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Xvii Suure-Jaani Muusikafestival 17.–23
SUURE-JAANI VALD Heliloojatele Kappidele pühendatud XVII SUURE-JAANI MUUSIKAFESTIVAL 17.–23. juuni 2014 Kunstiline juht prof Andres Uibo Head muusikasõbrad! Suure-Jaani muusikafestival toimub tänavu juba XVIII korda ja mitte ilma- asjata. Juba esimesest korrast, mil tuldi kokku tähistamaks ja austamaks heliloojate Kappide suuri juubeleid ja elutööd, teadsid nii korraldajad kui ka osalejad, et sündinud on midagi olulist. Sündmus, mis igal aastal toob kohale tuhandeid muusikaarmastajaid, kelle hinged leiavad siin kosutust, on oma terviklikkuses ning muusikute ja kuulajate vahel tekkiva sünergia poolest tõeliselt lummav. Eriti tänuväärseks pean asjaolu, et Suure-Jaani muusikafestival pakub külastajaile lisaks kontserdielamustele ka põnevaid kontserdikohti, tutvustab meie kultuurilugu, imelist loodust ning ainukordseid paiku siin Eestimaa südames. Elamused sünnivad kõigi meelte koostöös – kujutlege end näiteks Olustvere leivakotta, kus kaunist muusikat täiendab ninna- tungiv värske leiva hõng; või Hüpassaare rabasaarele, kus kõik osalejad tunnevad üheskoos, et just nii peaksidki inimene, loodus ja muusika koos olema ja elama. Soovin kõigile eredaid, meeldejäävaid elamusi Suure- Jaanis, lugude, looduse ja laulude keskel! Laine Randjärv Riigikogu aseesimees Head Suure-Jaani vaimulikul laulupäeval osalejad! Pidada Suure-Jaani muusikafestivali raames vaimulikku laulupäeva on väga asjakohane ja tänuväärne. On ju Suure-Jaaniga seotud nimekad heliloojad ja nende looming väga tihedalt seotud kirikuga. Tänavu, kui möödub sada aastat professor Hugo Lepnurme sünnist, ei saa jätta märkimata, et temagi võttis osa enamikust nõukogude ajal Suure-Jaanis korraldatud kiriklikest muusikaüritustest ja vaimulikest laulupäevadest. Mäletan kaunist juuni- hommikut, kui ta eaka mehena ette teatamata Olustvere raudteejaamast Suure-Jaani kirikuni jalutas – et looduse ilu nautida, nagu ta ise sõnas. Tõepoolest – siinsed kaunid paigad, auväärne muusikakultuur ja kirgas pühakoda tiivustavad, täidavad südamed tänu ja rõõmuga, panevad hingekeeled helisema ja kannavad mõtted jumalikesse kõrgustesse. -
Vance D. Wolverton Chair Emeritus, Department of Music California
Vance D. Wolverton Chair Emeritus, Department of Music California State University, Fullerton [email protected] MART SAAR ESTONIAN COMPOSER & POET Consolidating the Past, Initiating the Future Vance D. Wolverton art Saar (1882-1963) was one of the most important Estonian Mcomposers of art music, espe- cially choral music, of the late nineteenth to mid-twentieth century. He lived and composed through a period of exponential political changes in Estonia—not altogether unlike the upheaval accompanying the collapse of the Soviet Union in 1990/91—including the fi rst period of independence (1918-1939), the fi rst period of Soviet occupation (1939-1941), the Nazi occupation (1941-1944), and nearly half of the second period of Soviet occupation (1944- 1991). It is common knowledge that the Soviets strongly discouraged participation in religious observations and activities, including the com- position of sacred music. It is also clear that such signifi cant disruptions to the political fabric of the nation were bound to infl uence all aspects of society, including music. Mart Saar lived and composed through these momentous times, and his compositions are refl ective of them. CHORAL JOURNAL Volume 57 Number 5 41 MART SAAR ESTONIAN COMPOSER & POET The Musical and Poetic Voice organist. He also edited the music journal “Muusikaleht.” of a Generation From 1943 to 1956, Saar was a professor of composition Along with his contemporary, Cyrillus Kreek (1889- at the Tallinn Conservatory. 1962), Mart Saar is considered one of the founders of Estonian professional music and its national style, espe- cially in the fi eld of choral music. -
Estonian Song Celebration Movement and Its Leaders: the Story of Tuudur Vettik
