Conversion of Kariye Museum to Mosque in Turkey
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Turkey: the World’S Earliest Cities & Temples September 14 - 23, 2013 Global Heritage Fund Turkey: the World’S Earliest Cities & Temples September 14 - 23, 2013
Global Heritage Fund Turkey: The World’s Earliest Cities & Temples September 14 - 23, 2013 Global Heritage Fund Turkey: The World’s Earliest Cities & Temples September 14 - 23, 2013 To overstate the depth of Turkey’s culture or the richness of its history is nearly impossible. At the crossroads of two continents, home to some of the world’s earliest and most influential cities and civilizations, Turkey contains multi- tudes. The graciousness of its people is legendary—indeed it’s often said that to call a Turk gracious is redundant—and perhaps that’s no surprise in a place where cultural exchange has been taking place for millennia. From early Neolithic ruins to vibrant Istanbul, the karsts and cave-towns of Cappadocia to metropolitan Ankara, Turkey is rich in treasure for the inquisi- tive traveler. During our explorations of these and other highlights of the coun- FEATURING: try, we will enjoy special access to architectural and archaeological sites in the Dan Thompson, Ph.D. company of Global Heritage Fund staff. Director, Global Projects and Global Heritage Network Dr. Dan Thompson joined Global Heritage Fund full time in January 2008, having previously conducted fieldwork at GHF-supported projects in the Mirador Basin, Guatemala, and at Ani and Çatalhöyük, both in Turkey. As Director of Global Projects and Global Heri- tage Network (GHN), he oversees all aspects of GHF projects at the home office, manages Global Heritage Network, acts as senior editor of print and web publica- tions, and provides support to fundraising efforts. Dan has BA degrees in Anthropology/Geography and Journalism, an MA in Near Eastern Studies from UC Berkeley, and a Ph.D. -
Byzantine Missionaries, Foreign Rulers, and Christian Narratives (Ca
Conversion and Empire: Byzantine Missionaries, Foreign Rulers, and Christian Narratives (ca. 300-900) by Alexander Borislavov Angelov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Professor John V.A. Fine, Jr., Chair Professor Emeritus H. Don Cameron Professor Paul Christopher Johnson Professor Raymond H. Van Dam Associate Professor Diane Owen Hughes © Alexander Borislavov Angelov 2011 To my mother Irina with all my love and gratitude ii Acknowledgements To put in words deepest feelings of gratitude to so many people and for so many things is to reflect on various encounters and influences. In a sense, it is to sketch out a singular narrative but of many personal “conversions.” So now, being here, I am looking back, and it all seems so clear and obvious. But, it is the historian in me that realizes best the numerous situations, emotions, and dilemmas that brought me where I am. I feel so profoundly thankful for a journey that even I, obsessed with planning, could not have fully anticipated. In a final analysis, as my dissertation grew so did I, but neither could have become better without the presence of the people or the institutions that I feel so fortunate to be able to acknowledge here. At the University of Michigan, I first thank my mentor John Fine for his tremendous academic support over the years, for his friendship always present when most needed, and for best illustrating to me how true knowledge does in fact produce better humanity. -
The Little Metropolis at Athens 15
Bucknell University Bucknell Digital Commons Honors Theses Student Theses 2011 The Littleetr M opolis: Religion, Politics, & Spolia Paul Brazinski Bucknell University Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Classics Commons Recommended Citation Brazinski, Paul, "The Little eM tropolis: Religion, Politics, & Spolia" (2011). Honors Theses. 