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YEVGENY ZEMTSOV Instrumental and Chamber Music String Quartet (1962, rev. 2004) 19:19 1 I Lento – Allegro agitato – Lento doloroso – 9:07 2 II Allegro molto – 6:14 3 III Allegro agitato – Lento maestoso 3:58 4 Ballada for violin and piano (1959, rev. 2015) 5:46 Violin Sonata No. 1, in memoriam Sergei Prokofiev (1961, rev. 2001) 17:17 5 I Moderato 6:59 6 II Lento cantabile 4:35 7 III Allegro vivo 5:43 Three Inventions for piano (1965, rev. 2005) 6:25 8 No. 1 Fughetta (Allegro) 1:56 9 No. 2 Intermezzo (Adagio molto capriccioso) 3:11 10 No. 3 Toccatina (Presto) 1:18 11 Ohnemass for piano (2004) 3:43 Five Japanese Poems for soprano, two violins and cello (1987, rev. 2005) 8:47 Poetry by Matsuo Bashō (1644–94) and Ryota Oshima (1718–87); Russian translations by Vera Markova (1907–95) 12 No. 1 How silent is the garden (Bashō) 1:20 13 No. 2 On the naked branch of a tree sits a raven (Bashō) 1:40 14 No. 3 Shudder, o hill! (Bashō) 0:36 15 No. 4 O, this path through the undergrowth (Bashō) 3:00 16 No. 5 All is filled with silver moonlight (Oshima) 2:11 2 ASTOR PIAZZOLLA Cuatro Estaciones Porteñas (‘Four Seasons of Buenos Aires’; 1965–69) 16:08 arr. Yevgeny Zemtsov for string quartet (2003–16) 17 I Verano Porteño (‘Buenos Aires Summer’; 1965) 4:28 18 II Invierno Porteño (‘Buenos Aires Winter’; 1969) 2:48 19 III Primavera Porteña (‘Buenos Aires Spring’; 1970) 4:44 20 IV Otoño Porteño (‘Buenos Aires Autumn’; 1970) 4:08 21 Le grand Tango (1982) 11:32 arr. -
Gp 3.Qxt 7/27/15 8:56 AM Page 1
08-09 Ancient Music_Gp 3.qxt 7/27/15 8:56 AM Page 1 Sunday Afternoon, August 9, 2015, at 3:00 m a r Academy of Ancient Music M|M g Edward Gardner , Conductor o r Alina Ibragimova , Violin P e ALL-MENDELSSOHN PROGRAM h The Hebrides (“Fingal’s Cave”) (1830/32) T Violin Concerto in E minor (1844) Allegro molto appassionato— Andante— Allegretto non troppo—Allegro molto vivace Ms. Ibragimova will perform Mendelssohn’s cadenza. Intermission Symphony No. 3 in A minor (“Scottish”) (1842) Andante con moto—Allegro un poco agitato Vivace non troppo Adagio Allegro vivacissimo—Allegro maestoso assai M|M Mostly Mozart debut Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Alice Tully Hall , Starr Theater Adrienne Arsht Stage 08-09 Ancient Music_Gp 3.qxt 7/27/15 8:56 AM Page 2 Mostly Mozart Festival The Mostly Mozart Festival is made possible by Sarah Billinghurst Solomon and Howard Solomon, Rita E. and Gustave M. Hauser, Chris and Bruce Crawford, The Fan Fox and Leslie R. Samuels Foundation, Inc., Charles E. Culpeper Foundation, S.H. and Helen R. Scheuer Family Foundation, and Friends of Mostly Mozart. Public support is provided by the New York State Council on the Arts. Artist Catering provided by Zabar’s and zabars.com MetLife is the National Sponsor of Lincoln Center United Airlines is a Supporter of Lincoln Center WABC-TV is a Supporter of Lincoln Center “Summer at Lincoln Center” is supported by Diet Pepsi Time Out New York is a Media Partner of Summer at Lincoln Center UPCOMING MOSTLY MOZART FESTIVAL EVENTS: Tuesday and Thursday Evenings, August 11 and 13, at 7:30 Saturday Afternoon, August 15, at 3:00 in the David H. -
Alina Ibragimova Cédric Tiberghien Beethoven
