DOCSLIB.ORG

Page 1 SOOME-UGRI HARIDUSKONGRESSI Suomalais

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Page 1 SOOME-UGRI HARIDUSKONGRESSI Suomalais SOOltlE-OJGltl HARIDUSKONGRESSI Suomalaisü ^ JSL II. finn«< u^vílaíien II IIYMH V U sfc o •» tanügyi M^»l««»l^«»«ll^M^»» JJ kon^vesiius T4LLINNV IV. HIVl 1924. ^SOOME-UGRI II. HARIDUSKONGRESSI KAVA. SUOMALAIS-UGRILAISEN A II. FINN-UGOR II. SIVISTYSKOKOUKSEN TANÜGYI KONGRESSZUS OHJELMA. ! PROGRAMMJA. ENSV Raamatukogu A, \ \ 2J$Q \09\\^ TALLINN, 19.—21. VI. 1924. Tallinna Eesti Kirjastus-Ühisuse trükikoda. Pikk tan. 2. Kolmapäev 18. juuni. Keskiviikkona 18 p:nä kesäk. Június 18-án, szerdán. I. „ESTONIA" TEATER, KELL 8 ÕHTUL „ESTONIA"-TEATTERI, KLO 8 IP. AZ „ESTONIA'-SZINHAZBAN, ESTE 8 ÓRAKOR „NEETUD TALU" — „KIROTTU TALO" „AZ ÁTKOZOTT TANYA" A. Kitsberg'i komöödia neljas vaatuses. A. Kitsberg'in huvinäytelmä neljässä näytöksessä. Vígjáték 4 felvonásban, irta: A. Kitsberg. Dekoratsioonid: Näitejuht: 1 Dekeraattori: [ Albert Vahtram. Ohjaaja: Hanno Kompus. A diszletet készíti:! Rendezi: TEGELASED — ESIINTYJÄT — SZEMÉLYEK: Pähni Jaak Jassik Pannin „ „ Eduard Kurnini. Pähnid-i _ (gazda) • • Selle lapsed: Heinrich • Hans Lauter. Hänen lapsensa: Julius • • Kristjan Hansen. Gyermekei: Urve • • • Hilda Hellas. Virve • • • Marta Niilus. Anne, perenaise asemel Pahn il • Pannin emännöitsijä • • Ksenja Oja-Martinson. gazdasszony Pähni-tanyan Jüri, sulane sealsamas • • • • talon renki Hugo Laur. cseléd Epp, ümmardaja palvelijatar Susy Jakobson. cselédleány Juku, karjus paimen - Eduard Liiger. pásztor Rajooniülem Poliisimies • • • • Albert Ühsip. Rendörörmester Ääksi-Aadu j Ääksin Aadu I Hans Jogi. Ääksi-i Aadu • j Pääsetähed ä 100; 75 ja 50 marka „Estonia" kassas. Pääsylippuja á 100.—, 75.— ja 50.— saatavana „Estonian" kassasta. 3 II. „ESTONIA" VALGE SAAL, KELL 9 ÕHTUL „ESTONIAN" VALKEASSA SALISSA, KLO 9 IP. AZ „ESTONIA" FEHÉR TEREMBEN, ESTE 9 ÓRAKOR KONGRESSI KORRALDAVATE EESTI, SOOME JA UNGARI TOIMKONDADE JA KÕNELEJATE ÜHINE KOOSOLEK. KONGRESSIA JÄRJESTÄVIEN VIRON, SUOMEN JA UNKARIN TOIM1KUNTAIN JA PUHUJAIN YHTEINEN KOKOUS. A KONGRESSZUS ÉSZT, FINN ÉS MAGYAR ELŐKÉSZÍTŐ BIZOTTSÁGAINAK ÉS ELŐADÓI­ NAK KÖZÖS ÉRTEKEZLETE. Neljapäev, 19. juuni. Torstaina, 19 p:nä kesäkuuta. Június 19-én, csütörtkön. I. ,EST0N1A" KONTSERTSAAL, KELL 10 HOMMIKUL „ESTONIAN" KONSERTTISALISSA, KLO 10 AP. AZ „ESTONIA" SZÍNHÁZBAN, D. E. 10 ÓRAKOR AVA MIS AKTUS. AVAJAISJUHLA. MEGNYITÓ ÜNNEPÉLY. 1. „VAINOLA LAPSED": laulavad osavõtjad, orelil Peeter Laja. ,VÄINÖLÄN LAPSET" osanottajat ja urut (Peeter Laja). „VÄINOLE GYERMEKEI" énekli a közönség, Peeter Laja orgo­ najátékával. 2. AVAMISKÕNE: Eesti toimkonna juhataja G. Öltik. AVAJAISPUHE: Viron toimikunnan johtaja G. Ollik. A MEGNYITÓBESZÉDET: tartja G. Ollik az észt bizottság elnöke. 3. KÕNED: a) Soome toimkonna juhatajaid. Pesonen. PUHEITA: Suomen toimikunnan johtaja M. Pesonen. BESZÉD: tartja M. Pesonen, a finn bizottság elnöke. b) Ungari toimkonna juhataja A. Bán. Unkarin toimikunnan johtaja A. Bán. tartja Bán Aladár dr. a magyar bizottság elnöke. 4. TERVITUSED: Valitsuste esitajad, teised hõimud ja asutused, TERVENDYKSIÄ: hallituksien edustajat, tõisel heimolai- set ja laitokset. ÜDVÖZLŐ BESZÉDEK: tartják a kormányok, a rokon népek és testületek képviselői. 