12. https://digitalcommons.bucknell.edu/honors_theses/12 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Paul A. Brazinski iv Acknowledgements I would like to acknowledge and thank Professor Larson for her patience and thoughtful insight throughout the writing process. She was a tremendous help in editing as well, however, all errors are mine alone. This endeavor could not have been done without you. I would also like to thank Professor Sanders for showing me the fruitful possibilities in the field of Frankish archaeology. I wish to thank Professor Daly for lighting the initial spark for my classical and byzantine interests as well as serving as my archaeological role model. Lastly, I would also like to thank Professor Ulmer, Professor Jones, and all the other Professors who have influenced me and made my stay at Bucknell University one that I will never forget. This thesis is dedicated to my Mom, Dad, Brian, Mark, and yes, even Andrea. Paul A. Brazinski v Table of Contents Abstract viii Introduction 1 History 3 Byzantine Architecture 4 The Little Metropolis at Athens 15 Merbaka 24 Agioi Theodoroi 27 Hagiography: The Saints Theodores 29 Iconography & Cultural Perspectives 35 Conclusions 57 Work Cited 60 Appendix & Figures 65 Paul A. -
The Hagia Sophia in Its Urban Context: an Interpretation of the Transformations of an Architectural Monument with Its Changing Physical and Cultural Environment
THE HAGIA SOPHIA IN ITS URBAN CONTEXT: AN INTERPRETATION OF THE TRANSFORMATIONS OF AN ARCHITECTURAL MONUMENT WITH ITS CHANGING PHYSICAL AND CULTURAL ENVIRONMENT A Thesis Submitted to the Graduate School of Engineering and Sciences of İzmir Institute of Technology in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE in Architecture by Nazlı TARAZ August 2014 İZMİR We approve the thesis of Nazlı TARAZ Examining Committee Members: ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Department of Architecture, İzmir Institute of Technology _____________________________ Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM Department of Architecture, İzmir Institute of Technology ___________________________ Dr. Çiğdem ALAS 25 August 2014 ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Supervisor, Department of Architecture, İzmir Institute of Technology ____ ___________________________ ______________________________ Assoc. Prof. Dr. Şeniz ÇIKIŞ Prof. Dr. R. Tuğrul SENGER Head of the Department of Architecture Dean of the Graduate School of Engineering and Sciences ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisor Assist.Prof.Dr.Zeynep AKTÜRE for her guidance, patience and sharing her knowledge during the entire study. This thesis could not be completed without her valuable and unique support. I would like to express my sincere thanks to my committee members Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM, Dr. Çiğdem ALAS, Assoc. Prof. Dr. Erdem ERTEN and Assist. Prof. Dr. Zoltan SOMHEGYI for their invaluable comments and recommendations. I owe thanks to my sisters Yelin DEMİR, Merve KILIÇ, Nil Nadire GELİŞKAN and Banu Işıl IŞIK for not leaving me alone and encouraging me all the time. And I also thank to Seçkin YILDIRIMDEMİR who has unabled to sleep for days to help and motivate me in the hardest times of this study. -
Istanbul, Not Constantinople: a Global City in Context
Istanbul, Not Constantinople: A Global City in Context ASH 3931 Section 8ES5 / EUH 3931 Section 8ES5 / EUS 3930 Section 19ES Monday, Wednesday, Friday periods 5 Virtual office hours T R 1-3pm University of Florida Fall 2020 Course Description This is a course about why Istanbul is a global city and how it remains to be one. This particular city makes a central node in all the five utilities of global flow – defined by theorist Arjun Appadurai as ethnoscapes, technoscapes, financescapes, mediascapes, and ideoscapes. In this course, we take a multidisciplinary, transhistorical look at the city in three parts: 1) Pre-modern political, religious, commercial, and military exchanges that reflected and shaped the city landscape, 2) Modern cultural norms, natural disasters, and republican formations that caused the city to shrink on a logical and dramatic scale, and, 3) Artists, athletes, politicians, and soldiers that claimed the space in the city. Overlapping and standing alone at times, the topics to be explored likewise relate to various topics, including authority, civic nationalism, gender, migration, poverty, public health, and religion all in traditional and national, global and local ways. Beside others, students interested in European Studies, International Studies, Religious Studies, and Middle Eastern Studies are welcome and encouraged to join this survey course. Sophomore standing or the instructor’s approval is a prerequisite. Course Objectives By the end of the course, you should be able to: - Recognize and analyze the significance of Istanbul in discussions about geography, history, culture, politics, and sociology, - Present an informed understanding of global cities in comparative context, - Discuss specific developments that correlate Istanbul to political, social, economic, and other developments in the larger world, and, - Reconsider the nuanced dynamics that created and transformed Istanbul across time. -
