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Church Bulletin Russian Orthodox Church “St
“КРАСНОЕ СОЛНЫШКО” “SUNSHINE” CHURCH BULLETIN RUSSIAN ORTHODOX CHURCH “ST. VLADIMIR”, HOUSTON DECEMBER 2009 The most pure Temple of the Savior, The precious Chamber and Virgin, The sacred Treasure of the glory of God, Is presented today to the house of the Lord. She brings with her the grace of the Spirit, Which the angels of God do praise. Truly this woman is the Abode of Heaven! Kontakion in Tone 4 The Entry into the Temple of the Most-holy Theotokos "When the Most-holy Virgin Mary reached the age of three, her holy parents Joachim and Anna took her from Nazareth to Jerusalem to dedicate her to the service of God according to their earlier promise. It was a three-day journey from Nazareth to Jerusalem but, traveling to do a God-pleasing work, this journey was not difficult for them. Many kinsmen of Joachim and Anna gathered in Jerusalem to take part in this event, at which the invisible angels of God were also present. Leading the procession into the Temple were virgins with lighted tapers in their hands, then the Most-holy Virgin, led on one side by her father and on the other side by her mother. The virgin was clad in vesture of royal magnificence and adornments as was befitting the ``King's daughter, the Bride of God'' (Psalm 45:13-15). Following them were many kinsmen and friends, all with lighted tapers. Fifteen steps led up to the Temple. Joachim and Anna lifted the Virgin onto the first step, then she ran quickly to the top herself, where she was met by the High Priest Zacharias, who was to be the father of St. -
Ukrainian Orthodox Calendar
АВОСЛАВ ПР НИ Й THODO Й R X И O К К N C А Ь A A I L Л С N E Е I Н Н N Ї A D Д А R A Р А K 2021 R К Р U У Personal Information - Особиста Iнформацiя Name - Iм’я Address - Адреса Phone - Телефон Parish - Парафiя Published by THE UKRAINIAN ORTHODOX CHURCH OF THE USA PO Box 495 South Bound Brook, NJ 08880 USA 1 From 1950 our Church has published the Ukrainian Orthodox Calendar. It has become not only a source of spiritual nourishment, but also the official directory UOC of the USA of the Ukrainian Orthodox Church in the USA. Metropolitan In order to better serve the faithful of the Orthodox Eastern Eparch Church our Calendar features: His Eminence Antony • directories of parishes and clergy • necrology of the clergy of UOC of the USA Consistory President • highlights of the past year Western Eparch • information about business services who His Eminence Archbishop Daniel contribute to the mission of our Church • Calendar Minea in English and Ukrainian languages Office of Public Relations Rev. Ivan Synevskyy The editorial board of the Ukrainian Orthodox Calendar 2021 prays that the readers of our almanac Calendar-Minea Preparation will find in it a true witness to the mission of our V. Rev. Pavlo Bodnarchuk Church in (modern) society. We look forward to receiving spiritual, historical and cultural articles for publication in future calendars. The Ukrainian Orthodox Calendar 2021 is an official publication of the Ukrainian Orthodox Church of the Submissions should be sent to the USA and is distributed only by the Consistory. -
This Content Downloaded from 132.174.254.159 on Tue, 08 Dec
This content downloaded from 132.174.254.159 on Tue, 08 Dec 2015 11:09:27 UTC All use subject to JSTOR Terms and Conditions LETTERS FROM HEAVEN: POPULAR RELIGION IN RUSSIA AND UKRAINE This content downloaded from 132.174.254.159 on Tue, 08 Dec 2015 11:09:27 UTC All use subject to JSTOR Terms and Conditions This page intentionally left blank This content downloaded from 132.174.254.159 on Tue, 08 Dec 2015 11:09:27 UTC All use subject to JSTOR Terms and Conditions Edited by JOHNPAUL HIMKA and ANDRIY ZAYARNYUK Letters from Heaven Popular Religion in Russia and Ukraine UNIVERSITY OF TORONTO PRESS Toronto Buffalo London This content downloaded from 132.174.254.159 on Tue, 08 Dec 2015 11:09:27 UTC All use subject to JSTOR Terms and Conditions www.utppublishing.com © University of Toronto Press Incorporated 2006 Toronto Buffalo London Printed in Canada ISBN13: 9780802091482 ISBN10: 0802091482 Printed on acidfree paper Library and Archives Canada Cataloguing in Publication Letters from heaven : popular religion in Russia and Ukraine / edited by John•Paul Himka and Andriy Zayarnyuk. ISBN13: 9780802091482 ISBN10: 0802091482 1. Russia – Religion – History. 