5. Sünfoonia orkester, juhatab Simfonia-orkesteri, johtaa R Kuli. Szimfónia orkeszter, vezeti 5 a) RAIMUND KULL: Potpourri Eesti viisidest. Potpuri virolaisista sävelmistä. Kompozíció észt melódiákból. b) JEAN S1BELIUS: Finlandia. c) FRANZ LISZT: Szózat ja hümn. d) RUDOLF TOBIAS: Nocturne. e) Rákóczi — marss. 6. RAHVAHÜMNID. KANSALLISLAULUT. NEMZETI HIMNUSZOK. Sünfoonia orkester. Juhatab: Simfonia-orkesteri. Johtaa: R. Kuk. Simfonia-orkeszter. vezeti: 6 II. „ESTONIA" KONTSERTSAAL, KELL 2 P. „ESTONIAN" KONTSERTTISALISSA, KLO 2 P. „ESTONIA" KONCERTTEREMBEM D. U. 2 ÓRAKOR. KÕNED—PUHEITA—ELŐADÁSOK. Kell 2—2.45. 1. KONSTANTIN PÄTS, end. riigivanem: Soome- Ugri kultuurpoliitika üles­ annete kava ja selle teosta­ mine. ent. riigivanem: Suoma- lais-ugrilaisen kulttuuripoli- tiikan tehtävien luonnostelma ja sen toteuttaminen. voit államfő: A finn-ugor kultúrpolitika programmja és ennek megvalósítása. Kell 2.45-3.30. 2. Prof. E. N. SETÄLÄ: Soome-Ugri rahva- ja keele­ teaduse saavutused ja üles­ anded. Suomalais-ugrilaisen kan- sa- ja kielitieteen saavutuk- set ja tehtavat. A finn-ugor néprajzi és nyelvtudományi kutatások eredménye és feladata. Kell 3.30.—4.15. Prof. GYULA KORNIS Humanistlised õpped ja ilmavaade. Humanistiset opit ja maa­ ilm ankatsomukset. Humasztikus tanulmányok és világnézet. Kell 4.30.—5.15. V. M. J. VILJANEN, pääjuhataja: Majanduselu tähtsus kul­ tuuri kandjana, eriti silmas pidades Soome olusid põhja­ maade kultuurpiirkonnes. Talouselämän merkitys kulttuurin kannatajana, eri- koisesti silmällä pitäen Suo- men olo j a pohjoismaisessa kulttuuripiirissä. A gazdasági élet jelentő­ sége a kultúrára nézve főleg Finnországban. Kell 5.15—6. 5. Prpf. STEFAN V. CSEKEY: Teaduslikkude instituutide organiseerimine välismail. Tieteellisten laitosten orga- nisointi ulkomailla. Tudományos intézmények szervezése külföldön. 8 IIL „ESTONIA" KONTSERTSAAL, KELL 9 ÕHTUL. „ESTONIAN" KONSERTTISALISSA, KLO 9 IP. AZ „ESTONIA" KONCERTTEREMBEN, ESTE 9 ÓRAKOR. EESTI HELITÖÖDE KONTSERT. VIRON SÄVELTÖIDEN KONSERTTL ÉSZT KONCERT. KAASTEGEVAD: „Estonia" ooperilaulja 0. Olak-Mikk (sop- raan), „Estonia" ooperilaulja K. Ots (tenor), professor A. Lemba (klaver), J. Vachsmann (tšello), P. Laja (orel), „Tungla" segakoor ja sinfoonia orkester, klaveril: A. Mamontov. JUHATAVAD: Theodor Vettik ja Raimund Kull. ESIINTYVÄT: „Estonian" oopperalaulja O. Olak-Mikk (sop- raano), „Estonian" oopperalaulaja K. Ots (tenori), professori A. Lemba (flyygeli), J. Vachsmann (sello), P. Laja (urut). „Tunglan" sekakuoro ja simfoniaorkesteri. Säestää A. Mamontov. JOHTAVAT: Theodor Vettik ja Raimund Kull SZEREPLŐK: 0. Olak-Mikk, opera énekművésznő (szoprán), K. Ots opera énekművész (tenor), A. Lemba tanár (zongora), J. Vachsmann (cselló), P. Laja (orgona), az „Tungla" vegyes kara és szimfonikus zenekara A. Mamontov. zongorátékával kisérve. KARMESTEREK: Theodor Vettik és Raimund Kuli. A. 1. a) ARTUR KAPP : Pühendan sind looks ia lauluks. Pyhitän sun tarulauluks. Mesévé meg énekké formállak át. b) ALEKSANDER LATTE: Tuksuv süda. Sykkivä sydän. Löktetö sziv. c) RUDOLF TOBIAS: Varas. Varas. Ellopták. d) MART SAAR: Põhjavaim. Pöhjalan haiti a. Az észak szelleme. e) MUNA HERMAN: Meeste laul. Miesten laulu. Férfiak dala. MART SAAR: a) Ennemuiste. Ennen muinoin. Régebben. b) Must lind. Musta lintu. Fekete madár. Laulab: