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Summary of Development Approved Applications February 2014 Summary of Development Approved Applications February 2014
Summary of Development Approved Applications February 2014 Summary of Development Approved Applications February 2014 Printed - 11/03/2014 10:13:47 AM Application 1: DA / 543 / 2013 / A / 1 Lodged: 21/02/2014 Description: Vary previous authorisation to carry out internal and external alterations and change the use from office to licensed premises with entertainment including signage - VARIATION - To permit the development to be undertaken in stages - Stage 1 - building modifications and use of premises (without music entertainment after 10pm)Stage 2 - Use of premises with music entertainment after 10pm **STAGE 1 ONLY** Property Address: Mr Goodbar Applicant : FUNDAMENTAL FLOW P/L 12-16 Union Street ADELAIDE SA 5000 Owner : Ms E Duff-Tytler Estimated Cost of Dev: To Be Advised Private Certifier : PBS AUSTRALIA P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 27/02/2014 CITB Reference: 52739 Application 2: DA / 133 / 2014 Lodged: 21/02/2014 Description: Tenancy fitout (Chinese BBQ cafe) Property Address: 29 Field Street Applicant : BOCLOUD INTERNATIONAL ADELAIDE SA 5000 Owner : Mr C Karapetis Estimated Cost of Dev: $11,500 Private Certifier : BUILDING CERTIFICATION APPROVALS (SA) P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 25/02/2014 CITB Reference: Application 3: DA / 132 / 2014 Lodged: 19/02/2014 Description: Shop fitout Property Address: La Vie En Rose - G.06 Applicant : CHECKPOINT Ground 77-91 Rundle Mall ADELAIDE SA 5000 Owner : ALTEMAN (SA) P/L Estimated Cost of Dev: $200,000 Private Certifier : PBS AUSTRALIA P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 21/02/2014 CITB Reference: 52617 Application 4: DA / 131 / 2014 Lodged: 20/02/2014 Description: Erect wrap around temporary fencing 24/2/14 to 1/3/14. -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Emma Matthews
Emma Matthews Soprano Curriculum Vitae Opera Repertoire Monteverdi LIncoronazione di Poppea Damigella OA Gillian Whitehead Bride of fortune Fiorina WAO Offenbach Orpheus in the Underworld Cupid WAO Les Contes d’Hoffmann Olympia, Giulietta, Antonia, Stella OA, SOSA Berg Lulu Lulu, OA Handel Alcina Morgana OA Rinaldo Almirena OA Orlando Angelica OA Giulio Cesare Cleopatra OA Mozart Die Zauberflote Papagena, WAO, OA Pamina OA Queen of the Night OA Le Nozze di Figaro Barbarina WAO, OA Cherubino OA Idomeneo Ilia OA La Clemenza di Tito Servillia OA Die Entfuhrung aus dem Serail Blonde OA, Konstanze OA Mitridate, Re di Ponto Ismene, Sydney Festival Gilbert and Sullivan The Priates of Penzance Mabel OA The Mikado Yum Yum OA Alan Johns The Eighth Wonder Sky, Tour Guide Aunt Olive OA Bellini La Sonnambula Amina OA, SOSA I Capuleti e I Montecchi Giulietta OA Donizetti Lucia di Lammermoor Lucia OA, WAO La Fille du Regiment Marie OA L’Elisir d’amore Giannetta WAO Delibes Lakme Lakme OA Bizet Les Pecheurs de Perles Leila OA, WAO, OQ Janacek The Cunning Little Vixen The Vixen OA, ROH Richard Mills Batavia Zwaantie OA, WAO The Love of the Nightingale Philomele OA, WAO Gounod Romeo et Juliette Juliette OA Puccini Suor Angelica Genovieffa OA Kalman The Gypsy Princess Stasi OA J. Strauss Die Fledermaus Adele OA Massenet Werther Sophie OA R. Strauss Arabella Zdenka OA Der Rosenkavalier Sophie OA Rossini Il Barbiere di Siviglia Rosina OA, WAO Il Turco in Italia Fiorilla OA Il Signor Bruschino Sofia OA Verdi Un Ballo in Maschera Oscar OA Falstaff Nannetta OA Rigoletto Gilda OQ, OA La Traviata Violetta HOSH, OA Berlioz Beatrice et Benedict Hero OA Orchestral Repertoire Faure Requiem, Carmina Burana, C. -
Current Issue (PDF)
