Mynor Type Family

Mynor is a modern squarish sans inspired by machine-readable typefaces of the 1950s. Smooth curved contours with a humanist touch sit in harmony alongside pure straight lines. Contrasting shapes create a modern aesthetic pleasing to the eye and pixel perfect execution for modern-day scenarios.

RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 84 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, 6 WIDTHS STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, CLASSIFICATION ARROWS KALENJIN, KINYARWANDA, LATVIAN, SANS-SERIF EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER SORBIAN, LUO, LUXEMBOURGISH, LUYIA, FORMAT MACHAME, MAKHUWA-MEETTO, MAKONDE, OTF, TTF, WOFF, WOFF 2, SVG, EOT MALAGASY, MALAY, MALTESE, MANX, MAORI, MORISYEN, NORTH NDEBELE, NORTHERN SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 2 Mynor Compact

RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 14 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CLASSIFICATION CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, SANS-SERIF ARROWS KALENJIN, KINYARWANDA, LATVIAN, EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MAORI, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN 445 SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 3

MYNOR COMPACT FAMILY Mynor Light Compact Mynor Light Compact Italic Mynor Book Compact Mynor Book Compact Italic Mynor Regular Compact Mynor Regular Compact Italic Mynor Medium Compact Mynor Medium Compact Italic Mynor Bold Compact Mynor Bold Compact Italic Mynor ExtraBold Compact Mynor ExtraBold Compact Italic Mynor Black Compact Mynor Black Compact Italic

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 4

MYNOR LIGHT COMPACT Apollo #Spacecraft1

MYNOR BOOK COMPACT Int. Space Station

MYNOR REGULAR COMPACT Hubble Telescope

MYNOR MEDIUM COMPACT First man moon

MYNOR BOLD COMPACT Stratospheric

MYNOR EXTRABOLD COMPACT Spacemission

MYNOR BLACK COMPACT Micrometer

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 5

MYNOR LIGHT COMPACT ITALIC Apollo #Spacecraft1

MYNOR BOOK COMPACT ITALIC Int. Space Station

MYNOR REGULAR COMPACT ITALIC Hubble Telescope

MYNOR MEDIUM COMPACT ITALIC First man moon

MYNOR BOLD COMPACT ITALIC Stratospheric

MYNOR EXTRABOLD COMPACT ITALIC Spacemission

MYNOR BLACK COMPACT ITALIC Micrometer

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 6

MYNOR LIGHT COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli-gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth

MYNOR LIGHT COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli-gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 7

MYNOR BOOK COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic

MYNOR BOOK COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 8

MYNOR REGULAR COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with

MYNOR REGULAR COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 9

MYNOR MEDIUM COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of

MYNOR MEDIUM COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 10

MYNOR BOLD COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and

MYNOR BOLD COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 11

MYNOR EXTRABOLD COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christi- anity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the in-

MYNOR EXTRABOLD COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christi- anity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the in-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 12

MYNOR BLACK COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the Brit- ish Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to

MYNOR BLACK COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the Brit- ish Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 13

MYNOR LIGHT COMPACT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR LIGHT COMPACT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR LIGHT COMPACT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 14

MYNOR LIGHT COMPACT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR LIGHT COMPACT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR LIGHT COMPACT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 15

MYNOR BOOK COMPACT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR BOOK COMPACT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR BOOK COMPACT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 16

MYNOR BOOK COMPACT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR BOOK COMPACT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR BOOK COMPACT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 17

MYNOR REGULAR COMPACT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR REGULAR COMPACT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR REGULAR COMPACT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 18

MYNOR REGULAR COMPACT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR REGULAR COMPACT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR REGULAR COMPACT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 19

MYNOR MEDIUM COMPACT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melt-

MYNOR MEDIUM COMPACT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in

MYNOR MEDIUM COMPACT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘English- ness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 20

MYNOR MEDIUM COMPACT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural

MYNOR MEDIUM COMPACT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed

MYNOR MEDIUM COMPACT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘English- ness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 21

MYNOR BOLD COMPACT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and

MYNOR BOLD COMPACT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR BOLD COMPACT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 22

MYNOR BOLD COMPACT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic

MYNOR BOLD COMPACT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR BOLD COMPACT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 23

MYNOR EXTRABOLD COMPACT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon

MYNOR EXTRABOLD COMPACT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR EXTRABOLD COMPACT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 24

MYNOR EXTRABOLD COMPACT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon

MYNOR EXTRABOLD COMPACT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR EXTRABOLD COMPACT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 25

MYNOR BLACK COMPACT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled

MYNOR BLACK COMPACT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting

MYNOR BLACK COMPACT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 26

MYNOR BLACK COMPACT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled

MYNOR BLACK COMPACT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create

MYNOR BLACK COMPACT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 27

MYNOR LIGHT COMPACT 9/12 MYNOR LIGHT COMPACT ITALIC 9/12 SPANISH SPANISH Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua y sorprendentemente hermosa, Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua y sorprendentemente hermosa, el manuscrito muestra una combinación única de estilos artísticos que refleja un período crucial en la historia de Inglaterra. el manuscrito muestra una combinación única de estilos artísticos que refleja un período crucial en la historia de Inglaterra. El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas británicas. El país fue reconvertido sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas británicas. El país fue reconvertido gradualmente desde 597, después de que San Agustín llegó de Roma para convertir los “ángulos en ángeles” paganos. gradualmente desde 597, después de que San Agustín llegó de Roma para convertir los “ángulos en ángeles” paganos. Las diferencias religiosas entre la iglesia indígena ‘celta’ y la nueva iglesia ‘romana’ se resolvieron en el Sínodo de Whitby Las diferencias religiosas entre la iglesia indígena ‘celta’ y la nueva iglesia ‘romana’ se resolvieron en el Sínodo de Whitby en 664. En el manuscrito, los elementos nativos celtas y anglosajones se mezclan con las tradiciones romanas, coptas y en 664. En el manuscrito, los elementos nativos celtas y anglosajones se mezclan con las tradiciones romanas, coptas y orientales para crear una unidad sublime. Visión artística del crisol cultural de Northumbria en los siglos séptimo y octavo. orientales para crear una unidad sublime. Visión artística del crisol cultural de Northumbria en los siglos séptimo y octavo. Los evangelios de Lindisfarne, y otros. Al igual que eso, ayudó a definir el sentido creciente de “Inglésidad”, un espíritu de Los evangelios de Lindisfarne, y otros. Al igual que eso, ayudó a definir el sentido creciente de “Inglésidad”, un espíritu de consolidación del Venerable Bede, el monje historiador, en su “Historia de la Iglesia y la Gente inglesas”, completada en 731. consolidación del Venerable Bede, el monje historiador, en su “Historia de la Iglesia y la Gente inglesas”, completada en 731. Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua y sorprendentemente hermosa, Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua y sorprendentemente hermosa, el manuscrito muestra una combinación única de estilos artísticos que refleja un período crucial en la historia de Inglaterra. el manuscrito muestra una combinación única de estilos artísticos que refleja un período crucial en la historia de Inglaterra. El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión sajones, ángeles y vikingos no cristianos llevaron de Los sajones, ángeles y vikingos no cristianos llevaron

MYNOR BOOK COMPACT 9/12 MYNOR BOOK COMPACT ITALIC 9/12 FRENCH FRENCH En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art ancienne et étonnamment En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art ancienne et étonnamment belle, le manuscrit présente une combinaison unique de styles artistiques qui reflète une période cruciale de l’his- belle, le manuscrit présente une combinaison unique de styles artistiques qui reflète une période cruciale de toire de l’Angleterre. Le christianisme est d’abord venu en Grande-Bretagne sous les Romains, mais des vagues l’histoire de l’Angleterre. Le christianisme est d’abord venu en Grande-Bretagne sous les Romains, mais des d’invasion par la suite Les Saxons, les Angles et les Vikings non chrétiens ont conduit la foi aux confins des vagues d’invasion par la suite Les Saxons, les Angles et les Vikings non chrétiens ont conduit la foi aux îles Britanniques. Le pays a été progressivement reconverti à partir de 597, après l’arrivée de Saint Augustin de confins des îles Britanniques. Le pays a été progressivement reconverti à partir de 597, après l’arrivée de Saint Rome pour convertir les ‘païens Angles en anges’. Les différences religieuses entre l’église «celtique» autochtone Augustin de Rome pour convertir les ‘païens Angles en anges’. Les différences religieuses entre l’église «celtique» et la nouvelle église «romaine» ont été réglées au Synode de Whitby en 664. Dans le manuscrit, des éléments autochtone et la nouvelle église «romaine» ont été réglées au Synode de Whitby en 664. Dans le manuscrit, des autochtones celtes et anglo-saxons se fondent dans les traditions romaine, copte et orientale pour créer un éléments autochtones celtes et anglo-saxons se fondent dans les traditions romaine, copte et orientale pour créer vision artistique du métissage culturel de la Northumbrie aux VIIe et VIIIe siècles. Les évangiles de Lindisfarne un vision artistique du métissage culturel de la Northumbrie aux VIIe et VIIIe siècles. Les évangiles de Lindisfarne et d’autres comme cela, a contribué à définir le sens croissant de “l’anglais”—un esprit de consolidation du et d’autres comme cela, a contribué à définir le sens croissant de “l’anglais”—un esprit de consolidation du vénérable Bede, moine historien, dans son “Histoire de l’Église et du peuple anglais”, achevée en 731. En plus vénérable Bede, moine historien, dans son “Histoire de l’Église et du peuple anglais”, achevée en 731. En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art ancienne et étonnamment belle, le de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art ancienne et étonnamment belle, le manuscrit présente une combinaison unique de styles artistiques qui reflète une période cruciale de l’histoire manuscrit présente une combinaison unique de styles artistiques qui reflète une période cruciale de l’histoire de l’Angleterre. Le christianisme est d’abord venu en Grande-Bretagne sous les Romains, mais des vagues de l’Angleterre. Le christianisme est d’abord venu en Grande-Bretagne sous les Romains, mais des vagues

MYNOR REGULAR COMPACT 9/12 MYNOR REGULAR COMPACT ITALIC 9/12 DANISH DANISH Bortset fra dets egenværdi som en bemærkelsesværdig overlevelse af et gammelt og forbavsende Bortset fra dets egenværdi som en bemærkelsesværdig overlevelse af et gammelt og forbavsende smukke kunstværk, viser manuskriptet en unik kombination af kunstneriske stilarter, der afspejler en smukke kunstværk, viser manuskriptet en unik kombination af kunstneriske stilarter, der afspejler en afgørende periode i Englands historie. Kristendommen kom først til Storbritannien under romerne, men afgørende periode i Englands historie. Kristendommen kom først til Storbritannien under romerne, men efterfølgende invasion bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de britiske øers efterfølgende invasion bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de britiske øers kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom fra Rom for at omdanne kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom fra Rom for at omdanne de hedenske ‘Vinkler til engle’. Religiøse forskelle mellem den indfødte ‘keltiske’ kirke og den nye de hedenske ‘Vinkler til engle’. Religiøse forskelle mellem den indfødte ‘keltiske’ kirke og den nye ‘romerske kirke' blev afgjort ved synoden af Whitby i 664. I manuskriptet blander indfødte keltiske og ‘romerske kirke' blev afgjort ved synoden af Whitby i 664. I manuskriptet blander indfødte keltiske og angelsaxiske elementer med romerske, koptiske og østlige traditioner for at skabe en sublimt samlet angelsaxiske elementer med romerske, koptiske og østlige traditioner for at skabe en sublimt samlet kunstnerisk vision af den kulturelle smeltedigel af Northumbria i syvende og ottende århundreder. kunstnerisk vision af den kulturelle smeltedigel af Northumbria i syvende og ottende århundreder. Lindisfarne Evangelierne, og andre kan lide det, hjalp med at definere den voksende følelse af Lindisfarne Evangelierne, og andre kan lide det, hjalp med at definere den voksende følelse af 'engelskhed' - en konsolideret ånd af den ærværdige bede, historikermunken, i sin 'Den engelske kirkes 'engelskhed' - en konsolideret ånd af den ærværdige bede, historikermunken, i sin 'Den engelske kirkes historie og folks historie', færdiggjort i 731. historie og folks historie', færdiggjort i 731.

