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Concert Program
CONCERT PROGRAM 1 Концертная программа Санкт-ПетербургСкая гоСударСтвенная конСерватория им. н. а. римСкого-корСакова THE ST. PETERSBURG N. A. RIMSKY-KORSAKOV STATE CONSERVATORY Санкт-Петербург ST. PETERSBURG 2014 2 УчреДитель FOUNDER Владимир СТОПИЧЕВ Vladimir STOPICHEV декан оркестрового факультета Dean of the Orchestra Department Санкт-Петербургская государственная The St. Petersburg N. A. Rimsky-Korsakov леонид ЗАЙЧИК Leonid ZAICHIK консерватория им. Н. А. Римского-Корсакова State Conservatory декан фортепианного факультета Dean of the Piano Department Юрий ЛАПТЕВ Yury LAPTEV При поддержке With support from декан вокально-режиссерского факультета Dean of the Vocal and Directing Department Министерства культуры Российской Федерации the Ministry of Culture of the Russian Federation олег ШАРОВ Oleg SHAROV Комитета по культуре Санкт-Петербурга the St. Petersburg Committee for Culture декан факультета народных инструментов Dean of the Folk Instruments Department Комитета по внешним связям Санкт-Петербурга the Committee for External Relations of St. Petersburg наталья АГАБаБоВа Natalia AGABABOVA декан по работе с иностранными учащимися Chief of the Dean`s Office for International Students ирина БОГАЧЕВа Irina BOGACHEVA заведующая кафедрой сольного пения Head of the Recital Division ПОПЕЧИТЕЛЬСКий СоВет THE BOARD OF TRUSTEES екатерина мУрина Ekaterina MURINA заведующая кафедрой специального фортепиано Head of the Special Piano Division ГЕНЕРАЛЬНЫЕ КОНСУльСтВа: THE CONSULATES GENERAL OF: александр ТИТОВ Alexander TITOV Соединенных Штатов Америки в Санкт-Петербурге the United States in St. Petersburg заведующий кафедрой оперно-симфонического Head of the Opera and Symphony дирижирования Conducting Division Федеративной Республики Германия в Санкт-Петербурге the Federal Republic of Germany in St. Petersburg антон ТАНОНОВ Anton TANONOV Азербайджанской Республики в Санкт-Петербурге the Republic of Azerbaijan in St. -
Miroslav Kultyshev
Miroslav Kultyshev Ravel NUITS DU PIANO NUITS DU PIANO Maurice Ravel (1875-1937) Miroirs 01 Noctuelles 5’30 02 Oiseaux tristes 3’53 03 Une barque sur l’océan 7’52 04 Alborada del gracioso (Aubade du bouffon) 6’21 05 La vallée des cloches 5’25 Sonatine 06 Modéré 4’38 07 Mouvement de Menuet 3’02 08 Animé 3’50 09 Valses nobles et sentimentales 17’54 Modéré Assez lent Modéré Assez animé Presque lent Assez vif Moins vif Lent 10 Prélude en la mineur 1’45 11 La Valse (Transcription Alexander Icharev) 13’23 Bonus tracks 12 Chopin - Fantaisie-Impromptu Op. 66 5’10 13 Chopin - Grande Valse Op. 42 4’11 14 Tchaikovski - Un poco di Chopin 4’04 Miroslav Kultyshev RAVEL Total 92’52 2 Le piano de Maurice Ravel The piano of Maurice Ravel Avec son mélange d’influence lisztienne et de classicisme français réinven- With its blend of Lisztian influence and reinvented French classicism, the té, la musique de piano de Maurice Ravel reste unique dans l’histoire de piano music of Maurice Ravel is unique in the history of music. Far from la musique. Peu abondante, elle tient en quelques trois disques compacts, prolific, Ravel’s music,which can be recorded onto some three compact elle n’en est pas moins devenue essentielle dans le répertoire pianistique. discs, is nonetheless essential in the piano repertoire. Taking root to a cer- S’ancrant tout d’abord dans un certain impressionnisme musical en vogue tain extent in musical impressionism in fashion at the beginning of the au début du XXe siècle, le piano de Ravel va devenir plus rugueux et finira 20th century, Ravel’s piano style becomes more rough, developping into par ressembler aux gravures à la pointe sèche et toucher les rivages d’un what could be compared to dry point engraving, hovering on the fringes of expressionisme sans concession, conséquence des horreurs de la guerre. -
