASSIC CHOICES PLAYLIST March 1 - 7, 2021 PLAY DATE: Mon, 3/1/2021 6:02 AM Antonio Vivaldi Concerto No. 7 for violin and cello 6:11 AM Padre Antonio Soler Concierto No. 6 for two obbligato organs 6:25 AM Thomas Simpson Pasameza 6:29 AM Giuseppe Tartini Violin Sonata 6:42 AM Franz Joseph Haydn Symphony No. 10 7:02 AM Johann Georg Pisendel Sonata 7:13 AM Franz Joseph Haydn Andante with Variations HOB XVII:6 7:31 AM Christoph Graupner Concerto for Bassoon,2 violins,viola and 7:43 AM Johann Christian Bach Viola Concerto 8:02 AM Johann Sebastian Bach Partita No. 3 8:15 AM Léo Delibes Coppelia: Excerpts 8:34 AM Gaspar Cassado Sonatine pour Piano et Violoncelle, 1924 9:05 AM Frédéric Chopin Piano Concerto No. 2 9:38 AM Jean Françaix Quartet for English Horn and Strings 9:55 AM Frédéric Chopin Waltz No. 6 10:00 AM Mid-day Classic Choices - TBA 2:00 PM Clara Schumann Notturno (1838) 2:07 PM Benjamin Britten Simple Symphony 2:26 PM Francois Devienne Bassoon Quartet 2:48 PM Antonio Vivaldi Flute Concerto Op 10/3 "The Goldfinch" 3:03 PM Emelie Mayer Piano Trio 3:35 PM Friedrich Kuhlau Concertino for Two Horns and Orchestra 4:01 PM Mario Castelnuovo-Tedesco Guitar Concerto No. 1 4:23 PM Ferenc Erkel Fantasy duo on Hungarian Airs for violin 4:41 PM Thomas Augustine Arne Organ Concerto No. 2 4:54 PM Robert Lowry How Can I Keep from Singing? 5:01 PM Gustav Holst First Suite for Wind Ensemble 5:13 PM Paul Ben-Haim Sonatina 5:26 PM José Nono Symphony 5:40 PM Georg Philipp Telemann Concerto for Trumpet and Violin 5:54 PM Sir Andrew Lloyd Webber Evita: Don't Cry for Me, Argentina 6:00 PM All Request Hour with Adam Fine 7:00 PM Exploring Music with Bill McGlaughlin 8:00 PM Weeknight Concerts 10:00 PM Performance Today PLAY DATE: Tue, 03/02/2021 6:02 AM Chevalier de Saint-Georges Symphony 6:17 AM Johann Sebastian Bach Sonata No. 1 6:30 AM Franz Joseph Haydn Concerto for King Ferdinand IV of Naples 6:44 AM Arcangelo Corelli Concerto Grosso No. 1 7:02 AM Jan Ladislav Dussek Piano Sonata 7:20 AM Tomaso Albinoni Concerto No. 5 7:30 AM J.-L. Duport/Charles Bochsa Nocturne 7:43 AM Johann Adam Reincken Sonata, from Hortus Musicus 8:02 AM Francesco Geminiani Concerto Grosso No. 2 8:12 AM Johann Christian Bach Sextet for Oboe,2Horns,Violin,Cello,Kbd 8:30 AM Einojuhani Rautavaara String Quartet No. 4 (1975) 8:54 AM Bedrich Smetana THE TWO WIDOWS: Polka 9:05 AM Bedrich Smetana Ma Vlast: The Moldau ("Vltava") 9:17 AM Nikolai Miaskovsky Cello Sonata No. 2 9:42 AM Kurt Weill Songbook for Orchestra 10:00 AM Giuseppe Torelli Sinfonia Seconda 10:07 AM Amilcare Ponchielli Trumpet Concerto 10:23 AM Germaine Tailleferre Violin Sonata 10:45 AM Johann Christian Bach Overture No. 5 for Double Orchestra 11:01 AM Richard Strauss Sonatina No 1 for Winds 11:37 AM Sergey Liapunov Rhapsody on Ukrainian Themes 11:55 AM Wolfgang Amadeus Mozart MAGIC FLUTE: In diesen heil'gen Hallen 12:01 PM Antonio