Аукцион Русское Искусство Auction “Russian Art”
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Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of -
Searchable PDF Format
USSR ACADEMY OF SCIENCES A quarterlg of the Sectton of the Social Sciences, Philosophy USSR Academg of Sciences. Founded in 1970. History Published in Moscow in English, Economics and also in French, Scicnccs Sociales; in German, Gesselschaftswissenschaften; Politics in Spanish, Ciencias Sociales; and in Portugucse, Ci6ncias Sociais Sociology Law Vol. XI, No. 3 I 980 The journal is published by agreement: Philology in Bengali, Samaj Bijnan (Bingsha Shatabdi Publishers, Psychology Calcutta, India); in Japanese, Ethnography Shakai Kagaku (Shakai Kagaku Co., Tokyo, Japan) Archaeology in Greek, Kinonihes epistemes (Planet Publishers, Athens, Greece); in Arabic, CONTENTS Al Ulum al-l jtima'iga (Dar al-Farabi Publishers, Beirut, Lebanon); in Portuguese, To the Reader ("Avantel" Publishers, Lisbon, put out the edition for circulation in Portugal). N. lnozemtsev The Scientific and Technological Revo- The Spanish edition is reprinted in Colombia lution and the Modern World by Centro de Estudios e Investigaciones Sociales (CEIS) Publishers, Bogota. The 15th lnternational Congress of Historical Sciences E. Zhukov The Origins of the Second World War 18 Since 1976 the Editorial Board has been l. Kovalchenko, Progressive Social Thought in Bussia publishing the journal Obshchestvennie nauki G. Kucherenko and Western Europe in the 19th Century (Social Sciences) in Russian. It appears six times a year. (Problems of Mutual lnfluence) 35 A. Chubaryan The ldea of Just and Eternal Peace in Russian Social Thought of the 1gth-Early 20th Centuries 46 For subscriptions apply S. Tlkhvinsky The Correlation Between National and to national distributors dealing with Social Factors in the Xinhai Revolution in V/O "Mezhdunarodnaya I(niga" China 56 that are listed at the end of this issue. -
Book 2 Cinema and Visual Arts.Pdf
1 2 3 CONTENTS Предисловие…………………………………………………………….. 5 CINEMA………………………………………………………. 6 Unit 1 FILM ART…………………………………………………. 6 Vocabulary Study…………………………………………… 6 Reading & Discussing………………………………………. 13 Film as Art ………………………………………………. 13 Why Do We Still Go to the Movies in the 21st Century?…… 16 People Don’t Like Going to the Movies Any More…………. 18 Written Work & Grammar Revision…………………………… 20 Unit 2 BRITISH AND AMERICAN CINEMA……………………….. 22 Vocabulary Study………………………………………………. 22 Reading & Discussing………………………………………….. 25 The Mystery That Started It All……………………………... 26 A History of Successful Productions………………………... 29 Contemporary Britain’s Cinema……………………………. 30 Establishment of an Industry: the Pioneers…………………. 32 Key Problems of British Cinema……………………………. 33 10 Most Famous English Movies……………………………. 34 Richard Attenborough………………………………………. 36 What is ‘Hollywood’?................................................. 37 Why Is Hollywood a Term of Disparagement?.................... 42 11 Greatest Years in American Cinema History……….. 42 Cinema Criticism in the USA………………………………... 44 The Cannes Film Festival…………………………………… 46 British Film and Television Awards………………………… 46 Written Work & Grammar Revision…………………………… 48 Unit 3 TALKING ABOUT FILMS……………………………………. 50 Vocabulary Study………………………………………………. 50 Reading & Discussing………………………………………….. 58 Movie Directors……………………………………………... 58 10 Greatest Film Directors………………………………….. 59 Silent Cinema Actors………………………………………... 64 10 Best British Movie Stars…………………………………. 65 Talking about Films…………………………………………. -
Silver Age Russian Art in Vienna Around 1900
