The Icon of the Pochayiv Mother of God: a Sacred Relic Between East and West
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Turkey: the World’S Earliest Cities & Temples September 14 - 23, 2013 Global Heritage Fund Turkey: the World’S Earliest Cities & Temples September 14 - 23, 2013
Global Heritage Fund Turkey: The World’s Earliest Cities & Temples September 14 - 23, 2013 Global Heritage Fund Turkey: The World’s Earliest Cities & Temples September 14 - 23, 2013 To overstate the depth of Turkey’s culture or the richness of its history is nearly impossible. At the crossroads of two continents, home to some of the world’s earliest and most influential cities and civilizations, Turkey contains multi- tudes. The graciousness of its people is legendary—indeed it’s often said that to call a Turk gracious is redundant—and perhaps that’s no surprise in a place where cultural exchange has been taking place for millennia. From early Neolithic ruins to vibrant Istanbul, the karsts and cave-towns of Cappadocia to metropolitan Ankara, Turkey is rich in treasure for the inquisi- tive traveler. During our explorations of these and other highlights of the coun- FEATURING: try, we will enjoy special access to architectural and archaeological sites in the Dan Thompson, Ph.D. company of Global Heritage Fund staff. Director, Global Projects and Global Heritage Network Dr. Dan Thompson joined Global Heritage Fund full time in January 2008, having previously conducted fieldwork at GHF-supported projects in the Mirador Basin, Guatemala, and at Ani and Çatalhöyük, both in Turkey. As Director of Global Projects and Global Heri- tage Network (GHN), he oversees all aspects of GHF projects at the home office, manages Global Heritage Network, acts as senior editor of print and web publica- tions, and provides support to fundraising efforts. Dan has BA degrees in Anthropology/Geography and Journalism, an MA in Near Eastern Studies from UC Berkeley, and a Ph.D. -
BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
Download Download
Journal of Arts & Humanities Volume 10, Issue 02, 2021: 28-50 Article Received: 02-02-2021 Accepted: 22-02-2021 Available Online: 28-02-2021 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: https://doi.org/10.18533/jah.v10i2.2053 The Enthroned Virgin and Child with Six Saints from Santo Stefano Castle, Apulia, Italy Dr. Patrice Foutakis1 ABSTRACT A seven-panel work entitled The Monopoli Altarpiece is displayed at the Museum of Fine Arts in Boston, Massachusetts. It is considered to be a Cretan-Venetian creation from the early fifteenth century. This article discusses the accounts of what has been written on this topic, and endeavors to bring field-changing evidence about its stylistic and iconographic aspects, the date, the artists who created it, the place it originally came from, and the person who had the idea of mounting an altarpiece. To do so, a comparative study on Byzantine and early-Renaissance painting is carried out, along with more attention paid to the history of Santo Stefano castle. As a result, it appears that the artist of the central panel comes from the Mystras painting school between 1360 and 1380, the author of the other six panels is Lorenzo Veneziano around 1360, and the altarpiece was not a single commission, but the mounting of panels coming from separate artworks. The officer Frà Domenico d’Alemagna, commander of Santo Stefano castle, had the idea of mounting different paintings into a seven-panel altarpiece between 1390 and 1410. The aim is to shed more light on a piece of art which stands as a witness from the twilight of the Middle Ages and the dawn of Renaissance; as a messenger from the Catholic and Orthodox pictorial traditions and collaboration; finally as a fosterer of the triple Byzantine, Gothic, Renaissance expression. -
Conversion of Kariye Museum to Mosque in Turkey
Conversion of Kariye Museum to Mosque in Turkey August 24, 2020 A month after turning the iconic Hagia Sophia museum, originally a cathedral, into a mosque, Turkey’s government has decided to convert another Byzantine monument in Istanbul, which has been a museum for over 70 years, into a working mosque. Late last year, the Council of State, the highest administrative court in Turkey, had removed legal hurdles for the Chora (Kariye) museum’s reconversion into a mosque. President Recep Tayyip Erdogan, whose Islamist AK Party has long called for the reconversion of the Ottoman-era mosques that were secularised by Kemalists, signed a decree, transferring the management of the medieval monument to the Directorate of Islamic