Vivaldi Concerto, Op. 3, No. 10 12:12 PM Franz Joseph Haydn Piano Trio, H. XV No. 20 12:27 PM Ernest Tomlinson First Suite of English Folk-Dances 12:43 PM Johannes Brahms Variations on a Theme by Robert Schumann 1:01 PM Ludwig Van Beethoven Consecration of the House Overture 1:13 PM Bedrich Smetana String Quartet No. 1 1:40 PM Kurt Weill Lady in the Dark: Symphonic Nocturne 2:01 PM Franz Liszt Hungarian Rhapsody No. 15 2:07 PM Johann Christian Bach Harpsichord Concerto 2:19 PM Nikolai Rimsky-Korsakov Symphony No. 3 3:01 PM Richard Strauss Aus Italien-Symphonic fantasy 3:45 PM Antonio Vivaldi Violin Concerto 4:01 PM Wolfgang Amadeus Mozart Piano Concerto No. 24 4:32 PM Johann Strauss, Jr. Maxing-Tanze, Walzer 4:45 PM Richard Rodgers The Sound of Music: Orchestral Suite 5:01 PM Charles Koechlin The Jungle Book: The Spring Running 5:33 PM Jean Sibelius Symphony No. 7 (1923-24) 6:00 PM The Dinner Hour with Diane Jones 7:00 PM Exploring Music with Bill McGlaughlin 8:00 PM Weeknight Concerts 10:00 PM Performance Today PLAY DATE: Wed, 03/03/2021 6:00 AM Joachim Bernhard Hagen Lute Sonata 6:11 AM Johann Sebastian Bach Partita No. 3 6:25 AM Antonio Vivaldi Bassoon Concerto No. 29 6:37 AM Francesco Maria Veracini Recorder Sonata No. 2 6:47 AM Georg Philipp Telemann Concerto a 4 for flute,oboe, violin and 6:59 AM Luigi Boccherini Symphony No. 6 7:26 AM Johann Wilhelm Hertel Trumpet Concerto 7:37 AM Benjamin Britten Suite for Harp 7:53 AM Franz Joseph Haydn Adagio 8:01 AM Francis Poulenc Sonata for Cello and Piano 8:24 AM Frédéric Chopin Rondo 8:36 AM Ludovico Roncalli Sonata No. 3 for Guitar 8:46 AM Ernest Bloch Suite Modale for flute and strings 9:01 AM Gavin Bryars Cello Concerto (Farewell to Philosophy) 9:39 AM George Friederich Handel Trio Sonata No. 6 9:51 AM Dmitri Shostakovich Jazz Suite No. 1 10:00 AM Mid-day Classic Choices - TBA 2:01 PM Mikhail Glinka RUSSLAN & LUDMILA: Overture 2:07 PM Pieter Hellendaal Sonata for Violin and Basso Continuo 2:18 PM Franz Schubert Andantino varié from Divertissement on 2:29 PM Robert Schumann Symphony No. 4 (revised version, 1851) 3:03 PM Franz Joseph Haydn Symphony No. 101 3:34 PM Charles-Valentin Alkan Grande Sonate: Quasi-Faust (2nd movement 3:47 PM Johannes Brahms Three Chorale Preludes 4:01 PM Arcangelo Corelli Violin Sonata No. 4 4:13 PM Richard Strauss Ein Heldenleben 5:01 PM Karl Ditters Von Dittersdorf Symphony 5:19 PM Johannes Brahms Alto Rhapsody 5:33 PM Wolfgang Amadeus Mozart Symphony No. 35 "Haffner" 6:00 PM The Dinner Hour with Bruce Paulsen 7:00 PM Exploring Music with Bill McGlaughlin 8:00 PM Weeknight Concerts 10:00 PM Performance Today PLAY DATE: Thu, 03/04/2021 6:02 AM Johann Nepomuk Hummel Concertino for piano and orchestra 6:19 AM Johann Pachelbel Canon and Gigue 6:29 AM Franz Anton Rosler Symphony 6:45 AM Carl Philipp Emanuel Bach Trio Sonata for Flute, Oboe & Continuo 7:02 AM Wolfgang Amadeus