Laulaa: 0. Olak-Mikk. Énekli: Juhatab: Johtaa: R. Kuli Vezeti: ARTUR LEMBA Kontsert klaverile orkestriga. Konsertti flyygelille ja orkesterille. Zongora koncert zenekarral. Mängib professor A. Lemba. Soittaa professori A. Lemba. Előadja A. Lemba tanár. Juhtab: Johtaa: R. Kuli. Vezeti: B. a) ARTUR KAPP: Orelisonaat, I. jagu. Urkusonaatti, I. osa. Orgona-szonát, I. rész. b) PEETER SÜDA: Ave Maria. Mängib: Soitaa: P. Laja. Előadja: 5. a) KONSTANTIN TÜRNPU: All hauas. Alla haudassa. Lent a sirban. b) MIHKEL LÜDIG: Üks pisar. Yksi pisara. Könny. c) MIINA HERMAN: Küll oli ilus. KylF oli kaunis. Oly szép voit. Laulab: . Laulaa: K. Ots. Énekli: Klaveril: Säestää: A. MamontoD. Zongorán kis §ri: 6. HEINO ELLER: Prelüüd tshellole orkestriga. Prelüüdi sellolle ja orkesterille Csello-elöjáték zenekarral. Mängib: Soittaa: A. Vachsmann. Előadja: Juhatab: Johtaa : R. Kull Vezeti: 11 7. a) CYRILLUS KREEK Meie err. Meidän isäntä. Urunk. b) RUDOLF TOBIAS Eks teie tea. Ettekös tiedä. Tudjátok jól. Koor ja orkester. Kuoro ja orkesteri. Ének- és zenekar. Juhatab Johtaa: Theodor Vettik. Vezeti: Pääsetähed a 100, 75 ja 50 marka „Estonia" kassas. Pääsylippua ä 100, 75 ja 50 mrk. saatavana „Estonian" kassasta. 12 Reede 20 juuni. Perjantaina 20 p:nä kesäkuuta. Június 20-an, pénteken. I. „ESTONIA" KONTSERTSAAL, KELL 9 HOM. „ESTONIAN" KONTSERTISALISSA, KLO 9 AP. „ESTONIA" KONCERTTEREMBEN, D. E. 9 ÓRAKOR. KÕNED - PUHEITA - ELŐADÁSOK. Kell 9.-9.45. 1. Koolinõunik MATTI PESONEN: Soome-Ugri rahvaste kultuur- ühtsus* Suomalais-ugrilaisten kansojen kulttuuriyhteys. A finn-ugor népek kulturális közössége. Kell 9.45—10.30. 2. Krahv KUNO KLEBELSBERG: Ungari haridusminister: Ungari keskkoolide reform. Unkarin valistusministeri: Unka- rin oppikoulureformi. A magyar középiskolák reformja. Kell 10.40—11.15. 3. Prof. YRJÖ JAHNSSON: Soome keskkooli küsimus. Oppikoulukysymys Suomessa. A finn középiskolák kérdése. Kell 11.30—12.15. 4. Prof. PEETER PÕLD: Missuguste raskustega on võidelda Eesti kooli uuendusel. Millal sia vaikeuksia on voitetta- vana Viron koulu-uudistuk- sessa. Az észt iskolák alapításának ne­ hézségei. Kell 12.15—1. 5. Dr. JULIUS NÉVELŐS: Rahvaharidus Ungaris. Kansan sivistys Unkarissa. A népoktatás Magyarországon. 13 II. Kell 3 p. Prof. GÉZA JAKO: Loeng Budapesti koolioludest. I. Realkoolis (näituse ruumides). Luento Budapestin kouluoloista. I. Realilukio (näyttelyhuoneessa). Budapest oktatásügyéről. Az I. reál iskolában (kiállítási helyiségben). III. Kell 3 p. Jalutuskäik Kadriorgu. Täll. Eesti Muuseum: juhát, kunstnik K Raud. Kävelymatka Kadriorun puistoon. Museo: ohjaa taiteilija IL Raud. Kirándulás Kadriorg-parkba. Múzeum: vezeti R. Raud, festőművész., IV. Kell 4 p. Eesti, Soome ja Ungari üliõpilaste koosolek. Viron, Suomen ja Unkarin ylioppilaiden kokous. Észt, finn és magyar főiskolai hallgatók gyűlése. V. Kell 4 p. Ingerlaste koosolek. Inkeriläisten kokous. Ingerországiak gyűlése. VI. Soome film. Kino „Rekordis" korraldab Soome-Ugri kongressi Soome toim­ kond „Finlandia"-filmi etenduse reedel, 20. ja laupäeval 21. juunil kell 2V2. 14 VI. „ESTONIA" KONTSERTSAAL, KELL 9 6. „ESTONIAN" KONSERTTISALISSA, KLO 9 IP. „ESTONIA"
Load more

Recommended publications
  • Arts Contact Points Between Cultures Kari