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MYNOR MEDIUM COMPACT 9/12 MYNOR MEDIUM COMPACT ITALIC 9/12 POLISH POLISH Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania starożytnego i zadziwiająco Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania starożytnego i zadziwiająco pięknego dzieła sztuki, rękopis przedstawia unikalne połączenie stylów artystycznych, które pięknego dzieła sztuki, rękopis przedstawia unikalne połączenie stylów artystycznych, które odzwierciedlają kluczowy okres w historii Anglii. Chrześcijaństwo po raz pierwszy przybyło do odzwierciedlają kluczowy okres w historii Anglii. Chrześcijaństwo po raz pierwszy przybyło do Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Angli- Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Angl- cy i Wikingowie doprowad-zili wiarę do granic Wysp Brytyjskich. Kraj został stopniowo przebu- icy i Wikingowie doprowad-zili wiarę do granic Wysp Brytyjskich. Kraj został stopniowo przebudowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, by nawrócić pogańskie “kąty dowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, by nawrócić pogańskie “kąty na anioły”. Różnice religijne między rdzennym “celtyckim” kościołem i nowym “rzymskim” na anioły”. Różnice religijne między rdzennym “celtyckim” kościołem i nowym “rzymskim” kościołem zostały ustalone na synodzie w Whitby w roku 664. W rękopisie rodzime elementy kościołem zostały ustalone na synodzie w Whitby w roku 664. W rękopisie rodzime elementy celtyckie i anglosaskie mieszają się z tra dycjami rzymskimi, koptyjskimi i wschod-nimi, tworząc celtyckie i anglosaskie mieszają się z tra dycjami rzymskimi, koptyjskimi i wschod-nimi, tworząc zunifikowaną jednolitość artystyczna wizja kulturowego tyglowania Northumbrii w siódmym i zunifikowaną jednolitość artystyczna wizja kulturowego tyglowania Northumbrii w siódmym i ósmym wieku. Ewangelie Lindisfarne i inne w ten sposób pomógł zdefiniować rosnące poczu- ósmym wieku. Ewangelie Lindisfarne i inne w ten sposób pomógł zdefiniować rosnące poczucie “angielskości” —ducha skonsolidowanego przez Czcigodnego Beda, historyka mnicha, w cie “angielskości” —ducha skonsolidowanego przez Czcigodnego Beda, historyka mnicha, w jego “Historii Angielskiego Kościoła i Ludzi”, ukończonej w 731 r. Oprócz swojej nieodłącznej jego “Historii Angielskiego Kościoła i Ludzi”, ukończonej w 731 r. Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania starożytnego i zadziwiająco pięknego dzieła sztuki, wartości jako niezwykłego przetrwania starożytnego i zadziwiająco pięknego dzieła sztuki,

MYNOR BOLD COMPACT 9/12 MYNOR BOLD COMPACT ITALIC 9/12 FINNISH FINNISH Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän eloonjäämisen Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän eloonjäämisen lisäksi sen käsikirjoituksella on ainutlaatuinen taiteellisten tyylien yhdistelmä, joka lisäksi sen käsikirjoituksella on ainutlaatuinen taiteellisten tyylien yhdistelmä, joka heijastaa ratkaisevaa ajanjaksoa Englannin historiassa. Kristinusko tuli ensin Ison heijastaa ratkaisevaa ajanjaksoa Englannin historiassa. Kristinusko tuli ensin Ison Britannian roomalaisille, mutta alistumaton aallot hyökkäävät ei-kristilliset saksit, Britannian roomalaisille, mutta alistumaton aallot hyökkäävät ei-kristilliset saksit, kulmat ja viikingit ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui kulmat ja viikingit ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui asteittain 597: stä sen jälkeen, kun St Augustine saapui Roomasta muuttamaan asteittain 597: stä sen jälkeen, kun St Augustine saapui Roomasta muuttamaan pakanalliset “kulmat enkeliksi”. Alkuperäiskansojen “keltti” kirkon ja uuden pakanalliset “kulmat enkeliksi”. Alkuperäiskansojen “keltti” kirkon ja uuden “roomalaisen” kirkon väliset uskonnolliset erot ratkaistiin Whitbyin synodissa “roomalaisen” kirkon väliset uskonnolliset erot ratkaistiin Whitbyin synodissa 664. Käsikirjoituksessa syntyvät kelttiläiset ja anglosaksiset elementit yhdistyvät 664. Käsikirjoituksessa syntyvät kelttiläiset ja anglosaksiset elementit yhdistyvät roomalaisten, koptis–ja itäperintei-den kanssa luomaan sublimealisti yhtenäinen tait- roomalaisten, koptis–ja itäperintei-den kanssa luomaan sublimealisti yhtenäinen taiteellinen visio Northumbrion kulttuurista sulatusastiaa seitse-männen ja kahdeksannen eellinen visio Northumbrion kulttuurista sulatusastiaa seitse-männen ja kahdeksannen vuosisadan ajan. Lindisfarne-evankeliumit ja muut kuten se, auttoi määrittämään vuosisadan ajan. Lindisfarne-evankeliumit ja muut kuten se, auttoi määrittämään “englantilaisuuden” kasvavan tunteen—henki, jonka kirkollinen munkki, jonka “englantilaisuuden” kasvavan tunteen—henki, jonka kirkollinen munkki, jonka historiohjaaja asui vuonna 731 valmistuneessa “Englantilaisen kirkon ja ihmisten historiohjaaja asui vuonna 731 valmistuneessa “Englantilaisen kirkon ja ihmisten

MYNOR EXTRABOLD COMPACT 9/12 MYNOR EXTRABOLD COMPACT ITALIC 9/12 CZECH CZECH Kromě své skutečné hodnoty jako pozoruhodného přežití starobylého a úžasně Kromě své skutečné hodnoty jako pozoruhodného přežití starobylého a úžasně krásného uměleckého díla, rukopis zobrazuje jedinečnou kombinaci uměleckých krásného uměleckého díla, rukopis zobrazuje jedinečnou kombinaci uměleckých stylů, které odrážejí rozhodující období historie Anglie. Křesťanství nejprve přišlo stylů, které odrážejí rozhodující období historie Anglie. Křesťanství nejprve přišlo do Británie pod Římany, ale následné vlny invaze nekřesťanští sasové, Angle a do Británie pod Římany, ale následné vlny invaze nekřesťanští sasové, Angle a Vikingové vedli víru k okraji Britských ostrovů. Země byla postupně přeměněna Vikingové vedli víru k okraji Britských ostrovů. Země byla postupně přeměněna z roku 597, po příjezdu svatého Augustína z Říma, aby převedli pohanské Angely z roku 597, po příjezdu svatého Augustína z Říma, aby převedli pohanské Angely do andělů. Náboženské rozdíly mezi domorodou “keltskou” církví a novou do andělů. Náboženské rozdíly mezi domorodou “keltskou” církví a novou “římskou” církví byly řešeny na synodu Whitby v roce 664. V rukopisu se “římskou” církví byly řešeny na synodu Whitby v roce 664. V rukopisu se rodné keltské a anglosaské elementy mísí s římskými, koptickými a východními rodné keltské a anglosaské elementy mísí s římskými, koptickými a východními tradicemi a vytvářejí tak vznešené sjednocení uměleckou vizi kulturního tradicemi a vytvářejí tak vznešené sjednocení uměleckou vizi kulturního tavícího hrnce Northumbria v sedmém a osmém století. Lindisfarne evangelia tavícího hrnce Northumbria v sedmém a osmém století. Lindisfarne evangelia a další pomohl definovat rostoucí smysl pro “anglickost”—ducha upevněného a další pomohl definovat rostoucí smysl pro “anglickost”—ducha upevněného ctihodným Bedem, historickým mnichem, v jeho “historii anglické církve a lidu”, ctihodným Bedem, historickým mnichem, v jeho “historii anglické církve a lidu”, dokončeném v roce 731. Kromě dokončeném v roce 731. Kromě

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MYNOR BLACK COMPACT 9/12 MYNOR BLACK COMPACT ITALIC 9/12 SWEDISH SWEDISH Bortsett från dess inneboende värde som en anmärkningsvärd över- Bortsett från dess inneboende värde som en anmärkningsvärd över- levnad för ett gammalt och förvånansvärt vackert konst-verk, visar levnad för ett gammalt och förvånansvärt vackert konst-verk, visar manuskriptet en unik kombination av konstnärliga stilar som speglar manuskriptet en unik kombination av konstnärliga stilar som speglar en avgörande period i Englands historia. Kristendomen kom först till en avgörande period i Englands historia. Kristendomen kom först till Storbritannien under romarna, men efterföljande invasionens invasion Storbritannien under romarna, men efterföljande invasionens invasion av ickekristna saxar, vinklar och vikingar kördetroen på de brittiska av ickekristna saxar, vinklar och vikingar kördetroen på de brittiska öarnas zantar. Landet var gradvis omkonverterad från 597, efter Au- öarnas zantar. Landet var gradvis omkonverterad från 597, efter Au- gustinus anlände från Rom för attomvandla de hedniska “vinklarna till gustinus anlände från Rom för attomvandla de hedniska “vinklarna till änglarna”. Religiösa skillnader mellan den inhemska keltiska kyrkan änglarna”. Religiösa skillnader mellan den inhemska keltiska kyrkan och den nya romerska kyrkan avgjordes vid synoden av Whitby i 664. och den nya romerska kyrkan avgjordes vid synoden av Whitby i 664. I manuskriptet blandar inhemska keltiska och angelsaxiska element I manuskriptet blandar inhemska keltiska och angelsaxiska element med romerska, koptiska och östra traditioner för att skapa en sublimt med romerska, koptiska och östra traditioner för att skapa en sublimt förenad konstnärlig syn på Northumbrias kulturella smältpotte i sjunde förenad konstnärlig syn på Northumbrias kulturella smältpotte i sjunde och åttonde århundraden. Lindisfarne-evangelierna, och andra gillar och åttonde århundraden. Lindisfarne-evangelierna, och andra gillar

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RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 14 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CLASSIFICATION CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, SANS-SERIF ARROWS KALENJIN, KINYARWANDA, LATVIAN, EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MAORI, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN 445 SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU.

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MYNOR EXTRA CONDENSED FAMILY Mynor Light Extra Condensed Mynor Light Extra Condensed Italic Mynor Book Extra Condensed Mynor Book Extra Condensed Italic Mynor Regular Extra Condensed Mynor Regular Extra Condensed Italic Mynor Medium Extra Condensed Mynor Medium Extra Condensed Italic Mynor Bold Extra Condensed Mynor Bold Extra Condensed Italic Mynor ExtraBold Extra Condensed Mynor ExtraBold Extra Condensed Italic Mynor Black Extra Condensed Mynor Black Extra Condensed Italic

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MYNOR LIGHT EXTRA CONDENSED Apollo #Spacecraft1

MYNOR BOOK EXTRA CONDENSED Int. Space Station

MYNOR REGULAR EXTRA CONDENSED Hubble Telescope

MYNOR MEDIUM EXTRA CONDENSED First man on the

MYNOR BOLD EXTRA CONDENSED Stratospherical

MYNOR EXTRABOLD EXTRA CONDENSED Space mission

MYNOR BLACK EXTRA CONDENSED Micrometeroi

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MYNOR LIGHT EXTRA CONDENSED ITALIC Apollo #Spacecraft1

MYNOR BOOK EXTRA CONDENSED ITALIC Int. Space Station

MYNOR REGULAR EXTRA CONDENSED ITALIC Hubble Telescope

MYNOR MEDIUM EXTRA CONDENSED ITALIC First man on the

MYNOR BOLD EXTRA CONDENSED ITALIC Stratospherical

MYNOR EXTRABOLD EXTRA CONDENSED ITALIC Space mission

MYNOR BLACK EXTRA CONDENSED ITALIC Micrometeroi

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MYNOR LIGHT EXTRA CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664.

MYNOR LIGHT EXTRA CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 35

MYNOR BOOK EXTRA CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were

MYNOR BOOK EXTRA CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 36

MYNOR REGULAR EXTRA CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and

MYNOR REGULAR EXTRA CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 37

MYNOR MEDIUM EXTRA CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences be-

MYNOR MEDIUM EXTRA CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences be-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 38

MYNOR BOLD EXTRA CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan ‘Angles

MYNOR BOLD EXTRA CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan ‘Angles

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 39

MYNOR EXTRABOLD EXTRA CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome

MYNOR EXTRABOLD EXTRA CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 40

MYNOR BLACK EXTRA CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from

MYNOR BLACK EXTRA CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 41

MYNOR LIGHT EXTRA CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria

MYNOR LIGHT EXTRA CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed

MYNOR LIGHT EXTRA CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘English- ness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 42

MYNOR LIGHT EXTRA CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria

MYNOR LIGHT EXTRA CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christi- anity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gos- pels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR LIGHT EXTRA CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘English- ness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 43

MYNOR BOOK EXTRA CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely

MYNOR BOOK EXTRA CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk,

MYNOR BOOK EXTRA CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 44

MYNOR BOOK EXTRA CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely

MYNOR BOOK EXTRA CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the

MYNOR BOOK EXTRA CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 45

MYNOR REGULAR EXTRA CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic

MYNOR REGULAR EXTRA CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit

MYNOR REGULAR EXTRA CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 46

MYNOR REGULAR EXTRA CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic

MYNOR REGULAR EXTRA CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit

MYNOR REGULAR EXTRA CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 47

MYNOR MEDIUM EXTRA CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting

MYNOR MEDIUM EXTRA CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’ — a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, complet-

MYNOR MEDIUM EXTRA CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘English- ness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 48

MYNOR MEDIUM EXTRA CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic

MYNOR MEDIUM EXTRA CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR MEDIUM EXTRA CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 49

MYNOR BOLD EXTRA CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664.

MYNOR BOLD EXTRA CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth

MYNOR BOLD EXTRA CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 50

MYNOR BOLD EXTRA CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664.