Affairs. Kariye Museum Originally built in the early 4th century as a chapel outside the city walls of Constantinople built by Constantine the Great, the Chora Church was one of the oldest religious monuments of the Byzantine era and of eastern Orthodox Christianity. It’s believed that the land where the chapel was built was the burial site of Babylas of Antioch, a saint of Eastern Christians, and his disciples. Emperor Justinian I, who built Hagia Sophia during 532-537, reconstructed Chora after the chapel had been ruined by an earthquake. Since then, it has been rebuilt many times. Today’s structure is considered to be at least 1,000 years old. Maria Doukaina, the mother-in-law of Emperor Alexios Komnenos I, launched a renovation project in the 11th century. She rebuilt Chora into the shape of a quincunx, five circles arranged in a cross which was considered a holy shape during the Byzantine era. -
Barthé, Darryl G. Jr.Pdf
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Becoming American in Creole New Orleans: Family, Community, Labor and Schooling, 1896-1949 Darryl G. Barthé, Jr. Doctorate of Philosophy in History University of Sussex Submitted May 2015 University of Sussex Darryl G. Barthé, Jr. (Doctorate of Philosophy in History) Becoming American in Creole New Orleans: Family, Community, Labor and Schooling, 1896-1949 Summary: The Louisiana Creole community in New Orleans went through profound changes in the first half of the 20th-century. This work examines Creole ethnic identity, focusing particularly on the transition from Creole to American. In "becoming American," Creoles adapted to a binary, racialized caste system prevalent in the Jim Crow American South (and transformed from a primarily Francophone/Creolophone community (where a tripartite although permissive caste system long existed) to a primarily Anglophone community (marked by stricter black-white binaries). These adaptations and transformations were facilitated through Creole participation in fraternal societies, the organized labor movement and public and parochial schools that provided English-only instruction. -
Russian Christian Orthodox Icons of the Mother of God George Contis M.D
University of Dayton eCommons Marian Library Art Exhibit Guides Spirituality through Art 2015 Russian Christian Orthodox Icons of the Mother of God George Contis M.D. Follow this and additional works at: https://ecommons.udayton.edu/ml_exhibitguides Recommended Citation Contis, George M.D., "Russian Christian Orthodox Icons of the Mother of God" (2015). Marian Library Art Exhibit Guides. 5. https://ecommons.udayton.edu/ml_exhibitguides/5 This Exhibit Guide is brought to you for free and open access by the Spirituality through Art at eCommons. It has been accepted for inclusion in Marian Library Art Exhibit Guides by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H . Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H. Booklet created for the exhibit: Icons from the George Contis Collection Revelation Cast in Bronze SEPTEMBER 15 – NOVEMBER 13, 2015 Marian Library Gallery University of Dayton 300 College Park Dayton, Ohio 45469-1390 937-229-4214 All artifacts displayed in this booklet are included in the exhibit. The Nativity of Christ Triptych. 1650 AD. The Mother of God is depicted lying on her side on the middle left of this icon. Behind her is the swaddled Christ infant over whom are the heads of two cows. Above the Mother of God are two angels and a radiant star. The side panels have six pairs of busts of saints and angels. Christianity came to Russia in 988 when the ruler of Kiev, Prince Vladimir, converted. -
Dositheos Notaras, the Patriarch of Jerusalem (1669-1707), Confronts the Challenges of Modernity
IN SEARCH OF A CONFESSIONAL IDENTITY: DOSITHEOS NOTARAS, THE PATRIARCH OF JERUSALEM (1669-1707), CONFRONTS THE CHALLENGES OF MODERNITY A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Christopher George Rene IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Adviser Theofanis G. Stavrou SEPTEMBER 2020 © Christopher G Rene, September 2020 i Acknowledgements Without the steadfast support of my teachers, family and friends this dissertation would not have been possible, and I am pleased to have the opportunity to express my deep debt of gratitude and thank them all. I would like to thank the members of my dissertation committee, who together guided me through to the completion of this dissertation. My adviser Professor Theofanis G. Stavrou provided a resourceful outlet by helping me navigate through administrative channels and stay on course academically. Moreover, he