    312 Publisher Department of Applied Sciences of Education Heikki Ruismäki & Inkeri Ruokonen (Eds.) Faculty of Behavioural Sciences P.O. Box 9 FI-00014 University of Helsinki http://www.helsinki.fi/sokla/english/publications Heikki Ruismäki & Inkeri Ruokonen (Eds.) Arts Contact Points between Cultures : Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Educa- tion Conference: Post-Conference Book ISBN 978-952-10-5764-9 Yliopistopaino Helsinki 2009 Research Report 312 Editorial Board: Reijo Byman Markku Hannula Jarkko Hautamäki Juhani Hytönen (Chairperson) Arto Kallioniemi Leena Krokfors Jari Lavonen Kirsti Lonka Mikko Ojala Jukka Rantala Heikki Ruismäki Sirpa Tani Seppo Tella Mauri Åhlberg Kari Perenius (Secretary) Available from: Department of Applied Sciences of Education P.O. Box 9 (Siltavuorenpenger 20 R) 00014 UNIVERSITY OF HELSINKI Phone + 358 9 191 29603 Fax + 358 9 191 29611 http://www.helsinki.fi/behav/kirjasto/palvelut/ julkaisumyynti/index.htm http://hdl.handle.net/10138/14969 Research Report 312 ISBN 978-952-10-5764-9 (nid) ISBN 978-952-10-5765-6 (pdf) ISSN 1795-2158 Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Education Conference: Post-Conference Book Helsinki 2009 Research Report 312 Heikki Ruismäki & Inkeri Ruokonen (Eds.) Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Education Conference: Post-Conference Book Helsinki 2009 ISBN 978-952-10-5764-9 (nid) ISBN 978-952-10-5765-6 (pdf) ISSN 1795-2158 Yliopistopaino 2009 Arts Contact Points between Cultures Preface The First Intercultural Conference in Arts and Skills Education was held on October 30, 2008 at the University of Helsinki.
    [Show full text]
  • Recorded 12–14 March 2012 at the Old Granary Studio, Beccles
    Since winning first prize in the Sixth Estonian National Piano Competition in 2002, Sten Lassmann has been regularly appearing as soloist and chamber musician. Concerts and competitions have brought him all over the world, to play in some of the most prestigious venues, such as the Glenn Gould Studio in Toronto, Purcell Room in London, the Large and Small Halls of the Tchaikovsky Conservatoire in Moscow, the Giuseppe Verdi Conservatoire Concert Hall in Milan and the Forbidden City Concert Hall in Beijing. In 2003 he toured Prokofiev’s Second Concerto, and in 2010 Beethoven’s Fifth, with the Estonian National Symphony Orchestra, and in 2008 gave the Estonian premiere of James Macmillan’s Second Concerto. His solo repertoire includes works from the Baroque to the modern. Since 2008 he has been engaged on a project to make the first-ever recording of the complete piano works of Heino Eller, which was also his PhD project at the Royal Academy of Music in London. He is also a keen chamber musician, with a large repertoire of duo works for violin, cello and clarinet, piano trio and piano photo: Kaupo Kikkas photo: quintet. Sten Lassmann was born in 1982 in Tallinn into a family of musicians. He started his musical education at the Tallinn Central School of Music in 1989, studying piano with Ell Saviauk and Ira Floss, and continued at the Estonian Academy of Music and Theatre (BMus, MMus with Distinction) with Ivari Ilja. He later studied also at the Conservatoire National Supérieur de Musique et de Danse de Paris with Brigitte Engerer and at the Royal Academy of Music in London (MMus, Dip RAM, PhD) with Ian Fountain.