SILVER AGE RUSSIAN ART IN VIENNA AROUND 1900 Lower Belvedere 27 June to 28 September 2014 Boris M. Kustodiev The Family, 1905 Oil on canvas 182.5 x 198 cm © Belvedere, Vienna SILVER AGE RUSSIAN ART IN VIENNA AROUND 1900 The Belvedere’s exhibition Silver Age - Russian Art in Vienna around 1900, showing from 27 June to 28 September 2014, explores Russian art and the cultural links between Russia and Austria in the early twentieth century. The term Silver Age refers to the cultural heyday in Russian literature and the fine arts after 1900 and is considered to be the equivalent of the German term Jugendstil or Art Nouveau. Two exhibitions organized by the Vienna Secession in 1901 and 1908 introduced the Viennese public to contemporary Russian art, which was extremely well received by both critics and collectors. While the first exhibition was dedicated to art in Nordic countries and only had one section on Russia, the second was devoted entirely to modern Russian art. It placed an emphasis on established artists from the group World of Art (Mir Iskusstva), as well as exponents of the young association of artists Blue Rose (Golubaya Roza), the last generation of Russian Art Nouveau. At this 1908 exhibition, three paintings were purchased for the Moderne Galerie (today’s Belvedere), including the important portrait of the Polenov Family by Boris M. Kustodiev that had been previously rejected by the conservative Russian art scene. The exhibition Silver Age will showcase Russian artists whose work could have been seen in Vienna over a hundred years ago. -
Skating on Thin Ice? Russia Joins The
MOSCOW JANUARY 2012 www.passportmagazine.ru Skating on Thin Ice? Roman Abramovich in Court Russia Joins the WTO Things to Do Over the Winter Escape to Ecuador Super Soup January_covers.indd 1 16.12.2011 11:26:54 January_covers.indd 2 16.12.2011 11:47:52 Contents 4. Previews Aline Kalinina 10. Theatre Review Marina Lukanina 4 12. Legal Alexander Ksenofontov 14. Literary Moscow The Museum Flat of Alexei Tolstoy, Marina Kashpar 16. Travel 14 Ecuador! Luc Jones 18. Out & About 22. The Way It Is Russia and the WTO, John Harrison Abramovich vs. Berezovsky, Ian Mitchell 22 Skolkova, Miguel Mitchell 30. The Way it Was Red Wedding part I, Helen Womack 32. Wining & Dining SOUP, John Harrison Seasonal Sips for a Supper Soiree or Shindig, Charles 34 Borden 38. Real Estate Year-end Review and Forecast, Vladimir Kozlov Real Estate News, Vladimir Kozlov 41. Family Pages Puzzle Page 38 Fables for Children 44. Profile Alan Moore, Miguel Francis 45. Book Review Piracy: Intellectual Property Wars from Gutenberg 44 to Gates, review by Ian Mitchell January 2012 3 Letter from the Publisher “You can fool all the people civility of the crowd, which was of us who lived here in the 1990s some of the time, you can even not demanding a revolution but know that in Russia anything is pos- fool some of the people all of the an end to attempts to fool them sible. The prospect of something time, but you cannot fool all of the at election time, was perhaps the unusual happening is not very people all the time,” said Abraham most amazing thing. -
Bruxelles, 2015 Art and Literature Scientific and Analytical Journal
Art and Literature Scientific and Analytical Journal Texts 2.2015 Bruxelles, 2015 EDITORIAL BOARD Chief editor Burganova M. A. Bowlt John Ellis (USA) — Doctor of Science, Professor of Slavic Languages and Literatures in University of Southern California; Burganov A. N. (Russia) — Doctor of Science, Professor of Stroganoff Moscow State Art Industrial University, Full-member of Russia Academy of Arts, National Artist of Russia, member of the Dissertation Council of Stroganoff Moscow State Art Industrial University; Burganova M. A. (Russia) — Doctor of Science, Professor of Stroganoff Moscow State Art Industrial University, Full-member of Russia Academy of Arts, Honored Artist of Russia, member of the Dissertation Council of Stroganoff Moscow State Art Industrial University, editor-in-chief; Glanc Tomáš (Germany) — Doctor of Science of The Research Institute of East European University of Bremen (Germany), and assistant professor of The Charles University (Czech Republic); Kazarian Armen (Russia) — Architectural historian, Doctor of Fine Arts in The State Institute of Art History, Advisor in Academy of Architecture and Construction Sciences; Kravetsky A. G. (Russia) — Candidate of Sciences, research associate of Russian Language Institute of the Russian Academy of Sciences; Lavrentyev Alexander N. (Russia) — Doctor of Arts, Professor of Stroganoff Moscow State Art Industrial University and Moscow State University of Printing Arts; Alessandro De Magistris (Italy) — PhD, Full-Professor of History of Architecture Politecnico di Milano Department of Architecture and Urban Studies; Misler Nicoletta (Italy) — Professor of Modern East European Art at the Istituto Universitario Orientale, Naples; Pavlova I. B. (Russia) — Candidate of Sciences, Senior Researcher of Institute of World Literature of the Russian Academy of Sciences; ISSN 2294-8902 © TEXTS, 2015 Pletneva A. -
