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Theatre Festivals in Macedonia, And, on the Other, the Presence of the Macedonian Theatre Production and Theatre Artists at Different Theatre Festivals in Slovenia
38 UDC 792.079(497.7+497.4) The paper offers two perspectives for analysing this specific cultural collaboration based on statistical analyses of the data collected during the bilateral research project between Macedonia and Slovenia in the field of the theatre. On the one hand, the authors analyse the presence of the Slovenian theatre productions at the various theatre festivals in Macedonia, and, on the other, the presence of the Macedonian theatre production and theatre artists at different theatre festivals in Slovenia. In the conclusion, they present the combined results of the bilateral research, emphasising the most frequent exchange habits found in the Macedonian and Slovenian theatre festivals during the last 25 years. The total sum reveals a discrepancy in the bilateral collaboration: 69 Slovenian productions participated in the Macedonian theatre festivals; 33 Macedonian productions in the Slovenian theatre festivals and 13 Macedonian productions in various theatres in Slovenia. The international festivals Ex Ponto (Slovenia) and MOT (Macedonia) played a crucial role in this relation. Keywords: theatre, festival, collaboration, production, Macedonia, Slovenia The Theatre Bridge between Macedonia and 39 Slovenia: Theatre Festivals Zala Dobovšek and Sasho Dimoski Introduction: A post-Yugoslav theatre bridge Being part of the former Yugoslav federation for a long period of time, Macedonia and Slovenia have built a strong cultural collaboration, both bilaterally and with the other federal republics. Since 1991, the year when both -
Аукцион Русское Искусство Auction “Russian Art”
Аукцион Русское Искусство Leonid Shishkin Gallery Четверг 25 ноября 2010 since 1989 Галерея Леонида Шишкина основана в 1989 году • 25 ноября 2010 АУКЦИОН № 96 • Лот № 28 ГАЛЕРЕЯ ЛЕОНИДА ШИШКИНА Auction in Radisson Royal Hotel, Moscow Auction “Russian Art” (Ukraina Hotel) Thursday 25 November 2010 www.shishkin-gallery.ru +7 495 694 35 10 Leonid Shishkin Gallery since 1989 Аукцион 25 ноября 2010 46 111 LEONID SHISHKIN GALLERY Аукцион 25 ноября 2010 АУКЦИОН № 96 «РУССКОе искусствО» Cледующие аукционы: 9 декабря 2010, четверг 19:30 в помещении Галереи на Неглинной, 29 16 декабря 2010, четверг 19:30 (Предновогодняя распродажа. Аукцион без резервных цен) в помещении Галереи на Неглинной, 29 17 февраля 2010, четверг 19:30 Гостиница «Рэдиссон Ройал» («Украина») auction № 96 “RuSSIAN aRt” Next auCtioNs: thursday 9 December 2010, 7.30 p.m. Leonid Shishkin Gallery — 29, neglinnaya Street thursday 16 December 2010, 7.30 p.m. Leonid Shishkin Gallery — 29, neglinnaya Street (christmas Sale without reserve prices) thursday 17 February 2010, 7.30 p.m. Radisson Royal Hotel, Moscow (ukraina Hotel) Галерея Леонида Шишкина Основана в 1989 году www.shishkingallery.ru Член Международной конфедерации антикваров Од на из пер вых ча ст ных га ле рей Мос- One of the oldest and most respect- и арт-дилеров снг и России к вы с без уп реч ной 20-лет ней ре пу та- able galleries with 20 years of reputable ци ей, спе ци а ли зи ру ет ся на рус с кой excellence. Specializes in Russian Art of жи во пи си XX ве ка. the 20th century. С 2000 го да про во дит ре гу ляр ные Holds regular auctions of Soviet paint- аук ци о ны. -
1 Madama Butterfly I Personaggi E Gli Interpreti