Mozart Twelve variations 7:21 AM Johann Friedrich Fasch Trumpet Concerto 7:30 AM Muzio Clementi Overture 7:41 AM Antonio Vivaldi Concerto for Violin, 2 oboes, 2 horns, 8:02 AM Franz Krommer Partita 8:19 AM Giovanni Mossi Concerto 8:34 AM Zoltán Kodály Háry János: Suite 9:05 AM Peter Ilyich Tchaikovsky String Quartet No. 3 9:44 AM John Burke Mysterium 9:53 AM Peter Ilyich Tchaikovsky The Seasons: June (Barcarolle) 10:00 AM Mid-day Classic Choices - TBA 2:01 PM Claude Debussy Images: Book 2 No.1 Bells through the 2:07 PM Wolfgang Amadeus Mozart Piano Concerto No. 27 2:41 PM Aleksandr Glazunov Violin Concerto 3:04 PM Richard Strauss Horn Concerto No. 2 3:27 PM Maurice Ravel Mother Goose Ballet (Complete) 4:01 PM Jennifer Higdon Blue Cathedral 4:14 PM Louis Spohr Trio for Violin, Cello and Harp 4:36 PM Franz Joseph Haydn Piano Concerto No. 7 5:01 PM Johannes Brahms Cello Sonata No. 2 5:30 PM Johann Sebastian Bach Toccata & Fugue 5:40 PM Giuseppe Verdi DON CARLOS: La Peregrina (Ballet de 6:00 PM The Dinner Hour with Marie Lamb 7:00 PM Exploring Music with Bill McGlaughlin 8:00 PM Weeknight Concerts 10:00 PM Performance Today PLAY DATE: Fri, 03/05/2021 6:02 AM Johann Georg Pisendel Sonata for Violin and Continuo 6:15 AM Franz Joseph Haydn Symphony No. 19 6:30 AM Johann Sebastian Bach Harpsichord Concerto 6:44 AM Wolfgang Amadeus Mozart Divertimento No. 2 7:02 AM Antonio Vivaldi Trio Sonata 7:14 AM Marianne Martinez Sinfonia 7:30 AM Ludwig Van Beethoven Piano Sonata No. 27 7:45 AM George Friederich Handel Concerto Grosso Op. 3/2 8:02 AM Michael Praetorius Terpsichore Suite No. 4 8:14 AM Mikhail Glinka RUSLAN AND LUDMILA Dances 8:38 AM Arthur Foote Four Character Pieces after the Rubaiyat 9:05 AM Walter Piston Symphony No. 6 9:31 AM Francois De Fossa Quartet for guitar and strings No. 3 9:51 AM Heitor Villa-Lobos Bachianas Brasileiras No. 5 10:00 AM Mid-day Classic Choices - TBA 2:01 PM Wolfgang Amadeus Mozart Thamos, King of Egypt: Overture 2:07 PM C.E.F. Weyse Symphony No. 4 2:36 PM Paul Creston Six Preludes for Piano 2:47 PM Unico Wilhelm van Wassenaer Concerto Armonico No. 4 3:01 PM Heitor Villa-Lobos Twelve Etudes for Guitar 3:35 PM Giovanni Battista Viotti Harp Concerto 3:46 PM Georges Enesco Roumanian Rhapsody No. 1 4:01 PM Ludwig Van Beethoven 12 Variations on "See, the conquering... 4:14 PM Ferruccio Busoni Improvisation on a Bach Chorale, "Wie 4:29 PM Walter Piston Symphony No. 2 5:01 PM Richard Strauss Horn Concerto No. 1 5:19 PM Samuel Barber Dover Beach 5:28 PM Sergei Rachmaninoff Piano Concerto No. 1 6:00 PM The Dinner Hour with Adam Fine 7:00 PM Exploring Music with Bill McGlaughlin 8:00 PM Weeknight Concerts 10:00 PM Performance Today PLAY DATE: Sat, 03/06/2021 7:01 AM Georg Philipp Telemann Oboe D'Amore Concerto 7:20 AM Max Bruch Four Pieces 7:38 AM Leopold Kozeluh (aka Kozeluch) Clarinet Concerto 8:01 AM Maddalena Sirmen Violin Concerto No.