Hypothesis / Research Question Sources of Study
Gillis and Keating 1 Hypothesis / Research Question Did Byzantine sport and the Constantinople Hippodrome influence modern day sporting events and venues? Sources of Study Primary Figure 1: The Serpent Column depicted three snakes intertwined and was one of three legs holding a gold cauldron and was erected on the spina of the Hippodrome. (Governorship Of Istanbul). Gillis and Keating 2 Figure 2: The walled obelisk stood at the southern end of the Hippodrome (Governorship of Istanbul) Figure 3: The Obelisk of Theodosius. This Obelisk of Theodosius stood in the Hippodrome. (Governorship of Istanbul) Gillis and Keating 3 Figure 4: Picture of one side of the base of the Obelisk of Theodosius. The other side’s depicts the emperor and his family watching chariot races from the imperial box (Governance of Istanbul). Secondary Wells, C. (2006). “Sailing From Byzanthium: How A Lost Empire Shaped The Word” Bantam Dell: New York, New York Guttmann, A. (1981). Sport Spectators from Antiquity to the Renaissance. Journal of Sport History. Vol. 8 No. 2 p. 5‐27 Schrodt, B. (1981). Sports of the Byzantine Empire. Journal of Sport History. Vol. 8, No. 3. Bassett, S. (1991). The Antiquities in the Hippodrome of Constantinople. Dumbarton Oaks Papers, 45, 87‐96 Gillis and Keating 4 Guilland, R.(1948). The Hippodrome at Byzantium. Speculum, 23 (4), 676‐682 Sultan Amhed Square. In ‘Governorship of Istanbul’. Retrieved Feb 19 2009 from: http://english.istanbul.gov.tr/Default.aspx?pid=300 Limitations The lack of primary accounts of the hippodrome and it’s sporting culture has affected our research by having interpretations of accounts rather than an un‐interpreted account of detail. -
The Life of Mary Cycle at the Chora Church and Historical Pre- Occupations with the Chastity of the Virgin Mary in Byzantium
1 Purity as a Pre-requisite for Praise: The Life of Mary Cycle at the Chora Church and Historical Pre- Occupations with the Chastity of the Virgin Mary in Byzantium Elizabeth Fortune AH 4119 Natif 12-6-2013 2 In this paper I will explore historical preoccupations with the physical purity of the Virgin Mary within Christian Byzantium. My discussion will focus on the second-century apocryphal gospel the Protoevangelium of James, Cappadocian theology, and the role of women within Byzantine society. I will ground my exploration within the context of historical debates regarding the status of the Virgin in the Early Christian Church. I will particularly discuss Mary’s significance as the Theotokos (God-bearer)within Byzantium, as it was necessarily informed and justified by perpetual assertions regarding the purity and sanctity of Mary’s physical body. I will utilize the decorative program of the Chora Church in Istanbul as a visual manifestation of perpetual concerns with Mary’s purity within Christian Byzantium. As the resident monastic order at the Chora, Cappadocian devotion to the Virgin necessarily influenced the iconographic and thematic content of the church’s decorative program.1 The particular nature of Cappadocian Marian devotion is thus relevant to my discussion of the Life of Mary Cycle, the Protoevangelium, and the Virgin’s role as Theotokos within Byzantium and the Eastern Church. In order to contextualize the Life of Mary cycle at the Chora, I will briefly investigate other historical and contemporary visual examples of the subject. I will then discuss one mosaic scene from the Life of Mary cycle at Chora: the Presentation of the Virgin in the Temple (fig. -
The Kariye Camii: an Introduction ROBERT G. OUSTERHOUT History ORIGINALLY the MAIN CHURCH of the Chora Monastery, the Building N