1 G V M e i r a a s i d c o n o a e Madama Butterfly m m o o r a i Versione originale del 17 febbraio 1904 g i P B n u a u l c Giacomo Puccini e t c t d e i e n r l i f 1 l 7 y f e Stagione d’Opera 2016 / 2017 b b r a i o 1 9 0 4 S t a g i o n e d ’ O p e r a 2 0 1 6 / 2 0 1 7 Madama Butterfly Versione originale del 17 febbraio 1904 Tragedia giapponese in due atti Musica di Giacomo Puccini Libretto di Luigi Illica e Giuseppe Giacosa (da John L. Long e David Belasco) Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Mercoledì 7 dicembre 2016, ore 18 REPLICHE dicembre Sabato 10 Ore 20 – TurNo B Martedì 13 Ore 20 – TurNo A VeNerdì 16 Ore 20 – TurNo C DomeNica 18 Ore 20 – TurNo D VeNerdì 23 Ore 20 – TurNo E REPLICHE gennaio 2017 Martedì 3 Ore 20 – Fuori abboNameNto DomeNica 8 Ore 15 – Fuori abboNameNto ANteprima dedicata ai GiovaNi LaScalaUNDER30 Domenica 4 dicembre 2016, ore 18 SOMMARIO 5 Madama Butterfly . Il libretto 40 Il soggetto ArgumeNt – SyNopsis – Die HaNdluNg – ࠶ࡽࡍࡌ – Сюжет Claudio Toscani 53 Giacomo PucciNi Marco Mattarozzi 56 L’opera iN breve Claudio Toscani 58 La musica Virgilio Bernardoni 62 La prima Butterfly , uN ricoNoscimeNto morale all’Autore. UNa possibilità iN più di ascolto, coNfroNto e coNosceNza INtervista a Riccardo Chailly 67 “UNa vera sposa...”? INgaNNo e illusioNe Nella prima Arthur Groos scaligera di Madama Butterfly 83 Madama Butterfly, uNa tragedia iN kimoNo Michele Girardi 99 Come eseguire Madama Butterfly Dieter Schickling 110 Madama Butterfly alla Scala dal 1904 al 2007 Luca Chierici 137 Alvis HermaNis e Madama Butterfly Olivier Lexa Il gesto della fragilità 167 Riccardo Chailly 169 Alvis HermaNis 170 Leila Fteita 171 Kris t¯ıNe Jur j¯aNe 172 Gleb FilshtiNsky 173 INeta SipuNova 174 Alla Sigalova 175 Olivier Lexa 176 Madama Butterfly . -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Unterhaltsamer WB-Werbetreff Nicht Fussball-Talk, Prämierte Inserate Und 75 Jahre Bewegte Firmengeschichte Verharmlosen! V I S P
AZ 3900 Brig • Samstag, 11. November 2006 • Nr. 262 • 166. Jahrgang • Fr. 2.– www.walliserbote.ch • Redaktion Telefon 027 922 99 88 • Abonnentendienst Telefon 027 948 30 50 • Mengis Annoncen Telefon 027 948 30 40 • Auflage 27 127 Expl. KOMMENTAR Unterhaltsamer WB-Werbetreff Nicht Fussball-Talk, prämierte Inserate und 75 Jahre bewegte Firmengeschichte verharmlosen! V i s p. – (wb) Eine Ge- sprächsrunde mit Fussballtrai- Das Kreisgericht Martinach ner Gilbert Gress und Ex-Na- hat den Hanfbauer Bernard tionaltorhüter Erich Burgener Rappaz zu fast sechs Jahren gehörte zu den Höhepunkten Zuchthaus verurteilt. des diesjährigen WB-Werbe- Also auch für die Kreisrichter treffs, der am Freitagabend ge- ist Rappaz offenbar mehr gen 400 Kunden und Gäste der «skrupelloser Drogenprodu- Mengis Druck und Verlag AG zent als Visionär». Auch die (MDV) ins Kultur- und Kon- Richter stuften die Vergehen gresszentrum La Poste in Visp als schwer wiegend ein. Rap- lockte. Der bekannte Fernseh- paz bezeichnete den Prozess moderator Rainer Maria Salz- als Racheakt der Justiz. Gegen geber sprach mit den beiden das Urteil wird er, wie bereits Experten über die Entwick- mehrmals angekündigt, Beru- lung des Schweizer Fussballs fung einlegen. und ihre Erwartungen an die Für die «Cannabis-Legalisie- Fussball-Europameisterschaft rer» ist das Urteil ein Rück- 2008. Beim beliebten Kunden- schlag. Nun ist Rappaz wohl anlass der MDV drehte sich nicht besonders prädestiniert freilich nicht alles nur ums als Frontkämpfer für die Frei- runde Leder. Eingebettet in gabe von Cannabis. Die Rich- das unterhaltsame Programm ter waren zwar in ihrem Urteil waren auch ein Rückblick auf bedeutend milder als es der 75 Jahre Firmengeschichte Staatsanwalt forderte. -
Announces 2018 Winter/Spring Season, Featuring Music, Theater, Dance, “Live Radio,” Digital Arts, and Community Events, January 15—June 23