2. Ukraine – Religion – History. 3. Religion and culture – Russia (Federation) – History. 4. Religion and culture – Ukraine – History. 5. Eastern Orthodox Church – Russia (Federation) – History. 6. Eastern Orthodox Church – Ukraine – History. I. Himka, John•Paul, 1949– II. Zayarnyuk, Andriy, 1975– BX485.L48 2006 281.9 947 C20069037116 University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council. -
Akathist-To-Our-Lady-Of-Sitka-1
Akathist Service to Our Lady of Sitka The Sitka Icon of the Mother of God Located at the Cathedral of Saint Michael the Archangel in Sitka, Alaska is one of the most revered Icons in North America: the Sitka Mother of God. This Icon has been attributed to a famous Iconographer, Vladimir Lukich Borovikovsky (1758-1826), a protégé of the Empress Catherine II who was instructed at the Academy of Arts in Saint Petersburg, Russia. In addition to being a great portrait painter, Borovikovsky also painted many of the Icons for the Cathedral of the Kazan Icon in Saint Petersburg. Painted in the style of the Kazan Mother of God Icon, on canvas, the Sitka Mother of God Icon is 36 x 17-1/2 inches in size. An exceptionally beautiful and detailed riza of silver covers the Icon of the Theotokos and Christ child, and the Image of God the Father blessing from above. The Cathedral received the Icon as a gift from the laborers of the Russian American Company in 1850, two years after the Cathedral was completed. Even with their meager wages, these men generously made their contribution to the Church. Miracles have been attributed to the Sitka Mother of God Icon over the years. It is believed that the gaze of the eyes of the Theotokos have led to the restored health of those who prayed before the Icon. I Because of the peaceful gaze of the Theotokos, the Icon has been described as a “pearl of Russian ecclesiastical art of ineffable gentleness, purity and harmony....” And “...the most beautiful face of the Mother of God with the Divine Child in her arms is so delicately and artistically done that the more one looks at it the more difficult it is to tear one’s gaze away.” Originally part of the main Iconostasis at the Cathedral of Saint Michael the Archangel in Sitka, Alaska, the Icon is now permanently located on the far left side of the Iconostasis in a special place of honor. -
Iconografia Prebizantina Bizantina E Postbizantina
For.D Iconografia Prebizantina Bizantina e Postbizantina Pasqua 2009 In copertina: Icona copta XIII° sec. Monastero di Santa Caterina Sinai Iconografia bizantina e postbizantina INDICE INDICE ...................................................................................................................................... 3 Introduzione....................................................................................................... 7 Come era percepita l’immagine nell’antichità ................................................. 10 Breve storia della contesa iconoclasta ............................................................. 11 Conseguenze della contesa iconoclasta sull’arte bizantina .............................. 15 Ingresso della fede ortodossa nel mondo slavo ............................................... 16 IL VOLTO DI CRISTO .......................................................................................... 19 Introduzione .................................................................................................. 21 Le contese cristologiche dei primi secoli ....................................................... 22 Le prime immagini preiconoclaste................................................................. 23 Le immagini posticonoclaste ......................................................................... 35 L’immagine di Cristo detto ‘Pantocrator’ ...................................................... 36 L’immagine di Cristo detta ‘Acheropoieta’ o ‘Non Dipinta da Mano Umana’ 44 L’immagine di -