TRAMES, 2017, 21(71/66), 1, 79–94 ESTONIAN SONG CELEBRATION MOVEMENT AND ITS LEADERS: THE STORY OF TUUDUR VETTIK Laine Randjärv University of Tartu Abstract. This article focuses on the role and fate of some outstanding and creative intellectuals-choir leaders and composers in the Movement of the Estonian Song Celebra- tions. The position of song celebrations and that of the creative intellectuals – choir leaders in socio-political processes are examined in this research, looking at the years before and after WWII period and the years of Soviet annexation. One of the most remarkable personalities during this period was the conductor, composer and music teacher Tuudur Vettik. The article researches the way of becoming a leader of the popular cultural move- ment and tries to answer a question – did Tuudur Vettik become such kind of a leader of Song Celebrations through his methodological activity or pure charisma. This paper also tries to find out what kind of circumstances helped or obstructed him on this way. The article helps to fill a gap in the research of Estonian post-WWII choral music history, since the cultural policy of the period has been studied mostly from the aspects of literature, theatre and art. Keywords: historical research, Soviet cultural policy, ideological mental violence, intellectual resistance, Song Celebration Movement, Song Festival Ground, Song Celebration leaders, choral music, repertoire, conductor, Tuudur Vettik, Roland Laasmäe, Estonia https://doi.org/10.3176/tr.2017.1.06 1. Introduction The fact that the Song Celebrations form an important part of the Estonian culture, and constitute a pillar of our national identity is obvious to everyone in Estonia. -
Individuaalne Stiil
Eesti Muusika- ja Teatriakadeemia Martti Raide INDIVIDUAALNE STIIL JA AJASTU STIIL EESTI LAULUKLASSIKA INTERPRETATSIOONIS: ARTUR KAPI „METSATEEL“ JA MART SAARE „TA TULI...“ SALVESTISTE PÕHJAL Töö doktorikraadi taotlemiseks Juhendaja: professor Margus Pärtlas Tallinn 2010 Sisukord Abstrakt ................................................................................................................................... 3 Abstract .................................................................................................................................... 4 1. Sissejuhatus ......................................................................................................................... 5 1.1. Aine ja taustsüsteem ...................................................................................................... 8 1.2. Mõisted ja meetod.......................................................................................................... 8 2. Interpretatasioonist: väljenduslik aspekt ja esitusstiil .................................................. 13 3. Eesti lauluklassika salvestised .......................................................................................... 19 4. Salvestiste võrdlev analüüs ............................................................................................... 28 4.1. Artur Kapp – „Metsateel“ ............................................................................................ 28 4.1.1. Artur Kapi vokaalkammermuusika...................................................................... -
Eesti Esimesel Popkooripeol
MUUSIKAAJAKIRI Nr 4 suvi 2012 persoon Dmitri Bertman teeb teravat teatrit Vanemuise kontserdimaja 15 vahvat aastat Olav Ehala vanaisa, kel lastelaulud pagasis Noored Ain Anger ja Ivo Linna laulavad oodi rokivad ooperisaarele Eesti esimesel popkooripeol Uudised Kontserdikava Plaadisoovitused• 1 • Sündmustesuvi galerii 2012 Uus Audi A6 allroad quattro on kohal. Audi A6 allroad 3.0TDI q Aut (180 kW/245 hj); keskmine kütusekulu 6,3 l/100 km; keskmine CO₂ emissioon: 165 g/km. Audi Tallinn Paldiski mnt 100a Telefon: 611 2000 E-mail: [email protected] Audi Kuressaare Tallinna tn 61a Telefon: 453 0100 E-mail: [email protected] Audi Pärnu Tallinna mnt 87e Telefon: 444 7130 E-mail: [email protected] Audi A6 allroad 3.0TDI q Aut (180 kW/245 hj); keskmine kütusekulu 6,3 l/100 km; keskmine CO₂ emissioon: 165 g/km. sisukord Tegus muusikasuvi 23 Rahvusmeeskoori reisisuvi Kui kalendri järgi arvutada, on ilmselt seda- moodi, et kogu suve toimub suuremates ja väiksemates paikades üle Eesti mõni muusikasündmus, mida peab ilmtingimata 8 väisama. Suur rõõm on siinkohal tõdeda, et Eesti Kontsert aitab sellele kõigele ka jõud- sasti kaasa. Näiteks tasub sõita Tartusse, kus suve