AdelaideanNews from the University of Adelaide www.adelaide.edu.au l Winter 2013 l FREE publication Patients at the heart of cancer research Celebrating 75 years of the Theatre Guild MAKING SURE NO CHILD IS LEFT BEHIND >ADELAIDEAN INSIDE THIS EDITION OF 06-07 10-11 ADELAIDEAN A new personal approach to treating cancer being pioneered by University of Adelaide researchers is giving victims a second chance of beating the disease. And we talk to the lead investigator on a data linkage research project that could change the way we take care of the youngest children in our community. 12-13 22-23 Also in this edition of Adelaidean we hear from the Deputy Vice Chancellor and Vice- >CONTENTS President (Academic) on the state of higher 03 Scholarship success for 12-13 Theatre Guild celebrates education in Australia, gifted students 75 years we visit the impressive, new dental simulation 04-05 Children the winners in 14-15 Food study for the gourmet laboratory and provide an data linkage project traveller insight into cutting-edge Simulation clinic fills gap in Melding music and words new technology called 06-07 16-17 dental training atomtronics . 18-19 App proves a game changer We also celebrate the 75th 08-09 A personal approach to for autistic children anniversary of the Theatre treating cancer Stop the chop Guild and talk to Anna 20-21 The university funding paradox Goldsworthy on her new 10-11 22-23 A perfect measure of success role at the Coetzee Centre for Creative Practice. Established in 1991, Adelaidean is the University of Adelaide’s free corporate magazine. -
Brett Sheehy CONFESSIONS of a GATEKEEPER
Address To The Inaugural Currency House/ Australia Business Arts Foundation 2009 Arts And Public Life Breakfast 31 March At The Sofi tel, Melbourne On Collins Brett Sheehy CONFESSIONS OF A GATEKEEPER Hello and welcome everyone. I quickly want to thank Harold for introducing me today. Harold barely knew me when, in November 2001, he fl ew from Melbourne to Sydney to attend my fi rst ever festival launch in Customs House down at Sydney’s Circular Quay. His reason was simple - he loves the arts, I was a fairly new kid on the festival block, and he wanted to show his support. And that support has continues to this day, unabated. I appreciate it tremendously, and it’s a privilege to fi nally share a stage with him, in what is now, mutually, our hometown. So thank you Harold. These confessions of an arts gatekeeper which I’m going to share this morning are personal, frequently intuitive, born of 25 years of observation and experience in the arts, but also not absolutes – all are debatable, but not one, I think, is disprovable. An arts gatekeeper is really a kind of artistic ‘door bitch’, someone charged with the responsibility of deciding when the ‘velvet rope’ is lifted, and which art will, and will not, be seen by the public of Australia. And while the metaphor of the ‘velvet rope’ makes light of it here, the role is actually riven with anxiety and stress – so important do I think the responsibility is, and so potentially charged with hubris. Gatekeepers come in many guises – festival directors, artistic directors of theatre and dance companies, museum and gallery curators, music directors of opera houses and orchestras, arts centre programmers, book publishers and record producers. -
Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir
Noël! Noël! Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir Morgan Balfour (San Francisco) soprano 2019 Australian Brandenburg Orchestra Brandenburg Choir SYDNEY Matthew Manchester Conductor City Recital Hall Paul Dyer AO Artistic Director, Conductor Saturday 14 December 5:00PM Saturday 14 December 7:30PM PROGRAM Wednesday 18 December 5:00PM Mendelssohn Hark! The Herald Angels Sing Wednesday 18 December 7:30PM Anonymous Sonata à 9 Gjeilo Prelude MELBOURNE Eccard Ich steh an deiner Krippen hier Melbourne Recital Centre Crüger Im finstern Stall, o Wunder groβ Saturday 7 December 5:00PM Palestrina ‘Kyrie’ from Missa Gabriel Archangelus Saturday 7 December 7:30PM Arbeau Ding Dong! Merrily on High Handel ‘Rejoice greatly, O daughter of Zion’ NEWTOWN from Messiah, HWV 56 Friday 6 December 