    [Show full text]
  • Ength: Sometimes in but Not Much Is Known About Either
    THE WORLD OF DE ESTONIAN MUSIC CULTU CIVILI ESTONICO VOL IV THE WORLD OF ESTONIAN MUSIC Eesti Instituut Tallinn, 2015 The concert introducing „Arvo Pärt. Adam’s Lament“, the Grammy-winning record, is about to start in half an hour in St John’s Church. The queue meanders across Freedom Square, turns into Harju Street and continues for another few hundred metres. Everybody has a ticket, but they arrived early to get a better seat. Music is worth it! BACKGROUND3 BACKGROUND 5 Estonia is a young state and a young Access to Western music and infor- culture. In the ancient past, Estonians mation was difficult, and many devel- were a peasant nation who had their opments in Estonian music occurred own ancient way of life and culture, on their own strength: sometimes in but not much is known about either. parallel with the West and sometimes We only know about runo songs (regi- separately. Every fragment of infor- laul), which were not sung for quite a mation, book or record that found while but, having done a stint on the its way to Soviet Estonia had a huge archive shelves, they are now enjoy- impact: it was shared by many (often ing a new lease on life. Before the in secret), was discussed and offered 19th century national awakening pe- inspiration. Jaan Viljur with his fife. riod, German-language high culture Soviet music education had a prevailed on the Estonian territory. strong system and professional Estonian music education has standards. The musicians today still been connected with the Russian have a solid technical foundation school for a long time.
    [Show full text]
  • Artur Kapp •Mihkel Lüdig •Artur Lemba
    Artur Kapp • Mihkel Lüdig • Artur Lemba ORCHESTRAL WORKS Triin Ruubel violin Mihkel Poll piano Estonian National Symphony Orchestra Neeme Järvi Artur Kapp Artur Photograph now at the Glinka State Central Museum of Musical Culture, Moscow / AKG Images, London / Sputnik Mihkel Lüdig (1880 – 1958) 1 Overture-Fantasy No. 2 (1945) 8:47 in B minor • in h-Moll • en si mineur Allegro moderato – [Poco più mosso] – Andante – Tempo I – [Poco più mosso] – Andante Artur Lemba (1885 – 1963) Concerto No. 1 (1905, revised 1910)* 21:59 in G major • in G-Dur • en sol majeur for Piano and Orchestra 2 I Allegro moderato – Animato – Maestoso – Vivo – Poco meno mosso – Tranquillo – A tempo [Allegro moderato] – Più mosso – Tempo I – Molto più mosso e animato – Tempo I (Maestoso) – Vivo – Poco meno mosso (Tranquillo) – Tranquillo – Più mosso, ma non troppo 10:26 3 II Andante con espressione – L’istesso tempo – 4:40 4 III [Rondo.] Allegro = 100 – Tranquillo = 88 – = 100 – = 80 – = 100 – Tranquillo = 88 – = 100 – = 120 Accelerando 6:51 3 Mihkel Lüdig 5 Midsummer Night (1910) 6:27 (Jaaniöö) Symphonic Scene Adagio misterioso – Con moto – Allegro – Adagio 6 Overture-Fantasy No. 1 (1906) 6:48 in B minor • in h-Moll • en si mineur Moderato – Andante – Vivace – Andante – Allegro – Tempo I Artur Kapp (1878 – 1952) 7 The Last Confession (1905)† 6:08 (Viimne piht) for Piano and Organ Orchestrated 1990s for Violin and Strings by Charles Coleman (b. 1968) Andantino – Meno mosso 4 Symphony No. 4 ‘Youth Symphony’ (1948) 22:54 (Noortesümfoonia) Dedicated to the All-Union Leninist Young Communist League (Komsomol) on its thirtieth anniversary 8 I Moderato – Allegro – Tempo I 6:02 9 II Andante con variazioni [Tema] – Variazione 1.
    [Show full text]
  • Eesti Muusika- Ja Teatriakadeemia
    Eesti Muusika- ja Teatriakadeemia Marie-Helen Aavakivi Professor Johannes Paulseni viiuliõpilaste repertuaar ja esitusstiil 1930. aastatel Eestis Töö doktorikraadi taotlemiseks Juhendaja: prof Kristel Pappel Tallinn 2019 Abstrakt Uurimistöö „Professor Johannes Paulseni viiuliõpilaste repertuaar ja esitusstiil 1930. aastatel Eestis“ (The repertoire and performance style of professor Johannes Paulsen’s violin students in the 1930s Estonia) on osa loomingulis-uurimuslikust doktoriprojektist, mille juurde kuulub ka käesoleva töö autori loominguline tegevus samal perioodil kirjutatud Eesti heliloojate teoste interpreteerimisel. Eesti viiulikoolkonna rajamisel 1920. ja 1930. aastatel oli arvestatav panus professor Johannes Paulsenil (1879–1945), kes õpetas Tallinna konservatooriumis 1919–1939. Tema õpilaste hulka kuulusid teiste seas Vladimir Alumäe, Zelia Aumere-Uhke, Carmen Prii-Berendsen, Hubert Aumere ja Evi Liivak. Paulseni silmapaistvamad õpilased osalesid 1930. aastatel ka rahvusvahelistel viiulikonkurssidel: 1932. aastal Viinis, 1935. aastal Varssavis ja 1937. aastal Brüsselis. Töös uuritakse, milline oli Paulseni õpilaste repertuaar ajavahemikus 1930‒1940 ning mis iseloomustas nende mängustiili. Peamised allikad on säilinud helisalvestised, kontserdikavad ja kontserdiarvustused, mida analüüsitakse ning selle põhjal tehakse laiemaid järeldusi ja üldistusi. Töö eesmärk on näidata Eesti viiulimängukoolkonna kujunemist seoses rahvusvahelise taustaga. 2 Sisukord Abstrakt ..................................................................................................................................................................