MYNOR BOLD EXTRA CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth

MYNOR BOLD EXTRA CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 51

MYNOR EXTRABOLD EXTRA CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’

MYNOR EXTRABOLD EXTRA CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural

MYNOR EXTRABOLD EXTRA CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 52

MYNOR EXTRABOLD EXTRA CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’

MYNOR EXTRABOLD EXTRA CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural

MYNOR EXTRABOLD EXTRA CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 53

MYNOR BLACK EXTRA CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’

MYNOR BLACK EXTRA CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create

MYNOR BLACK EXTRA CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’— a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 54

MYNOR BLACK EXTRA CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’

MYNOR BLACK EXTRA CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create

MYNOR BLACK EXTRA CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 55

MYNOR LIGHT EXTRA CONDENSED 9/12 MYNOR LIGHT EXTRA CONDENSED ITALIC 9/12 SPANISH SPANISH Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua y sorprendentemente hermosa, el manuscrito muestra una combinación única de estilos y sorprendentemente hermosa, el manuscrito muestra una combinación única de estilos artísticos que refleja un período crucial en la historia de Inglaterra. El cristianismo llegó por artísticos que refleja un período crucial en la historia de Inglaterra. El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas británicas. El sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas británicas. El país fue reconvertido gradualmente desde 597, después de que San Agustín llegó de Roma país fue reconvertido gradualmente desde 597, después de que San Agustín llegó de Roma para convertir los “ángulos en ángeles” paganos. Las diferencias religiosas entre la iglesia para convertir los “ángulos en ángeles” paganos. Las diferencias religiosas entre la iglesia indígena ‘celta’ y la nueva iglesia ‘romana’ se resolvieron en el Sínodo de Whitby en 664. En indígena ‘celta’ y la nueva iglesia ‘romana’ se resolvieron en el Sínodo de Whitby en 664. En el manuscrito, los elementos nativos celtas y anglosajones se mezclan con las tradiciones el manuscrito, los elementos nativos celtas y anglosajones se mezclan con las tradiciones romanas, coptas y orientales para crear una unidad sublime. Visión artística del crisol cultural romanas, coptas y orientales para crear una unidad sublime. Visión artística del crisol cultural de Northumbria en los siglos séptimo y octavo. Los evangelios de Lindisfarne, y otros. Al igual de Northumbria en los siglos séptimo y octavo. Los evangelios de Lindisfarne, y otros. Al igual que eso, ayudó a definir el sentido creciente de “Inglésidad”, un espíritu de consolidación que eso, ayudó a definir el sentido creciente de “Inglésidad”, un espíritu de consolidación del Venerable Bede, el monje historiador, en su “Historia de la Iglesia y la Gente inglesas”, del Venerable Bede, el monje historiador, en su “Historia de la Iglesia y la Gente inglesas”, completada en 731. Además de su valor intrínseco como una notable supervivencia de una completada en 731. Además de su valor intrínseco como una notable supervivencia de una

MYNOR BOOK EXTRA CONDENSED 9/12 MYNOR BOOK EXTRA CONDENSED ITALIC 9/12 FRENCH FRENCH En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art ancienne et étonnamment belle, le manuscrit présente une combinaison unique de styles ancienne et étonnamment belle, le manuscrit présente une combinaison unique de styles artistiques qui reflète une période cruciale de l’histoire de l’Angleterre. Le christianisme artistiques qui reflète une période cruciale de l’histoire de l’Angleterre. Le christianisme est d’abord venu en Grande-Bretagne sous les Romains, mais des vagues d’invasion est d’abord venu en Grande-Bretagne sous les Romains, mais des vagues d’invasion par par la suite Les Saxons, les Angles et les Vikings non chrétiens ont conduit la foi aux la suite Les Saxons, les Angles et les Vikings non chrétiens ont conduit la foi aux confins confins des îles Britanniques. Le pays a été progressivement reconverti à partir de 597, des îles Britanniques. Le pays a été progressivement reconverti à partir de 597, après après l’arrivée de Saint Augustin de Rome pour convertir les ‘païens Angles en anges’. l’arrivée de Saint Augustin de Rome pour convertir les ‘païens Angles en anges’. Les Les différences religieuses entre l’église «celtique» autochtone et la nouvelle église «ro- différences religieuses entre l’église «celtique» autochtone et la nouvelle église «romaine» maine» ont été réglées au Synode de Whitby en 664. Dans le manuscrit, des éléments ont été réglées au Synode de Whitby en 664. Dans le manuscrit, des éléments autoch- autochtones celtes et anglo-saxons se fondent dans les traditions romaine, copte et tones celtes et anglo-saxons se fondent dans les traditions romaine, copte et orientale orientale pour créer un vision artistique du métissage culturel de la Northumbrie aux pour créer un vision artistique du métissage culturel de la Northumbrie aux VIIe et VIIIe VIIe et VIIIe siècles. Les évangiles de Lindisfarne et d’autres comme cela, a contribué siècles. Les évangiles de Lindisfarne et d’autres comme cela, a contribué à définir le sens à définir le sens croissant de “l’anglais”—un esprit de consolidation du vénérable Bede, croissant de “l’anglais”—un esprit de consolidation du vénérable Bede, moine historien, moine historien, dans son “Histoire de l’Église et du peuple anglais”, achevée en 731. dans son “Histoire de l’Église et du peuple anglais”, achevée en 731. En plus de sa valeur

MYNOR REGULAR EXTRA CONDENSED 9/12 MYNOR REGULAR EXTRA CONDENSED ITALIC 9/12 DANISH DANISH Bortset fra dets egenværdi som en bemærkelsesværdig overlevelse af et gammelt Bortset fra dets egenværdi som en bemærkelsesværdig overlevelse af et gammelt og forbavsende smukke kunstværk, viser manuskriptet en unik kombination af og forbavsende smukke kunstværk, viser manuskriptet en unik kombination af kunstneriske stilarter, der afspejler en afgørende periode i Englands historie. kunstneriske stilarter, der afspejler en afgørende periode i Englands historie. Kristendommen kom først til Storbritannien under romerne, men efterfølgende Kristendommen kom først til Storbritannien under romerne, men efterfølgende invasion bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de britiske invasion bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de britiske øers kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom fra øers kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom fra Rom for at omdanne de hedenske ‘Vinkler til engle’. Religiøse forskelle mellem den Rom for at omdanne de hedenske ‘Vinkler til engle’. Religiøse forskelle mellem den indfødte ‘keltiske’ kirke og den nye ‘romerske kirke' blev afgjort ved synoden af indfødte ‘keltiske’ kirke og den nye ‘romerske kirke' blev afgjort ved synoden af Whitby i 664. I manuskriptet blander indfødte keltiske og angelsaxiske elementer Whitby i 664. I manuskriptet blander indfødte keltiske og angelsaxiske elementer med romerske, koptiske og østlige traditioner for at skabe en sublimt samlet med romerske, koptiske og østlige traditioner for at skabe en sublimt samlet kunstnerisk vision af den kulturelle smeltedigel af Northumbria i syvende og kunstnerisk vision af den kulturelle smeltedigel af Northumbria i syvende og ottende århundreder. Lindisfarne Evangelierne, og andre kan lide det, hjalp med ottende århundreder. Lindisfarne Evangelierne, og andre kan lide det, hjalp med at definere den voksende følelse af 'engelskhed' - en konsolideret ånd af den at definere den voksende følelse af 'engelskhed' - en konsolideret ånd af den ærværdige bede, historikermunken, i sin 'Den engelske kirkes historie og folks ærværdige bede, historikermunken, i sin 'Den engelske kirkes historie og folks

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MYNOR MEDIUM EXTRA CONDENSED 9/12 MYNOR MEDIUM EXTRA CONDENSED ITALIC 9/12 POLISH POLISH Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania starożyt- Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania starożyt- nego i zadziwiająco pięknego dzieła sztuki, rękopis przedstawia unikalne nego i zadziwiająco pięknego dzieła sztuki, rękopis przedstawia unikalne połączenie stylów artystycznych, które odzwierciedlają kluczowy okres w his- połączenie stylów artystycznych, które odzwierciedlają kluczowy okres w historii Anglii. Chrześcijaństwo po raz pierwszy przybyło do Wielkiej Brytanii pod torii Anglii. Chrześcijaństwo po raz pierwszy przybyło do Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Anglicy i rządami Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Anglicy i Wikingowie doprowad-zili wiarę do granic Wysp Brytyjskich. Kraj został stop- Wikingowie doprowad-zili wiarę do granic Wysp Brytyjskich. Kraj został stopniowo przebudowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, niowo przebudowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, by nawrócić pogańskie “kąty na anioły”. Różnice religijne między rdzennym by nawrócić pogańskie “kąty na anioły”. Różnice religijne między rdzennym “celtyckim” kościołem i nowym “rzymskim” kościołem zostały ustalone na “celtyckim” kościołem i nowym “rzymskim” kościołem zostały ustalone na synodzie w Whitby w roku 664. W rękopisie rodzime elementy celtyckie i anglo- synodzie w Whitby w roku 664. W rękopisie rodzime elementy celtyckie i anglosaskie mieszają się z tra dycjami rzymskimi, koptyjskimi i wschod-nimi, tworząc saskie mieszają się z tra dycjami rzymskimi, koptyjskimi i wschod-nimi, tworząc zunifikowaną jednolitość artystyczna wizja kulturowego tyglowania Northum- zunifikowaną jednolitość artystyczna wizja kulturowego tyglowania Northum- brii w siódmym i ósmym wieku. Ewangelie Lindisfarne i inne w ten sposób brii w siódmym i ósmym wieku. Ewangelie Lindisfarne i inne w ten sposób pomógł zdefiniować rosnące poczucie “angielskości” —ducha skonsolidowa- pomógł zdefiniować rosnące poczucie “angielskości” —ducha skonsolidowa-

MYNOR BOLD EXTRA CONDENSED 9/12 MYNOR BOLD EXTRA CONDENSED ITALIC 9/12 FINNISH FINNISH Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän eloonjäämisen lisäksi sen käsikirjoituksella on ainutlaatuinen taiteellisten eloonjäämisen lisäksi sen käsikirjoituksella on ainutlaatuinen taiteellisten tyylien yhdistelmä, joka heijastaa ratkaisevaa ajanjaksoa Englannin tyylien yhdistelmä, joka heijastaa ratkaisevaa ajanjaksoa Englannin historiassa. Kristinusko tuli ensin Ison Britannian roomalaisille, mutta historiassa. Kristinusko tuli ensin Ison Britannian roomalaisille, mutta alistumaton aallot hyökkäävät ei-kristilliset saksit, kulmat ja viikingit alistumaton aallot hyökkäävät ei-kristilliset saksit, kulmat ja viikingit ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui asteittain ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui asteittain 597: stä sen jälkeen, kun St Augustine saapui Roomasta muuttamaan 597: stä sen jälkeen, kun St Augustine saapui Roomasta muuttamaan pakanalliset “kulmat enkeliksi”. Alkuperäiskansojen “keltti” kirkon pakanalliset “kulmat enkeliksi”. Alkuperäiskansojen “keltti” kirkon ja uuden “roomalaisen” kirkon väliset uskonnolliset erot ratkaistiin ja uuden “roomalaisen” kirkon väliset uskonnolliset erot ratkaistiin Whitbyin synodissa 664. Käsikirjoituksessa syntyvät kelttiläiset ja Whitbyin synodissa 664. Käsikirjoituksessa syntyvät kelttiläiset ja anglosaksiset elementit yhdistyvät roomalaisten, koptis–ja itäperintei-den anglosaksiset elementit yhdistyvät roomalaisten, koptis–ja itäperintei-den kanssa luomaan sublimealisti yhtenäinen taiteellinen visio Northumbrion kanssa luomaan sublimealisti yhtenäinen taiteellinen visio Northumbrion kulttuurista sulatusastiaa seitse-männen ja kahdeksannen vuosisadan kulttuurista sulatusastiaa seitse-männen ja kahdeksannen vuosisadan ajan. Lindisfarne-evankeliumit ja muut kuten se, auttoi määrittämään ajan. Lindisfarne-evankeliumit ja muut kuten se, auttoi määrittämään

