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Xvii Suure-Jaani Muusikafestival 17.–23
SUURE-JAANI VALD Heliloojatele Kappidele pühendatud XVII SUURE-JAANI MUUSIKAFESTIVAL 17.–23. juuni 2014 Kunstiline juht prof Andres Uibo Head muusikasõbrad! Suure-Jaani muusikafestival toimub tänavu juba XVIII korda ja mitte ilma- asjata. Juba esimesest korrast, mil tuldi kokku tähistamaks ja austamaks heliloojate Kappide suuri juubeleid ja elutööd, teadsid nii korraldajad kui ka osalejad, et sündinud on midagi olulist. Sündmus, mis igal aastal toob kohale tuhandeid muusikaarmastajaid, kelle hinged leiavad siin kosutust, on oma terviklikkuses ning muusikute ja kuulajate vahel tekkiva sünergia poolest tõeliselt lummav. Eriti tänuväärseks pean asjaolu, et Suure-Jaani muusikafestival pakub külastajaile lisaks kontserdielamustele ka põnevaid kontserdikohti, tutvustab meie kultuurilugu, imelist loodust ning ainukordseid paiku siin Eestimaa südames. Elamused sünnivad kõigi meelte koostöös – kujutlege end näiteks Olustvere leivakotta, kus kaunist muusikat täiendab ninna- tungiv värske leiva hõng; või Hüpassaare rabasaarele, kus kõik osalejad tunnevad üheskoos, et just nii peaksidki inimene, loodus ja muusika koos olema ja elama. Soovin kõigile eredaid, meeldejäävaid elamusi Suure- Jaanis, lugude, looduse ja laulude keskel! Laine Randjärv Riigikogu aseesimees Head Suure-Jaani vaimulikul laulupäeval osalejad! Pidada Suure-Jaani muusikafestivali raames vaimulikku laulupäeva on väga asjakohane ja tänuväärne. On ju Suure-Jaaniga seotud nimekad heliloojad ja nende looming väga tihedalt seotud kirikuga. Tänavu, kui möödub sada aastat professor Hugo Lepnurme sünnist, ei saa jätta märkimata, et temagi võttis osa enamikust nõukogude ajal Suure-Jaanis korraldatud kiriklikest muusikaüritustest ja vaimulikest laulupäevadest. Mäletan kaunist juuni- hommikut, kui ta eaka mehena ette teatamata Olustvere raudteejaamast Suure-Jaani kirikuni jalutas – et looduse ilu nautida, nagu ta ise sõnas. Tõepoolest – siinsed kaunid paigad, auväärne muusikakultuur ja kirgas pühakoda tiivustavad, täidavad südamed tänu ja rõõmuga, panevad hingekeeled helisema ja kannavad mõtted jumalikesse kõrgustesse. -
Measuring Individual Identity: Experimental Evidence
Measuring Individual Identity: Experimental Evidence Alexander Kuo Center for Advanced Study in the Social Sciences Juan March Institute [email protected] Yotam Margalit Department of Political Science Columbia University [email protected] Abstract What determines the identity category people feel they most belong to? What is the political significance of one’s proclaimed identity? Recent research addresses this question using surveys that explicitly ask individuals about their identity. Yet little is known about the nature of the attachments conveyed in responses to identity questions. We conduct a set of studies and experiments that investigate these reported attachments. Our findings suggest that: (1) the purported identity captured in survey responses varies significantly within subjects over time; (2) changes in people’s primary identity can be highly influenced by situational triggers; (3) changes in purported self-identity do not imply a corresponding change in policy preferences. Our results are drawn from three studies that vary in terms of design, country sample, and research instrument. The findings have implications for research on identity choice, as well as on the use of surveys in studying the role of identity in comparative politics. 