Recommended publications
  • Music for the Christmas Season by Buxtehude and Friends Musicmusic for for the the Christmas Christmas Season Byby Buxtehude Buxtehude and and Friends Friends
    Music for the Christmas season by Buxtehude and friends MusicMusic for for the the Christmas Christmas season byby Buxtehude Buxtehude and and friends friends Else Torp, soprano ET Kate Browton, soprano KB Kristin Mulders, mezzo-soprano KM Mark Chambers, countertenor MC Johan Linderoth, tenor JL Paul Bentley-Angell, tenor PB Jakob Bloch Jespersen, bass JB Steffen Bruun, bass SB Fredrik From, violin Jesenka Balic Zunic, violin Kanerva Juutilainen, viola Judith-Maria Blomsterberg, cello Mattias Frostenson, violone Jane Gower, bassoon Allan Rasmussen, organ Dacapo is supported by the Cover: Fresco from Elmelunde Church, Møn, Denmark. The Twelfth Night scene, painted by the Elmelunde Master around 1500. The Wise Men presenting gifts to the infant Jesus.. THE ANNUNCIATION & ADVENT THE NATIVITY Heinrich Scheidemann (c. 1595–1663) – Preambulum in F major ������������1:25 Dietrich Buxtehude – Das neugeborne Kindelein ������������������������������������6:24 organ solo (chamber organ) ET, MC, PB, JB | violins, viola, bassoon, violone and organ Christian Geist (c. 1640–1711) – Wie schön leuchtet der Morgenstern ������5:35 Franz Tunder (1614–1667) – Ein kleines Kindelein ��������������������������������������4:09 ET | violins, cello and organ KB | violins, viola, cello, violone and organ Johann Christoph Bach (1642–1703) – Merk auf, mein Herz. 10:07 Dietrich Buxtehude – In dulci jubilo ����������������������������������������������������������5:50 ET, MC, JL, JB (Coro I) ET, MC, JB | violins, cello and organ KB, KM, PB, SB (Coro II) | cello, bassoon, violone and organ Heinrich Scheidemann – Preambulum in D minor. .3:38 Dietrich Buxtehude (c. 1637-1707) – Nun komm der Heiden Heiland. .1:53 organ solo (chamber organ) organ solo (main organ) NEW YEAR, EPIPHANY & ANNUNCIATION THE SHEPHERDS Dietrich Buxtehude – Jesu dulcis memoria ����������������������������������������������8:27 Dietrich Buxtehude – Fürchtet euch nicht.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
    [Show full text]
  • Release Sheet
    November 17, 2017 November 17, 2017 TALES OF TWO CITIES The Leipzig-Damascus Coffee House “powerful” “flawless” — The Globe and Mail — Musical Toronto Tafelmusik’s stunning multimedia concert Tales of Two Cities: The Leipzig-Damascus Coffee House is now available as a CD soundtrack and DVD that was filmed before a live audience at the Aga Khan Museum’s auditorium in Toronto. Inspired by the colourful, opulent world of 18th-century Saxon and Syrian coffee houses, Tales of Two Cities is performed entirely from memory by Tafelmusik Baroque Orchestra, ensemble Trio Arabica — Maryem Tollar, voice and qanun; Demetri Petsalakis, oud; and Naghmeh Farahmand, percussion — with narrator Alon Nashman. Described as an “enterprising concept … [that] blends elements that are entertaining, educational, musically rewarding and visually arresting” (Huffington Post Canada), Tales of Two Cities received rapturous critical acclaim at its May 2016 Toronto premiere and was named Best Concert of 2016 by the Spanish classical music magazine Codalario.com. DVD extras include subtitles in Arabic, a video on the restoration of the Dresden Damascus Room, behind-the-scenes footage from rehearsals, and a nine-camera split screen video of the orchestra performing Bach’s Sinfonia after BWV 248 in a new arrangement by Tafelmusik. TALES OF TWO CITIES The Leipzig-Damascus Coffee House DVD (Total Duration 1:37:15) CHAPTERS LISTING Chapter 1: Opening credits/Overture 5:41 Chapter 2: Coffee travels from the Middle East to Venice and Paris 15:57 Chapter 3: Coffee comes to Leipzig
    [Show full text]
  • Verdi Falstaff
