DOCSLIB.ORG

Ruddy Type Family

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ruddy Type Family Ruddy Type Family Ruddy is a display sans serif type family. It has a playful and mischievous presence. Exaggerated geometry and varied vertical character stem placement contribute to its animated appearance. RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER SUPERSCRIPT COLOGNIAN, CORNISH, CROATIAN, CZECH, MARIYA V. PIGOULEVSKAYA NUMERATORS & DENOMINATORS DANISH, DUTCH, EMBU, ENGLISH, ESPERANTO, FRACTIONS ESTONIAN, FAROESE, FILIPINO, FINNISH, 8 STYLES ORDINALS FRENCH, FRIULIAN, GALICIAN, GANDA, 4 WEIGHTS + ITALICS NUMERO SIGN GERMAN, GUSII, HUNGARIAN, ICELANDIC, ARROWS INARI SAMI, INDONESIAN, IRISH, ITALIAN, CLASSIFICATION STANDARD LIGATURES JOLA-FONYI, KABUVERDIANU, KALAALLISUT, DISPLAY SANS-SERIF STYLISTIC ALTERNATES KALENJIN, KAMBA, KIKUYU, KINYARWANDA, EXTENDED LATIN LATVIAN, LITHUANIAN, LOW GERMAN, LOWER FORMAT SORBIAN, LUO, LUXEMBOURGISH, LUYIA, OTF, TTF, WOFF, WOFF 2, SVG, EOT MACHAME, MAKHUWA-MEETTO, MAKONDE, MALAGASY, MALAY, MALTESE, MANX, MERU, GLYPHS MORISYEN, NORTH NDEBELE, NORTHERN SAMI, 717 GLYPHS PER FONT NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, TURKMEN, UPPER SORBIAN, VUNJO, WALSER, WELSH, WESTERN FRISIAN, WOLOF, ZULU. RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 2 RUDDY COMPLETE FAMILY Ruddy Light Ruddy Light Italic Ruddy Regular Ruddy Italic Ruddy Bold Ruddy Bold Italic Ruddy Black Ruddy Black Italic RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 3 RUDDY LIGHT Northumberland RUDDY REGULAR Quintessentially RUDDY BOLD Frumentaceous RUDDY BLACK Photosynthesis RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 4 RUDDY LIGHT ITALIC Northumberland RUDDY ITALIC Quintessentially RUDDY BOLD ITALIC Frumentaceous RUDDY BLACK ITALIC Photosynthesis RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 5 RUDDY LIGHT EXPRESSIONISM RUDDY REGULAR SUBSTANTIALLY RUDDY BOLD ARCHITECTURE RUDDY BLACK MAGNANIMOUS RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 6 RUDDY LIGHT ITALIC EXPRESSIONISM RUDDY ITALIC SUBSTANTIALLY RUDDY BOLD ITALIC ARCHITECTURE RUDDY BLACK ITALIC MAGNANIMOUS RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 7 RUDDY LIGHT 65/70 APART from its intrinsic value as a remarkable RUDDY LIGHT 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 8 RUDDY LIGHT ITALIC 65/70 APART from its intrinsic value as a remarkable RUDDY LIGHT ITALIC 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 9 RUDDY REGULAR 65/70 APART from its intrinsic value as a remarkable RUDDY REGULAR 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 10 RUDDY ITALIC 65/70 APART from its intrinsic value as a remarkable RUDDY ITALIC 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 11 RUDDY BOLD 65/70 APART from its intrinsic value as a remarkable RUDDY BOLD 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 12 RUDDY BOLD ITALIC 65/70 APART from its intrinsic value as a remarkable RUDDY BOLD ITALIC 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 13 RUDDY BLACK 65/70 APART from its intrinsic value as a remarkable RUDDY BLACK 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 14 RUDDY BLACK ITALIC 65/70 APART from its intrinsic value as a remarkable RUDDY BLACK ITALIC 30/35 APART from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 15 RUDDY LIGHT 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion RUDDY LIGHT ITALIC 