Anastasia Kobekina Paloma Kouider Anastasia Kobekina
ANASTASIA KOBEKINA PALOMA KOUIDER ANASTASIA KOBEKINA Issue d’une famille de musiciens, Anastasia Kobekina est née à Ekaterinbourg en 1994. Elle commence le violoncelle à l’âge de 4 ans et donne à 6 ans son premier concert avec orchestre. Après des débuts plus que prometteurs, Anastasia se produit avec les plus grands orchestres tels que l’Orchestre National de Russie, les Virtuoses de Moscou, l’orchestre du Mariinsky ou encore l’orchestre symphonique de Vienne, de Varsovie et la Camerata Baltica. Anastasia a collaboré avec de nombreux chefs d’orchestre réputés tels que Vladimir Spivakov, Krzysztov Penderecki, Heinrich Schiff ou Valery Gergiev. Elle se produit également en tant que soliste dans des lieux prestigieux tels que Konzerthaus de Berlin, au Lincoln Center de New York, à la salle du Conservatoire de Moscou et au Théâtre du Bolchoi. Après l’obtention de son diplôme à l’Ecole Centrale de Musique de Moscou en 2012, elle continue ses études comme jeune soliste dans la prestigieuse Académie Kronberg en Allemagne avec Franz Helmerson, grâce à la bourse Steigenberger/Rath. La valeur n’attendant pas le nombre des années, Anastasia a joué en musique de chambre auprès de grands noms de la musique classique comme Gidon Kremer, Yuri Bashmet, Fazil Say, Denis Matsuev, Vladimir Spivakov et Andras Schiff. Anastasia est lauréate de plusieurs concours et a ainsi remporté le prix Landgraf von Hessen ainsi que la bourse Boris Pergamenschikow de l’Académie de Kronberg en Allemagne, finaliste du concours de l’Eurovision à Vienne, demi-finaliste au Concours Tchaïkovsky en 2015 et la même année le prix de l’Académie du festival de Verbier en Suisse puis le 1er Prix de la Tonali Music Competition de Hambourg. -
Mayuko Kamio - Violin
Mayuko Kamio - violin Japanese violinist Mayuko Kamio, the gold medalist of the 2007 International Tchaikovsky Competition, is widely praised for her luxurious silken tone, long expressive phrasing and virtuoso techniques. The New York Times has called Ms. Kamio an "exciting young musician" and "a radiant talent." Ms. Kamio made her concerto debut in Tokyo at the age of ten under the baton of Charles Dutoit, in a concert broadcast on NHK television. Since then, she has appeared as soloist with the Boston Pops conducted by Keith Lockhart, the Tonhalle Orchestra in Zurich with Mstislav Rostropovich, and the Israel Philharmonic under Zubin Mehta. She has toured with the National Philharmonic of Russia conducted by Vladimir Spivakov, the Budapest Festival Orchestra under Ivan Fischer, the Munich Philharmonic under Zubin Mehta, the Prague Philharmonic, the BBC Philharmonic, Israel Philharmonic, the Oviedo Symphony Orchestra of Spain; and appeared in Japan as soloist with the Tokyo, Hiroshima, Kyoto, NHK, Osaka, Sapporo and Yomiuri Nippon symphony orchestras; and the Japan, Tokyo and Tokyo City philharmonics. Recently she toured with Israel Philharmonic under Ludovic Morlot, the South America [email protected] with the Munich Philharmonic under Zubin Mehta, and Japan with the German SWR Symphony Orchestra under François-Xavier Roth. Other recent orchestral highlights include appearances with the BBC Symphony Orchestra under Jiri Belohlavek, Budapest Festival Orchestra under Ivan Fischer, NHK Symphony Orchestra under Vladimir Ashkenazy, Israel Philharmonic under Yaron Traub, Calgary Philharmonic under Roberto Minczuk and Colorado Springs Philharmonic under Carl St. Clair. As a recitalist, she has performed in such major cities as New York, Washington DC, St. -