sisustab festival Klaaspärlimäng, mehiselt kõlab meeste laul sealsetel Põhja- ja Balti- maade meestelaulu päevadel. Noored roki- vad nii et müriseb 30. juunil peetaval suurel Eiki Nestor – popkooripeol ning Tartu Vanemuise kontser- 24 dimaja reklaami võiks samuti jälgida, sest 6 Uut muusikamaailmas melomaani alatihti leiab sealt mõne põneva esineja, kel- muusikaline lega tutvust teha. 8 Las noored rokivad! Või siis minna avastama Ida-Virumaad – Vestlusringis Birgit elu millal te viimati käisite Kohtla-Järvel või Silla- 24 mäel? Piirid on inimeste peas kinni, nendib Õigemeel, Lenna Kuurmaa, sõnaosav Juku-Kalle Raid ja hoiab Ida-Viru- Ott Lepland ja Uku Suviste maal peetavale festivalile „Seitsme linna 26 Suure-Jaani suvemuusika muusika“ pöialt. -
Saaremaa Opera Days 2 0
SSaaremaaaaremaa OperaOpera DaysDays 2 0 1 2 TERE TULEMAST ARENSBURG BOUTIQUE WELCOME TO THE OPERA CAFÉ OF HOTEL & SPA OOPERIKOHVIKUSSE ARESBURG BOUTIQUE HOTEL & SPA KURESSAARE LOSSIHOOVIS! KURESSAARE CASTLE YARD! Ooperikohvik ootab Teid taas nautima The Opera café offers You delicious snacks maitsvaid suupisteid ning värskendavaid and drinks as well as excellent service jooke meeldivas atmosfääris. and pleasant atmosphere. Teie mugavamaks teenindamiseks on võimalik For Your comfort, drinks and snacks ette tellida suupisteid ja jooke. can be pre-ordered. Täpsem info ja broneerimine: Further information and pre-ordering: [email protected], tel+372 56352178 [email protected], ph.+372 56352178 Kohvik on avatud: Café is open: Teisipäev 17. juuli 18–24 Tuesday 17 July 18–24 Kolmapäev 18. juuli 14–24 Wednesday 18 July 14–24 Neljapäev 19. juuli 14–24 Thursday 19 July 14–24 Reede 20. juuli 18–24 Friday 20 July 18–24 Laupäev 21. juuli 18–24 Saturday 21 July 18–24 Pühapäev 22. juuli 13–24 Sunday 22 July 13–24 MENÜÜ MENU Suitsusingi quiche Quiche with smoked ham 5,00 € 5,00 € Kanasalat karrikastmega Chicken salad with curry sauce 6,00 € 6,00 € Suitsukana-maisi salatiga täidetud korvike Pastry filled with smoked chicken and corn salad 2,00 € 2,00 € Sibulalaevukesed creme fraiche ja kalamarjaga Onion snack with creme fraiche and caviar 3,00 € 3,00 € Juustuvalik Cheese platter 8,00 € 8,00 € Käsitöötrühvel Hand-made truffle 2,00 € 2,00 € Värsked maasikad Fresh strawberries 3,00 € 3,00 € Saaremaa pirukas Local pastry 2,00 € 2,00 € Saaremaa kook Home baked cake „Saaremaa“ 2,00 € 2,00 € VIP-laud 8 inimesele 190 € VIP table for 8 persons 190 € Ainult ettetellimisel Pre-ordering only Juustuvalik Cheese platter Värsked maasikad Fresh strawberries Suupistevalik Selection of snacks Valik koogikesi ja pirukaid Selection of pastry and cakes Moët & Chandon Brut Imperial 75 cl Moët & Chandon Brut Imperial 75 cl ··········· Saaremaa ooperipäevad 2012 ··········· 16.–22. -
Tallinner Bilder 1 * Pictures from Tallinn 1 * Tallinna Pildid 1 Five Pieces for Piano
Eugen Kapp Tallinner Bilder 1 * Pictures from Tallinn 1 * Tallinna pildid 1 Five pieces for piano ISMN 979-0-2024-2867-2 ___________________________________________________ © by Eres Edition, D-28865 Lilienthal / Bremen www.eres-music.com – [email protected] Pattern pages of music by Eugen Kapp Musik aus Estland Estonian Music Eesti musica * Music from Estonia mit Demo CD Eugen Kapp Tallinner Bilder 1 * Pictures from Tallinn 1 * Tallinna pildid 1 (es gibt ein Heft 2 !) Noten für Klavier Legend of "Pictures from Tallinn“– „Tallinna pildid“ Vol. I (eres 2867) 1. Kadriorg in Springtime (2) Kadriorg kevadel The Narva-Chaussee begins at the Viru Place (Russian market) and soon reaches what was probably the most beautiful and biggest park in Tallinn, the Kadriorg Park. The park and the baroque palace were designed and laid out as a summer residence in the years 1718-1723 on the command of Tsar Peter I and named in honour of Tsar Jekaterinental's wife (Ekaterinenthal or Catherinenthal = in Estonian Kadriorg). Experiencing spring in this baroque area with its buildings and green areas, is a great pleasure, which the Tallinners truly appreciate after a long and dark winter. 2. “Pioneers’ March” (8) “Pioneeride marss” The pieces in these booklets were composed in the years 1948 and 1949, in a time marches often took place. These marches even involved young pioneers. Eugen Kapp is the son of the even more important composer Artur Kapp (1878-1952). According to the Estonians, Artur was more of a good composer whereas his son Eugen rather more of a good communist. -