The Kariye Camii: An Introduction ROBERT G. OUSTERHOUT History ORIGINALLY THE MAIN CHURCH of the Chora monastery, the building now known as the Kariye Museum, or traditionally as the Kariye Camii (Mosque), represents one of the oldest and most important religious foundations of Byzantine Constantinople. Second in renown only to Justinian's Great Church, the Kariye is an increasingly popular tourist destination, known primarily for its splendid mosaic and fresco decoration. The early history and traditions associated with the Chora monastery have long been known from Byzantine texts, but the archaeological investigations and the careful examination of the fabric of the building carried out by the Byzantine Institute of America in the 1950s clarified many aspects of the building's long and complex development. The site of the Chora lay outside the fourth-century city of Constantine but was enclosed by the Land Walls built by Theodosius II (r. 408-450) in the early fifth century, located near the Adrianople Gate (Edirne Kepi). The rural character of the site, which seems to have remained sparsely inhabited well into the twentieth century, may account for the name chora, which can be translated as "land," "country" or "in the country." The appellation chora also has other meanings, and in later Byzantine times the name was reinterpreted in a mystical sense as "dwelling place" or "container": in the decoration of the building Christ is identified as chora ton zoonton (land, or dwelling place of the living and the Virgin as chora ton achoretou (container of the uncontainable). Both are wordplays on the name of the monastery: the former derived from Psalm 116, a verse used in the funerary liturgy, and the latter from the Akathistos Hymn honoring the Virgin. -
WHG Asian History Lesson: Exploring the Changing Names of Cities
WHG Asian History Lesson: Exploring the Changing Names of Cities Part 1: Introduction of Concept of Place Changing Place Names Start by showing the lyrics video to the song “Istanbul not Constantinople” (https://www.youtube.com/watch?v=ALkjA1t8ibQ). Question for class: What two cities with changed names are named in the song? Answers: Constantinople became Istanbul, New Amsterdam became New York Question for class: The song hints as to why the name was changed in one case. Did you catch it? Answer: “That’s nobody’s business but the Turks.” Question for class: What does that mean? Answer: The place known as Istanbul has had a number of names over time. The city was founded in 657 B.C.E. and was called Byzantium. It later became a part of the Roman Empire and the Emperor Constantine decided to make it his new capital, the second Rome. In 330 CE the place started to be called Constantinople. In 1453 Ottoman forces, led by Mehmed II, took over Constantinople and it became the capital of the Ottoman Empire. The Otoman Empire collapsed after World War I, partially due to the Ottoman Empire being on the losing side of the war. During the collapse of the Ottoman Empire, the Greeks and Turkish fought a war of independence. Turkey officially gained its independence in 1923 and the capital was moved to Ankara. In 1930, Turkish officials renamed Constantinople Istanbul, which was a name by which it had been informally known for a long time. Question: Do you understand the pattern for New Amsterdam? Answer: The British changed the name to New York after taking it over from the Dutch. -
The Lamentation of Santa Sophia Marios Philippides
Tears of the Great Church: The Lamentation of Santa Sophia Marios Philippides URING THE PERIOD of the Ottoman occupation, the so- called Tourkokratia, the Greeks expressed their concerns D in folk songs, whose numerous variants were gradually collected and published in the nineteenth century to form an impressive corpus. Some songs reach back all the way to the last years of Byzantine Greece before its fall to the Ottoman Turks. One song in particular achieved a great deal of pop- ularity and perhaps qualifies as the most popular demotic song among Greek-speakers of the nineteenth century and the first decades of the twentieth. The poem is well known, but it has not received the scholarly attention it deserves. Entitled [The Song] of Santa Sophia, it is thought to describe the situation shortly before the fall of Constantinople