7:00PM Head The Little Road to Bethlehem Gjeilo The Ground PARRAMATTA Tuesday 10 December 7:30PM Vivaldi La Folia, RV 63 Handel Eternal source of light divine, HWV 74 MOSMAN Traditional Deck the Hall Wednesday 11 December 7:00PM Traditional The Coventry Carol WAHROONGA Traditional O Little Town of Bethlehem Thursday 12 December 7:00PM Traditional God Rest Ye Merry, Gentlemen Palmer A Sparkling Christmas WOOLLAHRA Adam O Holy Night Monday 16 December 7:00PM Gruber Stille Nacht Anonymous O Come, All Ye Faithful CHAIRMAN’S 11 Proudly supporting our guest artists. Concert duration is approximately 75 minutes without an interval. Please note concert duration is approximate only and subject to change. We kindly request that you switch off all electronic devices prior to the performance. This concert will be broadcast on ABC Classic on 21 December at 8:00PM NOËL! NOËL! 1 Biography From our Principal Partner: Macquarie Group Paul Dyer Imagination & Connection Paul Dyer is one of Australia’s leading specialists On behalf of Macquarie Group, it is my great pleasure to in period performance. -
Koorie Perspectives in Curriculum Bulletin: January - February 2021
Koorie perspectives in Curriculum Bulletin: January - February 2021 This edition of the Koorie enrich your teaching program, see VAEAI’s Perspectives in Curriculum Bulletin Protocols for Koorie Education in Primary and features: Secondary Schools. For a summary of key Learning Areas and − Australia Day & The Great Debate Content Descriptions directly related to − The Aboriginal Tent Embassy Aboriginal and Torres Strait Islander histories − The 1939 Cummeragunja Walk-off & and cultures within the Victorian Curriculum F- Dhungala – the Murray River 10, view or download the VCAA’s curriculum − Charles Perkins & the 1967 Freedom guide: Learning about Aboriginal and Torres Rides Strait Islander histories and cultures. − Anniversary of the National Apology − International Mother Language Day January − What’s on: Tune into the Arts Welcome to the first Koorie Perspectives in Australia Day, Survival Day and The Curriculum Bulletin for 2021. Focused on Great Debate Aboriginal Histories and Cultures, we aim to highlight Victorian Koorie voices, stories, A day off, a barbecue and fireworks? A achievements, leadership and connections, celebration of who we are as a nation? A day and suggest a range of activities and resources of mourning and invasion? A celebration of around key dates for starters. Of course any of survival? Australians hold many different views these topics can be taught at any time on what the 26th of January means to them. In throughout the school year and we encourage 2017 a number of councils controversially you to use these bulletins and VAEAI’s Koorie decided to no longer celebrate Australia Day Education Calendar for ongoing planning and on this day, and since then Change the Date ideas. -
Sydney Conservatorium of Music Postgraduate Handbook
2008 Postgraduate handbook Sydney Conservatorium of Music Postgraduate handbook Set a course for Handbooks online … visit www.usyd.edu.au/handbooks Acknowledgements Acknowledgements The Arms of the University Sidere mens eadem mutato Though the constellation may change the spirit remains the same Copyright Disclaimers This work is copyright. No material anywhere in this work may be 1. The material in this handbook may contain references to persons copied, reproduced or further disseminated ± unless for private use who are deceased. or study ± without the express and written permission of the legal 2. The information in this handbook was as accurate as possible at holder of that copyright. The information in this handbook is not to be the time of printing. The University reserves the right to make used for commercial purposes. changes to the information in this handbook, including prerequisites for units of study, as appropriate. Students should Official course information check with faculties