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 16 RUDDY REGULAR 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion RUDDY ITALIC 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 17 RUDDY BOLD 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion RUDDY BOLD ITALIC 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of invasion RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 18 RUDDY BLACK 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of RUDDY BLACK ITALIC 25/30 Apart from its intrinsic value as a remarkable survival of an ancient and astonishingly beautiful work of art, the manuscript displays a unique combination of artistic styles that reflects a crucial period in England’s history. Christianity first came to Britain under the Romans, but subsequent waves of RUDDY | SPECIMEN V 1.0 © THE NORTHERN BLOCK 2019 | THENORTHERNBLOCK.CO.UK PAGE 19 FULL GLYPH SET AND OPENTYPE FEATURES UPPERCASE & STYLISTIC ALTERNATES AABBCCDDEEFFGGHHIIJJKKLLMMNN OOPPQQRRSSTTUUVVWWXXYYZZ LOWERCASE & STYLISTIC ALTERNATES aabbccddeeffgghhiijjkkllmmnn ooppqqrrssttuuvvwwxxyyzz ACCENTED UPPERCASE & STYLISTIC ALTERNATE � � � � � � � � � À Ā � � � � � à � � � � � � � Ĉ Ĉ � � � � Ð � � Ď � � � � � Ě � Ê � Ë � � � � � Ē Ę � Ğ � � � � � � � � Ħ � Ĥ � � � Í � � � � � İ � � � � Ī � � � � � � Ķ Ķ Ĺ Ĺ � � Ľ Ľ � � Ł � � � � � � � � � � � � � � � � Ô � � � Ò � � � � � � � � � Œ � � Ŕ � � � � � � � � Š � � Ŝ � Ș � � � � � � � Ŧ Ŧ � � � � � � � � � � Ű � � � � Ů � � Ẃ � � � � Ẅ � � � � � � � � Ÿ Ÿ Ź Ź � � � � ACCENTED LOWERCASE & STYLISTIC ALTERNATE á á à à ă ă â â ä ä à à ā ā ą ą å å ã ã æ æ ć ć č č ĉ ĉ ç ç ċ ċ đ đ ð ð ď ď é é ĕ ĕ ê ê ë ë ė ė è è ē ē ę ę ƒ ğ ğ ĝ ĝ ģ ģ ġ ġ ħ ħ ĥ ĥ ij ij � í í î î ï ï ı ı ì ì ī ī į į ĩ ĩ ĵ ĵ ȷ ȷ ķ ķ ĺ ĺ ļ ļ ľ ľ ŀ ŀ ł ł ń ń ň ň ņ ņ ŋ ŋ ñ ñ ó ó ŏ ŏ ô ô ö ö ò ò ő ő ō ō ø ø õ õ œ œ þ þ ŕ ŕ ř ř ŗ ŗ ś ś š š ş ş ŝ ŝ ș ș ß ß ť ť ț ț ŧ ŧ ú ú ŭ ŭ û û ü ü
Load more

Recommended publications
  • Kopik Type Family
    Kopik Type Family Kopik is a modern hand-drawn script inspired by the 1960’s architectural handwriting style practised by draftsmen. Originated using a Copic 1.0 Multiliner pen, then traced digitally using a stylus and tablet to help reduce imperfections. The result is a simple, readable, monolinear typeface with a marker pen quality suitable for a wide range of applications. RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2021 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, DESIGNER NUMERATORS & DENOMINATORS CHIGA, COLOGNIAN, CORNISH, CROATIAN, JONATHAN HILL SUPERSCRIPT & SUBSCRIPT CZECH, DANISH, DUTCH, EMBU, ENGLISH, STANDARD FRACTIONS ESPERANTO, ESTONIAN, FAROESE, FILIPINO, 6 STYLES NUT FRACTIONS FINNISH, FRENCH, FRIULIAN, GALICIAN, 3 WEIGHTS + ITALICS SLASHED ZERO GANDA, GERMAN, GERMAN (SWITZERLAND), CASE-SENSITIVE FIGURES GUSII, HUNGARIAN, ICELANDIC, INARI SAMI, CLASSIFICATION CASE-SENSITIVE FORMS INDONESIAN, IRISH, ITALIAN, JOLA-FONYI, HAND-DRAWN SCRIPT STYLISTIC ALTERNATES KABUVERDIANU, KALENJIN, KAMBA, KIKUYU, STYLISTIC SETS KINYARWANDA, LATVIAN, LITHUANIAN, FORMAT STANDARD LIGATURES LOW GERMAN, LOWER SORBIAN, LUO, OTF, TTF, WOFF, WOFF 2, SVG, EOT DISCRETIONARY LIGATURES LUXEMBOURGISH, LUYIA, MACHAME, EXTENDED LATIN MAKHUWA-MEETTO, MAKONDE, MALAGASY, GLYPHS MALAY, MALTESE, MANX, MAORI, MERU, 440 PER FONT MORISYEN, NORTH NDEBELE, NORTHERN SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU,
    [Show full text]
