Mynor Type Family Mynor is a modern squarish sans inspired by machine-readable typefaces of the 1950s. Smooth curved contours with a humanist touch sit in harmony alongside pure straight lines. Contrasting shapes create a modern aesthetic pleasing to the eye and pixel perfect execution for modern-day scenarios. RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 84 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, 6 WIDTHS STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, CLASSIFICATION ARROWS KALENJIN, KINYARWANDA, LATVIAN, SANS-SERIF EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER SORBIAN, LUO, LUXEMBOURGISH, LUYIA, FORMAT MACHAME, MAKHUWA-MEETTO, MAKONDE, OTF, TTF, WOFF, WOFF 2, SVG, EOT MALAGASY, MALAY, MALTESE, MANX, MAORI, MORISYEN, NORTH NDEBELE, NORTHERN SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU. MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 2 Mynor Compact RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 14 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CLASSIFICATION CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, SANS-SERIF ARROWS KALENJIN, KINYARWANDA, LATVIAN, EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MAORI, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN 445 SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH, WESTERN FRISIAN, ZULU. MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 3 MYNOR COMPACT FAMILY Mynor Light Compact Mynor Light Compact Italic Mynor Book Compact Mynor Book Compact Italic Mynor Regular Compact Mynor Regular Compact Italic Mynor Medium Compact Mynor Medium Compact Italic Mynor Bold Compact Mynor Bold Compact Italic Mynor ExtraBold Compact Mynor ExtraBold Compact Italic Mynor Black Compact Mynor Black Compact Italic MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 4 MYNOR LIGHT COMPACT Apollo #Spacecraft1 MYNOR BOOK COMPACT Int. Space Station MYNOR REGULAR COMPACT Hubble Telescope MYNOR MEDIUM COMPACT First man moon MYNOR BOLD COMPACT Stratospheric MYNOR EXTRABOLD COMPACT Spacemission MYNOR BLACK COMPACT Micrometer MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 5 MYNOR LIGHT COMPACT ITALIC Apollo #Spacecraft1 MYNOR BOOK COMPACT ITALIC Int. Space Station MYNOR REGULAR COMPACT ITALIC Hubble Telescope MYNOR MEDIUM COMPACT ITALIC First man moon MYNOR BOLD COMPACT ITALIC Stratospheric MYNOR EXTRABOLD COMPACT ITALIC Spacemission MYNOR BLACK COMPACT ITALIC Micrometer MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 6 MYNOR LIGHT COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli-gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth MYNOR LIGHT COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Reli-gious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and An- glo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic vision of the cultural melting pot of Northumbria in the seventh and eighth MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 7 MYNOR BOOK COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonish- ingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified artistic MYNOR BOOK COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonish- ingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with Roman, Coptic and Eastern traditions to create a sublimely unified MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 8 MYNOR REGULAR COMPACT 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique com- bination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with MYNOR REGULAR COMPACT ITALIC 25/27 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique com- bination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion by non-Christian Saxons, Angles, and Vikings drove the faith to the fringes of the British Isles. The country was gradually reconverted from 597, after St Augustine arrived from Rome to convert the pagan ‘Angles into angels’. Religious differences between the indigenous ‘Celtic’ Church and the new ‘Roman’ Church were settled at the Synod of Whitby in 664. In the manuscript, native Celtic and Anglo-Saxon elements blend with MYNOR | SPECIMEN V 1 .0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 9 MYNOR MEDIUM COMPACT 25/27 Apart from its intrinsic value as a remarkable