Program Programme Marek BRACHA POLSKA / POLAND XVI Urodził Się 3 Lutego 1986 R
PROGRAM PROGRAMME Marek BRACHA POLSKA / POLAND XVI Urodził się 3 lutego 1986 r. w Warsza- wie. Student Uniwersytetu Muzycznego Fryderyka Chopina w WarszawieMiędzynarodowy w kla- sie Alicji Palety-Bugaj. Równolegle kształcił się w Royal College of Music w LondynieKon pod kierunkiemKurs Kevina Ken Pianistyczny- nera. Występował w prestiżowych sa- lach koncertowych Polski z licznymi reci- talami ii jakoM solista. Frydery z orkiestrami symfo- Ka choPina nicznymi, m.in. w Filharmonii Narodowej. Brał udział w festiwalach krajowych i za- organizowany przez granicznych. Narodowy Instytut Fryderyka Chopina pod patronatem Prezydenta Rzeczypospolitej Polskiej Bronisława Komorowskiego the 16th Born 3 February 1986 in Warsaw. Currently studies with Alicja Paleta-Bugajinternational at the Fryderyk Chopin University of Mu- sic. Did parallel studies with Kevin Ken- ner at the Royal College ofFrydery Music in Lon- K choPin don. Has given numerous recitals and performed as a soloist with symphony orchestras in Poland’sPiano renowned concert c oMPetition halls, including the National Philharmo- nic. Has appeared in music festivals in organized by Poland and abroad. The Fryderyk Chopin Institute under the patronage of the President of the Republic of Poland Bronisław Komorowski KonKurs jest członkiem – założycielem Światowej Federacji Konkursów Muzycznych z siedzibą w Genewie the coMPetition is a founder-member of the World Federation of International Music Competitions based in Geneva Kalendarz calendar XVI Międzynarodowego Konkursu Pianistycznego im. Fryderyka Chopina of the16th International Fryderyk Chopin Piano Competition Warszawa, 30 września – 24 października 2010 Warsaw, 30 September – 24 October 2010 TEATR WIELKI - OPERA NARODOWA, Pl. Teatralny 1 Teatr WIeLkI – POLISh National OPeRA, Pl. Teatralny 1 SALE REDUTOWE REDUTOWE ROOMS 30 września, godz.17.00 Thursday, 30 September, 5 p.m. -
ZAKHARZAKHAR Professor Zakhar Bron
Violin Master Classes Vilnius, Lithuania 22nd - 27 th June, 2012 BRONBRONZAKHARZAKHAR www.nmgeneration.com Professor Zakhar Bron akhar Bron – legendary violin professor, a phenomenal pedagogue and an Z inspiring performer. He was the teacher of such violin stars as Vadim Repin, Maxim Vengerov and many others. Prof. Bron is one of the few teachers worldwide, who has created his own unique teaching system. More than one hundred of his students have earned prizes at international competitions. Today Prof. Bron is a violin professor at the Cologne Music University, at the Escuela Superior de Musica “Reina Sofia” in Madrid and at the Zurich University of arts. Zakhar Bron was himself winner of prizes at important international violin competitions, among them the International Queen Elizabeth violin competition in Brussels and the Wieniawski violin competition in Poznan. Prof. Bron has recorded many CD's and regularly plays recitals, chamber music concerts and violin concertos. He has given concerts all over the world, performing at major halls, like the Wiener Musikverein, the Tokyo Suntory hall and others. He has held positions as a teacher at the Glinka Konservatorium in Novosibirsk, the Musik University in Lübeck, the Rotterdam Conservatory, the Royal Academy of Music in London. He also travels around the world to give lectures and master classes. rof. Bron is a regular guest in jury's of the most important violin competitions P and holds the post of honorary professor at institutes in Japan, Poland, Bulgaria and Russia. Zakhar Bron was born in Uralsk. He started his studies at the Stoliarski School for Music in Odessa and went on to the Gnessin Conservatory in Moscow, where his teacher was Boris Goldstein. -