MYNOR EXTRABOLD EXTRA CONDENSED 9/12 MYNOR EXTRABOLD EXTRA CONDENSED ITALIC 9/12 CZECH CZECH Kromě své skutečné hodnoty jako pozoruhodného přežití starobylého Kromě své skutečné hodnoty jako pozoruhodného přežití starobylého a úžasně krásného uměleckého díla, rukopis zobrazuje jedinečnou a úžasně krásného uměleckého díla, rukopis zobrazuje jedinečnou kombinaci uměleckých stylů, které odrážejí rozhodující období kombinaci uměleckých stylů, které odrážejí rozhodující období historie Anglie. Křesťanství nejprve přišlo do Británie pod Římany, historie Anglie. Křesťanství nejprve přišlo do Británie pod Římany, ale následné vlny invaze nekřesťanští sasové, Angle a Vikingové ale následné vlny invaze nekřesťanští sasové, Angle a Vikingové vedli víru k okraji Britských ostrovů. Země byla postupně přeměně- vedli víru k okraji Britských ostrovů. Země byla postupně přeměně- na z roku 597, po příjezdu svatého Augustína z Říma, aby převedli na z roku 597, po příjezdu svatého Augustína z Říma, aby převedli pohanské Angely do andělů. Náboženské rozdíly mezi domorodou pohanské Angely do andělů. Náboženské rozdíly mezi domorodou “keltskou” církví a novou “římskou” církví byly řešeny na syn- “keltskou” církví a novou “římskou” církví byly řešeny na synodu odu Whitby v roce 664. V rukopisu se rodné keltské a anglosaské Whitby v roce 664. V rukopisu se rodné keltské a anglosaské elemen- elementy mísí s římskými, koptickými a východními tradicemi a ty mísí s římskými, koptickými a východními tradicemi a vytvářejí vytvářejí tak vznešené sjednocení uměleckou vizi kulturního tavícího tak vznešené sjednocení uměleckou vizi kulturního tavícího hrnce hrnce Northumbria v sedmém a osmém století. Lindisfarne evangelia Northumbria v sedmém a osmém století. Lindisfarne evangelia a další a další pomohl definovat rostoucí smysl pro “anglickost”—ducha pomohl definovat rostoucí smysl pro “anglickost”—ducha upevněného

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MYNOR BLACK EXTRA CONDENSED 9/12 MYNOR BLACK EXTRA CONDENSED ITALIC 9/12 SWEDISH SWEDISH Bortsett från dess inneboende värde som en anmärkningsvärd Bortsett från dess inneboende värde som en anmärkningsvärd överlevnad för ett gammalt och förvånansvärt vackert konst- överlevnad för ett gammalt och förvånansvärt vackert konst- verk, visar manuskriptet en unik kombination av konstnärliga verk, visar manuskriptet en unik kombination av konstnärliga stilar som speglar en avgörande period i Englands historia. stilar som speglar en avgörande period i Englands historia. Kristendomen kom först till Storbritannien under romarna, men Kristendomen kom först till Storbritannien under romarna, men efterföljande invasionens invasion av ickekristna saxar, vinklar efterföljande invasionens invasion av ickekristna saxar, vinklar och vikingar kördetroen på de brittiska öarnas zantar. Landet och vikingar kördetroen på de brittiska öarnas zantar. Landet var gradvis omkonverterad från 597, efter Augustinus anlände var gradvis omkonverterad från 597, efter Augustinus anlände från Rom för attomvandla de hedniska “vinklarna till änglarna”. från Rom för attomvandla de hedniska “vinklarna till änglarna”. Religiösa skillnader mellan den inhemska keltiska kyrkan och den Religiösa skillnader mellan den inhemska keltiska kyrkan och den nya romerska kyrkan avgjordes vid synoden av Whitby i 664. I nya romerska kyrkan avgjordes vid synoden av Whitby i 664. I manuskriptet blandar inhemska keltiska och angelsaxiska ele- manuskriptet blandar inhemska keltiska och angelsaxiska element med romerska, koptiska och östra traditioner för att skapa ment med romerska, koptiska och östra traditioner för att skapa en sublimt förenad konstnärlig syn på Northumbrias kulturella en sublimt förenad konstnärlig syn på Northumbrias kulturella

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 58 Mynor Condensed

RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 14 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CLASSIFICATION CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, SANS-SERIF ARROWS KALENJIN, KINYARWANDA, LATVIAN, EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MAORI, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN 445 SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 59

MYNOR CONDENSED FAMILY Mynor Light Condensed Mynor Light Condensed Italic Mynor Book Condensed Mynor Book Condensed Italic Mynor Regular Condensed Mynor Regular Condensed Italic Mynor Medium Condensed Mynor Medium Condensed Italic Mynor Bold Condensed Mynor Bold Condensed Italic Mynor ExtraBold Condensed Mynor ExtraBold Condensed Italic Mynor Black Condensed Mynor Black Condensed Italic

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 60

MYNOR LIGHT CONDENSED Apollo #Spacecraft

MYNOR BOOK CONDENSED Int. Space Station

MYNOR REGULAR CONDENSED Hubble Telescope

MYNOR MEDIUM CONDENSED First man on the

MYNOR BOLD CONDENSED Stratospherical

MYNOR EXTRABOLD CONDENSED Spacemission X

MYNOR BLACK CONDENSED Micrometeriod

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 61

MYNOR LIGHT CONDENSED ITALIC Apollo #Spacecraft

MYNOR BOOK CONDENSED ITALIC Int. Space Station

MYNOR REGULAR CONDENSED ITALIC Hubble Telescope

MYNOR MEDIUM CONDENSED ITALIC First man on the

MYNOR BOLD CONDENSED ITALIC Stratospherical

MYNOR EXTRABOLD CONDENSED ITALIC Spacemission X

MYNOR BLACK CONDENSED ITALIC Micrometeriod

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MYNOR LIGHT CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differenc-

MYNOR LIGHT CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differenc-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 63

MYNOR BOOK CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan ‘Angles

MYNOR BOOK CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan ‘Angles

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 64

MYNOR REGULAR CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR REGULAR CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 65

MYNOR MEDIUM CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived

MYNOR MEDIUM CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 66

MYNOR BOLD CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from

MYNOR BOLD CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from

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MYNOR EXTRABOLD CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted

MYNOR EXTRABOLD CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 68

MYNOR BLACK CONDENSED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was

MYNOR BLACK CONDENSED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 69

MYNOR LIGHT CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the

MYNOR LIGHT CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences bet-ween the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR LIGHT CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 70

MYNOR LIGHT CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the

MYNOR LIGHT CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries.

MYNOR LIGHT CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 71

MYNOR BOOK CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby

MYNOR BOOK CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth

MYNOR BOOK CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 72

MYNOR BOOK CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby

MYNOR BOOK CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth

MYNOR BOOK CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 73

MYNOR REGULAR CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled

MYNOR REGULAR CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of

MYNOR REGULAR CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 74

MYNOR REGULAR CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled

MYNOR REGULAR CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of

MYNOR REGULAR CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 75

MYNOR MEDIUM CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Ro-

MYNOR MEDIUM CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic

MYNOR MEDIUM CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 76

MYNOR MEDIUM CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Ro-

MYNOR MEDIUM CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic

MYNOR MEDIUM CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 77

MYNOR BOLD CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’

MYNOR BOLD CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to cre-

MYNOR BOLD CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 78

MYNOR BOLD CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’

MYNOR BOLD CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a

MYNOR BOLD CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 79

MYNOR EXTRABOLD CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between

MYNOR EXTRABOLD CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Cop-

MYNOR EXTRABOLD CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 80

MYNOR EXTRABOLD CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between

MYNOR EXTRABOLD CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Cop-

MYNOR EXTRABOLD CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church and People’, completed in 731.

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 81

MYNOR BLACK CONDENSED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli-

MYNOR BLACK CONDENSED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with

MYNOR BLACK CONDENSED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Syn- od of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 82

MYNOR BLACK CONDENSED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious

MYNOR BLACK CONDENSED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with

MYNOR BLACK CONDENSED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Syn- od of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable Bede, the historian monk, in his ‘History of the English Church

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 83

MYNOR LIGHT CONDENSED 9/12 MYNOR LIGHT CONDENSED ITALIC 9/12 SPANISH SPANISH Además de su valor intrínseco como una notable supervivencia de una obra Además de su valor intrínseco como una notable supervivencia de una de arte antigua y sorprendentemente hermosa, el manuscrito muestra obra de arte antigua y sorprendentemente hermosa, el manuscrito muestra una combinación única de estilos artísticos que refleja un período crucial una combinación única de estilos artísticos que refleja un período crucial en la historia de Inglaterra. El cristianismo llegó por primera vez a Gran en la historia de Inglaterra. El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas británicas. El país fue reconvertido gradualmente desde 597, después islas británicas. El país fue reconvertido gradualmente desde 597, después de que San Agustín llegó de Roma para convertir los “ángulos en ángeles” de que San Agustín llegó de Roma para convertir los “ángulos en ángeles” paganos. Las diferencias religiosas entre la iglesia indígena ‘celta’ paganos. Las diferencias religiosas entre la iglesia indígena ‘celta’ y la y la nueva iglesia ‘romana’ se resolvieron en el Sínodo de Whitby en 664. nueva iglesia ‘romana’ se resolvieron en el Sínodo de Whitby en 664. En el En el manuscrito, los elementos nativos celtas y anglosajones se mezclan manuscrito, los elementos nativos celtas y anglosajones se mezclan con con las tradiciones romanas, coptas y orientales para crear una unidad las tradiciones romanas, coptas y orientales para crear una unidad sublime. sublime. Visión artística del crisol cultural de Northumbria en los Visión artística del crisol cultural de Northumbria en los siglos séptimo y siglos séptimo y octavo. Los evangelios de Lindisfarne, y otros. Al igual octavo. Los evangelios de Lindisfarne, y otros. Al igual que eso, ayudó a

MYNOR BOOK CONDENSED 9/12 MYNOR BOOK CONDENSED ITALIC 9/12 FRENCH FRENCH En plus de sa valeur intrinsèque en tant que survie remarquable d'une En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art ancienne et étonnamment belle, le manuscrit présente œuvre d'art ancienne et étonnamment belle, le manuscrit présente une une combinaison unique de styles artistiques qui reflète une période combinaison unique de styles artistiques qui reflète une période cruciale cruciale de l’histoire de l’Angleterre. Le christianisme est d’abord venu de l’histoire de l’Angleterre. Le christianisme est d’abord venu en Grande- en Grande-Bretagne sous les Romains, mais des vagues d’invasion par Bretagne sous les Romains, mais des vagues d’invasion par la suite Les la suite Les Saxons, les Angles et les Vikings non chrétiens ont conduit Saxons, les Angles et les Vikings non chrétiens ont conduit la foi aux la foi aux confins des îles Britanniques. Le pays a été progressivement confins des îles Britanniques. Le pays a été progressivement reconverti reconverti à partir de 597, après l’arrivée de Saint Augustin de Rome à partir de 597, après l’arrivée de Saint Augustin de Rome pour convertir pour convertir les ‘païens Angles en anges’. Les différences religieuses les ‘païens Angles en anges’. Les différences religieuses entre l’église entre l’église «celtique» autochtone et la nouvelle église «romaine» «celtique» autochtone et la nouvelle église «romaine» ont été réglées au ont été réglées au Synode de Whitby en 664. Dans le manuscrit, des Synode de Whitby en 664. Dans le manuscrit, des éléments autochtones éléments autochtones celtes et anglo-saxons se fondent dans les celtes et anglo-saxons se fondent dans les traditions romaine, copte traditions romaine, copte et orientale pour créer un vision artistique et orientale pour créer un vision artistique du métissage culturel de du métissage culturel de la Northumbrie aux VIIe et VIIIe siècles. Les la Northumbrie aux VIIe et VIIIe siècles. Les évangiles de Lindisfarne

MYNOR REGULAR CONDENSED 9/12 MYNOR REGULAR CONDENSED ITALIC 9/12 DANISH DANISH Bortset fra dets egenværdi som en bemærkelsesværdig overlevelse af Bortset fra dets egenværdi som en bemærkelsesværdig overlevelse af et gammelt og forbavsende smukke kunstværk, viser manuskriptet en et gammelt og forbavsende smukke kunstværk, viser manuskriptet en unik kombination af kunstneriske stilarter, der afspejler en afgørende unik kombination af kunstneriske stilarter, der afspejler en afgørende periode i Englands historie. Kristendommen kom først til Storbritan- periode i Englands historie. Kristendommen kom først til Storbritan- nien under romerne, men efterfølgende invasion bølger af ikkekristne nien under romerne, men efterfølgende invasion bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de britiske øers kant. Landet saxer, vinkler og vikinger kørte troen til de britiske øers kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom fra Rom var gradvis omdannet fra 597, efter at St. Augustine ankom fra Rom for at omdanne de hedenske ‘Vinkler til engle’. Religiøse forskelle for at omdanne de hedenske ‘Vinkler til engle’. Religiøse forskelle mellem den indfødte ‘keltiske’ kirke og den nye ‘romerske kirke' blev mellem den indfødte ‘keltiske’ kirke og den nye ‘romerske kirke' blev afgjort ved synoden af Whitby i 664. I manuskriptet blander indfødte afgjort ved synoden af Whitby i 664. I manuskriptet blander indfødte keltiske og angelsaxiske elementer med romerske, koptiske og keltiske og angelsaxiske elementer med romerske, koptiske og østlige traditioner for at skabe en sublimt samlet kunstnerisk vision østlige traditioner for at skabe en sublimt samlet kunstnerisk vision af den kulturelle smeltedigel af Northumbria i syvende og ottende af den kulturelle smeltedigel af Northumbria i syvende og ottende århundreder. Lindisfarne Evangelierne, og andre kan lide det, hjalp århundreder. Lindisfarne Evangelierne, og andre kan lide det, hjalp