    [Show full text]
  • SCANDINAVIAN, FINNISH and BALTIC CONCERTOS from the 19Th Century to the Present a Discography of Cds and Lps Prepared by Michael
    SCANDINAVIAN, FINNISH AND BALTIC CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Composers I-P JĀNIS IVANOVS (1906-1983, LATVIA) Born in Riga. He studied conducting with Georg Schnéevoigt and composition with Jazeps Vitols at the Latvian Conservatory. He taught composition and orchestration at his former school (now known as the Latvian Academy of Music). In addition, he worked as a sound engineer for Latvian Radio and later became its artistic director. As a composer, his output centers around orchestral music, including 20 Symphonies, but he has also written chamber music, piano pieces, songs and film scores. Piano Concerto in G minor (1959) Konstantin Blumenthal (piano)/Edgars Tons/Latvian Radio Symphony Orchestra MELODIYA D7267-8 (LP) (1960) Nikolai Federovskis (piano)/Centis Kriķis//Latvian Radio Symphony Orchestra ( + 3 Sketches for Piano) MELODIYA SM 02743-4 (LP) (1971) Igor Zhukov (piano)/Vassily Sinaisky/Latvian National Television and Radio) Symphony Orchestra ( + Symphonies Nos. 14 and 20) LMIC 035 (2013) (original LP release: MELODIYA S10-11829-30) (1980) Violin Concerto in E minor (1951) Juris Svolkovskis (violin)/Edgars Tons/Latvian Radio Symphony Orchestra ( + Cello Concerto and Andante) MELODIYA 33S 01475-6) LP) (1967) Valdis Zarins (violin)Vassily Sinaisky/Latvian National (Television and Radio) Symphony Orchestra (rec. 1976) ( + Sibelius: Violin Concerto and Sallinen: Violin Concerto) CAMPION CAMEO CD 2004 (1997) (original LP release: MELODIYA S10-11829-30) (1980) Cello Concerto in B minor (1938) Ernest Bertovskis (cello)/Edgars Tons/Latvian Radio Symphony Orchestra ( + Cello Concerto and Andante MELODIYA 33S 01475-6) LP) (1967) Ernest Bertovskis(cello)/Leonids Vigners/Latvian Radio Symphony Orchestra ( + Vitols: Latvian Rustic Serenade and Valse Caprice) MusicWeb International Updated: August 2020 Scandinavian, Finnish & Baltic Concertos I-P MELODIYA ND1891-2 (LP) (1954) Mâris Villerušs (cello)/Leonids Vigners/Latvian National Symphony Orchestra (rec.
    [Show full text]
  • ABSTRACTS of PAPERS a Half Century of Baltic Activism in the United States
    The 23rd Conference of the Association for the Advancement of Baltic Studies (AABS) University of Illinois at Chicago, April 26-28, 2012 “The Global Baltics: The Next Twenty Years” ABSTRACTS OF PAPERS (listed in alphabetical order by first author’s last name) Note: Abstracts of Roundtables and Plenaries are listed at the end, beginning on p. 67. A Half Century of Baltic Activism in the United States: JBANC at 50 Karl Altau (JBANC) The Joint Baltic American National Committee, Inc. (JBANC) has represented the Baltic-American communities since its founding in 1961. This has included working actively for 30 years to ensure the restoration of independence for Estonia, Latvia, and Lithuania by 1991, and campaigning for a decade to help the three Baltic countries achieve NATO membership in 2004. JBANC’s mission has transitioned since then to encompass new goals, and it remains an influential actor within the foreign policy environment in Washington, DC. But how do we measure success? What are future prospects with demographic changes and the evolving diaspora dynamic? With Baltic independence restored now 20 years ago, is there still a place for common Baltic- American advocacy? Recent JBANC activities and issues have refocused on the human rights dimension – a core issue from earlier days – speaking out for political prisoners in Belarus, and condemning political murders in the Russian Federation. In addition, with the NATO Summit coming up in Chicago in May 2012, there is much focus on transatlantic relations, and on keeping the United States actively engaged with the Baltic countries. To achieve its aims, JBANC not only combines the cooperative efforts and support of the Baltic-American community and organizations, but works actively in coalitions and with a number of other partners.