Zaczęło Się... |It Has Begun
XVI MIęDZYNARODOWY KONKURS PIANISTYCZNY im. FRYDERYKA CHOpiNA THE 16TH INTERNATIONAL FRYDERYK CHOPIN PIANO COMPETITION październik | october 2010 dla nas | exclusive >5 TOMASZ 04 ZADROGA ISSN 2082-2774 Wiele zależy Warszawa | Warsaw, Poland od nas | It all depends on us FREE COPY FREE | EGZEMPLARZ bezpłaTNY bezpłaTNY EGZEMPLARZ Zaczęło się... | It has begun... RECENZJE | REVIEWS ROZMOWA | INTERVIEW ANALIZA | ANALYSIS Zaczynamy relacje z przesłuchań Katarzyna Popowa- Bryce Morrison o Chopinie: konkursowych. Dziś piszą -Zydroń, po raz Najśmielej poczynał sobie dla nas Marcin Majchrowski, pierwszy w Jury w scherzach. Cztery z sześciu Krzysztof Komarnicki i Tomasz Konkursu: nie trema, utworów tego typu to kompozycje Cyz. | We start reviewing the lecz ekscytacja. | dalekie od figlarności. | Bryce auditions. Today, opinions from Katarzyna Popowa-Zydroń, in the Morrison on Chopin: Perhaps Marcin Majchrowski, Krzysztof Jury for the first time: not nervous most daringly, four out of the six Komarnicki and Tomasz Cyz. > 2 but excited. >4 Scherzi are far from jocular. >6 chopin express recenzje | reviews I ETAP – KOLEJNOść UCZESTNIKÓW | 1ST STAGE AUDitiONS ORDER śRODA, 6 PaźDZIERNIKA | WEDNESDAY, 6 OCTOBER Č 10.00, Mamikon Nakhapetov, Georgia Č 10.30, Julian Zhi Chao Jia, China Č 11.00, Kaoru Jitsukawa, Japan Č 11.30, Denis Evstuhin, Russia Č 12.00 – 12.30 PRZERWA | INTERMISSION Č 12.30, Sung-Jae Kim, Republic of Korea Č 13.00, Lusine Khachatryan, Armenia f 13.30, Eric Zuber, USA Č 14.00, Shota Miyazaki, Japan Č 17.00, Madoka Fukami, Japan Č 17.30, Mei-Ting Sun, USA Miroslav Kultyshev, Rosja. Zagrał wczoraj jako piąty | Miroslav Kultyshev, Russia. He was the fifth candidate to perform yesterday Nerwowy początek Opening jitters oranne przesłuchania pierwszego dnia można he morning sessions of the first day are best descri- f 18.00, Jacek Kortus, Poland Pokreślić przede wszystkim jako nerwowe. -
Norwegian Saxophone Romberg | Aagaard - Nilsen | Habbestad Ola Asdahl Rokkones – Saxophone the St
NORWEGIAN SAXOPHONE ROMBERG | AAGAARD - NILSEN | HABBESTAD OLA ASDAHL ROKKONES – SAXOPHONE THE ST. PETERSBURG NORTHERN SINFONIA FABIO MASTRANGELO – CONDUCTOR FOLLOWING A LONG AND TWISTED PATH... With this recording of three Norwegian saxophone Orchestra, led by Terje Boye Hansen. It was a fan- chaos, as we did not bring a stage manager! Also concertos finally realized, I am truly grateful for tastic experience for everybody involved! We were included in the repertoire was the brand new work my youthful ignorance. a handful of young soloists, while Martin contrib- Bør by Torstein Aagaard-Nilsen, commissioned by uted with his own composition Vettír. I was capti- me for the occasion. I had become acquainted with From my current perspective, it started half a life- vated by his sound and melodic sense, and boldly his orchestral music some years earlier, and its im- time ago. It was the autumn of 2000 when I was 17 suggested a saxophone concerto. Would he be pressionistic, poetic layers made a strong impres- that I first approached Kjell Habbestad to propose interested? The first seed was sown of what would sion. The work Bør exceeded my expectations – that he write a saxophone concerto. For many later become The Tale of Taliesin. But although quite complex to perform, yet lyrical in expression. years, Kjell’s music, and how he combined the the music fell into place and we saw the contours folkloristic elements within a modern orchestral of a large and beautiful symphonic poem, it was Over the years since my initial dream was con- treatment had fascinated me. My idea was to bring impossible to get any Norwegian orchestra to be- ceived, I have experienced many obstacles and my saxophone teacher at the time, Jean-Yves lieve in our project. -