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MYNOR MEDIUM CONDENSED 9/12 MYNOR MEDIUM CONDENSED ITALIC 9/12 POLISH POLISH Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania starożytnego i zadziwiająco pięknego dzieła sztuki, rękopis przedst- starożytnego i zadziwiająco pięknego dzieła sztuki, rękopis przedstawia unikalne połączenie stylów artystycznych, które odzwierciedla- awia unikalne połączenie stylów artystycznych, które odzwierciedla- ją kluczowy okres w historii Anglii. Chrześcijaństwo po raz pierwszy ją kluczowy okres w historii Anglii. Chrześcijaństwo po raz pierwszy przybyło do Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale przybyło do Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Anglicy i Wikingowie doprow- inwazji w niechrześcijańscy Saksoni, Anglicy i Wikingowie doprowad-zili wiarę do granic Wysp Brytyjskich. Kraj został stopniowo pr- ad-zili wiarę do granic Wysp Brytyjskich. Kraj został stopniowo przebudowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, zebudowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, by nawrócić pogańskie “kąty na anioły”. Różnice religijne między by nawrócić pogańskie “kąty na anioły”. Różnice religijne między rdzennym “celtyckim” kościołem i nowym “rzymskim” kościołem rdzennym “celtyckim” kościołem i nowym “rzymskim” kościołem zostały ustalone na synodzie w Whitby w roku 664. W rękopisie zostały ustalone na synodzie w Whitby w roku 664. W rękopisie rodzime elementy celtyckie i anglosaskie mieszają się z tra rodzime elementy celtyckie i anglosaskie mieszają się z tra dycjami rzymskimi, koptyjskimi i wschod-nimi, tworząc zuni- dycjami rzymskimi, koptyjskimi i wschod-nimi, tworząc zuni- fikowaną jednolitość artystyczna wizja kulturowego tyglowania fikowaną jednolitość artystyczna wizja kulturowego tyglowania

MYNOR BOLD CONDENSED 9/12 MYNOR BOLD CONDENSED ITALIC 9/12 FINNISH FINNISH Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän eloonjäämisen lisäksi sen käsikirjoituksella on ainutlaatuinen eloonjäämisen lisäksi sen käsikirjoituksella on ainutlaatuinen taiteellisten tyylien yhdistelmä, joka heijastaa ratkaisevaa taiteellisten tyylien yhdistelmä, joka heijastaa ratkaisevaa ajanjaksoa Englannin historiassa. Kristinusko tuli ensin Ison ajanjaksoa Englannin historiassa. Kristinusko tuli ensin Ison Britannian roomalaisille, mutta alistumaton aallot hyökkäävät Britannian roomalaisille, mutta alistumaton aallot hyökkäävät ei-kristilliset saksit, kulmat ja viikingit ajoivat uskontoa British ei-kristilliset saksit, kulmat ja viikingit ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui asteittain 597: stä sen jäl- Islesin reunaviivoihin. Maa muuttui asteittain 597: stä sen jäl- keen, kun St Augustine saapui Roomasta muuttamaan pakanal- keen, kun St Augustine saapui Roomasta muuttamaan pakanalliset “kulmat enkeliksi”. Alkuperäiskansojen “keltti” kirkon ja liset “kulmat enkeliksi”. Alkuperäiskansojen “keltti” kirkon ja uuden “roomalaisen” kirkon väliset uskonnolliset erot ratkaistiin uuden “roomalaisen” kirkon väliset uskonnolliset erot ratkaistiin Whitbyin synodissa 664. Käsikirjoituksessa syntyvät kelttiläiset Whitbyin synodissa 664. Käsikirjoituksessa syntyvät kelttiläiset ja anglosaksiset elementit yhdistyvät roomalaisten, koptis–ja ja anglosaksiset elementit yhdistyvät roomalaisten, koptis–ja itäperintei-den kanssa luomaan sublimealisti yhtenäinen taiteel- itäperintei-den kanssa luomaan sublimealisti yhtenäinen taiteellinen visio Northumbrion kulttuurista sulatusastiaa seitse-männen linen visio Northumbrion kulttuurista sulatusastiaa seitse-männen

MYNOR EXTRABOLD CONDENSED 9/12 MYNOR EXTRABOLD CONDENSED ITALIC 9/12 CZECH CZECH Kromě své skutečné hodnoty jako pozoruhodného přežití Kromě své skutečné hodnoty jako pozoruhodného přežití starobylého a úžasně krásného uměleckého díla, rukopis zo- starobylého a úžasně krásného uměleckého díla, rukopis zobrazuje jedinečnou kombinaci uměleckých stylů, které odrážejí brazuje jedinečnou kombinaci uměleckých stylů, které odrážejí rozhodující období historie Anglie. Křesťanství nejprve přišlo rozhodující období historie Anglie. Křesťanství nejprve přišlo do Británie pod Římany, ale následné vlny invaze nekřesťanští do Británie pod Římany, ale následné vlny invaze nekřesťanští sasové, Angle a Vikingové vedli víru k okraji Britských ostrovů. sasové, Angle a Vikingové vedli víru k okraji Britských ostrovů. Země byla postupně přeměněna z roku 597, po příjezdu svatého Země byla postupně přeměněna z roku 597, po příjezdu svatého Augustína z Říma, aby převedli pohanské Angely do andělů. Augustína z Říma, aby převedli pohanské Angely do andělů. Náboženské rozdíly mezi domorodou “keltskou” církví a novou Náboženské rozdíly mezi domorodou “keltskou” církví a novou “římskou” církví byly řešeny na synodu Whitby v roce 664. “římskou” církví byly řešeny na synodu Whitby v roce 664. V rukopisu se rodné keltské a anglosaské elementy mísí s V rukopisu se rodné keltské a anglosaské elementy mísí s římskými, koptickými a východními tradicemi a vytvářejí tak římskými, koptickými a východními tradicemi a vytvářejí tak vznešené sjednocení uměleckou vizi kulturního tavícího hrnce vznešené sjednocení uměleckou vizi kulturního tavícího hrnce Northumbria v sedmém a osmém století. Lindisfarne evangelia Northumbria v sedmém a osmém století. Lindisfarne evangelia

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MYNOR BLACK CONDENSED 9/12 MYNOR BLACK CONDENSED ITALIC 9/12 SWEDISH SWEDISH Bortsett från dess inneboende värde som en an- Bortsett från dess inneboende värde som en an- märkningsvärd överlevnad för ett gammalt och förvånans- märkningsvärd överlevnad för ett gammalt och förvånans- värt vackert konst-verk, visar manuskriptet en unik kom- värt vackert konst-verk, visar manuskriptet en unik kombination av konstnärliga stilar som speglar en avgörande bination av konstnärliga stilar som speglar en avgörande period i Englands historia. Kristendomen kom först till period i Englands historia. Kristendomen kom först till Storbritannien under romarna, men efterföljande inva- Storbritannien under romarna, men efterföljande invasionens invasion av ickekristna saxar, vinklar och vikingar sionens invasion av ickekristna saxar, vinklar och vikingar kördetroen på de brittiska öarnas zantar. Landet var gradvis kördetroen på de brittiska öarnas zantar. Landet var gradvis omkonverterad från 597, efter Augustinus anlände från omkonverterad från 597, efter Augustinus anlände från Rom för attomvandla de hedniska “vinklarna till änglarna”. Rom för attomvandla de hedniska “vinklarna till änglarna”. Religiösa skillnader mellan den inhemska keltiska kyrkan Religiösa skillnader mellan den inhemska keltiska kyrkan och den nya romerska kyrkan avgjordes vid synoden av och den nya romerska kyrkan avgjordes vid synoden av Whitby i 664. I manuskriptet blandar inhemska keltiska och Whitby i 664. I manuskriptet blandar inhemska keltiska och angelsaxiska element med romerska, koptiska och östra angelsaxiska element med romerska, koptiska och östra

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RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 14 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CLASSIFICATION CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, SANS-SERIF ARROWS KALENJIN, KINYARWANDA, LATVIAN, EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MAORI, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN 445 SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU.

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MYNOR FAMILY Mynor Light Mynor Light Italic Mynor Book Mynor Book Italic Mynor Regular Mynor Regular Italic Mynor Medium Mynor Medium Italic Mynor Bold Mynor Bold Italic Mynor ExtraBold Mynor ExtraBold Italic Mynor Black Mynor Black Italic

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MYNOR LIGHT Apollo Spacecraft

MYNOR BOOK Int. Space Station

MYNOR REGULAR Hubble Telescope

MYNOR MEDIUM First man on the

MYNOR BOLD Stratospherical®

MYNOR EXTRABOLD Space Mission X

MYNOR BLACK Micrometeriods

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MYNOR LIGHT Apollo Spacecraft

MYNOR BOOK Int. Space Station

MYNOR REGULAR Hubble Telescope

MYNOR MEDIUM First man on the

MYNOR BOLD Stratospherical®

MYNOR EXTRABOLD Space Mission X

MYNOR BLACK Micrometeriods

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MYNOR LIGHT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vi- kings drove the faith to the fringes of the

MYNOR LIGHT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vi- kings drove the faith to the fringes of the

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MYNOR BOOK 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of

MYNOR BOOK ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of

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MYNOR REGULAR 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An- gles, and Vikings drove the faith to the

MYNOR REGULAR ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An- gles, and Vikings drove the faith to the

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MYNOR MEDIUM 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fring-

MYNOR MEDIUM ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fring-

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MYNOR BOLD 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fring-

MYNOR BOLD ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fring-

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MYNOR EXTRABOLD 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An- gles, and Vikings drove the faith to the

MYNOR EXTRABOLD ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An- gles, and Vikings drove the faith to the

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MYNOR BLACK 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An- gles, and Vikings drove the faith to the

MYNOR BLACK ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An- gles, and Vikings drove the faith to the

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MYNOR LIGHT 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR LIGHT 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences bet-ween the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In

MYNOR LIGHT 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by

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MYNOR LIGHT ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR LIGHT ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences bet-ween the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In

MYNOR LIGHT ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by the Venerable

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 99

MYNOR BOOK 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR BOOK 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664.

MYNOR BOOK 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain -un der the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 100

MYNOR BOOK ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR BOOK ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664.

MYNOR BOOK ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain -un der the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit of consolidated by

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 101

MYNOR REGULAR 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR REGULAR 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in

MYNOR REGULAR 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 102

MYNOR REGULAR ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR REGULAR ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664.

MYNOR REGULAR ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Cop- tic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of ‘Englishness’—a spirit

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 103

MYNOR MEDIUM 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR MEDIUM 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Au- gustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby

MYNOR MEDIUM 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 104

MYNOR MEDIUM ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR MEDIUM ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Au- gustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby

MYNOR MEDIUM ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

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MYNOR BOLD 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR BOLD 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby

MYNOR BOLD 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 106

MYNOR BOLD ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR BOLD ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby

MYNOR BOLD ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

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MYNOR EXTRABOLD 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from

MYNOR EXTRABOLD 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of

MYNOR EXTRABOLD 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 108

MYNOR EXTRABOLD ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from

MYNOR EXTRABOLD ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of

MYNOR EXTRABOLD ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

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MYNOR BLACK 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from

MYNOR BLACK 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the

MYNOR BLACK 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 110

MYNOR BLACK ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from

MYNOR BLACK ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the

MYNOR BLACK ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centuries. The Lindisfarne Gospels, and others like it, helped define the growing sense of

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MYNOR LIGHT 9/12 MYNOR LIGHT ITALIC 9/12 SPANISH SPANISH Además de su valor intrínseco como una notable Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua y sorpren- supervivencia de una obra de arte antigua y sorprendentemente hermosa, el manuscrito muestra una dentemente hermosa, el manuscrito muestra una combinación única de estilos artísticos que refleja un combinación única de estilos artísticos que refleja un período crucial en la historia de Inglaterra. El cristian- período crucial en la historia de Inglaterra. El cristianismo llegó por primera vez a Gran Bretaña bajo los ismo llegó por primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los romanos, pero subsiguientes oleadas de invasión de Los sajones, ángeles y vikingos no cristianos llevaron la fe a sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas británicas. El país fue reconvertido los límites de las islas británicas. El país fue reconvertido gradualmente desde 597, después de que San Agustín gradualmente desde 597, después de que San Agustín llegó de Roma para convertir los “ángulos en ángeles” llegó de Roma para convertir los “ángulos en ángeles” paganos. Las diferencias religiosas entre la iglesia paganos. Las diferencias religiosas entre la iglesia indígena ‘celta’ y la nueva iglesia ‘romana’ se resolvieron indígena ‘celta’ y la nueva iglesia ‘romana’ se resolvieron en el Sínodo de Whitby en 664. En el manuscrito, los en el Sínodo de Whitby en 664. En el manuscrito, los