  • The Thinking of Speaking Issue #27 May /June 2017 Ccooggnnaatteess,, Tteelllliinngg Rreeaall Ffrroomm Ffaakkee More About Cognates Than You Ever Wanted to Know
    Parrot Time The Thinking of Speaking Issue #27 May /June 2017 CCooggnnaatteess,, TTeelllliinngg RReeaall ffrroomm FFaakkee More about cognates than you ever wanted to know AA PPeeeekk iinnttoo PPiinnyyiinn The Romaniizatiion of Mandariin Chiinese IInnssppiirraattiioonnaall LLaanngguuaaggee AArrtt Maxiimiilliien Urfer''s piiece speaks to one of our wriiters TThhee LLeeaarrnniinngg MMiinnddsseett Language acquiisiitiion requiires more than study An Art Exhibition That Spoke To Me LLooookk bbeeyyoonndd wwhhaatt yyoouu kknnooww Parrot Time is your connection to languages, linguistics and culture from the Parleremo community. Expand your understanding. Never miss an issue. 2 Parrot Time | Issue#27 | May/June2017 Contents Parrot Time Parrot Time is a magazine covering language, linguistics Features and culture of the world around us. 8 More About Cognates Than You Ever Wanted to Know It is published by Scriveremo Languages interact with each other, sharing aspects of Publishing, a division of grammar, writing, and vocabulary. However, coincidences also Parleremo, the language learning create words which only looked related. John C. Rigdon takes a community. look at these true and false cognates, and more. Join Parleremo today. Learn a language, make friends, have fun. 1 6 A Peek into Pinyin Languages with non-Latin alphabets are often a major concern for language learners. The process of converting a non-Latin alphabet into something familiar is called "Romanization", and Tarja Jolma looks at how this was done for Mandarin Chinese. 24 An Art Exhibition That Spoke To Me Editor: Erik Zidowecki Inspiration is all around us, often crossing mediums. Olivier Email: [email protected] Elzingre reveals how a performance piece affected his thinking of languages.
    [Show full text]
  • Nitti Specimen.Pdf
    bold monday Designer Design year Pieter van Rosmalen 2009–2016 Pieter van Rosmalen lives and works as a graphic designer and type designer in The Hague, The Netherlands. He studied design and advertising at St. Lucas, Boxtel, The Netherlands, and type design and typography at the Postgraduate course Type & Media at the Royal Academy of Arts in The Hague, The Netherlands. styles Light / Light Italic Regular / Italic Medium / Medium Italic Bold / Bold Italic Black / Black Italic Format OpenType PostScript (.otf) supporteD languages Afrikaans, Albanian, Asu, Azerbaijani, Basque, Belarusian, Bemba, Bena, Bosnian, Breton, Bulgarian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Greek, Gusii, Hawaiian, Hebrew, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kazakh, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa- Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Mongolian, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Russian, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Tajik, Teso, Tongan, Turkish, Turkmen, Ukrainian, Upper Sorbian, Uzbek, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yiddish, Yoruba, Zulu glyphs per Font 1231 glyphs Bold Monday | Oranjestraat 3 | 2514 JB The Hague | The Netherlands | [email protected] | www.boldmonday.com Nitti 1 | 6 bold monday Nitti 2 | 6 Glyph RepeRtoiRe bold monday Nitti 3 | 6 Glyph RepeRtoiRe bold monday Nitti 4 | 6 Glyph RepeRtoiRe bold monday Nitti 5 | 6 opentype featuRes bold monday Nitti 6 | 6.