Iurii Olesha, Abram Room and Strogii Iunosha-Artistic Form and Political
lURn OLESHA, ABRAM ROOM AND STROGII lUNOSHA - ARTISTIC FORM AND POLITICAL CONTEXT Milena Lily Michalski School of Slavonic and East European Studies Submitted in partial fulfilment of the requirements for the Degree of PhD 1999 ProQuest Number: U118707 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U118707 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Strogii iunosha was a unique experiment to create a new art form, conceived by the author lurii Olesha and developed by him and the director Abram Room. It was intended to be, at once, a literary and a cinematic work of art. Room's film was banned, but Olesha's written version was not. Analysis of previously unconsidered production notebooks for the film Strogii iunosha reveals the reason for this. Other scholars have suggested that the change in the prevailing political atmosphere between 1934 and 1936 on the one hand, or the effects o f the differences in the natures of literature and cinema on the other, explain why the film was banned, yet the scenario was not. -
Leonid Shishkin Gallery
Галерея Леонида Шишкина Основана в 1989 году Аукцион «СоветСкАя клАССикА нА неглинной» 28 октября 2010, четверг 19:30 Аукцион № 95 «СоветСкАя клАССикА нА неглинной» 28 октября 2010, четверг 19:30 Для заочного участия или покупки на аукционе по телефону свяжитесь заранее с менеджерами галереи Cледующие аукционЫ: 25 ноября 2010, четверг 19:30 гостиница «Рэдиссон Ройал» («украина») 9 декабря 2010, четверг 19:30 в помещении галереи на неглинной, 29 AUCTION № 95 “SOVIET CLASSICS ON NEGLINNAYA STREET” Thursday 28 october 2010, 7.30 pm For absentee bids or telephone bids, please contact the gallery managers in advance NEXT AUCTIONS: Thursday 25 November 2010, 7.30 pm Radisson Royal Hotel, Moscow (Ukraina Hotel) Thursday 9 December 2010, 7.30 pm Leonid Shishkin Gallery — 29, Neglinnaya Street Член Международной конфедерации Галерея Леонида Шишкина антикваров и арт-дилеров Основана в 1989 году снГ и россии www.shishkin‑gallery.ru Аукцион № 95 «СоветСкАя клАССикА нА неглинной» – Одна из первых частных галерей Москвы – One of the oldest and most respectable с безупречной 20-летней репутацией, galleries with 20 years of reputable специализируется на русской живописи excellence. Specializes in Russian Art лоты 1–99 XX века. of the 20th century. – С 2000 года проводит регулярные аукционы. – Holds regular auctions of Soviet painting Член Международной – Экспертиза, обрамление, вывоз за рубеж, starting from 2000. конфедерации консультации по вопросам инвестирова- – Expertise, framing, delivery worldwide, продавцов искусства ния в искусство. “investment in art” consultancy. Аукцион ПредАукционнАя выстАвкА 28 октября 2010 года, четверг, 19:30 с 15 октября 2010 года, пятница в помещении Галереи Леонида Шишкина Понедельник–пятница 12:00–20:00 по адресу: ул. -
The Ukrainian Weekly, 2017
INSIDE: l Farewell to Ukraine’s consul general in New York – page 4 l Anne Applebaum’s new book, “Red Famine” – page 7 l Eighth annual Ukrainian Festival at UACCNJ – page 11 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXV No. 43 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 22, 2017 $2.00 Protesters in Kyiv see Ukrainian Museum and Library of Stamford marks 80th anniversary a victory in bill on ending by Anisa Mycak STAMFORD – More than 100 people from lawmakers’ immunity the tri-state area and beyond celebrated the 80th anniversary of the Ukrainian Museum by Christopher Miller and Library of Stamford, (Conn.), the oldest RFE/RL cultural institution of its kind in the United States. At a cocktail hour and festive ban- KYIV – Protesters calling for quet at the Stamford Sheraton Hotel on Ukrainian President Petro Poroshenko October 7, members, friends and donors to enact anti-corruption reforms or gathered to pay tribute to the institution’s step down notched a small victory on founders, acknowledge the achievements of October 19 as the Verkhovna Rada past decades and look ahead to its future. sent a bill on lifting lawmakers’ immu- The celebrants heard a keynote address nity from prosecution to the by Metropolitan Lawrence Huculak, OSBM, Constitutional Court for review. archbishop of Winnipeg and a talk by guest Hundreds of demonstrators aligned speaker Jurij Dobczansky of the Library of with opposition parties cheered the Congress. A special guest – David Martin, news when it was announced in front the mayor of Stamford, made an appear- Anisa Mycak of the legislature, where they have ance and also offered remarks. -