Analysis of Summa by Arvo Pärt
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Analysis of Summa by Arvo Pärt David Patrick PTRDAV003 A dissertation submitted in partial fulfillment of the requirements for the award of the degree of Master of Music (Composition and Dissertation) Town Faculty of the Humanities University of Cape Town Cape 2011of COMPULSORY DECLARATIONUniversity This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature:_______________________________________________ Date: __________________________ 1 ABSTRACT Analysis of Summa by Arvo Pärt David Patrick This study presents a musical analysis using a process of pitch mapping. Pitch rows are presented graphically to demonstrate the visual design of the music. Description of the process is preceded by a discussion of some of the historical, and philosophical factors that are relevant to the development of Pärt’s tintinnabuli music. The musical and political history of Estonia and some of its other composers are presented as an important resource for understanding Pärt’s music. The use of proportions and formulas in the music is presented as being connected to a long line of similar practice in the fields of music, mathematics, physicsTown and astronomy that has been used in the pursuit of an understanding of the Universe. -
Elmar Arro's View of Contemporary Estonian Music
Elmar Arro’s View of Contemporary Estonian Music Andreas Waczkat Abstract In 1935 Elmar Arro (1899–1985) published an article on “Estonian Contemporary Music”. In his article Arro gives an overview of Estonian composers and their works that is based on his own personal knowledge. Arro’s account also clearly refl ects his basic aesthetic concepts. Urve Lippus’s research into Arro’s posi- tion in the historiography of Estonian music provides the context for my analysis of Arro’s article. It was in 2006 that I was fortunate to make the was interested in Estonian music history at all. acquaintance of Urve Lippus during a conference Nevertheless, Arro focused his research on top- in Greifswald. This conference had as its theme ics related to Eastern European music cultures. He Music and University in the Baltic Sea Region. Urve was active in founding the Ost-Europa-Institut in Lippus’s contribution was about the letter of El- Heidelberg, later taking this institute with him to mar Arro (1899–1985) to Karl Leichter (1902–1987), Kiel when he moved there,3 as well as in publish- written in the 1970s (Lippus 2009). I was especially ing the fi rst four volumes of the series Musik des impressed by the empathetic way in which Urve Ostens. After retiring, in 1966 he moved to Vienna, Lippus talked about Arro, and particularly of how where he founded the periodical Musica Slavica; he was torn between his involvement in Estonian of this initiative, however, only the fi rst volume music history and his inability to publish his re- appeared, in 1977.4 search. -
The 6Th Singing Competition in Honour of Mart Saar in Suure-Jaani 17–19
THE International society of Artur Kapp announces The 6th Singing competition in honour of Mart Saar In Suure-Jaani 17–19 june 2015 Mart Saar (28.09.1882–28.10.1963) – composer, organist, pianist and teacher. Photo: ETMM photo collection Rules and Regulations 1. Any vocalists of any age can take part in the singing competition (except for those who have already been awarded 1st place at a previous competition in honour of Mart Saar). 2. The competition consists of two rounds of performances for the panel of judges and two rounds of performances for the audience. 3. The running order of the competitors will be decided at random upon opening the competition, and it will remain unchanged for the entire duration of the competition. The exact schedule of the performances will be announced after listening to the preliminary round recordings. It will be announced by 1 June 2015 on the website of the Suure-Jaani Music Festival: http://muusikafestival.suure-jaani.ee 4. The songs performed at the competition must adhere to the programme specified in the Appendix after the Rules and Regulations. All songs must be performed without any notes. 5. The winner will be decided by a panel of judges. The panel’s decision is final. 6. Access to the second round will be granted to 50% of the participants. The panel may make exceptions if necessary. 7. Prizes: The panel will announce three prizes, and the best three competitors will also receive a monetary award. The panel has the right to rearrange the prizes, and to issue award certificates and special prizes. -