    [Show full text]
  • Heli Ernits Jaan Tamme Nimeline Puhkpillikvintett: Esitusstiili Analüüs
    Eesti Muusika- ja Teatriakadeemia Heli Ernits Jaan Tamme nimeline puhkpillikvintett: esitusstiili analüüs salvestiste põhjal Töö doktorikraadi taotlemiseks Juhendaja: prof Urve Lippus prof Toomas Siitan Tallinn 2016 Abstrakt Uurimistöö „Jaan Tamme nimeline puhkpillikvintett: esitusstiili analüüs salvestiste põhjal“ (The Jaan Tamm Woodwind Quintet: a recording-based analysis of their performance style) eesmärgiks on salvestiste põhjal iseloomustada 1942–1992 tegutsenud eesti kammer- muusikaansambli Jaan Tamme nimelise puhkpillikvinteti esitusstiili ning tuua välja selle olulisemad jooned. Peamiseks uurimisprobleemiks on mängu iseloomulike joonte ning nendes aastakümnete jooksul toimunud muutuste määratlemine, mida käsitletakse muusika esituskunstis toimunud üldiste muutuste kontekstis. Uurimistöö on osa loomingulis- uurimuslikust doktoriprojektist, mis hõlmab ka autori loomingulist tegevust puhkpilli- kammermuusika interpreteerimisel. Töö aluseks on Jaan Tamme nimelise puhkpillikvinteti 28 salvestist aastatest 1958– 1987 Eesti Rahvusringhäälingu arhiivis. Töö esimeses etapis on uurimine põhinenud kultuuri- ja kirjandusteadlaste poolt kasutataval „tiheda kirjelduse“ meetodil, toetudes Clifford Geertzi artiklile „Tihe kirjeldus: tõlgendava kultuuriteooria poole“ (2007). Uurimise teises etapis on Jaan Tamme nimelise puhkpillikvinteti salvestisi kuuest erinevast muusikateosest võrreldud samade teoste esitustega teiste ansamblite poolt. Detailses töös salvestistega on põhimeetodina kasutatud võrdlevat analüüsi. Kahe etapi uurimistulemused on
    [Show full text]
  • FINNISH and BALTIC SYMPHONIES from the 19Th Century to the Present
    FINNISH AND BALTIC SYMPHONIES From The 19th Century To The Present A Discography of CDs & LPs Prepared by Michael Herman KALEVI AHO (b. 1949) FINLAND Born in Forssa. He studied composition at the Sibelius Academy under Einojuhani Rautavaara. He continued his studies in Berlin with Boris Blacher. He has taught music theory at the University of Helsinki and had a professorship at the Sibelius Academy and has also written articles on musical subjects. He has composed operas as well as a large body of works for orchestra and chamber groups. His unrecorded Symphonies are No. 6 (1979-80) and Chamber Symphonies Nos. 1 for 20 Strings (1976) and 2 for 20 strings (1995-6). He has also written more than a dozen Concertos for various instruments. Symphony No. 1 (1969) Osmo Vänskä/Lahti Symphony Orchestra ( + Violin Concerto and Silence) BIS CD-396 (1994) Symphony No. 2 for String Orchestra (1970, rev. 1995) Osmo Vänskä/Lahti Symphony Orchestra ( + Symphony No. 7) BIS CD-936 (1998) Symphony No. 3 for Violin and Orchestra (Sinfonia Concertante No. 1) (1971-3) Osmo Vänskä/Jaakko Kuusisto (violin)/Lahti Symphony Orchestra ( + Mussorgsky/Aho: Songs and Dances of Death) BIS CD-1186 (2003) Symphony No. 4 (1972-3) Paavo Rautio/Tampere Philharmonic Orchestra FINNLEVY SFX 44 (LP) (1977) Osmo Vänskä/Lahti Symphony Orchestra ( + Chinese Songs) BIS CD-1066 (2000) Symphony No. 5 (1975-6) Max Pommer/Leipzig Radio Orchestra ( + Symphony No. 7) ONDINE ODE 765 (1991) Symphony No. 7 "Insect Symphony" (1988) Max Pommer/Leipzig Radio Orchestra ( + Symphony No. 5) MusicWeb International Last update: August 2020 Finnish & Baltic Symphonies ONDINE ODE 765 (1991) Osmo Vänskä/Lahti Symphony Orchestra ( + Symphony No.