Alina Ibragimova Cédric Tiberghien Beethoven Violin Sonatas – 3 Alina Ibragimova violin DDD WHLive0045 C 2011 The Wigmore Hall Trust Cédric Tiberghien piano P 2011 The Wigmore Hall Trust Made & Printed in England Recorded live at Wigmore Hall, London All rights reserved. 25 May 2010 Unauthorized copying, hiring, lending, public performance and broadcasting prohibited. LC 14458 Wigmore Hall 36 Wigmore Street Ludwig Van BeethoVen London W1U 2BP www.wigmore-hall.org.uk John Gilhooly Director Violin Sonatas – 3 The Wigmore Hall Trust Reg. Charity No. 1024838 01 Violin Sonata in A major Op. 30 No. 1 22.00 04 Violin Sonata in E flat major Op. 12 No. 3 19.05 07 Violin Sonata in A major ‘Kreutzer’ Op. 47 37.30 Total time: 78.56 ‘Smiling faces, furious applause: that’s how this series ended’ (The Times) WHLive0045 Alina Ibragimova violin Made & Printed in England Cédric Tiberghien piano Recorded live at Wigmore Hall, London, on 25 May 2010 Ludwig Van BeethoVen Violin Sonatas – 3 Violin Sonata in A major Op. 30 No. 1 22.00 01 Allegro 06.48 02 Adagio molto espressivo 07.15 03 Allegretto con variazioni 07.33 Violin Sonata in E flat major Op. 12 No. 3 19.05 04 Allegro con spirito 07.57 05 Adagio con molta espressione 06.31 06 Allegro molto 04.22 Violin Sonata in A major ‘Kreutzer’ Op. 47 37.30 07 Adagio sostenuto – Presto 13.38 08 Andante con variazioni 15.16 09 Presto 08.47 Total time: 78.56 b0045 RPM.qxd 02-03-2011 11:46 Page 2 BEETHOVEN VIOLIN SONATAS – VOLUME 3 This disc contains many wonders, but even the the sonata for which Op. -
MASTERS of the PAST / NEWLY DISCOVERED Simon Ferdinand LECHLEITNER (XVIII C.) : Litaniae De Corde Jesu (1734) Jacek SZCZUROWSKI
DUX 1175 / 2015 _______________________________________________________________________________________ MASTERS OF THE PAST / NEWLY DISCOVERED Simon Ferdinand LECHLEITNER (XVIII c.) : Litaniae de Corde Jesu (1734) Jacek SZCZUROWSKI (1716-1773) : Litaniae in D Just CASPAR (1717-1760) : O Jesu mi dilecte *** The Early Music Ensemble DILETTO Marta Wróblewska – soprano solo, Jan Mędrala – alto solo, Maciej Gocman – tenor solo, Piotr Zawistowski – bass solo, Małgorzata Trojanowska – soprano, Sławomit Bronk – alto Piotr Szewczyk – tenor, Przemysław Kummer – bass Tomasz Ślusarczyk – clarino I, Michał Tyrański – clarino II, Paweł Polak – violin (concertmaster) Anna Polak – violin, Radosław Koper – viola basso continuo: Tomasz Frycz – cello, Rafał Makarski – double-bass, Krzysztof Garstka – positive organ Anna MONIUSZKO – conductor _______________________________________________________________________________________________ DUX Małgorzata Polańska & Lech Tołwiński ul. Morskie Oko 2, 02-511 Warszawa tel./fax (48 22) 849-11-31, (48 22) 849-18-59 e-mail: [email protected], www.dux.pl Aleksandra Kitka-Coutellier – International Relations kitka@dux Among the numerous religious congregations which made a significant contribution to the development of musical life in the former Republic of Poland, pride of place goes to the Piarists. Originally a teachers’ congregation founded by Saint Joseph Calasanctius (1556-1648) in Rome in 1617, it was approved as a religious order, whose members professed solemn vows (Ordo Clericorum Regularium Pauperum Matris Dei Scholarum -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Youtube's Classical Music Star Valentine Lisitsa Comes To
PRESS RELEASE FOR IMMEDIATE USE YouTube’s classical music star Valentine Lisitsa comes to Edinburgh’s Usher Hall Sunday Classics: Russian Philharmonic of Novosibirsk 3:00pm, Sunday 12 May 2019 Thomas Sanderling - Conductor Valentina Lisitsa - Piano Rimsky-Korsakov - Capriccio espagnol Rachmaninov - Rhapsody on a Theme of Paganini Mussorgsky - Pictures at an Exhibition Images available to download here Powerhouse all-Russian programme including Rachmaninov’s tender take on Paganini YouTube sensation Valentina Lisitsa is nothing less than a modern marvel. A brilliant pianist of the Russian old school who plays with fiery intensity and profound