VARLA 2018 Is the Jubilee Year of Felix Varlamishvili
V A R L A 2018 is the jubilee year of Felix Varlamishvili –Varla, the France emigrated Georgian artist. He would be 115 years old. In the XX century, Felix Varlamishvili’s name was known only to a small group of people in Georgia. In recent years, there has been an active interest in his art… In Georgia, the artist’s works are kept at the National Museum and in private collections. The project – ‘’Varla – 115’’ makes it possible to publish the given album, to catalogue artist’s main works kept in Georgia and to spotlight the archival material. Chardin Art Gallery The full evaluation of any artist is possible only through the comprehensive research of the artist’s entire work. Felix Varlamishvili, an eminent Georgian artist working in immigration, became known for the wider society during the 80s of the last century. The personal exhibition, held at the Georgian Art Museum was followed by great feedback. Georgia discovered an artist with a clearly expressed individuality; he rose from the national ground and absorbed the achievements of world fine art; although away from Georgia, he could maintain a profound spiritual unity with his homeland even while being in France – so evident in the best of his works. A talented and industrious artist, with a promising future, was still very young, when he left his homeland. Today, it is hard to say what would happen had Felix Varlamishvili stayed in Georgia; would he evolve as an interesting artist and create his own world or would he mix with the masses and be limited to state orders? Maybe, he would be a victim to repressions for his extremely tender soul and naivety… However, such was the will of the prime mover – Felix Varlamishvili had to get familiar with the world’s achievements in art, to establish his own place among Paris artists in the conditions of harsh competitiom, to live the hard life of an immigrant, to suffer from nostalgia. -
The State Tretyakov Gallery the State Tretyakov Gallery Is a Museum of Russian Art
1. Read the passage and answer the questions: What is the passage about? Pavel Tretyakov is an outstanding person in Russian culture. He was not only a collector, but a patron of the arts as well. He was interested in paiting, followed the development of art, believed in Russian artists and rejoiced at their success. Pavel Tretyakov decided to collect the most talented works of Russian realistic painters. The artists appreciated his attempt to turn his collection into a national gallery and helped him to do that. Pavel Tretyakov started with the pictures of his contemporaries and later began to collect pieces What is the Tretyakov Gallery famous of ancient art as well. By the 1870s his collection was for? opened for the public. The State Tretyakov Gallery The State Tretyakov Gallery is a museum of Russian art. It is one of the largest museums in the world. The Tretyakov Gallery was founded by Pavel Tretyakov (1832-1898) in the middle of the 19th century. In 1856 Pavel Tretyakov bought his first two paintings: “Temptation” by Shilder and “Skirmish with Finnish Smugglers” by Khudyakov. This year is considered to be the date of the foundation of the Tretyakov Gallery. Pavel Tretyakov is an outstanding person in Russian culture. He was not only a collector, but a patron of the arts as well. He was interested in painting, followed the development of art, believed in Russian artists and rejoiced at their success. Pavel Tretyakov decided to collect the most talented works of Russian realistic painters. The artists appreciated his attempt to turn his collection into a national gallery and helped him to do that.