SCANDINAVIAN, FINNISH and BALTIC CONCERTOS from the 19Th Century to the Present a Discography of Cds and Lps Prepared by Michael
SCANDINAVIAN, FINNISH AND BALTIC CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Composers I-P JĀNIS IVANOVS (1906-1983, LATVIA) Born in Riga. He studied conducting with Georg Schnéevoigt and composition with Jazeps Vitols at the Latvian Conservatory. He taught composition and orchestration at his former school (now known as the Latvian Academy of Music). In addition, he worked as a sound engineer for Latvian Radio and later became its artistic director. As a composer, his output centers around orchestral music, including 20 Symphonies, but he has also written chamber music, piano pieces, songs and film scores. Piano Concerto in G minor (1959) Konstantin Blumenthal (piano)/Edgars Tons/Latvian Radio Symphony Orchestra MELODIYA D7267-8 (LP) (1960) Nikolai Federovskis (piano)/Centis Kriķis//Latvian Radio Symphony Orchestra ( + 3 Sketches for Piano) MELODIYA SM 02743-4 (LP) (1971) Igor Zhukov (piano)/Vassily Sinaisky/Latvian National Television and Radio) Symphony Orchestra ( + Symphonies Nos. 14 and 20) LMIC 035 (2013) (original LP release: MELODIYA S10-11829-30) (1980) Violin Concerto in E minor (1951) Juris Svolkovskis (violin)/Edgars Tons/Latvian Radio Symphony Orchestra ( + Cello Concerto and Andante) MELODIYA 33S 01475-6) LP) (1967) Valdis Zarins (violin)Vassily Sinaisky/Latvian National (Television and Radio) Symphony Orchestra (rec. 1976) ( + Sibelius: Violin Concerto and Sallinen: Violin Concerto) CAMPION CAMEO CD 2004 (1997) (original LP release: MELODIYA S10-11829-30) (1980) Cello Concerto in B minor (1938) Ernest Bertovskis (cello)/Edgars Tons/Latvian Radio Symphony Orchestra ( + Cello Concerto and Andante MELODIYA 33S 01475-6) LP) (1967) Ernest Bertovskis(cello)/Leonids Vigners/Latvian Radio Symphony Orchestra ( + Vitols: Latvian Rustic Serenade and Valse Caprice) MusicWeb International Updated: August 2020 Scandinavian, Finnish & Baltic Concertos I-P MELODIYA ND1891-2 (LP) (1954) Mâris Villerušs (cello)/Leonids Vigners/Latvian National Symphony Orchestra (rec. -
SAAREMAA OOPERIPÄEVAD 2014 20.–27. Juuli Eesti Esimene
SAAREMAA OOPERIPÄEVAD 2014 20.–27. juuli Eesti esimene ooperifestival sündis 1999. aastal Saaremaa pealinnas Kuressaares. Festivali keskseks toimumispaigaks sai Lääne-Eesti populaarne turismiobjekt, keskaegne Kuressaare loss. Lossi aed ning kindlusemüürid moodustavadki paiga, kuhu on paigutatud ligemale 1800 vaatajat majutav suvine ooperimaja. Alates 2008. aastast korraldab Saaremaa ooperipäevi Eesti Kontsert ning festivali kunstiline juht on Arne Mikk. Festival teeb koostööd mõlema Eesti ooperiteatriga (Vanemuine ning Rahvusooper Estonia), aga ka ooperimajadega mujalt maailmast. Saaremaal on oma parimate lavastustega esinenud järgmised ooperitrupid: Black American Opera (Broadway), Läti Rahvusooper, Stanislavski ja Nemirovitš- Dantšenko nimeline Moskva Akadeemiline Muusikateater, Ankara Riiklik Ooperi- ja Balletiteater ning Moskva Helikon Opera, Thbilisi, Khuthaisi ning Bathumi (Gruusia) ooperiteatrid. Laval on olnud Gershwini “Porgy ja Bess”, Mussorgski “Boriss Godunov”, Offenbachi “Hoffmanni lood”, Reise’i “Rasputin”, Rossini “Sevilla habemeajaja”, Verdi “La traviata”, “Maskiball”, “Trubaduur”, “Attila”, “Rigoletto” ja reekviem, Puccini “Madama Butterfly”, “Turandot” ja “Boheem”, Mozarti “Figaro pulm”, “Haaremirööv”, Wagneri “Lendav Hollandlane”, Donizetti “Lucia di Lammermoor” ning Puccini “Madama Butterfly”. Saaremaa ooperipäevadel on üles astunud Neeme Järvi, Eri Klas, José Cura, Karita Mattila, Anna Aglatova, Hibla Gerzmava, Matti Salminen, Jaakko Ryhänen, Jorma Hynninen, Ain Anger, Annely Peebo, Kristine Gailite, Mario Zeffiri,