MYNOR BOOK 9/12 MYNOR BOOK ITALIC 9/12 FRENCH FRENCH En plus de sa valeur intrinsèque en tant que survie En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art ancienne et étonnam- remarquable d'une œuvre d'art ancienne et étonnam- ment belle, le manuscrit présente une combinaison ment belle, le manuscrit présente une combinaison unique de styles artistiques qui reflète une période cru- unique de styles artistiques qui reflète une période ciale de l’histoire de l’Angleterre. Le christianisme est cruciale de l’histoire de l’Angleterre. Le christianisme d’abord venu en Grande-Bretagne sous les Romains, est d’abord venu en Grande-Bretagne sous les Ro- mais des vagues d’invasion par la suite Les Saxons, les mains, mais des vagues d’invasion par la suite Les Angles et les Vikings non chrétiens ont conduit la foi Saxons, les Angles et les Vikings non chrétiens ont aux confins des îles Britanniques. Le pays a été pro- conduit la foi aux confins des îles Britanniques. Le pays gressivement reconverti à partir de 597, après l’arrivée a été progressivement reconverti à partir de 597, après de Saint Augustin de Rome pour convertir les ‘païens l’arrivée de Saint Augustin de Rome pour convertir les Angles en anges’. Les différences religieuses entre ‘païens Angles en anges’. Les différences religieuses l’église «celtique» autochtone et la nouvelle église «ro- entre l’église «celtique» autochtone et la nouvelle église maine» ont été réglées au Synode de Whitby «romaine» ont été réglées au Synode de Whitby

MYNOR REGULAR 9/12 MYNOR REGULAR ITALIC 9/12 DANISH DANISH Bortset fra dets egenværdi som en bemærkelsesvær- Bortset fra dets egenværdi som en bemærkelsesvær- dig overlevelse af et gammelt og forbavsende smukke dig overlevelse af et gammelt og forbavsende smukke kunstværk, viser manuskriptet en unik kombination kunstværk, viser manuskriptet en unik kombination af kunstneriske stilarter, der afspejler en afgørende af kunstneriske stilarter, der afspejler en afgørende periode i Englands historie. Kristendommen kom først periode i Englands historie. Kristendommen kom først til Storbritannien under romerne, men efterfølgende til Storbritannien under romerne, men efterfølgende invasion bølger af ikkekristne saxer, vinkler og vikinger invasion bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de britiske øers kant. Landet var gradvis kørte troen til de britiske øers kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom fra omdannet fra 597, efter at St. Augustine ankom fra Rom for at omdanne de hedenske ‘Vinkler til engle’. Rom for at omdanne de hedenske ‘Vinkler til engle’. Religiøse forskelle mellem den indfødte ‘keltiske’ kirke Religiøse forskelle mellem den indfødte ‘keltiske’ kirke og den nye ‘romerske kirke' blev afgjort ved synoden og den nye ‘romerske kirke' blev afgjort ved synoden af Whitby i 664. I manuskriptet blander indfødte af Whitby i 664. I manuskriptet blander indfødte keltiske og angelsaxiske elementer med romerske, keltiske og angelsaxiske elementer med romerske,

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MYNOR MEDIUM 9/12 MYNOR MEDIUM ITALIC 9/12 POLISH POLISH Oprócz swojej nieodłącznej wartości jako niezwykłe- Oprócz swojej nieodłącznej wartości jako niezwykłe- go przetrwania starożytnego i zadziwiająco pięknego go przetrwania starożytnego i zadziwiająco pięknego dzieła sztuki, rękopis przedstawia unikalne połączenie dzieła sztuki, rękopis przedstawia unikalne połączenie stylów artystycznych, które odzwierciedlają kluczowy stylów artystycznych, które odzwierciedlają kluczowy okres w historii Anglii. Chrześcijaństwo po raz pierwszy okres w historii Anglii. Chrześcijaństwo po raz pierwszy przybyło do Wielkiej Brytanii pod rządami Rzymian, ale przybyło do Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Anglicy kolejne fale inwazji w niechrześcijańscy Saksoni, Anglicy i Wikingowie doprowad-zili wiarę do granic Wysp Bryty- i Wikingowie doprowad-zili wiarę do granic Wysp Bryty- jskich. Kraj został stopniowo przebudowany z 597 roku, jskich. Kraj został stopniowo przebudowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, by nawrócić po tym jak św. Augustyn przybył z Rzymu, by nawrócić pogańskie “kąty na anioły”. Różnice religijne między pogańskie “kąty na anioły”. Różnice religijne między rdzennym “celtyckim” kościołem i nowym “rzymskim” rdzennym “celtyckim” kościołem i nowym “rzymskim” kościołem zostały ustalone na synodzie w Whitby w kościołem zostały ustalone na synodzie w Whitby w roku 664. W rękopisie rodzime elementy celtyckie i an- roku 664. W rękopisie rodzime elementy celtyckie i an-

MYNOR BOLD 9/12 MYNOR BOLD ITALIC 9/12 FINNISH FINNISH Muinaisen ja hämmästyttävän kauniin taideteoksen Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän eloonjäämisen lisäksi sen käsikirjoituksel- merkittävän eloonjäämisen lisäksi sen käsikirjoituksel- la on ainutlaatuinen taiteellisten tyylien yhdistelmä, la on ainutlaatuinen taiteellisten tyylien yhdistelmä, joka heijastaa ratkaisevaa ajanjaksoa Englannin histo- joka heijastaa ratkaisevaa ajanjaksoa Englannin historiassa. Kristinusko tuli ensin Ison Britannian rooma- riassa. Kristinusko tuli ensin Ison Britannian roomalaisille, mutta alistumaton aallot hyökkäävät ei-kristil- laisille, mutta alistumaton aallot hyökkäävät ei-kristilliset saksit, kulmat ja viikingit ajoivat uskontoa British liset saksit, kulmat ja viikingit ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui asteittain 597: Islesin reunaviivoihin. Maa muuttui asteittain 597: stä sen jälkeen, kun St Augustine saapui Roomasta stä sen jälkeen, kun St Augustine saapui Roomasta muuttamaan pakanalliset “kulmat enkeliksi”. Alku- muuttamaan pakanalliset “kulmat enkeliksi”. Alku- peräiskansojen “keltti” kirkon ja uuden “roomalaisen” peräiskansojen “keltti” kirkon ja uuden “roomalaisen” kirkon väliset uskonnolliset erot ratkaistiin Whitbyin kirkon väliset uskonnolliset erot ratkaistiin Whitbyin synodissa 664. Käsikirjoituksessa syntyvät kelttiläiset synodissa 664. Käsikirjoituksessa syntyvät kelttiläiset ja anglosaksiset elementit yhdistyvät roomalaisten, ja anglosaksiset elementit yhdistyvät roomalaisten,

MYNOR EXTRABOLD 9/12 MYNOR EXTRABOLD ITALIC 9/12 CZECH CZECH Kromě své skutečné hodnoty jako pozoruhodného Kromě své skutečné hodnoty jako pozoruhodného přežití starobylého a úžasně krásného uměleckého přežití starobylého a úžasně krásného uměleckého díla, rukopis zobrazuje jedinečnou kombinaci díla, rukopis zobrazuje jedinečnou kombinaci uměleckých stylů, které odrážejí rozhodující období uměleckých stylů, které odrážejí rozhodující období historie Anglie. Křesťanství nejprve přišlo do Británie historie Anglie. Křesťanství nejprve přišlo do Británie pod Římany, ale následné vlny invaze nekřesťanští pod Římany, ale následné vlny invaze nekřesťanští sasové, Angle a Vikingové vedli víru k okraji Britských sasové, Angle a Vikingové vedli víru k okraji Britských ostrovů. Země byla postupně přeměněna z roku 597, ostrovů. Země byla postupně přeměněna z roku 597, po příjezdu svatého Augustína z Říma, aby převed- po příjezdu svatého Augustína z Říma, aby převed- li pohanské Angely do andělů. Náboženské rozdíly li pohanské Angely do andělů. Náboženské rozdíly mezi domorodou “keltskou” církví a novou “římsk- mezi domorodou “keltskou” církví a novou “římsk- ou” církví byly řešeny na synodu Whitby v roce 664. ou” církví byly řešeny na synodu Whitby v roce 664. V rukopisu se rodné keltské a anglosaské elementy V rukopisu se rodné keltské a anglosaské elementy mísí s římskými, koptickými a východními tradicemi mísí s římskými, koptickými a východními tradicemi

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MYNOR BLACK 9/12 MYNOR BLACK ITALIC 9/12 SWEDISH SWEDISH Bortsett från dess inneboende värde som en an- Bortsett från dess inneboende värde som en an- märkningsvärd överlevnad för ett gammalt och märkningsvärd överlevnad för ett gammalt och förvånansvärt vackert konst-verk, visar manuskrip- förvånansvärt vackert konst-verk, visar manuskriptet en unik kombination av konstnärliga stilar som tet en unik kombination av konstnärliga stilar som speglar en avgörande period i Englands historia. speglar en avgörande period i Englands historia. Kristendomen kom först till Storbritannien under Kristendomen kom först till Storbritannien under romarna, men efterföljande invasionens invasion av romarna, men efterföljande invasionens invasion av ickekristna saxar, vinklar och vikingar kördetroen ickekristna saxar, vinklar och vikingar kördetroen på de brittiska öarnas zantar. Landet var gradvis på de brittiska öarnas zantar. Landet var gradvis omkonverterad från 597, efter Augustinus anlände omkonverterad från 597, efter Augustinus anlände från Rom för attomvandla de hedniska “vinklarna till från Rom för attomvandla de hedniska “vinklarna till änglarna”. Religiösa skillnader mellan den inhemska änglarna”. Religiösa skillnader mellan den inhemska keltiska kyrkan och den nya romerska kyrkan avg- keltiska kyrkan och den nya romerska kyrkan avgjordes vid synoden av Whitby i 664. I manuskriptet jordes vid synoden av Whitby i 664. I manuskriptet

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 114 Mynor Wide

RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 14 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CLASSIFICATION CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, SANS-SERIF ARROWS KALENJIN, KINYARWANDA, LATVIAN, EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MAORI, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN 445 SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU.

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MYNOR WIDE FAMILY Mynor Light Wide Mynor Light Wide Italic Mynor Book Wide Mynor Book Wide Italic Mynor Regular Wide Mynor Regular Wide Italic Mynor Medium Wide Mynor Medium Wide Italic Mynor Bold Wide Mynor Bold Wide Italic Mynor ExtraBold Wide Mynor ExtraBold Wide Italic Mynor Black Wide Mynor Black Wide Italic

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 116

MYNOR LIGHT WIDE Apollo Spacecraft

MYNOR BOOK WIDE Int. Space Station

MYNOR REGULAR WIDE Hubble Telescope

MYNOR MEDIUM WIDE First man on the

MYNOR BOLD WIDE Stratospherical

MYNOR EXTRABOLD WIDE Space Mission X

MYNOR BLACK WIDE Micrometeriods

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 117

MYNOR LIGHT WIDE ITALIC Apollo Spacecraft

MYNOR BOOK WIDE ITALIC Int. Space Station

MYNOR REGULAR WIDE ITALIC Hubble Telescope

MYNOR MEDIUM WIDE ITALIC First man on the

MYNOR BOLD WIDE ITALIC Stratospherical

MYNOR EXTRABOLD WIDE ITALIC Space Mission X

MYNOR BLACK WIDE ITALIC Micrometeriods

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 118

MYNOR LIGHT WIDE 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons,

MYNOR LIGHT WIDE ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons,

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 119

MYNOR BOOK WIDE 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons,

MYNOR BOOK WIDE ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons,

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 120

MYNOR REGULAR WIDE 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christian- ity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax-

MYNOR REGULAR WIDE ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christian- ity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 121

MYNOR MEDIUM WIDE 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christi- anity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris-

MYNOR MEDIUM WIDE ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christi- anity first came to Britain under the Romans, but subsequent waves of invasion by non-Chris-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 122

MYNOR BOLD WIDE 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Brit- ain under the Romans, but subsequent waves of invasion by

MYNOR BOLD WIDE ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Brit- ain under the Romans, but subsequent waves of invasion by

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 123

MYNOR EXTRABOLD WIDE 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of inva-

MYNOR EXTRABOLD WIDE ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of inva-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 124

MYNOR BLACK WIDE 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of inva-

MYNOR BLACK WIDE ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of inva-

MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 125

MYNOR LIGHT WIDE 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually

MYNOR LIGHT WIDE 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences bet-ween the indigenous ‘Celtic’ Church

MYNOR LIGHT WIDE 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth

MYNOR LIGHT WIDE ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually

MYNOR LIGHT WIDE ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences bet-ween the indigenous ‘Celtic’ Church

MYNOR LIGHT WIDE ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth centu-

MYNOR BOOK WIDE 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was

MYNOR BOOK WIDE 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences

MYNOR BOOK WIDE 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northum-

MYNOR BOOK WIDE ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was

MYNOR BOOK WIDE ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences bet-ween the

MYNOR BOOK WIDE ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northum-

MYNOR REGULAR WIDE 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British

MYNOR REGULAR WIDE 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences

MYNOR REGULAR WIDE 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting

MYNOR REGULAR WIDE ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British

MYNOR REGULAR WIDE ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences

MYNOR REGULAR WIDE ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting

MYNOR MEDIUM WIDE 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British

MYNOR MEDIUM WIDE 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious

MYNOR MEDIUM WIDE 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of

MYNOR MEDIUM WIDE ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British

MYNOR MEDIUM WIDE ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differenc-

MYNOR MEDIUM WIDE ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of

MYNOR BOLD WIDE 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British

MYNOR BOLD WIDE 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’.