21–28.10.2018
1 САНКТ-ПЕТЕРБУРГСКАЯ ГОСУДАРСТВЕННАЯ КОНСЕРВАТОРИЯ ИМЕНИ Н. А. РИМСКОГО-КОРСАКОВА THE ST. PETERSBURG N. A. RIMSKY-KORSAKOV STATE CONSERVATORY Малый зал имени А. К. Глазунова – The Glazunov Hall Театральная площадь, д. 3 – 3 Teatralnaya Square 21–28.10.2018 САНКТ-ПЕТЕРБУРГ Концертный зал Санкт-Петербургской консерватории – St. Petersburg Conservatory Concert Hall ST. PETERSBURG Улица Глинки, д. 2 – 2 Glinka Street 2018 2 УЧРЕДИТЕЛЬ FOUNDER Станислав УСТИНОВ Stanislav USTINOV проректор по административно-хозяйственной Vice Rector for Economy Санкт-Петербургская государственная консерватория The St. Petersburg N. A. Rimsky-Korsakov деятельности and Management имени Н. А. Римского-Корсакова State Conservatory Наталья ДЕГТЯРЕВА Natalia DEGTYAREVA Фестиваль проходит под эгидой Санкт-Петербургского The Festival is held under the auspices of the St. Petersburg декан музыковедческого факультета Dean of the Musicology Department международного культурного форума International Cultural Forum При поддержке With support from Валерий УСПЕНСКИЙ Valery USPENSKY декан факультета композиции и дирижирования Dean of the Composition and Conducting Department Комитета по культуре Санкт-Петербурга The St. Petersburg Committee for Culture Комитета по внешним связям Санкт-Петербурга The St. Petersburg Committee for External Relations Леонид ЗАЙЧИК Leonid ZAICHIK декан фортепианного факультета Dean of the Piano Department Владимир СТОПИЧЕВ Vladimir STOPICHEV ПОПЕЧИТЕЛЬСКИЙ СОВЕТ BOARD OF TRUSTEES декан оркестрового факультета Dean of the Orchestra Department Генеральное -
Kto Błyśnie? | Who Will Shine Brightest ?
XVI MIĘDZYNARODOWY KONKURS PIANISTYCZNY IM. FRYDERYKA CHOPINA THE 16TH INTERNATIONAL FRYDERYK CHOPIN PIANO COMPETITION październik | october 2010 | >5 AGATA 10 KWIECIŃSKA ISSN 2082-2774 Uszy szeroko Warszawa | Warsaw, Poland otwarte | Ears wide open FREE COPY FREE | EGZEMPLARZ BEZPŁATNY BEZPŁATNY EGZEMPLARZ Kto błyśnie? | Who will shine brightest ? RECENZJA | REVIEW WYWIAD | INTERVIEW WYDANIE NARODOWE Pierwszy dzień drugiego Peter Grote z fi rmy Kawai: JAN EKIER: etapu recenzują dla nas Produkcja mechaniczna nigdy Wciąż mamy nadzieję, Dorota Szwarcman, Krzysztof nie dorówna pracy fachowca. że pojawiać się będą Komarnicki i John Allison. | Fortepiany składamy ręcznie. | nowe źródła i ich nd stage, day one. Reviews Peter Grote of Kawai: Mechanical interpretacje. | We from Dorota Szwarcman, production will never replace still hold on to the hope that new Krzysztof Komarnicki and John traditional craft. Our pianos are sources and new interpretations Allison. > 2 handmade. >4 will continue to appear. >6 chopin express recenzja | review II ETAP – KOLEJNOść UCZESTNIKÓW | 2ND STAGE AUDITIONS Do zespołu „Chopin Expressu” dołącza dziś John Allison, znakomity krytyk, ORDER znawca i propagator muzyki polskiej. John przyleciał w piątek wprost z Londynu. Będzie dla nas recenzować przesłuchania do końca Konkursu. NIEDZIELA, 10 PaźDZIERNIKA | Witamy w zespole! SUNDAY, 10 OCTOBER | The eminent music critic John Allison, who has written about Polish music Č 10.00, Anna Fedorova, for many years, has joined the Chopin Express team. John flew in from Ukraina/Ukraine London on Friday. He will review auditions until the end of the Competition. Welcome on board! Nowy głos| A new critical voice f 10.50, Leonora Armellini, oczątku drugiego etapu słucham świeżym uchem. -