    [Show full text]
  • One-Movement Form in the Chamber Music of Heino Eller, Eduard Tubin, and Eduard Oja Aare Tool
    One-Movement Form in the Chamber Music of Heino Eller, Eduard Tubin, and Eduard Oja Aare Tool In the present article, three chamber works writ- Eller in 1920 as a student of Vasily Kalafati, a for- ten in the 1920s and 1930s will be analysed: Heino mer pupil of Rimsky-Korsakov. Eller’s (1887–1970) First String Quartet (1925), Ed- Naturally, in comparing the “Tartu” and the uard Tubin’s (1905–1982) Piano Quartet (1930), “Tallinn” schools, some caution is due because and Eduard Oja’s (1905–1950) Piano Quintet the compositional practices within each are di- (1935). In the fi rst part of the article, I will explain, verse enough to evade any attempt of making drawing on historical evidence, why these works simple generalisations. In the critical reception can be considered as signifi cant for their formal of the “Tartu” school, modernist tendencies have design in the Estonian context. In the second generally been emphasised, whereas the “Tallinn” part, a comparative analysis of the works will be school has been associated with the more mod- presented, the goal of which is to demonstrate erate trends, prevalent in the Estonian musical the multitude of compositional options available scene of that time. During the 1920s, Eller built his within the boundaries of “one-movement form.” reputation of being the leading Estonian modern- ist – a label that in the second half of the 1930s was claimed by Eduard Tubin, especially with his 1. One-Movement Form and the “Tartu” School Second Symphony (Legendary). Although the of Composers terms “modernist” and “impressionist” – another There has been a long tradition of distinguishing adjective widely applied to Eller by his contem- two schools of composers in Estonia.
    [Show full text]
  • Our Famous Musicians
    Different Cultures, Similar People „Unity in Diversity“ OUR FAMOUS MUSICIANS Project meeting, Kosice, Slovakia, 12 – 16 December 2011 Partner schools Uhisgumnaasium Kohtla-Jarve, Estonia http://www.kjug.edu.ee LTP- LPP CAUCADIS, VITROLLES, France www.lycee-caucadis.com Gymnasium Kenzingen, Kenzingen, Germany www.gymkenz.de General Lyceum of Velestino, Velestino, Greece I. Bela Gimnazium, Informatikai Szakközepiskola, Kollegium, Altalanos Iskola es Ovoda, Szekszárd, Hungary www.ibela.hu Liceo Scientifico Statele "Galilei", Bitonto, Italy www.lsgalilei.it III Liceum Ogolnoksztalcace im. Boleslawa Prusa, Sosnewiec, Poland www.prus.sosnowiec.pl Stredna zdravotnicka skola, Kosice, Slovakia www.szske.sk San Viator, Sopuerta, Spain www.sanviator.com Istanbul Ataturk Anadolu Lisesi, Istanbul, Turkey www.istanbulataturklisesi.k12.tr Musicians of Estonia FAMOUS ESTONIAN MUSICIANS People of Estonia love music. Every five years, in Tallinn, there is a cultural event- “the Song Festival”. It is the Estonian Song and Dance Celebration which involves people from all over Estonia as well as other countries. 905 choirs and 26, 430 singers and musicians performed in Song Celebration and XVIII Dance Celebration with the theme "To Breathe as One." There are several yearly music festivals of Estonia. `Days of Estonian Music` is the festival of the Estonian music. It is a tradition which came into being in 1979. It is the biggest local event and an opportunity for the majority of composers to present their new ideas and compositions. 1 Musicians of Estonia
    [Show full text]
  • A Major Update
    National Discographies January-August 2020 Updates Here are listed all the new entries I’ve compiled since the discographies were all updated at the beginning of the year. Despite many rumors of slowdowns of new issues, it has been a very fruitful year thus far, with many new works and composers listed for the first time. The more standard repertoire has been enhanced as well by my deeper digging into the Japanese labels that issue a plethora of CDs that are never easily obtainable outside of Japan. Completely updated national discographies will appear shortly on MusicWeb International. Mike Herman – August 2020 AMERICAN SYMPHONIES ELIZABETH AUSTIN "Wilderness" (Symphony No. 1) for Two Reciters and Orchestra (1987) Symon Kawalla/Melinda Liebermann and Anthony King (reciters)/Polish Radio and TV Symphony Orchestra ( + R. Brooks : Seascape: Overture to Moby Dick, Landscape...with grace and Angeli: Sta Pestá) CAPSTONE CPS 8634 (1997) ( + Symphony No. 2, An American Triptych and 5 Puzzle Preludes) NAVONA RECORDS NV6304 (2020) “Lighthouse” (Symphony No. 2) Joel Eric Suben/Moravian Philharmonic Orchestra ( + Symphony No. 1, An American Triptych and 5 Puzzle Preludes) NAVONA RECORDS NV6304 (2020) LEONARD BERNSTEIN Symphony No. 1 Christian Lindberg/Anna Larsson (mezzo)/Arctic Philharmonic ( + Symphony No. 2) BIS CD-2298 (2020) Symphony No. 2 Serge Koussevitzky/Leonard Bernstein (piano)/Boston Symphony Orchestra (rec. 1949) ( + Shostakovich: Symphony No. 9 and Hanson: Serenade for Flute, Harp and Strings) PRISTINE AUDIO PASC573 (2020) Christian Lindberg/ Roland Pöntinen (piano)/Arctic Philharmonic ( + Symphony No. 1) BIS CD-2298 (2020) WILLIAM LEVI DAWSON MusicWeb International August 2020 National Discographies: 2020 Update Negro Folk Symphony (1934) Arthur Fagan/Vienna Radio Symphony Orchestra ( + U.
    [Show full text]