for current, detailed information regarding Faculty handbooks and their respective online updates along with the units of study. University of Sydney Calendar form the official legal source of Price information relating to study at the University of Sydney. Please refer to the following websites: The price of this handbook can be found on the back cover and is in www.usyd.edu.au/handbooks Australian dollars. The price includes GST. www.usyd.edu.au/calendar Handbook purchases Amendments You can purchase handbooks at the Student Centre, or online at -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
LESLIE MARTIN - Curriculum Vitae
LESLIE MARTIN - Curriculum Vitae ADDRESS: 12 Walker Street, Corinda, Qld 4075 Contact: 0416043785 Email: [email protected] VOICE: Lyric Coloratura Soprano Training: Graduate Certificate of Music Studies – Vocal Pedagogy Griffith University, Conservatorium of Music Graduate Diploma of Music – Opera Performance Griffith University, Conservatorium of Music Graduate Diploma of Music - Voice Griffith University, Conservatorium of Music Diploma of Operatic Art Sydney University, Conservatorium of Music Australian Academy of Music Theatre PROFESSIONAL THEATRE (Roles): Norina Don Pasquale Arosa Musik Theater Annabel The Song Bird Opera Queensland Ensemble Sweeney Todd (Gale Edwards, Director) Opera Queensland First Bridesmaid Le Nozze di Figaro The Australian Opera Lola’s friend Cavalleria Rusticana The Australian Opera Acolyte Tosca The Australian Opera Il paggio Rigoletto The Australian Opera Midinette Il Tabarro The Australian Opera Monkey/Star Grandma’s Shoes The Australian Opera Workshop 1st Handmaiden Turandot The Australian Opera MOVIES A Heartbeat Away Big Ideas Daydream Believer Exchange Lifeguards The Distant Home TELEVISION G.P. Brides of Christ Home and Away Mondo Piccolo Secret Weapon Minder The Paper Man COMMERCIALS Playskool Talking Animal Keyboard (Lead) St George AGC Submission BNZ Tooheys Dry Quarantine Campaign (SBS) Burger Rings Rugby League 1993 Season Neighbours TRAINING VIDEOS Sheraton-Wentworth LESLIE MARTIN - Curriculum Vitae PROFESSIONAL THEATRE (Opera Chorus): Opera Queensland The Damnation of Faust The Pearl Fishers -
SONG for NAIDOC Thursday 7 July 7Pm, Salon Presented by Melbourne Recital Centre
Short Black Opera SONG FOR NAIDOC Thursday 7 July 7pm, Salon Presented by Melbourne Recital Centre ARTISTS ARTISTS Deborah Cheetham AO Edward Bryant Shauntai Batzke Baden Hitchcock Zoy Frangos Sermsah Bin Saad Michael Lapiña John Wayne Parsons Jessica Hitchcock with Toni Lalich, piano Minjaara Atkinson PROGRAM PROGRAM LÉO DELIBES KATE MILLER-HEIDKE, IAIN GRANDAGE & ‘Flower Duet’ from Lakmé LALLY KATZ Deborah Cheetham AO and Shauntai Batzke ‘Flinch’s Dream’ from The Rabbits Jessica Hitchcock BENNY ANDERSSON, BJÖRN ULVAEUS & TIM RICE SIR ANDREW LLOYD WEBBER ‘Anthem’ from Chess ‘Til I Hear You Sing’ from Love Never Dies Zoy Frangos Zoy Frangos GIACOMO PUCCINI DEBORAH CHEETHAM AO ‘Chi il bel sogno’ from La Rondine Excerpts from Pecan Summer: Deborah Cheetham AO ‘In 1964’ ‘Che gelida manina’ from La Boheme Shauntai Batzke & Zoy Frangos Michael Lapina ‘The Meeting Scene’ ‘Si, mi chiamano Mimi’ from La Boheme Short Black Opera Ensemble Shauntai Batzke ‘Biami Creation Story’ ‘O soave fanciulla’ from La Boheme John Wayne Parsons and Jessica Hitchcock Shauntai Batzke and Michael Lapina ‘The Exodus’ FRANCESCO CILEA Short Black Opera Ensemble ‘Io son lumille ancella’ from Adriana Lecouvreur Deborah Cheetham AO ABOUT THE MUSIC Pecan Summer Australia’s first Indigenous opera, written by Deborah Cheetham AO, the opera is based on the events of the 1939 Cummeragunja walk-off. On February 3rd, 1939, hundreds of Yorta Yorta chose to leave their homes on Cummeragunja mission, located on the banks of the Murray River in New South Wales, in protest at harsh conditions and treatment by the mission’s manager. Many opted to start new lives over the border in Victoria.