    [Show full text]
  • Joachim Kokkelmans: Elvis Presley, God and Jane
    Elvis Presley, God and Jane: the Germanic proprial article in a comparative perspective Joachim Kokkelmans Ghent University / Università degli Studi di Verona Abstract In several Germanic languages and dialects (e.g. German, Luxemburgish, Norwegian), definite articles and personal pronouns are not only used with common nouns and independently, respectively (e.g. the woman, she), but also with personal proper names (literally the Jane, she Jane). In some of the languages which use this marker named proprial article, its use is restricted to specific types of persons (e.g. family members), whilst in others, the article can be found in various and even surprising contexts (e.g. the God, he (Elvis) Presley). Although at first glance the use of the proprial article seems to be relatively unpredictable as to what is considered grammatical and what is not, varying inside and between dialects, this paper posits the existence of an underlying universal hierarchical structure which determines the possible restrictions of the use of the proprial article. 1. Introduction1 In modern Germanic languages, definite articles and personal pronouns are used to indicate referentiality and “known-ness”2 in the discourse (i.e. differentiating rheme from theme): for example, the woman and she both refer to a supposedly known, unique and/or previously mentioned woman. Definite articles contrast with indefinite articles (a woman), which indicate unknown, unspecific or new entities in the discourse. Despite the different views in the literature on the roles of knownness and uniqueness when defining definiteness (see e.g. Jenks 2015: 203f.; Schwarz 2009: 1-4), there is a wide consensus on the fact that definite articles and personal pronouns serve to indicate that the entity referred to has been mentioned earlier in the discourse and is thus already known, or that it is (supposed to be) already known elsewise to the interlocutors (Schmuck & Szczepaniak 2014: 97f.; Schwarz 2009: 3; Werth 2014: 152).
    [Show full text]
  • Glossary HEL Valentyna Marchenko.Pages
    Ministry of Education and Science of Ukraine National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute” HISTORY OF THE ENGLISH LANGUAGE: GLOSSARY OF TERMS Kyiv Igor Sikorsky KPI 2020 History of the English Language: Glossary of Terms Міністерство освіти і науки України Національний технічний університет України «Київський політехнічний інститут імені Ігоря Сікорського» Історія англійської мови: Глосарій термінів і понять Рекомендовано Методичною радою КПІ ім. Ігоря Сікорського як навчальний посібник для здобувачів ступеня бакалавра за освітньою програмою «Германські мови та літератури (переклад включно), перша – англійська» спеціальності 035 Філологія Київ КПІ ім. Ігоря Сікорського 2020 2 History of the English Language: Glossary of Terms Марченко В.В. Історія англійської мови: глосарій термінів і понять [Електронний ресурс] : навч. посіб. для здобув. ступеня бакалавра за спеціальністю 035 «Філологія» / В.В. Марченко. – Електронні текстові дані (1 файл: 16384 Кбайт). – Київ: КПІ ім. Ігоря Сікорського, 2020. – 63 с. Гриф надано Методичною радою КПІ ім. Ігоря Сікорського (протокол №2 від 01.10.2020 р.) за поданням Вченої ради Факультету лінгвістики (протокол № 3 від 30.09.2020 р.) Електронне мережне навчальне видання Історія англійської мови: Глосарій термінів і понять Укладач: Марченко Валентина Володимирівна, канд. філол. наук., доц. Відповідальний Матковська Г.О., канд. філол. наук, доц., редактор: Рецензенти: Тараненко Л.І., доктор філол. наук, проф., КПІ ім. Ігоря Сікорського; Мусієнко Ю.А., канд. філол. наук, доц., Київський національний лінгвістичний університет Лазебна О.А., канд. філол. наук, доц., КПІ ім. Ігоря Сікорського Кушлаба М.П., к. філол. наук, доц., КПІ ім. Ігоря Сікорського Метою глосарія є формування у студентів знань, умінь і навичок, спрямованих на успішне оволодіння термінологією з освітнього компонента «Вступ до романо- германського мовознавства.
    [Show full text]
  • Am-Progressives in Swabian: Some Evidence for Noun Incorporation
    AM-PROGRESSIVES IN SWABIAN: SOME EVIDENCE FOR NOUN INCORPORATION Bettina Spreng University of Saskatchewan 1. Introduction This paper summarizes the initial findings of an investigation into the syntactic and semantic properties of progressive constructions in Swabian, an Alemannic dialect of German. It is spoken in the Southwest of Germany in the state of Baden Württemberg and in parts of Bavaria. The data is elicited from speakers of a variant of Swabian spoken in Upper Swabia, an area surrounding the city of Ravensburg, located north of Lake Constance. Data was elicited from three female speakers of different ages (48, 69, 75) with low mobility. There is very little in-depth work on the syntactic properties of Swabian and, to my knowledge, no work on this particular variant. The construction that is being investigated is found in various dialects and registers of German but tends to be relegated to footnotes or assumed to be restricted to dialects in the Rhineland area, especially Cologne (Duden 2005). It is thus often named the Rhenish Progressive ‘Rheinische Verlaufsform’ in some of the descriptive and theoretical literature (Thieroff 1992, Vater 1994). However, the construction may be found in various variants of German including written German (Gárgyán 2014) despite many descriptive grammars insisting that it is restricted to one or two dialect areas or to the vernacular (Fagan 2009, Duden 2005). It thus deserves a closer look. The construction I am particularly interested in is the AM- progressive that seems to share some properties with the BEIM-progressive. Some work addressing the construction has been done for individual dialects such as Colognian (Bhatt and Schmidt 1993), Standard, Ruhr, and Low German (Andersson 1989), and Hessian (Flick and Kuhmichel 2013).