insight, she is also a musical evangelist who has taken classical music to millions through her online videos. Having posted her first video on YouTube in 2007, viewing figures soon exploded and more videos followed. The foundations of a social media-driven career unparalleled in the history of classical music were laid. Her YouTube channel now boasts more than 516,000 subscribers and over 200 million views. No wonder she’s in demand right across the world: her unprecedented global stardom is matched by her breath-taking playing. Lisitsa has long adored the romance and power of Rachmaninov and following her electrifying performance of his Third Piano Concerto at the Usher Hall in 2018, she makes a welcome return with the passionate Rhapsody on a Theme of Paganini. Niccolò Paganini’s famous piece has been adored and interpreted by many a composer, including Brahms, but it’s Rachmaninov’s take on the classic that sees it as its tenderest, and wittiest. He moulds the main theme into musical styles and interpretations previously unheard, and there is no finer pianist to bring this to the Usher Hall than Valentina Lisitsa. -
By Aaron Jay Kernis
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 “A Voice, A Messenger” by Aaron Jay Kernis: A Performer's Guide and Historical Analysis Pagean Marie DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Pagean Marie, "“A Voice, A Messenger” by Aaron Jay Kernis: A Performer's Guide and Historical Analysis" (2016). LSU Doctoral Dissertations. 3434. https://digitalcommons.lsu.edu/gradschool_dissertations/3434 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “A VOICE, A MESSENGER” BY AARON JAY KERNIS: A PERFORMER’S GUIDE AND HISTORICAL ANALYSIS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Pagean Marie DiSalvio B.M., Rowan University, 2011 M.M., Illinois State University, 2013 May 2016 For my husband, Nicholas DiSalvio ii ACKNOWLEDGEMENTS I would like to thank my committee, Dr. Joseph Skillen, Prof. Kristin Sosnowsky, and Dr. Brij Mohan, for their patience and guidance in completing this document. I would especially like to thank Dr. Brian Shaw for keeping me focused in the “present time” for the past three years. Thank you to those who gave me their time and allowed me to interview them for this project: Dr. -
Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello
Monday Evening, December 11, 2017, at 7:30 The Juilliard School presents Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello Bell and Drum: Percussion Music From China GUO WENJING (b. 1956) Parade (2003) SAE HASHIMOTO EVAN SADDLER DAVID YOON ZHOU LONG (b. 1953) Wu Ji (2006) CHRISTOPHER STAKNYS, Piano BENJAMIN CORNOVACA LEO SIMON LEI LIANG (b. 1972) Inkscape (2014) DANIEL PARKER, Piano TYLER CUNNINGHAM JAKE DARNELL OMAR EL-ABIDIN EUIJIN JUNG Intermission The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. CHOU WEN-CHUNG (b. 1923) Echoes From the Gorge (1989) Prelude: Exploring the modes Raindrops on Bamboo Leaves Echoes From the Gorge, Resonant and Free Autumn Pond Clear Moon Shadows in the Ravine Old Tree by the Cold Spring Sonorous Stones Droplets Down the Rocks Drifting Clouds Rolling Pearls Peaks and Cascades Falling Rocks and Flying Spray JOSEPH BRICKER TAYLOR HAMPTON HARRISON HONOR JOHN MARTIN THENELL TAN DUN (b. 1957) Elegy: Snow in June (1991) ZLATOMIR FUNG, Cello OMAR EL-ABIDIN BENJAMIN CORNOVACA TOBY GRACE LEO SIMON Performance time: Approximately 1 hour and 45 minutes, including one intermission Notes on the Program Scored for six Beijing opera gongs laid flat on a table, Parade is an exhilarating work by Jay Goodwin that amazes both with its sheer difficulty to perform and with the incredible array of dif - “In studying non-Western music, one ferent sounds that can be coaxed from must consider the character and tradition what would seem to be a monochromatic of its culture as well as all the inherent selection of instruments. -