Brooklyn Academy of Music (BAM) announces 2018 Winter/Spring Season, featuring music, theater, dance, “live radio,” digital arts, and community events, January 15—June 23 Bloomberg Philanthropies is the Season Sponsor Music Cellular Songs…………….Meredith Monk & Vocal Ensemble……………………........... page 2 Qyrq Qyz (Forty Girls)……Aga Khan Music Initiative, Saodat Ismailova, Dmitri Yanov- Yanovsky ....................................................................................................................... page 3 The Jazz Epistles…………Abdullah Ibrahim & Ekaya……………………….................... page 5 Theater King Lear………………….Royal Shakespeare Company………….………..................... page 4 Long Day’s Journey into Night…….Eugene O’Neill, Bristol Old Vic, Sir Richard Eyre… page 6 Love and Intrigue…………Friedrich Schiller, Lev Dodin, Maly Drama Theatre………… page 9 Dance DanceAfrica 2018………..Abdel R. Salaam………………………………………………… page 8 Additional programming The 32nd Annual Brooklyn Tribute to Dr. Martin Luther King, Jr…………………………… page 10 Teknopolis™…………………………………………………………………………………...... page 10 RadioLoveFest………………………………………………………………………………...... page 10 Everybooty…………………Curated by Sean B + Jason Roe……………………………… page 11 Nov 14, 2017/Brooklyn, NY—Joseph V. Melillo, executive producer of the Brooklyn Academy of Music, today announced programming for the BAM 2018 Winter/Spring Season. The season runs from January 15 through June 23 and includes theater, dance, music, and other live events in the BAM Howard Gilman Opera House, BAM Harvey Theater, and BAM Fisher. Melillo said, “BAM’s Winter/Spring Season is one of global discoveries and triumphant returns. Qyrq Qyz, presented in partnership with the Aga Khan Music Institute, explores the little-known oral epic tradition of Central Asia from a feminist perspective while newly-minted Bessie-Award winner and DanceAfrica artistic director Abdel R. Salaam brings the complex history and dance tradition of South Africa to the BAM Howard Gilman Opera House stage. -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №114 September 2017 Emperor Nicholas I. Watercolour by Alexander I. Klünder Monument to Emperor Nicholas I unveiled in Czech Republic September 19.TASS - A monument to Emperor Nicholas I (1825-1855) was opened in the spa town of Teplice in the north of the Czech Republic. This was announced by Consul-General of the Consulate General of the Russian Federation in Karlovy Vary (West Bohemia) Igor Melnik. "The monument to Nicholas I was erected in the very centre of Teplice next to the monuments of Peter the Great and Alexander I," he stressed. "This idea supported by local authorities, was conceived long ago, but was postponed, primarily because of the lack of necessary funds." Monuments to Russian autocrats in Teplice were created by People's Artist of Russia Vladimir Surovtsev. The patrons of the project are the organization of Russian compatriots in the Czech Republic "The Ark-Arch" and the General Consulate of the Russian Federation in Karlovy Vary. Sovereigns from the Romanov dynasty, actively implementing the idea of uniting the Slavs under the sceptre of mighty Russia on the international arena, have forever entered the history of Teplice. The Grand Duke and the future Emperor of Russia Nicholas I twice visited this city: in 1815 at the age of 19, and in 1818, when he turned 22. He took part in laying the foundation and then opening a monument to Russian soldiers who died for Europe's freedom in the struggle against Napoleon. The elder brother of Nicholas I, Emperor Alexander I, arrived in Teplice during the foreign campaigns of the Russian Imperial Army during the Napoleonic wars in 1813. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Program Aida