    [Show full text]
  • Contents German Pronunciation &Accents
    Contents German Pronunciation &Accents Geo-social Applications of the Natural Phonetics & Tonetics Method 9 1. Foreword 10 The meaning of International German 11 Why doing Phonetics? H Typography & canlPA symbols 17 2. Pronunciation & Phonetics 20 7he Phonetic Method 29 3- The phono-articulatory apparatus 33 The vocalfolds 3« Resonators (five cavities) 39 The lips 43 4- The Classification of sounds 47 5- Vowels & vocoids 52 7he vowels & diphthongs of international German 55 6. Consonants & contoids 56 Places and manners of articulation 59 7- The consonants of international German 59 Nasals 60 Stops 61 Stop-strictives (or 'affricates') 62 Constrictives (or fricatives') 63 Approximants 64 Laterals 65 8. Structures 65 Taxophonics 69 Stress 75 9- Reduced forms 87 10. Intonation «9 Tunings 90 Protunes 90 Tunes 93 German intonation 99 11. Some texts in phonotonetic transcription (3 http://d-nb.info/1053287356 6 German Pronunciation & Accents Native accents 105 12. Neutral German pronunciation 105 Vowels & Diphthongs 111 Consonants 112 Nasals 116 Stops 122 Stop-strictives (or affricates') 123 Constrictives (or 'fricatives') 126 Approximants 126 Laterals 127 Intonation 129 13- Traditional German pronunciation 133 14. Mediatic German pronunciation 143 15- North-east Germany 149 16. Austria 155 17- Switzerland 163 18. South Tyrol (or Alto Adige, Italy) Regional accents 171 19- Germany (18) 179 Far North-west (Schleswig-Holstein: Kiel) 181 North Saxony (Hamburg) 183 yffestphalia (Düsseldorf) 185 North Rhenia (Essen) 187 Eastphalia (Hannover) 18p Mecklenburg (Rostock) lpo Brandenburg (Berlin) 194 Middle Rhenia (Cologne/Köln) 198 South Rhenia (Trier) 199 Hesse (Frankfurt) 201 Palatinate (Mannheim) 202 'Thuringia (Erfurt) 204 Saxony (Dresden) 208 Franconia (Würzburg) 211 South Franconia (Karlsuhe) 213 Swabia (Stuttgart) 216 Baden (Freiburg) 218 North Bavaria (Amberg) 220 Bavaria (Munich/München) 223 20.