Sprawozdanie Z Działalności - Capella Cracoviensis 2016
Sprawozdanie z działalności - Capella Cracoviensis 2016 W 2016 r. Capella Cracoviensis zrealizowała 84 koncerty (74 krajowe, 10 zagranicznych), których wysłuchało 32.768 słuchaczy Realizacje koncerty repertuarowe projekt CCExtreme: Haydn Extreme, Karłowicz Extreme, Bach Extreme, Beethoven Extreme otwarte dla publiczności próby otwarte dla publiczności przesłuchania dla śpiewaków Cykl Salon VIP Tryptyk Musica Sacra koncerty na zamówienie udział w festiwalach zewnętrznych Współorganizacja: Opera Rara Festiwal Bachowski - Świdnica Kromer Festival Festiwal Gorczyckiego Musica Poetica Tarnów Theatrum Musicum Edukacja cykl Matinée - koncerty dla juniorów i seniorów Akademia Bachowska Realizacja nagrań styczeń - Mozart, Lessel, Krommer kwiecień - Karłowicz Serenada lipiec - Porpora Germanico in Germania październik - arie z oper płyty, które ukazały się w 2016 r. : Karłowicz Serenada, Pergolesi Adriano in Siria Współpraca/nowa publiczność Firmy korporacyjne Uniwersytet Dzieci Uniwersytety Trzeciego Wieku Rada Krakowskich Seniorów Krakowskie uczelnie Miejskie Instytucje Kultury Placówki edukacyjne Fundacje Środowiska naukowe, akademickie, parafialne Areszt Śledczy - Kraków Odpowiedzialność społeczna zatrudnienie osoby niepełnosprawnej udział w programie Krakowska Karta Rodzinna 3+ działania na rzecz przeciwdziałania wykluczeniu społecznemu - współpraca z Miejskim Ośrodkiem Pomocy Społecznej, fundacjami działającymi na rzecz Osób Niepełnosprawnych, Uniwersytetem Trzeciego Wieku realizacja projektu społecznego - 2 spektakle przygotowane z udziałem -
Arts Contact Points Between Cultures Kari
312 Publisher Department of Applied Sciences of Education Heikki Ruismäki & Inkeri Ruokonen (Eds.) Faculty of Behavioural Sciences P.O. Box 9 FI-00014 University of Helsinki http://www.helsinki.fi/sokla/english/publications Heikki Ruismäki & Inkeri Ruokonen (Eds.) Arts Contact Points between Cultures : Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Educa- tion Conference: Post-Conference Book ISBN 978-952-10-5764-9 Yliopistopaino Helsinki 2009 Research Report 312 Editorial Board: Reijo Byman Markku Hannula Jarkko Hautamäki Juhani Hytönen (Chairperson) Arto Kallioniemi Leena Krokfors Jari Lavonen Kirsti Lonka Mikko Ojala Jukka Rantala Heikki Ruismäki Sirpa Tani Seppo Tella Mauri Åhlberg Kari Perenius (Secretary) Available from: Department of Applied Sciences of Education P.O. Box 9 (Siltavuorenpenger 20 R) 00014 UNIVERSITY OF HELSINKI Phone + 358 9 191 29603 Fax + 358 9 191 29611 http://www.helsinki.fi/behav/kirjasto/palvelut/ julkaisumyynti/index.htm http://hdl.handle.net/10138/14969 Research Report 312 ISBN 978-952-10-5764-9 (nid) ISBN 978-952-10-5765-6 (pdf) ISSN 1795-2158 Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Education Conference: Post-Conference Book Helsinki 2009 Research Report 312 Heikki Ruismäki & Inkeri Ruokonen (Eds.) Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Education Conference: Post-Conference Book Helsinki 2009 ISBN 978-952-10-5764-9 (nid) ISBN 978-952-10-5765-6 (pdf) ISSN 1795-2158 Yliopistopaino 2009 Arts Contact Points between Cultures Preface The First Intercultural Conference in Arts and Skills Education was held on October 30, 2008 at the University of Helsinki. -