1 ―We have spoken to many people in this country [X] and they have all described themselves in different ways. Some people describe themselves in terms of their language, religion, race, and others describe themselves in economic terms, such as working class, middle class, or a farmer. Besides being [a citizen of X], which specific group do you feel you belong to first and foremost?‖ [Afrobarometer Surveys, 1999-2002] Introduction What determines the identity category people feel they belong to? What is the political significance of one’s proclaimed identity? The answers to these questions are important for understanding phenomena such as policy preferences, social cleavages, and perhaps even political conflict. -
Premio Corso Salani 2015
il principale appuntamento italiano con il cinema dell’Europa centro orientale un progetto di Alpe Adria Cinema Alpe Adria Cinema 26a edizione piazza Duca degli Abruzzi 3 sala Tripcovich / teatro Miela 34132 Trieste / Italia 16-22 gennaio 2015 tel. +39 040 34 76 076 fax +39 040 66 23 38 [email protected] con il patrocinio di www.triesteflmfestival.it Comune di Trieste twitter.com/TriesteFilmFest Direzione Generale per il Cinema – facebook.com/TriesteFilmFest Ministero dei Beni e delle Attività Culturali e del Turismo con il contributo di Regione Autonoma Friuli Venezia Giulia Creative Europe – MEDIA Programme CEI – Central European Initiative Provincia di Trieste Comune di Trieste Direzione Generale per il Cinema – Ministero dei Beni e delle Attività Culturali e del Turismo CCIAA – Camera di Commercio di Trieste con il sostegno di Lux Film Prize Istituto Polacco – Roma con la collaborazione di Fondazione Teatro Lirico Giuseppe Verdi – Trieste Fondo Audiovisivo FVG Associazione Casa del Cinema di Trieste La Cappella Underground FVG Film Commission Eye on Films Associazione Culturale Mattador Associazione Corso Salani Centro Ceco di Milano media partner mymovies.it media coverage by Sky Arte HD direzione artistica promozione, coordinamento volontari biglietteria Annamaria Percavassi e direzione di sala Rossella Mestroni, Alessandra Lama Fabrizio Grosoli Patrizia Pepi Gioffrè desk accrediti presidente comunicazione, progetto grafco Ambra De Nobili organizzazione generale immagine coordinata e allestimenti Cristina Sain Claimax -immagina.organizza.comunica- -
TEISED JÄRVI D Festival Mart Saar 12 О
Nr 6 september 2002 уШ lUl 4? 29 krooni ЩУ Wr PAAVO JA TEISED JÄRVI D Festival Mart Saar 12 О 8. septembrist 2. oktoobrini Hüpassaares, Tallinnas ja Taruis P 8. september Kooride laulupäev Hüpassaares L 28. september 19.OO Galakontsert Vanemuise II.OO Saabumine, proovid, rabaretked kontserdimajas 13.OO Klaverimuusika kontsert Mart Esinevad Eesti Filharmoonia Kammerkoor, RAM, Saare majamuuseumis Eesti Koorijuhtide Naiskoor, TU Akadeemiline 14.OO Laulupeo kontsert, sõnavõtud Naiskoor, Tartu Akadeemiline Meeskoor I7-00 Kooride kontsert Suure-Jaani kirikus 18.ОО Koorikontsert Tallinna Mustpeade Majas. E 9. september EMA kammersaalis Esinevad poistekoor Kalev, kammermeeskoor Revalia, II.OO Mart Saare päevade avamine tütarlastekoor Ellerhein 18.ОО Kontsert L 14 • september 17.OO Mart Saare laulude õhtu P 29- september Koorikontsert Tallinna Mustpeade Majas Kadrioru lossis Kavas Mart Saare tsükkel "34 eesti rahvalaulu naiskoorile" E 16. september 16.ОО Mart Saare mälestusõhtu Esinevad Eesti Koorijuhtide Naiskoor, Teaduste Teatri- ja Muusikamuuseumis Akadeemia Naiskoor, TTÜ vilistlaste naiskoor K. l8. september 18.