    [Show full text]
  • Mynor Type Family
    Mynor Type Family Mynor is a modern squarish sans inspired by machine-readable typefaces of the 1950s. Smooth curved contours with a humanist touch sit in harmony alongside pure straight lines. Contrasting shapes create a modern aesthetic pleasing to the eye and pixel perfect execution for modern-day scenarios. RELEASED OPENTYPE FEATURES SUPPORTED LANGUAGES 2019 PROPORTIONAL FIGURES AFRIKAANS, ALBANIAN, ASU, BASQUE, TABULAR FIGURES BEMBA, BENA, BOSNIAN, CATALAN, CHIGA, DESIGNER CASE-SENSITIVE FIGURES COLOGNIAN, CORNISH, CROATIAN, CZECH, JONATHAN HILL NUMERATORS & DENOMINATORS DANISH, DUTCH, ENGLISH, ESTONIAN, FRACTIONS FAROESE, FILIPINO, FINNISH, FRENCH, 84 STYLES SUPERSCRIPT FRIULIAN, GALICIAN, GANDA, GERMAN, 7 WEIGHTS + ITALICS SLASHED ZERO GERMAN (SWITZERLAND), GUSII, HUNGARIAN, 6 WIDTHS STANDARD LIGATURES ICELANDIC, INARI SAMI, INDONESIAN, IRISH, CASE-SENSITIVE FORMS ITALIAN, JOLA-FONYI, KABUVERDIANU, CLASSIFICATION ARROWS KALENJIN, KINYARWANDA, LATVIAN, SANS-SERIF EXTENDED LATIN LITHUANIAN, LOW GERMAN, LOWER SORBIAN, LUO, LUXEMBOURGISH, LUYIA, FORMAT MACHAME, MAKHUWA-MEETTO, MAKONDE, OTF, TTF, WOFF, WOFF 2, SVG, EOT MALAGASY, MALAY, MALTESE, MANX, MAORI, MORISYEN, NORTH NDEBELE, NORTHERN SAMI, NORWEGIAN BOKMÅL, NORWEGIAN NYNORSK, NYANKOLE, OROMO, POLISH, PORTUGUESE, ROMANIAN, ROMANSH, ROMBO, RUNDI, RWA, SAMBURU, SANGO, SANGU, SCOTTISH GAELIC, SENA, SERBIAN (LATIN), SHAMBALA, SHONA, SLOVAK, SLOVENIAN, SOGA, SOMALI, SPANISH, SWAHILI, SWAHILI (CONGO - KINSHASA), SWEDISH, SWISS GERMAN, TAITA, TESO, TURKISH, UPPER SORBIAN, VUNJO, WELSH,
    [Show full text]
  • Language Translator Abkhaz (Аҧсуа Бызшәа) Каџьаиа М. Afenmai
    Language Translator Abkhaz (аҧсуа бызшәа) Каџьаиа М. Afenmai (Afemai) | Etsako Imisioluwa Adetula Albanian (Shqip) Gentrita Bajrami Alsatian Maurice Bolla Amharic Sergi Moles Arabic Fuad Kastali / JCI Syria Armenian Marc Herrando Verdaguer Asante Twi Emmanuel Asamoah Assyrian Neo-Aramaic Issa Hanna Basque (Euskara) BFT Bavarian (Bayrisch) Armin Müller / Markus Spiess Bavarian (Bayrisch) | Lower Bavaria (Niederbayrisch) Martina Bubl-Porro Belarusian (Belaruski) Marc Herrando Verdaguer Bengali Shaiful Azam Bosnian (Bosanski) Marko Ignjátić Breton Jacques Arnal Bulgarian (Balgarski) Ana Nikolova Burgenland Croatia ((Hrvatsko | Gradiščanskohrvatsko) Thomas Novoszel Busa (Mande) |Bokobaru Fatima Halliru Catalan (Català) Oscar Hijosa i Milà Chinese | Yue Teresa Poon T.P. Chinese | Yue Hai T.P. Chinese | Standard Cantonese T.P. Chinese | Weitou T.P. Chinese | Dongguan T.P. Chinese | Qingyuan T.P. Chinese | Zhaoqing T.P. Chinese | Luo Gang T.P. Chinese | Xiguan T.P. Chinese | Siyi (Sei-yup) T.P. Chinese | Wuhua T.P. Chinese | Qinlian T.P. Chinese | Enping T.P. Chinese | Jiangmen T.P. Chinese | Kaiping T.P. Chinese | Taishan T.P. Chinese | Xinhui T.P. Chinese | Gaoyang T.P. Chinese | Yongxun T.P. Chinese | Goulou T.P. Chinese | Maoming T.P. Chinese | Yangjiang T.P. Chinese | Guinan T.P. Chinese | Beihai T.P. Chinese | Wuzhou T.P. Chinese | Tanka Yue T.P. Chinese | Shiqi T.P. Chinese | Jiujiang T.P. Chinese | Nanning dialect T.P. Chinese | Yongning dialect T.P. Chinese | Guiping dialect T.P. Chinese | Chongzuo dialect T.P. Chinese | Ningmin dialect T.P. Chinese | Hengxian dialect T.P. Chinese | Baise dialect T.P. Chinese | Guangzhou dialect T.P. Chinese | Macau dialect T.P. Chinese | Nanhai dialect T.P.