Attributing the Zvenigorodsky Chin
DISCOVERIES Attributing the Zvenigorodsky Chin Levon Nersesyan talks with Oxana Golovko Translated by Vera Winn Artistic Technique were moving backward and forward. Note: On June 26, In the latter case, the final image 2017, the State Levon, tell us how you discovered rarely corresponds with the prepara- Tretyakov Gallery in Moscow held a that the Zvenigorodsky Chin was tory drawings, and there are quite a press conference on not painted by Andrei Rublev. few corrections even in the prepara- the authorship of the tory drawing itself. It is obvious that Zvenigorodskiy Chin, a A difference in painting technique the first master was accustomed to famous depiction of the Deisis (suppli- between the Zvenigorodsky Chin and working out all the details clearly and cation) featuring the the Holy Trinity is clearly visible with- neatly from the very beginning, while Archangel Michael, out the use of any scientific devices, the second created a rough sketch Christ, and St. Paul. but before we drew any conclusions, and then modified the form of the im- This triptych was long attributed to the it was necessary to analyze the tech- age in the process of painting. 14th–15th century niques used as accurately and ob- iconographer Andrei jectively as possible, and only then Careful microscopic examination and Rublev, but scientists to compare the objects visually. We microphotography of the paintings and restorers now be- lieve the icons were followed a universal, internation- enabled us to clarify the number and painted by a different ally recognized method of extensive sequence of paint layers. These tech- hand, or possibly by analysis. -
MARCH 8, 2020 Very Rev
The Roman Catholic Diocese of Charlotte The Most Reverend Peter J. Jugis Bishop of Charlotte MARCH 8, 2020 Very Rev. Christopher A. Roux 2ND SUNDAY OF LENT Rector & Pastor SUNDAY CYCLE: A — WEEKDAY CYCLE: II — PSALTER: WEEK II WEEKEND MASSES Saturday Vigil: 5:30 pm Sunday: 7:30 am, 9 am, 11 am, and 12:30 pm WEEKDAY MASSES Monday - Friday: 12:10 pm Friday (school year): 8:30 am Saturday: 8 am HOLY DAY SCHEDULE 7:30 am, 12:10 pm, 7 pm CONFESSION Thirty minutes before daily Masses Saturday: 4 - 5 pm Sunday: 10 - 11 am ADORATION Wednesday: 8 am - 6 pm Sunday: 10 - 11 am PARISH OFFICE HOURS Monday - Friday: 9 am - 5 pm Closed Fridays during the summer Mission Statement We the members of The Cathedral of St. Patrick, through the mer cy of God the Father, the grace of Jesus Christ, and the power of the Holy Spirit, seek to grow continually in knowledge of and love for God. We strive to enable ongoing conversion to Christ of our adults, to inspire faith in our children, and to be witnesses of His love in the greater community. Address: 1621 Dilworth Road East, Charlotte, NC 28203 Phone: (704) 334-2283 E-Mail: [email protected] Web Site: www.stpatricks.org THIS WEEK AT THE CATHEDRAL DATE MASSES EVENTS 7:30 AM—Confession 8:00 AM Brendan Dignan 8:00 AM—3:00 PM—Stroke Screenings Saturday Requested by the Dignan Family 4:00 PM—Confession March 7th 5:30 PM Jeannie Grant 4:00 PM—Children’s Choir Practice 5:30 PM—9:00 PM—Boy Scout Mass & Court of Requested by Carol Rains Honor 7:30 AM Michele Bertsch Requested by St. -
Framing the Holy: Revetments on Late Byzantine Icons