ОО Klaverimuusika kontsert EMA К 2. oktoober 19.OO Galakontsert Estonia kammersaalis kontserdisaalis Esinevad EMA üliõpilased Esinevad RAM, ETV tütarlastekoor, Eesti Koorijuhtide Naiskoor, Estonia Seltsi Segakoor, TTÜ T 27- september 17.OO Õpilaskontsert Tallinna Georg Õtsa Kammerkoor, TTÜ Akadeemiline Meeskoor, Tallinna nimelise Muusikakooli saalis Kammerkoor, Tallinna Kammerkoori vilistlaskoor, Esinevad Tallinna Muusikakeskkooli, Tallinna Georg EKE Inseneride Meeskoor Õtsa nimelise Muusikakooli ja Nõmme Muusikakooli õpilased Info tel 644 18 49' e-post: [email protected] INTRO 6/2002 Tuhande Järvi maa. Muusika kuuendas numbris on juttu KAVA Järvide dünastia tuntumatest esindajadest: isa Neemest, poe SOOLO gadest Paavost ja Kristjanist, tütar Maarikast. Kõiki neid võis 2 Pärast kontserti seitsmendas taevas: sel suvel Eestis näha ja kuulda. -
Jazz Concert
Artist Series Fan Li and Friends Voice Recital Wednesday, April 3, 2019 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents Artist Series Fan Li and Friends Voice Recital Wednesday, April 3, 2019 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM “Allegro and Andante” ...................................................................................................................... Gareth Farr (b. 1968) from Taheke for flute and harp Jennifer Rhyne, flute ● Catherine Case, harp Madrigals, Book III for soprano, harp, and percussion ............................................................. George Crumb (b. 1929) Fan Li, soprano ● Catherine Case, harp ● Miho Takekawa, percussion Blues for Gilbert ........................................................................................................................ Mark Glentworth (b. 1960) Miho Takekawa, vibraphone ● Matthew Kusche, percussion The Lament of Cai Yan ................................................................................................................. Gregory Youtz (b. 1956) I. In Xiong Nu Country Dreaming of China II. In China Dreaming of Xiong Nu Country Fan Li, soprano ● Meagan Gaskill, flute ● Catherine Case, harp ● Svend Rønning, violin Margaret Thorndill, cello ● Miho Takekawa, percussion ● Matthew Kusche, percussion Gregory Youtz, conductor Texts Madrigals Book III Ⅰ. La noche canta desnuda sobre los puentes de marzo Night sings naked above the bridges of March Ⅱ. Quiero dormir el sueño de las manzanas para aprender un llanto que me limpie de tierra I want to sleep the sleep of apples, to learn a lament that will cleanse me of earth Ⅲ. Nana, niño, nana del caballo grande que no quiso el agua. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
La + Vista En Youtube Amaia Presume Su Nuevo Amor
16/12/2009 20:15 Cuerpo E Pagina 4 Cyan Magenta Amarillo Negro 4 JUEVES 17 DE DICIEMBRE DE 2009 TÍMPANO TRADICIÓN Y VERDAD Lista En septiembre se publicó la lista de Abba,enelSalóndela nominados para acceder al Salón, de la que se han caído finalmente Donna Summer, los estadounidenses Red Fama del Rock and Roll Hot Chili Peppers y Kiss, así como Darlene Love, Jimmy Cliff, Laura El grupo sueco te a nuestro negocio”, dijo el como en su gira de reunión en Nyro y LL Cool J. accederá en marzo al presidente de esa entidad, 2007”. Joel Peresman. “Sus álbumes ‘Selling En- Salón de la Fama junto a gland By The Pound’ y ‘The Se unen otros artistas. ÉXITOS Lamb Lies Down On Broad- Los responsables del Salón way’ son dos de los discos más subrayaron de nuevo en su co- aclamados de la historia del Junto al conocido EFE municado la importancia de rock progresivo”, añadió la grupo que formaron Nueva York, EU Abba, “uno de los grupos que entidad, que también anunció Benny Andersson, más han vendido en la histo- quiénes serán los galardona- Björn Ulvaeus, Agnetha El popular grupo sueco Abba ria de la música pop” y res- dos con el premio especial Fältskog y Anni-Frid se sumará el próximo marzo, ponsables de que Suecia esté Ahmet Ertegun, en memoria Lyngstad también se junto a otros artistas, a los “en el mapa mundial del del cofundador de la discográ- incorporarán las grandes de la música que in- rock”, gracias a los éxitos que fica Atlantic Records. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