AÏDA ANNONSE Giuseppe Verdi AÏDA Opera i fire akter Libretto av Antonio Ghislanzoni Fremføres på originalspråket italiensk Sommeropera på Bergenhus Festning 14., 16., 18. og 20. august 2005 Regissør: Sandro Santillo Scenografi- og kostymedesigner: Kentaur Dirigent/kunstnerisk leder: Anne Randine Øverby Aïda: Galina Gorchakova Radames: Ernesto Grisales Amneris: Eugenie Grunewald Amonasro: Anooshah Golesorkhi Ramfis: Arutjun Kotchinian Konge: Balátz Póka Yppersteprestinne: Sylvia Skeie Vik Budbærer: Daniel Icobescu Prester, prestinner, tjenere, feltherrer, soldater, slaver, egyptiske fanger, egyptiske folk: Timisoara Filharmoniske Kor Bergen Operakor Fra VNOs Barnekor Ragazzi: Randi Emilie Dahlen, Marie Stølsbotn, Susanne Grønner, Ina Rokne Midtun, Teresia M. S. Aarskog, Laura Agathe Moberg, Ida Ludvigsen, Grete Iren Grønner, Alette Jervell Pettersen Små barn: Åshild Øyro, ,Laura Hagen Aadland, Kaja Rønning Statister: Birthe Gundersen, Alexandra Hoff, Korinnstudering: Anne Randine Øverby, Repetitør: Sabrina Trosje Orkester: Timisoara Filharmoniske Orkester Lysdesign: Lysteknikk: AVAB CAC Bergen; Jørgen Lystrup, Per Rye Ravnestad, Lyddesign: Peter Dan Lydteknikk: AVAB CAC Bergen; Karim Balgobin, Terje Ellefsen. Scenografiassistent: Peter Hala’sh Kostymeassistent: Antonia Baranyai Sceneteknikk: Sverre Hus, Stig Thorsen, Espen Tufta Søm/påkledning: Guri-Marie Johnsen, Aud Engevik, Gunn-Bente Solstrand Hår/maske: Tove Ingebrigtsen, Tonny Garmannslund, Kristine Fjose, Marit Pedersen Inspisient: Annlaug Hus Støttet av Norsk Kulturråd Bakgrunn AïDA er en stor opera med en forhistorie og tilblivelse som ikke står tilbake operaens handling når det gjelder dramatikk. I 1867 ble Egypt lagt under tyrkisk herredømme, en tilstand som vedvarte frem til 1914. 2 år senere ble Suez-kanalen åpnet, og i denne forbindelsen ønsket khediven Ismael Pasha å bestille en ny opera fra en av samtidens ledende operakomponister. Fremføringen av operaen skulle samtidig innvie den nye italienske operaen i Kairo, som khediven hadde latt bygge. -
Cultural Heritage, Cinema, and Identity by Kiun H
Title Page Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity by Kiun Hwang Undergraduate degree, Yonsei University, 2005 Master degree, Yonsei University, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kiun Hwang It was defended on November 8, 2019 and approved by David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Mrinalini Rajagopalan, Associate Professor, University of Pittsburgh, Department of History of Art & Architecture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Dissertation Advisor: Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Kiun Hwang 2019 Abstract iii Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity Kiun Hwang, PhD University of Pittsburgh, 2019 St. Petersburg’s image and identity have long been determined by its geographical location and socio-cultural foreignness. But St. Petersburg’s three centuries have matured its material authenticity, recognizable tableaux and unique urban narratives, chiefly the Petersburg Text. The three of these, intertwined in their formation and development, created a distinctive place-identity. The aura arising from this distinctiveness functioned as a marketable code not only for St. Petersburg’s heritage industry, but also for a future-oriented engagement with post-Soviet hypercapitalism. Reflecting on both up-to-date scholarship and the actual cityscapes themselves, my dissertation will focus on the imaginative landscapes in the historic center of St. -