    Table of Opera 101: Getting Ready for the Opera 4 A Brief History of Western Opera 6 Philadelphia’s Academy of Music 8 Broad Street: Avenue of the Arts Con9tOperae Etiquette 101 nts 10 Why I Like Opera by Taylor Baggs Relating Opera to History: The Culture Connection 11 Giuseppe Verdi: Hero of Italy 12 Verdi Timeline 13 Make Your Own Timeline 14 Game: Falstaff Crossword Puzzle 16 Bard of Stratford – William Shakespeare 18 All the World’s a Stage: The Globe Theatre Falstaff: Libretto and Production Information 20 Falstaff Synopsis 22 Meet the Artists 23 Introducing Soprano Christine Goerke 24 Falstaff LIBRETTO Behind the Scenes: Careers in the Arts 65 Game: Connect the Opera Terms 66 So You Want to Sing Like an Opera Singer! 68 The Highs and Lows of the Operatic Voice 70 Life in the Opera Chorus: Julie-Ann Whitely 71 The Subtle Art of Costume Design Lessons 72 Conflicts and Loves in Falstaff 73 Review of Philadelphia’s First Falstaff 74 2006-2007 Season Subscriptions Glossary 75 State Standards 79 State Standards Met 80 A Brief History of 4 Western Opera Theatrical performances that use music, song Music was changing, too. and dance to tell a story can be found in many Composers abandoned the ornate cultures. Opera is just one example of music drama. Baroque style of music and began Claudio Monteverdi In its 400-year history opera has been shaped by the to write less complicated music 1567-1643 times in which it was created and tells us much that expressed the character’s thoughts and feelings about those who participated in the art form as writers, more believably.
    [Show full text]
  • My Musical Lineage Since the 1600S
    Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent
    [Show full text]
  • Chopin's Nocturne Op. 27, No. 2 As a Contribution to the Violist's
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory Rafal Zyskowski Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Zyskowski, Rafal, "A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory" (2014). LSU Doctoral Dissertations. 3366. https://digitalcommons.lsu.edu/gradschool_dissertations/3366 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A TALE OF LOVERS: CHOPIN’S NOCTURNE OP. 27, NO. 2 AS A CONTRIBUTION TO THE VIOLIST’S REPERTORY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Rafal Zyskowski B.M., Louisiana State University, 2008 M.M., Indiana University, 2010 May 2014 ©2014 Rafal Zyskowski All rights reserved ii Dedicated to Ms. Dorothy Harman, my best friend ever iii ACKNOWLEDGMENTS As always in life, the final outcome of our work results from a contribution that was made in one way or another by a great number of people. Thus, I want to express my gratitude to at least some of them.
    [Show full text]
  • HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist
    HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist Makinsey Grant . Bb Clarinet Fantasy Piece No. 1 by Robert Schumann Fantasy Piece No. 1 by Robert Schumann (1810 – 1856) was written in 1849. It is the first movement of three pieces written to promote the creative notion of the performer. It allows the performer to be unrestricted with their imagination. Fantasy Piece No. 1 is written to be “Zart und mit Ausdruck” which translates to tenderly and expressively. It begins in the key of A minor to give the audience the sense of melancholy then ends in the key of A major to give resolution and leave the audience looking forward to the next movements. (M. Grant) Tony Lozano . Guitar Tu Lo Sai by Giuseppe Torelli (1650 – 1703) Tu lo sai (You Know It) This musical piece is emotionally fueled. Told from the perspective of someone who has confessed their love for someone only to find that they no longer feel the same way. The piece also ends on a sad note, when they find that they don’t feel the same way. “How much I do love you. Ah, cruel heart how well you know.” (T. Lozano) Ruth Sorenson . Mezzo Soprano Sure on this Shining Night by Samuel Barber Samuel Barber (1910 – 1981) was an American composer known for his choral, orchestral, and opera works. He was also well known for his adaptation of poetry into choral and vocal music. Considered to be one of the composers most famous pieces, “Sure on this shining night,” became one of the most frequently programmed songs in both the United States and Europe.