Dossier De Presse 2021.Pdf
SAISON 2021 Dossier de Presse SAISON 2021 Le Festival - 10 ans Depuis 10 ans nous nous sommes efforcés de construire et de façonner ce festival afin de lui donner une identité unique. Des choix affirmés qui nous ont amenés à soutenir des artistes de la jeune génération, mais aussi des choix audacieux, qui nous ont permis d’inviter sur l’île des artistes qui comptent parmi les plus grands de la scène internationale. Après une année troublée pour tous et plus particulièrement pour le monde de la culture et du spectacle vivant, nous avons souhaité affirmer l’image de notre festival en l’ins- crivant dans des lieux emblématiques de notre île : le théâtre de verdure d’Erbalunga, notre lieu d’adoption, le Palais des Gouverneurs à Bastia, et à partir de cette année le Casone à Ajaccio. Cela nous permettra ainsi d’aller au plus près de notre public. Durant cette période inédite, nous nous sommes battus pour maintenir une activité sou- tenue avec entre autres : - la création, grâce à notre mécène Inetum, d’une nouvelle série de piano dans la mythique salle Cortot à Paris. - une captation vidéo professionnelle autour de la rencontre des deux pianistes Philippe Bianconi et Clément Lefebvre. - la production d’un nouveau CD Ravel avec le pianiste Miroslav Kultyshev que nous suivons depuis trois ans maintenant. Cette année marque également le 120ème anniversaire de la naissance d’Henri Tomasi, et le cinquantenaire de sa disparition. Immense musicien et compositeur d’origine Corse, de Penta di Casinca, nous tenons à lui rendre hommage en inscrivant dans le cadre du programme du pianiste Severin Von Eckardstein, le 1er août, des mélodies Corses qui seront interprétées par la mezzo-soprano Eléonore Pancrazi, sacrée révélation artiste lyrique des Victoires de la Musique Classique en 2019. -
The St. Petersburg Times
NO. 639 FRIDAY, JANUARY 26, 2001 WWW.SPTIMES.RU Putin-Tronic Transferring What’s Turkish CENTRAL BANK RATE Electro-Pop Telecom Traffic For ‘El Torro?’ Austrian CD takes on Telecominvest subsidiary Camel wrestling is filling the Kremlin chief. Page 11. grabs mobile clients. Page 6. seats in Selcuk. Page 19. Mirilashvili Arrest Given Political Overtones Kokh By Masha Kaminskaya men who have fallen foul of prosecutors: Russkoye Video. Media-MOST’s acqui- denied that Mirilashvili’s arrest had STAFF WRITER Media-MOST’s Vladimir Gusinsky, and sition of a stake in Russkoye Video is at “anything to do with either Media- Since St. Petersburg prosecutors arrested businessman Dmitry Rozhdestvensky. the heart of the case against Gusinsky. MOST or [Mirilashvili’s] membership prominent Russian-Israeli businessman Gusinsky, the president of the Rus- In an interview with The St. Peters- of the Jewish Congress.” Mikhail Mirilashvili on Tuesday, specula- sian Jewish Congress, is under house ar- burg Times, Rozhdestvensky, whose trial “We have enough proof to suspect To Take tion has raged over the possible political rest in Spain awaiting a Madrid court de- is due to open Feb. 22, described Miri- [Mirilashvili] of organizing the kidnap- and business motives for the arrest. cision on a Russian extradition request. lashvili as “an old friend.” The two men ping of two St. Petersburg businessmen And while the prosecutors are stick- Mirilashvili is vice president of the Jewish have a long-standing business associa- last year,” said Sydoruk. “He will be offi- ing to their story — that Mirilashvili was Congress, one of the two main national tion, including partnership in the history cially charged within the week.” Charge arrested on suspicion of kidnapping as Jewish organizations in the country.