Page 1 SOOME-UGRI HARIDUSKONGRESSI Suomalais
SOOltlE-OJGltl HARIDUSKONGRESSI Suomalaisü ^ JSL II. finn«< u^vílaíien II IIYMH V U sfc o •» tanügyi M^»l««»l^«»«ll^M^»» JJ kon^vesiius T4LLINNV IV. HIVl 1924. ^SOOME-UGRI II. HARIDUSKONGRESSI KAVA. SUOMALAIS-UGRILAISEN A II. FINN-UGOR II. SIVISTYSKOKOUKSEN TANÜGYI KONGRESSZUS OHJELMA. ! PROGRAMMJA. ENSV Raamatukogu A, \ \ 2J$Q \09\\^ TALLINN, 19.—21. VI. 1924. Tallinna Eesti Kirjastus-Ühisuse trükikoda. Pikk tan. 2. Kolmapäev 18. juuni. Keskiviikkona 18 p:nä kesäk. Június 18-án, szerdán. I. „ESTONIA" TEATER, KELL 8 ÕHTUL „ESTONIA"-TEATTERI, KLO 8 IP. AZ „ESTONIA'-SZINHAZBAN, ESTE 8 ÓRAKOR „NEETUD TALU" — „KIROTTU TALO" „AZ ÁTKOZOTT TANYA" A. Kitsberg'i komöödia neljas vaatuses. A. Kitsberg'in huvinäytelmä neljässä näytöksessä. Vígjáték 4 felvonásban, irta: A. Kitsberg. Dekoratsioonid: Näitejuht: 1 Dekeraattori: [ Albert Vahtram. Ohjaaja: Hanno Kompus. A diszletet készíti:! Rendezi: TEGELASED — ESIINTYJÄT — SZEMÉLYEK: Pähni Jaak Jassik Pannin „ „ Eduard Kurnini. Pähnid-i _ (gazda) • • Selle lapsed: Heinrich • Hans Lauter. Hänen lapsensa: Julius • • Kristjan Hansen. Gyermekei: Urve • • • Hilda Hellas. Virve • • • Marta Niilus. Anne, perenaise asemel Pahn il • Pannin emännöitsijä • • Ksenja Oja-Martinson. gazdasszony Pähni-tanyan Jüri, sulane sealsamas • • • • talon renki Hugo Laur. cseléd Epp, ümmardaja palvelijatar Susy Jakobson. cselédleány Juku, karjus paimen - Eduard Liiger. pásztor Rajooniülem Poliisimies • • • • Albert Ühsip. Rendörörmester Ääksi-Aadu j Ääksin Aadu I Hans Jogi. Ääksi-i Aadu • j Pääsetähed ä 100; 75 ja 50 marka „Estonia" kassas. Pääsylippuja á 100.—, 75.— ja 50.— saatavana „Estonian" kassasta. 3 II. „ESTONIA" VALGE SAAL, KELL 9 ÕHTUL „ESTONIAN" VALKEASSA SALISSA, KLO 9 IP. AZ „ESTONIA" FEHÉR TEREMBEN, ESTE 9 ÓRAKOR KONGRESSI KORRALDAVATE EESTI, SOOME JA UNGARI TOIMKONDADE JA KÕNELEJATE ÜHINE KOOSOLEK. -
Steinway Society 17-18 Program
PROGRAM Piano Concerts January 2018–May 2018 Steinway Society The Bay Area Seong-Jin Cho ATOS Trio Yeol Eum Son Gabriela Martinez Anna Fedorova Music You Love. Artists You’ll Cherish. www.steinwaysociety.com Kenny Broberg Steinway Society - The Bay Area Letter from the President Depends Upon Your Support Dear Patron, Steinway Society – The Bay Area is led by volunteers who love piano and In his book, What Makes It Great: Short Masterpieces, classical music, and we are always looking for like-minded people. Here Great Composers, conductor Rob Kapilow asks what are a few ways you can help bring international concert pianists, in- makes a piece of classical music great. His answer: school educational experiences, master classes, and student performance memorable melody, rich harmonies, addictive opportunities to our community. rhythm, influence on other composers, and the work’s role in one’s life. Buy a Season or Series-4 Subscription Your subscription provides extended support while giving you the gift of Steinway Society is honored to present great music, works created beautiful music. over the centuries, performed by international artists who grace these works with sublime interpretation and dramatic virtuosity. Become a Donor Ticket sales cover only about 60% of our costs. Your gifts are crucial for Our season’s second half features six artists judged “best” by everything we do, and are greatly appreciated. Please consider a legacy prestigious international competitions, by key critics and by gift such as a recital series in your name that will help continue bringing enthusiastic audiences. In January 2018, Cliburn Silver Medalist magnificent classical music to future generations.