fostered an inviting space for parrhesia with vigorous dialogue and intellectual tenacity on the ideas of identity, modernity, and the role of Patriarch Dositheos. It was in fact Professor Stavrou who many years ago at a Slavic conference broached the idea of an Orthodox Commonwealth that inspired other academics and myself to pursue the topic. Professor Carla Phillips impressed upon me the significance of daily life among the people of Europe during the early modern period (1450-1800). As Professor Phillips’ teaching assistant for a number of years, I witnessed lectures that animated the historical narrative and inspired students to question their own unique sense of historical continuity and discontinuities. Thank you, Professor Phillips, for such a pedagogical example. -
Manolis G. Varvounis * – Nikos Rodosthenous Religious
Manolis G. Varvounis – Nikos Rodosthenous Religious Traditions of Mount Athos on Miraculous Icons of Panagia (The Mother of God) At the monasteries and hermitages of Mount Athos, many miraculous icons are kept and exhibited, which are honored accordingly by the monks and are offered for worship to the numerous pilgrims of the holy relics of Mount Athos.1 The pil- grims are informed about the monastic traditions of Mount Athos regarding these icons, their origin, and their miraculous action, during their visit to the monasteries and then they transfer them to the world so that they are disseminated systemati- cally and they can become common knowledge of all believers.2 In this way, the traditions regarding the miraculous icons of Mount Athos become wide-spread and are considered an essential part of religious traditions not only of the Greek people but also for other Orthodox people.3 Introduction Subsequently, we will examine certain aspects of these traditions, based on the literature, notably the recent work on the miraculous icons in the monasteries of Mount Athos, where, except for the archaeological and the historical data of these specific icons, also information on the wonders, their origin and their supernatural action over the centuries is captured.4 These are information that inspired the peo- ple accordingly and are the basis for the formation of respective traditions and re- ligious customs that define the Greek folk religiosity. Many of these traditions relate to the way each icon ended up in the monastery where is kept today. According to the archetypal core of these traditions, the icon was thrown into the sea at the time of iconoclasm from a region of Asia Minor or the Near East, in order to be saved from destruction, and miraculously arrived at the monastery. -
Gold-Ground Panel Painting Author Tie Jojima
Gold-ground Panel Painting Author Tie Jojima Video documenting gold-ground panel painting produced by the Getty Museum: https://www.youtube.com/watch?v=WVyusmjiTXI&t=9s This video produced by the Getty museum, provides the steps involved in the creation th of 16 century altarpiece panels made with gold leaves and tempera painting. The video narrates each of the steps, focusing on the craftsmanship and different materials. This is a good teaching resource to complement a lecture on the Early Renaissance because it helps the students to appreciate craftsmanship and skills involved in the creation of altarpieces, and it generates discussions on the value and cultural significance of those works. At the end of this class and after showing the video, if there is enough time, I like to show contemporary examples of artists utilizing gold leaf, such as Barkley Hendricks’ Lawdy Mama (1969) and Chris Ofili’s The Holy Virgin Mary (1996), and open for discussion on the different meanings of gold, past and present. Learning Goals: After completion of this assignment, students will be able to: - Explain the technical and material aspects of gold-ground panel painting. - Analyze how the technique influences the resulting artwork. Activity - During a class on the Early Renaissance, while looking at altarpieces by Cimabue or Giotto, I explain tempera painting and the process of gold leaf application in general terms. - After the lecture, students watch the Gerry Museum video on gold-ground panel painting, while working on a series of guiding questions that direct them during the video (sample attached) - After the video, we discuss as a class about what surprised them in the process, and how technique might influence the resulting artwork. -
February 9, 2020 ~ Holy Cross Catholic Church Austin, Tx