MYNOR BOLD WIDE 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely

MYNOR BOLD WIDE ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British

MYNOR BOLD WIDE ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Chris- tian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’.

MYNOR BOLD WIDE ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely

MYNOR EXTRABOLD WIDE 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes

MYNOR EXTRABOLD WIDE 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan ‘Angles

MYNOR EXTRABOLD WIDE 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely

MYNOR EXTRABOLD WIDE ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes

MYNOR EXTRABOLD WIDE ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan

MYNOR EXTRABOLD WIDE ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Ro- mans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli- gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely

MYNOR BLACK WIDE 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the

MYNOR BLACK WIDE 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan

MYNOR BLACK WIDE 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to cre-

MYNOR BLACK WIDE ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the

MYNOR BLACK WIDE ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augus- tine arrived from Rome to convert the pagan

MYNOR BLACK WIDE ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to cre-

MYNOR LIGHT WIDE 9/12 MYNOR LIGHT WIDE ITALIC 9/12 SPANISH SPANISH Además de su valor intrínseco como una notable Además de su valor intrínseco como una notable supervivencia de una obra de arte antigua y supervivencia de una obra de arte antigua y sorprendentemente hermosa, el manuscrito sorprendentemente hermosa, el manuscrito muestra una combinación única de estilos muestra una combinación única de estilos artísticos que refleja un período crucial en la artísticos que refleja un período crucial en la historia de Inglaterra. El cristianismo llegó por historia de Inglaterra. El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, primera vez a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los pero subsiguientes oleadas de invasión de Los sajones, ángeles y vikingos no cristianos llevaron sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas británicas. El país la fe a los límites de las islas británicas. El país fue reconvertido gradualmente desde 597, fue reconvertido gradualmente desde 597, después de que San Agustín llegó de Roma para después de que San Agustín llegó de Roma para convertir los “ángulos en ángeles” paganos. Las convertir los “ángulos en ángeles” paganos. Las diferencias religiosas entre la iglesia indígena diferencias religiosas entre la iglesia indígena

MYNOR BOOK WIDE 9/12 MYNOR BOOK WIDE ITALIC 9/12 FRENCH FRENCH En plus de sa valeur intrinsèque en tant que En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre d'art an- survie remarquable d'une œuvre d'art ancienne et étonnamment belle, le manuscrit cienne et étonnamment belle, le manuscrit présente une combinaison unique de styles présente une combinaison unique de styles artistiques qui reflète une période cruciale de artistiques qui reflète une période cruciale de l’histoire de l’Angleterre. Le christianisme est l’histoire de l’Angleterre. Le christianisme est d’abord venu en Grande-Bretagne sous les d’abord venu en Grande-Bretagne sous les Romains, mais des vagues d’invasion par la Romains, mais des vagues d’invasion par la suite Les Saxons, les Angles et les Vikings non suite Les Saxons, les Angles et les Vikings non chrétiens ont conduit la foi aux confins des chrétiens ont conduit la foi aux confins des îles Britanniques. Le pays a été progressive- îles Britanniques. Le pays a été progressivement reconverti à partir de 597, après l’arrivée ment reconverti à partir de 597, après l’arrivée de Saint Augustin de Rome pour convertir les de Saint Augustin de Rome pour convertir les ‘païens Angles en anges’. Les différences reli- ‘païens Angles en anges’. Les différences reli-

MYNOR REGULAR WIDE 9/12 MYNOR REGULAR WIDE ITALIC 9/12 DANISH DANISH Bortset fra dets egenværdi som en be- Bortset fra dets egenværdi som en be- mærkelsesværdig overlevelse af et gammelt mærkelsesværdig overlevelse af et gammelt og forbavsende smukke kunstværk, viser og forbavsende smukke kunstværk, viser manuskriptet en unik kombination af kun- manuskriptet en unik kombination af kunstneriske stilarter, der afspejler en afgørende stneriske stilarter, der afspejler en afgørende periode i Englands historie. Kristendommen periode i Englands historie. Kristendommen kom først til Storbritannien under romerne, kom først til Storbritannien under romerne, men efterfølgende invasion bølger af ikkekris- men efterfølgende invasion bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de tne saxer, vinkler og vikinger kørte troen til de britiske øers kant. Landet var gradvis om- britiske øers kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom dannet fra 597, efter at St. Augustine ankom fra Rom for at omdanne de hedenske ‘Vinkler fra Rom for at omdanne de hedenske ‘Vinkler til engle’. Religiøse forskelle mellem den til engle’. Religiøse forskelle mellem den indfødte ‘keltiske’ kirke og den nye ‘romerske indfødte ‘keltiske’ kirke og den nye ‘romerske

MYNOR MEDIUM WIDE 9/12 MYNOR MEDIUM WIDE ITALIC 9/12 POLISH POLISH Oprócz swojej nieodłącznej wartości jako Oprócz swojej nieodłącznej wartości jako niezwykłego przetrwania starożytnego i za- niezwykłego przetrwania starożytnego i za- dziwiająco pięknego dzieła sztuki, rękopis dziwiająco pięknego dzieła sztuki, rękopis przedstawia unikalne połączenie stylów art- przedstawia unikalne połączenie stylów artystycznych, które odzwierciedlają kluczowy ystycznych, które odzwierciedlają kluczowy okres w historii Anglii. Chrześcijaństwo po okres w historii Anglii. Chrześcijaństwo po raz pierwszy przybyło do Wielkiej Brytanii pod raz pierwszy przybyło do Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale inwazji w rządami Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Anglicy i Wikin- niechrześcijańscy Saksoni, Anglicy i Wikin- gowie doprowad-zili wiarę do granic Wysp gowie doprowad-zili wiarę do granic Wysp Brytyjskich. Kraj został stopniowo przebu- Brytyjskich. Kraj został stopniowo przebudowany z 597 roku, po tym jak św. Augustyn dowany z 597 roku, po tym jak św. Augustyn przybył z Rzymu, by nawrócić pogańsk- przybył z Rzymu, by nawrócić pogańsk- ie “kąty na anioły”. Różnice religijne między ie “kąty na anioły”. Różnice religijne między

MYNOR BOLD WIDE 9/12 MYNOR BOLD WIDE ITALIC 9/12 FINNISH FINNISH Muinaisen ja hämmästyttävän kauniin Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän eloonjäämisen taideteoksen merkittävän eloonjäämisen lisäksi sen käsikirjoituksella on ainutlaatu- lisäksi sen käsikirjoituksella on ainutlaatuinen taiteellisten tyylien yhdistelmä, joka inen taiteellisten tyylien yhdistelmä, joka heijastaa ratkaisevaa ajanjaksoa Englan- heijastaa ratkaisevaa ajanjaksoa Englan- nin historiassa. Kristinusko tuli ensin Ison nin historiassa. Kristinusko tuli ensin Ison Britannian roomalaisille, mutta alistuma- Britannian roomalaisille, mutta alistumaton aallot hyökkäävät ei-kristilliset saksit, ton aallot hyökkäävät ei-kristilliset saksit, kulmat ja viikingit ajoivat uskontoa British kulmat ja viikingit ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui asteit- Islesin reunaviivoihin. Maa muuttui asteittain 597: stä sen jälkeen, kun St Augustine tain 597: stä sen jälkeen, kun St Augustine saapui Roomasta muuttamaan pakanalli- saapui Roomasta muuttamaan pakanalliset “kulmat enkeliksi”. Alkuperäiskanso- set “kulmat enkeliksi”. Alkuperäiskanso- jen “keltti” kirkon ja uuden “roomalaisen” jen “keltti” kirkon ja uuden “roomalaisen”

MYNOR EXTRABOLD WIDE 9/12 MYNOR EXTRABOLD WIDE ITALIC 9/12 CZECH CZECH Kromě své skutečné hodnoty jako po- Kromě své skutečné hodnoty jako po- zoruhodného přežití starobylého a úžasně zoruhodného přežití starobylého a úžasně krásného uměleckého díla, rukopis zo- krásného uměleckého díla, rukopis zobrazuje jedinečnou kombinaci uměleckých brazuje jedinečnou kombinaci uměleckých stylů, které odrážejí rozhodující období stylů, které odrážejí rozhodující období historie Anglie. Křesťanství nejprve přiš- historie Anglie. Křesťanství nejprve přiš- lo do Británie pod Římany, ale následné lo do Británie pod Římany, ale následné vlny invaze nekřesťanští sasové, Angle vlny invaze nekřesťanští sasové, Angle a Vikingové vedli víru k okraji Britských a Vikingové vedli víru k okraji Britských ostrovů. Země byla postupně přeměněna ostrovů. Země byla postupně přeměněna z roku 597, po příjezdu svatého Augustína z roku 597, po příjezdu svatého Augustína z Říma, aby převedli pohanské Angely do z Říma, aby převedli pohanské Angely do andělů. Náboženské rozdíly mezi domoro- andělů. Náboženské rozdíly mezi domorodou “keltskou” církví a novou “římskou” dou “keltskou” církví a novou “římskou”

MYNOR BLACK WIDE 9/12 MYNOR BLACK WIDE ITALIC 9/12 SWEDISH SWEDISH Bortsett från dess inneboende värde som Bortsett från dess inneboende värde som en anmärkningsvärd överlevnad för ett en anmärkningsvärd överlevnad för ett gammalt och förvånansvärt vackert konst- gammalt och förvånansvärt vackert konst- verk, visar manuskriptet en unik kombi- verk, visar manuskriptet en unik kombination av konstnärliga stilar som speglar nation av konstnärliga stilar som speglar en avgörande period i Englands historia. en avgörande period i Englands historia. Kristendomen kom först till Storbritan- Kristendomen kom först till Storbritan- nien under romarna, men efterföljande nien under romarna, men efterföljande invasionens invasion av ickekristna sax- invasionens invasion av ickekristna saxar, vinklar och vikingar kördetroen på de ar, vinklar och vikingar kördetroen på de brittiska öarnas zantar. Landet var gradvis brittiska öarnas zantar. Landet var gradvis omkonverterad från 597, efter Augustinus omkonverterad från 597, efter Augustinus anlände från Rom för attomvandla de hed- anlände från Rom för attomvandla de hedniska “vinklarna till änglarna”. Religiösa niska “vinklarna till änglarna”. Religiösa

RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 14 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CLASSIFICATION CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, SANS-SERIF ARROWS KALENJIN, KINYARWANDA, LATVIAN, EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MAORI, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN 445 SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU.

MYNOR EXPANDED FAMILY Mynor Light Expanded Mynor Light Expanded Italic Mynor Book Expanded Mynor Book Expanded Italic Mynor Regular Expanded Mynor Regular Expanded Italic Mynor Medium Expanded Mynor Medium Expanded Italic Mynor Bold Expanded Mynor Bold Expanded Italic Mynor ExtraBold Expanded Mynor ExtraBold Expanded Italic Mynor Black Expanded Mynor Black Expanded Italic

MYNOR LIGHT EXPANDED Apollo Spacecraft

MYNOR BOOK EXPANDED Int. Space Station

MYNOR REGULAR EXPANDED HubbleTelescope

MYNOR MEDIUM EXPANDED First man on the

MYNOR BOLD EXPANDED Stratospherical

MYNOR EXTRABOLD EXPANDED Space Missions

MYNOR BLACK EXPANDED Micrometeriod

MYNOR LIGHT EXPANDED Apollo Spacecraft

MYNOR BOOK EXPANDED Int. Space Station

MYNOR REGULAR EXPANDED HubbleTelescope

MYNOR MEDIUM EXPANDED First man on the

MYNOR BOLD EXPANDED Stratospherical

MYNOR EXTRABOLD EXPANDED Space Missions

MYNOR BLACK EXPANDED Micrometeriod

MYNOR LIGHT EXPANDED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of inva-

MYNOR LIGHT EXPANDED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of inva-

MYNOR BOOK EXPANDED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christian- ity first came to Britain under the Romans, but subsequent

MYNOR BOOK EXPANDED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christian- ity first came to Britain under the Romans, but subsequent

MYNOR REGULAR EXPANDED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Britain under the Romans, but sub-

MYNOR REGULAR EXPANDED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Britain under the Romans, but sub-

MYNOR MEDIUM EXPANDED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans,

MYNOR MEDIUM EXPANDED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans,

MYNOR BOLD EXPANDED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the

MYNOR BOLD EXPANDED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the

MYNOR EXTRABOLD EXPANDED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Brit-

MYNOR EXTRABOLD EXPANDED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Brit-

MYNOR BLACK EXPANDED 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to

MYNOR BLACK EXPANDED ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to

MYNOR LIGHT EXPANDED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes

MYNOR LIGHT EXPANDED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Aug- ustine arrived from Rome to convert the pagan

MYNOR LIGHT EXPANDED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to cre-

MYNOR LIGHT EXPANDED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes

MYNOR LIGHT EXPANDED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in Eng- land’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Aug- ustine arrived from Rome to convert the pagan

MYNOR LIGHT EXPANDED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to cre-

MYNOR BOOK EXPANDED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the

MYNOR BOOK EXPANDED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Brit- ain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR BOOK EXPANDED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with