    [Show full text]
  • Release 5.0.4 the Phpmyadmin Devel Team
    phpMyAdmin Documentation Release 5.0.4 The phpMyAdmin devel team Jan 24, 2021 Contents 1 Introduction 3 1.1 Supported features............................................3 1.2 Shortcut keys...............................................4 1.3 A word about users............................................4 2 Requirements 5 2.1 Web server................................................5 2.2 PHP....................................................5 2.3 Database.................................................6 2.4 Web browser...............................................6 3 Installation 7 3.1 Linux distributions............................................7 3.2 Installing on Windows..........................................8 3.3 Installing from Git............................................8 3.4 Installing using Composer........................................9 3.5 Installing using Docker..........................................9 3.6 Quick Install............................................... 14 3.7 Verifying phpMyAdmin releases..................................... 16 3.8 phpMyAdmin configuration storage................................... 17 3.9 Upgrading from an older version..................................... 19 3.10 Using authentication modes....................................... 19 3.11 Securing your phpMyAdmin installation................................ 27 3.12 Using SSL for connection to database server.............................. 28 3.13 Known issues............................................... 28 4 Configuration 29 4.1 Basic
    [Show full text]
  • Wreaths of Time: Perceiving the Year in Early Modern Germany (1475-1650)
    Wreaths of Time: Perceiving the Year in Early Modern Germany (1475-1650) Nicole Marie Lyon October 12, 2015 Previous Degrees: Master of Arts Degree to be conferred: PhD University of Cincinnati Department of History Dr. Sigrun Haude ii DISSERTATION ABSTRACT “Wreaths of Time” broadly explores perceptions of the year’s time in Germany during the long sixteenth century (approx. 1475-1650), an era that experienced unprecedented change with regards to the way the year was measured, reckoned and understood. Many of these changes involved the transformation of older, medieval temporal norms and habits. The Gregorian calendar reforms which began in 1582 were a prime example of the changing practices and attitudes towards the year’s time, yet this event was preceded by numerous other shifts. The gradual turn towards astronomically-based divisions between the four seasons, for example, and the use of 1 January as the civil new year affected depictions and observations of the year throughout the sixteenth century. Relying on a variety of printed cultural historical sources— especially sermons, calendars, almanacs and treatises—“Wreaths of Time” maps out the historical development and legacy of the year as a perceived temporal concept during this period. In doing so, the project bears witness to the entangled nature of human time perception in general, and early modern perceptions of the year specifically. During this period, the year was commonly perceived through three main modes: the year of the civil calendar, the year of the Church, and the year of nature, with its astronomical, agricultural and astrological cycles. As distinct as these modes were, however, they were often discussed in richly corresponding ways by early modern authors.
    [Show full text]
  • The World Drinks One Language
    Interested? Contact your importer The world drinks one language. Interesting facts about Cologne, Kölsch Privatbrauerei Gael Becker & Co. OHG Brewery site: Ursulaplatz 1 50668 Cologne (Altstadt-Nord) Tel.: +49 (0)221-160 06 0, Fax: +49 (0)221-160 06 196 Porz site: Welser Str. 16, 51149 Cologne (Porz-Gremberghoven) Tel.: +49 (0)221-160 06 545, Fax: +49 (0)221-160 06 575 Filling and logistics centre: Robert-Perthel-Str. 18, 50739 Cologne (Bilderstöckchen) Tel.: +49 (0)221-160 06 282, Fax: +49 (0)221-160 06 275 sonnenhopfen.com, mammanero.com Kölsch is the only language you can drink. This is because “Kölsch” (a German dialect) is spoken as well as drunk in Cologne. The top-fermented beer speciality Kölsch is only allowed to be brewed by breweries in Cologne and is protected by law. Ga el is the most popular Kölsch served in bars and restau- rants. Every third Kölsch tapped is a Ga el and is brewed by the private brewery of the Becker family in its fourth genera- tion. What’s more, Ga el is an ambassador for the culture Kölsch comes from Cologne, the oldest German city with of Cologne, because Ga el Kölsch is enjoyed as a speciality a history dating back more than 2,000 years. The name throughout Germany and around the world. The premium- Cologne (or “Köln” in German) stems from the Roman word quality beer can be found in Beijing, New York, London, Rio “Colonia”. The Romans established the city in 38 B.C. and Moscow. Besides Kölsch beer, the landmark of Cologne is Cologne Cathedral, the world’s largest Gothic church.
    [Show full text]