FEBRUARY 9, 2020 ~ HOLY CROSS CATHOLIC CHURCH AUSTIN, TX. FIFTH SUNDAY IN ORDINARY TIME Invest just five minutes a day, and your Peace, Black Madonna, Theotokos Friday, Feb 14, 2020 Faith will deepen and grow, a day at a (God-Bearer), and all of the “Our Lady MEMORIAL OF CYRIL, MONK, AND Time METHODIUS, BISHOP of” titles. Throughout history, many people have had powerful moments in Overcome division Sunday, Feb 09, 2020 It’s Valentine’s Day, yes, but it’s also the FIFTH SUNDAY IN ORDINARY TIME which they experience Mary’s motherly memorial of Saints Cyril and Methodius, two A light set on a hill care and encouragement in following clerics who were brothers. These In 1886, one African-American priest Jesus. In these experiences Mary’s missionary-linguists are best known as served the U.S. church: former slave faith and tenderness become accessible “Apostles to the Slavs.” Yet instead of being Augustus Tolton. Sad to say, Catholic as she appears in the culture and time honored during their lifetime for success in America didn’t abandon its racism of the people. She draws close to them spreading the faith, they were so embroiled in overnight with Father Tolton’s in images and languages that they ecclesial fights (many over the use of the ordination. Nearly a century later in understand. What images of Mary are Slavonic language) that Methodius spent two 1979, U.S. bishops were still obliged to years imprisoned in a monastery. Today it important for you today? Take time to seems ludicrous to persecute someone for release a teaching on racism, Brothers explore the “Marys” and learn how communicating the faith in the most and Sisters to Us. -
I MARY for TODAY: RENEWING CATHOLIC MARIAN DEVOTION
MARY FOR TODAY: RENEWING CATHOLIC MARIAN DEVOTION AFTER THE SECOND VATICAN COUNCIL THROUGH ST. LOUIS-MARIE DE MONTFORT’S TRUE DEVOTION TO MARY Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Theological Studies By Mary Olivia Seeger, B.A. UNIVERSITY OF DAYTON Dayton, Ohio August 2019 i MARY FOR TODAY: RENEWING CATHOLIC MARIAN DEVOTION AFTER THE SECOND VATICAN COUNCIL THROUGH ST. LOUIS-MARIE DE MONTFORT’S TRUE DEVOTION TO MARY Name: Seeger, Mary Olivia APPROVED BY: Elizabeth Groppe, Ph.D. Faculty Advisor Dennis Doyle, Ph.D. Reader Naomi D. DeAnda, Ph.D. Reader Daniel S. Thompson, Ph.D. Department Chair ii © Copyright by Mary Olivia Seeger All rights reserved 2019 iii ABSTRACT MARY FOR TODAY: RENEWING CATHOLIC MARIAN DEVOTION AFTER THE SECOND VATICAN COUNCIL THROUGH ST. LOUIS-MARIE DE MONTFORT’S TRUE DEVOTION TO MARY Name: Seeger, Mary Olivia University of Dayton Advisor: Dr. Elizabeth Groppe The purpose and content of my thesis is to investigate and assess how St. Louis- Marie de Montfort’s True Devotion to Mary contributes to a renewal of Marian devotion in the Catholic Church after the Second Vatican Council. My thesis focuses on a close reading of the primary texts of St. Louis-Marie de Montfort (True Devotion to Mary), the Second Vatican Council (Lumen Gentium, the Constitution on the Church), and St. John Paul II (Redemptoris Mater). As part of my theological method, I renewed my Marian consecration and interviewed four other people who currently practice Marian devotion. -
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Adam R. Gustafson June 2011 © 2011 Adam R. Gustafson All Rights Reserved 2 This dissertation titled The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria by ADAM R. GUSTAFSON has been approved for the School of Interdisciplinary Arts and the College of Fine Arts _______________________________________________ Dora Wilson Professor of Music _______________________________________________ Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GUSTAFSON, ADAM R., Ph.D., June 2011, Interdisciplinary Arts The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria Director of Dissertation: Dora Wilson Drawing from a number of artistic media, this dissertation is an interdisciplinary approach for understanding how artworks created under the patronage of Albrecht V were used to shape Catholic identity in Bavaria during the establishment of confessional boundaries in late sixteenth-century Europe. This study presents a methodological framework for understanding early modern patronage in which the arts are necessarily viewed as interconnected, and patronage is understood as a complex and often contradictory process that involved all elements of society. First, this study examines the legacy of arts patronage that Albrecht V inherited from his Wittelsbach predecessors and developed during his reign, from 1550-1579. Albrecht V‟s patronage is then divided into three areas: northern princely humanism, traditional religion and sociological propaganda.