to Sultan Mehmed II Fatih on May 29, 1453. This song survived orally and was finally recorded in the nineteenth century. Numerous versions existed in the eighteenth century; its nucleus dates to the period of the fall of Constantinople. I will attempt to demonstrate that at least one form of this poem dates to a specific event in 1452, six months before the conquest of Constantinople. Numerous variations of this poem have been collected.1 Fau- riel, in the first edition, presented a short version.2 Pouqueville 1 Variants from numerous regions are collected in A. Kriares, Πλήρηϛ Συλλογὴ Κρητικῶν Δηµωδῶν Ἀσµάτων (Athens 1920). A version was pub- lished in C. A. Trypanis, The Penguin Book of Greek Verse (Harmondsworth 1971) 469–470, no. -
BİZANS MİRASI MİMARLIK VE SANAT Genco Berkin1
IJSHS, 2018; 2 (2): 53-64 53 BİZANS MİRASI MİMARLIK VE SANAT Genco Berkin1 ÖZET Bizans mimarisi, yapı, ikon ve mozaik sanatları açısından çok zengindir. Bizans mimarisi başta Avrupa ve Amerika olmak üzere birçok yapıya esin kaynağı olmuştur. Bu yüzden üzerinde daha fazla araştırma yapılması gerekmektedir. Bizans mimarisi ve sanatı yeni bir akım olan Neo-Bizans akımını ortaya çıkarmıştır. Bizans mimarisi 15. Ve 19. Yüzyılda Avrupa mimarisini derinden etkilemiştir. Bizans mimarisinin Doğu ve Batı kültürlerinin gelişmesi ve ilerlemesi üzerinde büyük katkısı olmuştur. Bu çalışmada geçmiş ve bugünün Doğu-Batı mimari etkileşimleri karşılıklı olarak irdelenmiştir. Anahtar Kelimeler: Bizans Mimarisi, Bizans Mozaikleri, Neo Bizans Akımı THE LEGACY OF BYZANTINE ARCHITECTURE AND ART ABSTRACT Byzantine architecture is extraordinarily rich in terms of the buildings, iconography and mosaics that have survived in the course of two millennia. Byzantine architecture and art was overlooked for a long period. Byzantine influence on architecture and art has widespread through Europe and America. Byzantine influence on several professions consisted of architecture, paintings, poetry, decorations and jewelry. Byzantine architecture and art was so spectacular that in the following eras it whether created a revival or became the spring of Neo- Byzantine style. Byzantine architecture had impressions on European Architecture from 15th century to 19th century. Byzantine Empire has served as a bridge of cultural transportation between East and West civilizations -
Structural Analysis of Hagia Sophia: a Historical Perspective
Transactions on the Built Environment vol 3, © 1993 WIT Press, www.witpress.com, ISSN 1743-3509 Structural analysis of Hagia Sophia: a historical perspective R. Mark, A.S. Cakmak, K. Hill, R. Davidson Department of Civil Engineering & Operations Research, Princeton University, Princeton, NJ ABSTRACT An ongoing structural study by a group of American and Turkish engineers is aimed at deriving a better understanding of the structure and determining the current earthquake worthiness of Justinian's Hagia Sophia. This paper discusses possible design antecedents and aspects of the building's structural history as well as the creation of numerical models of its primary structure that account for both short- and long- term, linear and non-linear material behavior. INTRODUCTION Begun in 532 as the principal church of the Byzantine Empire (and converted to a royal mosque after the fall of the Empire in 1453), Hagia Sophia in Istanbul held the record as the world's largest domed building for some 800 years. For the dual role that the building was to assume in both ecclesiastical and imperial liturgies, the architects, Anthemius of Tralles and Isidorus of Miletus, combined a traditional longitudinal basilican plan (a large rectangular hall having a high central space flanked by lower side aisles) with an immense central dome. Given the close correspondence in scale between the original dome of Hagia Sophia and that of the early second-century Roman Pantheon, it is likely that the Pantheon provided the principal structural model for this translation of Roman concrete into Byzantine, largely-brick construction. While archeological evidence for the original dome that collapsed in 558 is unavailable, sixty-century descriptions indicate that the dome interior was likely profiled from the same spherical surface as the pen dent ives (thus creating a "pendentive dome").