Framing the Holy: Revetments on Late Byzantine Icons by Elizabeth Yoder Moss A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Art University of Toronto © Copyright by Elizabeth Yoder Moss 2016 Framing the Holy: Revetments on Late Byzantine Icons Elizabeth Yoder Moss Doctor of Philosophy Graduate Department of Art University of Toronto 2016 Abstract This study examines icon revetments produced during the late Byzantine period (1261–1453), situating them within the diversity of mixed-media, multisensory, and multivalent devotional images that combined personal piety with conspicuous consumption and the public spectacle of lavish patronage. These works are evidence of the “ornamental turn”—a paradigm shift marked by the increase of ornament on visual works that mediated wealth, spiritual devotion, and social power. Revetted icons do not make arguments about the faithful representation of prototypes; they make arguments about faithful veneration. Beginning with a historiographic study of ornament, the thesis examines how the ornamental vocabulary on revetments manifests relationships between specific decorated icons. Indices of ornament motifs and a catalogue of surviving icon revetments and frames from the eleventh through fifteenth centuries constitute the appendices. In chapter 2, I argue that the previously unstudied decorated strips added to the icon of the Mother of God Hodegetria in Ohrid were part of a larger project aimed at legitimizing Serbian emperor Stefan Uroš IV Dušan (r. 1331–55) and his archbishop Nicholas in Ohrid. They structured their leadership in the Balkans on their contemporaries in Constantinople. In chapter 3, I present a new reading of the dedicatory prayers inscribed on the icon of the Mother of God in Freising. -
Etypikon 2021 Jan-Apr
esus said to Simon Peter, “Simon, son of Jonah, do you love Me more than these?” He said to Him, “Yes, Lord; You know that I love You.” He said to him, “Feed My lambs.” JHe said to him again a second time, “Simon, son of Jonah, do you love Me?” He said to Him, “Yes, Lord; You know that I love You.” He said to him, “Tend My sheep.” He said to him the third time, “Simon, son of Jonah, do you love Me?” Peter was grieved because He said to him the third time, “Do you love Me?” And he said to Him, “Lord, You know all things; You know that I love You.” Jesus said to him, “Feed My sheep.” John 21:15-17 Toronto • 2020 • Торонто СЛАВА ІСУСУ ХРИСТУ 3 GLORY TO JESUS CHRIST This typikon was prepared by Fr. Bohdan Hladio of St. John the Baptist Ukrainian Orthodox Church in Oshawa, Ontario, as part of the pastyr.ca project — a vounteer-initiated and maintained web portal to support the preparation, publication and dissemination of Orthodox liturgical texts and music as practised in the Eastern Eparchy of the Ukrainian Orthodox Church of Canada. This typikon is based upon the original work of then Archimandrite Job (Getcha) — now Archbishop Job of Telmessos — an enduring foundation to which the present work is indebted. The liturgical directives contained herein conform to the rules governing the order for services found in the Typikon of the Orthodox Church. Since this typikon has been prepared for parish usage, certain abridgements have been made. -
The Icon of the Pochayiv Mother of God: a Sacred Relic Between East and West
The Icon of the Pochayiv Mother of God: A Sacred Relic between East and West Franklin Sciacca Hamilton College Clinton, New York Introduction There are myriad icons of the Mother of God that are designated as “miracle-working” (chudotvornyi in Ukrainian and Russian) in the Orthodox and Catholic lands of Eastern Europe. Thaumaturgic powers are often ascribed to the icon itself and therefore such panels are venerated with particular devotion. Pilgrims seek physical contact with these objects. From the lands of medieval Kievan Rus’, there are four surviving icons with Byzantine pedigree that achieved “miracle- working” status as early as the 11th c.: The Vladimir icon (known in Ukrainian tradition as Vyshhorod, after the location of the convent north of Kiev where it was originally kept); the Kievo-Pechersk icon of the Dormition; the Kholm icon (attributed to Evangelist Luke); and the so-called Black Madonna of Częstochowa (originally housed in Belz, and for the last 600 years in the Jasna Gora monastery in Poland). All of them are surrounded by complex folkloric legends of origin and accounts of miraculous interventions. In later centuries, numerous other wonder-working icons appeared in Ukrainian, Belarusian, Russian, Polish, Balkan lands, Figure 1: Pochayiv Mother Of among which is a relative late-comer (known from the late 16th c.)