Tähe-Lee Liiv, Age 15, Began Her Piano Studies at Tallinn High School for Music with Maigi Pakri. from 2013 She Studied At
Tähe-Lee Liiv, age 15, began her piano studies at Tallinn High School for Music with Maigi Pakri. From 2013 she studied at the same school with Marrit Gerretz-Traksmann. Since fall of 2018 she has continued her studies in Finland at the Sibelius Academy, under the tutelage of Hui-Ying Tawaststjerna. In 2017 and 2018 she attended Konstantin Bogino's summer festival master classes in Bergamo. Tähe-Lee has been successful in many competitions. In 2011 she received third prize in the Estonian National Competition for Young Pianists “Ferenc Liszt 200” in Tallinn. In 2012 she won first prize in the Estonian National Competition for Young Pianists in Tartu. In 2014 she was awarded second prize in the competition between students of the Tallinn Music High School “Con Fantasia,” and in the competition “Estonian Sound” she received second prize in 2014 and third prize in 2015. In the international competition “Young Musician 2017” she won third prize and a special prize for interpretation of a piece by Estonian composer Tõnu Kõrvits. In 2018, she was a finalist in the International Frederic Chopin Piano Competition in Narva, won first prize in the International Piano Competition in San Dona di Piave in Italy, and received first prize and a special prize for interpretation of Mart Saar's music in the Mart Saar Competition for Pianists in Estonia (where she was also the youngest participant). She also won second prize in the international competition for pianists in July 2018 in Chioggia, Italy, and second prize in the “Virtuosi per musica” competition in Usti Nad Labem, Czech Republic. -
Estonian National Symphony Orchestra
Estonian National Symphony Orchestra Neeme Järvi Artistic Director and Principal Conductor Garrick Ohlsson / Piano Saturday Evening, February 3, 2018 at 8:00 Hill Auditorium Ann Arbor 57th Performance of the 139th Annual Season 139th Annual Choral Union Series This evening’s performance is supported by Bank of Ann Arbor, Anne and Paul Glendon, and Dody Viola. Media partnership provided by WGTE 91.3 FM, WRCJ 90.9 FM, and Ann Arbor’s 107one. The Steinway piano used in this evening’s concert is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Mr. Ohlsson and the Estonian National Symphony Orchestra appear by arrangement with Opus 3 Artists. The Estonian National Symphony Orchestra’s 2018 US tour is made possible through the support of Estonia’s centenary celebrations. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Heino Eller Five Pieces for String Orchestra (excerpt) Homeland Tune Johannes Brahms Piano Concerto No. 1 in d minor, Op. 15 Maestoso Adagio Rondo: Allegro non troppo Mr. Ohlsson Intermission Eduard Tubin Symphony No. 5 in b minor Allegro energico Andante Allegro assai 3 FIVE PIECES FOR STRING ORCHESTRA (EXCERPT) (1953) Heino Eller Born March 7, 1887 in Tartu, Estonia Died June 16, 1970 in Tallinn, Estonia UMS premiere: This piece has never been performed on a UMS concert. Snapshots of History…In 1953: • U-M alumnus Arthur Miller’s The Crucible opens on Broadway • The first Chevrolet Corvette is built in Flint, Michigan • The Korean War ends Heino Eller “was able to establish totally new standards in small Estonia, thereby laying the cornerstone of professionalism in music.” It was Eller’s most famous former pupil, Arvo Pärt, who praised his teacher (himself a student of Rimsky-Korsakov) in these words. -