    [Show full text]
  • Titelei Neu OB 5363 Orgel Quer320x250.Qxp
    7 Einleitung Der vorliegende Band vereinigt alle Orgelkompositionen Bachs, die mit dem Titel Pieterszoon Sweelincks.3 Das Formschema ist in der Regel das einer klassischen, drei- „Fantasia“ überliefert sind,1 die (wenigen) zu einzelnen Fantasien gehörigen Fugen teiligen Rede, die aus Exordium, Medium und Finis besteht, und dies unter genau sowie alle einzeln überlieferte Fugen. Bei näherer Betrachtung gibt es kein einziges durchdachter Proportionierung. autorisiertes und vollständiges Fantasia-et-Fuga-Paar für Orgel. In der Überlieferung Anders als im Kreis der Sweelinck-Schule, wo die „Fantasia“ zum ,stylus phantasticus‘ von BWV 542 erscheinen Fantasia und Fuga meist getrennt, während bei den beiden der norddeutschen Organisten mutierte, reduzierte sich ihre Bedeutung in den meis- c-moll-Stücken BWV 537 und 562 die Fugen (im Falle von BWV 537 höchstwahr- ten anderen Teilen Europas in der zweiten Hälfte des 17. Jahrhunderts auf eine Art scheinlich) unvollendet geblieben sind. Besonders durch diesen Umstand und die Hilfsbegriff für meist kleinere Kompositionen, die nicht etwa als „Fuge“, „Canzone“ Tatsache, dass die Mehrheit der Fantasien als Einzelwerke überliefert sind, bietet es oder ähnliches bezeichnet werden konnten. Das gilt auch für die mitteldeutsche sich an, die Fantasien mit den Einzelfugen in einem Band zu vereinen. Das ermög- Claviermusik am Ende des 17. Jahrhundert, wo „Fantasia“ dann auch gelegentlich als licht auch die beiden Teile des g-moll-Werkes BWV 542 – in der zweiteiligen Gestalt Gattungsbezeichnung auftaucht. Am bedeutendsten sind die sechs erhaltenen eine der berühmtesten Kompositionen Bachs überhaupt – im Zusammenhang zu Beispiele Johann Pachelbels.4 Hier erscheinen als wichtigste Parameter die freie veröffentlichen, obwohl der Quellenbefund eventuell dagegen spricht.
    [Show full text]
  • The Inextricable Link Between Literature and Music in 19Th
    COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57
    [Show full text]
  • IAMIC - IMS Conference 2006 Göteborgthursday June 22, 2006 Örgryte Nya Kyrka GÖTEBORG BAROQUE Vocal and Instrumental Music from the Düben Collection in Uppsala
    IAML - IAMIC - IMS Conference 2006 GöteborgThursday June 22, 2006 Örgryte nya kyrka GÖTEBORG BAROQUE Vocal and Instrumental Music from the Düben Collection in Uppsala Johann Melchior Gletle 0 Beni gni ssi me Jesu 1626-1683 soprano, two violins, sackbutt, organ (Vmhs 85:85) Dieterich Buxtehude Toccata in F BuxWV 156 1637-1707 organ Johann Heinrich Schmelzer Sonata ä 3 1620-1680 two violins, sackbutt, organ (Imhs 8:12) Samuel F. [Bockshorn] Capricornus Laetare Jerusalem 1628-1665 soprano, violin, organ (Vmhs 10:3) Dieterich Buxtehude Vater unser im Himmelreich BuxWV 219 organ Vincenzo Albrici Sinfonia ä 2 1631-1690/96 two violins, organ (Imhs k :2 IOC« Vincenzo Albrici Ornnia qua fecit Deus soprano, two violins, sackbutt, organ (Vmhs 1:17) Kaspar Forster Sonata a 3 1616-1673 two violins, sackbutt, organ (Imhs 3:9a) Johann Adam Reincken Fuga g-moll I623-1722 organ Dieterich Buxtehude Herr, wenn ich nur dich hab BusWV 38 soprano, two violins, organ (Vmhs 6:1 1) Nun lob, mein Seel, den Herren BuxWV 214 organ Christian Geist Wie schön leuchtet der Morgenstern 1650-1711 soprano, two violins, sackbutt, organ (Vmhs 85:85) Anna Jobrant Dalnäs, soprano Fredrik From, baroque violin Per Buhre, baroque violin Daniel Stighäll, sackbut Magnus Kjellson, organ with special thanks to Örgryte Parish and the Göteborg Organ Art Center (GOArt) GÖTEBORG BAROQUE, founded in 2003 by its artistic director Magnus Kjellson, focuses on the instrumental and vocal music of Sweden, Germany, and Italy. Their concerts present the latest in historically-informed performance-practice ideas for the Baroque music, including the use of very few singers per part, a difficult but rewarding vocal practice that gives the music a clearness and transparency of text and musical counterpoint that has become one of the hallmarks of GÖTEBORG BAROQUE performances.