--The icon God in Dormition Cathedral, of the Mother and Child that was venerated at the Pochayiv monastery in Western Pochayiv Lavra. Ukraine. This small, originally domestic, icon achieved significant cult status throughout Eastern Europe, both in Orthodox and Catholic milieus. This article seeks to examine the origin of the icon in the context of the development of the monastery whose reputation was built as its repository. -
Gateway Version 2010 Calendar
CALENDAR MINEA ÊÀËÅÍÄÀÐ ÌIÍÅß JANUARY 2010 FRIDAY 1 (19 Dec.) Martyr Boniface at Tarsus in Cilicia (290), and Righteous Aglae (Aglaida) of Rome. Martyrs Elias, Probus, and Ares, in Cilicia (308). Martyrs Polyeuctus at Caeasarea in Cappadocia, and Timothy the deacon. St. Boniface the Merciful, bishop of Ferentino (VI cent.). St. Gregory, arch- bishop of Omirits (c. 552). St. Elias, wonderworker of the Kyiv Caves (c. 1188). Ven. Am- philocius of Pochaiv (1971). Heb. 11, 8, 11-16 Mk. 9, 33-41 Sat. Eph. 5, 1-8 Lk. 14, 1-11 SATURDAY 2 (20 Dec.) Saturday before the Nativity of Christ. Hieromartyr Ignatius the God-bearer, bishop of Anti- och (107). St. Philogonius, bishop of Antioch (c. 323).St.Daniel, archbishop of Serbia (1338). Ven. Ignatius, archimandrite of the Kyiv Caves (1435). Matins: Mt. 6, 1-13 Sat. before the Nativity: Gal. 3, 8-12 Lk. 8, 18-29 Hieromartyr: Heb. 4, 14 – 5, 6 Mk. 9, 33-41 SUNDAY 3 (21 Dec.) 30TH SUNDAY AFTER PENTECOST. Tone 5 SUNDAY BEFORE THE NATIVITY OF CHRIST. SUNDAY OF THE HOLY FATHERS. Virgin-martyr Juliana and with her 500 men and 130 women in Nicomedia (304). Martyr Themistocles of Myra and Lycia (251). Repose of St. Peter, metropolitan of Kyiv and all- Rus’-Ukraine (1326). Repose of St. Philaret, metropolitan of Kyiv (1857). Matins: Jn. 20, 11-18 Sunday before the Nativity: Heb. 11, 9-10, 17-23, 32-40 Mt. 1, 1-25 Col. 3, 12-16 Lk. 18, 18-27 MONDAY 4 (22 Dec.) 31st week after Pentecost. Great-martyr Anastasia, and her teacher Chrysogonus, and with them martyrs Theodota, Evodias, Eutychianus, and others who suffered under Diocletian (c. -
Coptic Church Review
ISSN 0273-3269 COPTIC CHURCH REVIEW Volume 24, Numbers 1 & 2 . .Spring/Summer 2003 Special Issue WITNESS TO HOLINESS: ABBA DANIEL OF SCETIS Visit our INTERNET Home Page: http://home.ptd.net/~yanney/ Society of Coptic Church Studies ADVISORY BOARD COPTIC CHURCH REVIEW Bishop Wissa (Al-Balyana, Egypt) Bishop Antonious Markos A Quarterly of Contemporary Patristic Studies (Coptic Church, African Affairs) ISSN 0273-3269 Bishop Isaac (Quesna, Egypt) Volume 24 Bishop Dioscorus Numbers 1 & 2 . .Spring/Summer 2003 (Coptic Church, Egypt) Fr. Tadros Malaty (Alexandria, Egypt) 2 Witness to Holiness: Abba Daniel Professor Fayek Ishak of Scetis (Ontario, Canada) Tim Vivian William El-Meiry, Ph.D. (N.J., U.S.A.) 53 Worthy or Unworthy: How the Bread Girgis A. Ibrahim, Ph.D. (Florida, U.S.A.) of Life Brought Death into Corinth! Rodolph Yanney Esmat Gabriel, Ed.D. (PA., U.S.A.) EDITOR IN CHIEF: 61 Book Review Rodolph Yanney, M.D. EDITOR: • L’Incarnation de la Lumière: Le Maged S.A. Mikhail renouveau: iconographique copte CIRCULATION MANAGER à travers l’oeuvre d’Isaac Fanous Ralph Yanney © Copyright 2003 by Coptic Church Review E. Brunswick, NJ Subscription and Business Address: Society of Coptic Church Studies P.0.Box 714 E. Brunswick, NJ 08816 email: [email protected] Editorial Address: Maged S. A. Mikhail Editor, Coptic Church Review 1744 Oarkridge Cr. W. Covina, CA 91792 email: [email protected] Subscription Price (1 Year) U.S.A. $10.00 Canada $12.00 (U.S. dollars) Overseas $15.00 (Airmail) This periodical is indexed in the ATLA Regional Database, published by the American Theological Library Assoc.