Laa Cooinaghtyn Illiam Dhone 2020- Roie
Published by Mec Vannin, The Manx Nationalist Party Earroo / Issue 60 Jerrey Geurree / January 2020 Laa Cooinaghtyn Illiam Dhone 2020 - Roie Raa ‘sy Ghaelg liorish Markys y Kermitt Failt erriu ooilley gys Laa Cooinaghtyn er yn R.U., t'eh orrin goaill rish dy vel Manninee faagail er yn oyr nagh vel Illiam Dhone, sy vlein Daa Housane as drogh staid nyn jeer, er y chooid smoo, ee Mannin nish myr t’ad smooinaghtyn Feed. Yn cliaghtey ain rish ymmodee kyndagh rish drogh reiltys 'syn ellan urree. Ta shin lane dy leih ta jeeaghyn bleintyn, shen goaill toshiaght lesh hene. er Mannin myr aght nyn lyst startaghyn roie-raa mychione y vlein chaaie, as as bea y vishaghey as shen ooilley. As eisht oraid Ghaelgagh as oraid elley Ta'n Kiare as Feed bunnys dyn niart ta Sisyphus rolley e chlagh. 'sy Vaarle. erbee. C'raad ta'n niart firrinagh? Vel eh ayns Coonseil ny Shirveishee? Cha Agh cre aght fodmayd cur lhietrymmys Yn vlein shoh, bee daa oraid scanshoil nel eh. Myr smoo as ny smoo, ta'n niart er y laou shoh? Seign da’n reiltys 'sy Vaarle mychione chyndaays ny politickagh 'syn ellan nish ny lhie eddyr aa-hoie keeshyn dy ve kynjagh son h'emshyr as nyn gurrym rish y Oik Coonseil ny Shirveishee as Oik yn ooilley sleih as co-lughtyn ayns chymbyllaght as myr shen, reih shin Turneyr Theayagh as ta'd bunnys dyn Mannin. Seign da’n reiltys goaill rish jannoo yn roie-raa 'sy Ghaelg as y rick politickagh. nagh jean tooilley sleih jannoo veg er Vaarle neesht. -
Arts Contact Points Between Cultures Kari
312 Publisher Department of Applied Sciences of Education Heikki Ruismäki & Inkeri Ruokonen (Eds.) Faculty of Behavioural Sciences P.O. Box 9 FI-00014 University of Helsinki http://www.helsinki.fi/sokla/english/publications Heikki Ruismäki & Inkeri Ruokonen (Eds.) Arts Contact Points between Cultures : Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Educa- tion Conference: Post-Conference Book ISBN 978-952-10-5764-9 Yliopistopaino Helsinki 2009 Research Report 312 Editorial Board: Reijo Byman Markku Hannula Jarkko Hautamäki Juhani Hytönen (Chairperson) Arto Kallioniemi Leena Krokfors Jari Lavonen Kirsti Lonka Mikko Ojala Jukka Rantala Heikki Ruismäki Sirpa Tani Seppo Tella Mauri Åhlberg Kari Perenius (Secretary) Available from: Department of Applied Sciences of Education P.O. Box 9 (Siltavuorenpenger 20 R) 00014 UNIVERSITY OF HELSINKI Phone + 358 9 191 29603 Fax + 358 9 191 29611 http://www.helsinki.fi/behav/kirjasto/palvelut/ julkaisumyynti/index.htm http://hdl.handle.net/10138/14969 Research Report 312 ISBN 978-952-10-5764-9 (nid) ISBN 978-952-10-5765-6 (pdf) ISSN 1795-2158 Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Education Conference: Post-Conference Book Helsinki 2009 Research Report 312 Heikki Ruismäki & Inkeri Ruokonen (Eds.) Arts Contact Points between Cultures 1st International Journal of Intercultural Arts Education Conference: Post-Conference Book Helsinki 2009 ISBN 978-952-10-5764-9 (nid) ISBN 978-952-10-5765-6 (pdf) ISSN 1795-2158 Yliopistopaino 2009 Arts Contact Points between Cultures Preface The First Intercultural Conference in Arts and Skills Education was held on October 30, 2008 at the University of Helsinki.