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CHAPTER 14 Choral Societies and National Mobilization in Nineteenth-Century Bulgaria Ivanka Vlaeva Compared with the histories of many national movements in nineteenth- century Europe, in Bulgaria the industrial revolution was delayed and mod- ern culture arrived late. Lagging behind most other Europeans, the Bulgarian population had to compensate for its lack of modern cultural development. Thus, one important characteristic of Bulgarian culture is its evolution at accelerated rates. Before liberation in 1878, for almost five centuries the Bulgarian lands were under Ottoman rule, without their own governmental and religious institu- tions. Foreign rule, a feudal economy, a weak middle class, and the absence of national cultural institutions were serious obstacles to the development of a new culture on the western European model. The most important aims for the Bulgarians (led by educators, intellectuals, and revolutionists) were to struggle politically against Ottoman governance, economically for new industrial pro- cesses in the Ottoman Empire, and culturally for a national identity. The lead- ers of the revolutionary movement called for a struggle not against the Turkish people, but against Ottoman rulers and foreign clerks.1 These historical processes resemble those elsewhere in Europe, especially in the central and southeastern regions. Nineteenth-century Bulgarian culture therefore needs to be considered along with that of the Balkans more gener- ally because of the cultural similarities, interactions, and fluctuations in this region.2 The establishment of a new economy and the fight for modern educa- tion were among the main priorities in Bulgarian communities. The eighteenth and nineteenth centuries are the so-called Revival period in Bulgarian cultural development, strongly influenced by the ideas of the Enlightenment. -
De Kersentuin INHOUD INFO CONTENT Aanvang Starting Time CREDITS 02 20:30, *15:00 8.30 Pm, *3 Pm
De Kersentuin INHOUD INFO CONTENT aanvang starting time CREDITS 02 20:30, *15:00 8.30 pm, *3 pm LEV DODIN OVER DE KERSENTUIN locatie venue LEV DODIN ON THE CHERRY Stadsschouwburg Amsterdam, Grote Zaal ORCHARD 05 duur running time OVER DE ARTIESTEN drie uur, met pauze ABOUT THE ARTISTS 12 three hours, one interval HOLLAND FESTIVAL 2015 15 taal language Russisch met Nederlandse boventiteling WORD VRIEND Russian with Dutch surtitles BECOME A FRIEND 18 inleiding introduction COLOFON door by Judith Wendel COLOPHON 20 vr 19.6, za 20.6 - 18:45, zo 21.6 - 14:15 Fri 19.6, Sat 20.6 - 7.45 pm, Sun 21.6 - 2.15 pm meet the artist met with Lev Dodin moderator Ruth Mackenzie zo 21.6, na de voorstelling Sun 21.6, after the performance 1 cast met dank aan with thanks to CREDITS Ksenya Rappoport Kerstin Hinz: eerste voorzitter van de (Lyubov Ranevskaya, landeigenaar “Algemene erkenning van de “Altes Land” a landowner) regio”, deel van de UNESCO werelderf- regie, bewerking direction Ekaterina Tarazova goed lijst, Mittelnkirchen Lev Dodin (Anya, haar dochter her daughter) Vrienden van het Brigitte Van Kann- Elizaveta BoIarskaya theater en Helmut Butzmann te Hamburg scenografie scenography (Varya, haar adoptiedochter her adopted Moritz Windmann en het CINECENTRUM Aleksander Borovskij daughter) gezelschap te Hamburg Sergey Vlasov Huis-Museum Anton Tsjechov, Jalta licht lights (Leonid Gayev, haar broer her brother) Kerstin Hintz, first chairman of “Recog- Damir Ismagilov Danila Kozlovskiy nizing Altes Land as a part of UNESCO (Yermolyi Lopakhin, een verkoper