MYNOR BOOK EXPANDED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the

MYNOR BOOK EXPANDED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Brit- ain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to con-

MYNOR BOOK EXPANDED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with

MYNOR REGULAR EXPANDED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Chris- tianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles,

MYNOR REGULAR EXPANDED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine

MYNOR REGULAR EXPANDED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and

MYNOR REGULAR EXPANDED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and

MYNOR REGULAR EXPANDED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Sax- ons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine

MYNOR REGULAR EXPANDED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and

MYNOR MEDIUM EXPANDED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An-

MYNOR MEDIUM EXPANDED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from

MYNOR MEDIUM EXPANDED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native

MYNOR MEDIUM EXPANDED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An-

MYNOR MEDIUM EXPANDED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from

MYNOR MEDIUM EXPANDED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native

MYNOR BOLD EXPANDED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An-

MYNOR BOLD EXPANDED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconvert-

MYNOR BOLD EXPANDED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘An- gles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript,

MYNOR BOLD EXPANDED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, An-

MYNOR BOLD EXPANDED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconvert-

MYNOR BOLD EXPANDED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘An- gles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript,

MYNOR EXTRABOLD EXPANDED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-

MYNOR EXTRABOLD EXPANDED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually

MYNOR EXTRABOLD EXPANDED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in

MYNOR EXTRABOLD EXPANDED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-

MYNOR EXTRABOLD EXPANDED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually

MYNOR EXTRABOLD EXPANDED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in

MYNOR BLACK EXPANDED 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-

MYNOR BLACK EXPANDED 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradual-

MYNOR BLACK EXPANDED 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non- Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at

MYNOR BLACK EXPANDED ITALIC 18/20 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-

MYNOR BLACK EXPANDED ITALIC 15/17 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradual-

MYNOR BLACK EXPANDED ITALIC 12/14 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non- Christian Saxons, Angles, and Vikings drovethe faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at

MYNOR LIGHT EXPANDED 9/12 MYNOR LIGHT EXPANDED ITALIC 9/12 SPANISH SPANISH Además de su valor intrínseco como una Además de su valor intrínseco como una notable supervivencia de una obra de arte notable supervivencia de una obra de arte antigua y sorprendentemente hermosa, antigua y sorprendentemente hermosa, el manuscrito muestra una combinación el manuscrito muestra una combinación única de estilos artísticos que refleja un única de estilos artísticos que refleja un período crucial en la historia de Inglater- período crucial en la historia de Inglater- ra. El cristianismo llegó por primera vez ra. El cristianismo llegó por primera vez a Gran Bretaña bajo los romanos, pero a Gran Bretaña bajo los romanos, pero subsiguientes oleadas de invasión de Los subsiguientes oleadas de invasión de Los sajones, ángeles y vikingos no cristianos sajones, ángeles y vikingos no cristianos llevaron la fe a los límites de las islas llevaron la fe a los límites de las islas británicas. El país fue reconvertido grad- británicas. El país fue reconvertido gradualmente desde 597, después de que San ualmente desde 597, después de que San Agustín llegó de Roma para convertir los Agustín llegó de Roma para convertir los

MYNOR BOOK EXPANDED 9/12 MYNOR BOOK EXPANDED ITALIC 9/12 FRENCH FRENCH En plus de sa valeur intrinsèque en tant En plus de sa valeur intrinsèque en tant que survie remarquable d'une œuvre que survie remarquable d'une œuvre d'art ancienne et étonnamment belle, d'art ancienne et étonnamment belle, le manuscrit présente une combinai- le manuscrit présente une combinaison unique de styles artistiques qui son unique de styles artistiques qui reflète une période cruciale de l’histoire reflète une période cruciale de l’histoire de l’Angleterre. Le christianisme est de l’Angleterre. Le christianisme est d’abord venu en Grande-Bretagne sous d’abord venu en Grande-Bretagne sous les Romains, mais des vagues d’invasion les Romains, mais des vagues d’invasion par la suite Les Saxons, les Angles et les par la suite Les Saxons, les Angles et les Vikings non chrétiens ont conduit la foi Vikings non chrétiens ont conduit la foi aux confins des îles Britanniques. Le pays aux confins des îles Britanniques. Le pays a été progressivement reconverti à partir a été progressivement reconverti à partir de 597, après l’arrivée de Saint Augustin de 597, après l’arrivée de Saint Augustin

MYNOR REGULAR EXPANDED 9/12 MYNOR REGULAR EXPANDED ITALIC 9/12 DANISH DANISH Bortset fra dets egenværdi som en Bortset fra dets egenværdi som en bemærkelsesværdig overlevelse af bemærkelsesværdig overlevelse af et gammelt og forbavsende smukke et gammelt og forbavsende smukke kunstværk, viser manuskriptet en unik kunstværk, viser manuskriptet en unik kombination af kunstneriske stilarter, kombination af kunstneriske stilarter, der afspejler en afgørende periode i der afspejler en afgørende periode i Englands historie. Kristendommen Englands historie. Kristendommen kom først til Storbritannien under kom først til Storbritannien under romerne, men efterfølgende invasion romerne, men efterfølgende invasion bølger af ikkekristne saxer, vinkler og bølger af ikkekristne saxer, vinkler og vikinger kørte troen til de britiske øers vikinger kørte troen til de britiske øers kant. Landet var gradvis omdannet kant. Landet var gradvis omdannet fra 597, efter at St. Augustine ankom fra 597, efter at St. Augustine ankom fra Rom for at omdanne de hedenske fra Rom for at omdanne de hedenske

MYNOR MEDIUM EXPANDED 9/12 MYNOR MEDIUM EXPANDED ITALIC 9/12 POLISH POLISH Oprócz swojej nieodłącznej war- Oprócz swojej nieodłącznej war- tości jako niezwykłego przetrwania tości jako niezwykłego przetrwania starożytnego i zadziwiająco piękne- starożytnego i zadziwiająco piękne- go dzieła sztuki, rękopis przedst- go dzieła sztuki, rękopis przedstawia unikalne połączenie stylów awia unikalne połączenie stylów artystycznych, które odzwiercied- artystycznych, które odzwiercied- lają kluczowy okres w historii Anglii. lają kluczowy okres w historii Anglii. Chrześcijaństwo po raz pierwszy przy- Chrześcijaństwo po raz pierwszy przy- było do Wielkiej Brytanii pod rządami było do Wielkiej Brytanii pod rządami Rzymian, ale kolejne fale inwazji w Rzymian, ale kolejne fale inwazji w niechrześcijańscy Saksoni, Angli- niechrześcijańscy Saksoni, Angli- cy i Wikingowie doprowad-zili wiarę cy i Wikingowie doprowad-zili wiarę do granic Wysp Brytyjskich. Kraj zos- do granic Wysp Brytyjskich. Kraj zos- tał stopniowo przebudowany z 597 tał stopniowo przebudowany z 597

MYNOR BOLD EXPANDED 9/12 MYNOR BOLD EXPANDED ITALIC 9/12 FINNISH FINNISH Muinaisen ja hämmästyttävän kau- Muinaisen ja hämmästyttävän kauniin taideteoksen merkittävän eloon- niin taideteoksen merkittävän eloon- jäämisen lisäksi sen käsikirjoituk- jäämisen lisäksi sen käsikirjoituk- sella on ainutlaatuinen taiteellisten sella on ainutlaatuinen taiteellisten tyylien yhdistelmä, joka heijastaa tyylien yhdistelmä, joka heijastaa ratkaisevaa ajanjaksoa Englannin ratkaisevaa ajanjaksoa Englannin historiassa. Kristinusko tuli ensin historiassa. Kristinusko tuli ensin Ison Britannian roomalaisille, mut- Ison Britannian roomalaisille, mutta alistumaton aallot hyökkäävät ta alistumaton aallot hyökkäävät ei-kristilliset saksit, kulmat ja viikin- ei-kristilliset saksit, kulmat ja viikingit ajoivat uskontoa British Islesin git ajoivat uskontoa British Islesin reunaviivoihin. Maa muuttui aste- reunaviivoihin. Maa muuttui asteittain 597: stä sen jälkeen, kun St ittain 597: stä sen jälkeen, kun St Augustine saapui Roomasta muut- Augustine saapui Roomasta muut-

MYNOR EXTRABOLD EXPANDED 9/12 MYNOR EXTRABOLD EXPANDED ITALIC 9/12 CZECH CZECH Kromě své skutečné hodnoty jako Kromě své skutečné hodnoty jako pozoruhodného přežití starobylého pozoruhodného přežití starobylého a úžasně krásného uměleckého a úžasně krásného uměleckého díla, rukopis zobrazuje jedinečnou díla, rukopis zobrazuje jedinečnou kombinaci uměleckých stylů, které kombinaci uměleckých stylů, které odrážejí rozhodující období historie odrážejí rozhodující období historie Anglie. Křesťanství nejprve přišlo Anglie. Křesťanství nejprve přišlo do Británie pod Římany, ale násled- do Británie pod Římany, ale násled- né vlny invaze nekřesťanští sasové, né vlny invaze nekřesťanští sasové, Angle a Vikingové vedli víru k okraji Angle a Vikingové vedli víru k okraji Britských ostrovů. Země byla pos- Britských ostrovů. Země byla pos- tupně přeměněna z roku 597, po tupně přeměněna z roku 597, po příjezdu svatého Augustína z Říma, příjezdu svatého Augustína z Říma, aby převedli pohanské Angely do aby převedli pohanské Angely do

MYNOR BLACK EXPANDED 9/12 MYNOR BLACK EXPANDED ITALIC 9/12 SWEDISH SWEDISH Bortsett från dess inneboende Bortsett från dess inneboende värde som en anmärkningsvärd värde som en anmärkningsvärd överlevnad för ett gammalt och överlevnad för ett gammalt och förvånansvärt vackert konst-verk, förvånansvärt vackert konst-verk, visar manuskriptet en unik kombi- visar manuskriptet en unik kombination av konstnärliga stilar som nation av konstnärliga stilar som speglar en avgörande period i Eng- speglar en avgörande period i Eng- lands historia. Kristendomen kom lands historia. Kristendomen kom först till Storbritannien under ro- först till Storbritannien under romarna, men efterföljande invasion- marna, men efterföljande invasionens invasion av ickekristna saxar, ens invasion av ickekristna saxar, vinklar och vikingar kördetroen på vinklar och vikingar kördetroen på de brittiska öarnas zantar. Landet de brittiska öarnas zantar. Landet var gradvis omkonverterad från var gradvis omkonverterad från 597,

FULL GLYPH SET AND OPENTYPE FEATURES

UPPERCASE ABCDEFGHIJKLMNOPQRSTUVWXYZ

LOWERCASE abcdefghijklmnopqrstuvwxyz

ACCENTED UPPERCASE � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

ACCENTED LOWERCASE � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

DIACRITIC PUNCTUATION ʹ ʺ ˆ ˇ ˘ ˙ ˚ ˜ ˝ ̀ ́ ̂ ̄ ̆ ̈ ̋ ̒ ̦ ˛ ¸

PUNCTUATION � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � « » ‹ › -–— � � � � � � � � � � � � � �

CURRENCY & MATH SYMBOLS � � � � � � � � � � � � � � � � � � � � �

PROPORTIONAL LINING FIGURES TABULAR LINING FIGURES 0123456789 0123456789

CASE-SENSITIVE FIGURES SLASHED ZERO N 0123456789 � � � � �

NUMERATORS DENOMINATORS N�� N��

SUPERSCRIPT FRACTION N¹²³ � � � � � � � � � � � � � � �

STANDARD LIGATURES ARROWS � � � � � � � � � � � �

CASE-SENSITIVE FORMS ¿ ¡ ( ) [ ] { } - – — « » ‹ ›

OPENTYPE FEATURES DEACTIVATED OPENTYPE FEATURES ACTIVATED

PROPORTIONAL LINING FIGURES (DEFAULT) PROPORTIONAL LINING FIGURES (DEFAULT) Artwork dated: 1861–1875 Artwork dated: 1861–1875

TABULAR LINING FIGURES TABULAR LINING FIGURES £12.65 $30.78 €49.00 £12.65 $30.78 €49.00

CASE-SENSITIVE FORMS CASE-SENSITIVE FORMS [{(NUMBER)}] — «012345» [{(NUMBER)}] — «012345»

SUPERSCRIPT (SUPERIOR) SUPERSCRIPT (SUPERIOR) Reference Article 1234 Reference Article ¹²³

NUMERATORS NUMERATORS X987 × Y654 + Z321 = A0 X987 × Y654 + Z321 = A0

DENOMINATORS DENOMINATORS X987 × Y654 + Z321 = A0 X987 × Y654 + Z321 = A0

FRACTIONS FRACTIONS 1/2 Cup · 1/4 Miles ½ Cup · ¼ Miles

STANDARD LIGATURES STANDARD LIGATURES fluffiest fields flourishing fuffest felds fourishing

ARROWS ARROWS East –> West <– East → West ← [ ↑ ↓ ↖ ↗ ↘ ↙ ]

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