    [Show full text]
  • Dissertation FINAL 5 22
    ABSTRACT Title: BEETHOVEN’S VIOLINISTS: THE INFLUENCE OF CLEMENT, VIOTTI, AND THE FRENCH SCHOOL ON BEETHOVEN’S VIOLIN COMPOSITIONS Jamie M Chimchirian, Doctor of Musical Arts, 2016 Dissertation directed by: Dr. James Stern Department of Music Over the course of his career, Ludwig van Beethoven (1770–1827) admired and befriended many violin virtuosos. In addition to being renowned performers, many of these virtuosos were prolific composers in their own right. Through their own compositions, interpretive style and new technical contributions, they inspired some of Beethoven’s most beloved violin works. This dissertation places a selection of Beethoven’s violin compositions in historical and stylistic context through an examination of related compositions by Giovanni Battista Viotti (1755–1824), Pierre Rode (1774–1830) and Franz Clement (1780–1842). The works of these violin virtuosos have been presented along with those of Beethoven in a three-part recital series designed to reveal the compositional, technical and artistic influences of each virtuoso. Viotti’s Violin Concerto No. 2 in E major and Rode’s Violin Concerto No. 10 in B minor serve as examples from the French violin concerto genre, and demonstrate compositional and stylistic idioms that affected Beethoven’s own compositions. Through their official dedications, Beethoven’s last two violin sonatas, the Op. 47, or Kreutzer, in A major, dedicated to Rodolphe Kreutzer, and Op. 96 in G major, dedicated to Pierre Rode, show the composer’s reverence for these great artistic personalities. Beethoven originally dedicated his Violin Concerto in D major, Op. 61, to Franz Clement. This work displays striking similarities to Clement’s own Violin Concerto in D major, which suggests that the two men had a close working relationship and great respect for one another.
    [Show full text]
  • The Italian Double Concerto: a Study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy
    The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy a document submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts Performance Studies Division – The University of Cincinnati College-Conservatory of Music 2013 by Jason A. Orsen M.M., Kent State University, 2003 B.M., S.U.N.Y Fredonia, 2001 Committee Chair: Dr. Vivian Montgomery Prof. Alan Siebert Dr. Mark Ostoich © 2013 Jason A. Orsen All Rights Reserved 2 Table of Contents Chapter I. Introduction: The Italian Double Concerto………………………………………5 II. The Basilica of San Petronio……………………………………………………11 III. Maestri di Cappella at San Petronio…………………………………………….18 IV. Composers and musicians at San Petronio……………………………………...29 V. Italian Double Concerto…………………………………………………………34 VI. Performance practice issues……………………………………………………..37 Bibliography……………………………………………………………………………………..48 3 Outline I. Introduction: The Italian Double Concerto A. Background of Bologna, Italy B. Italian Baroque II. The Basilica of San Petronio A. Background information on the church B. Explanation of physical dimensions, interior and effect it had on a composer’s style III. Maestri di Cappella at San Petronio A. Maurizio Cazzati B. Giovanni Paolo Colonna C. Giacomo Antonio Perti IV. Composers and musicians at San Petronio A. Giuseppe Torelli B. Petronio Franceschini C. Francesco Onofrio Manfredini V. Italian Double Concerto A. Description of style and use B. Harmonic and compositional tendencies C. Compare and contrast with other double concerti D. Progression and development VI. Performance practice issues A. Ornamentation B. Orchestration 4 I.
    [Show full text]