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Adelaidean August 2002
Adelaidean Volume 12 Number 7 News from the University of Adelaide August 2002 INSIDE National Information Roseworthy Science Week Day Information Day August 9-30 August 18 August 16 Space science Andy gives thumbs degree blasts up to space interest off in 2003 TWO new degrees—one in Space Students will also have opportunities to take Science and the other in Optics—are part in project work with established scientists expected to be in high demand at the in the field. University of Adelaide next year. "Direct exposure to professionals in the fields Both degrees offer a unique educational of space science and astrophysics will enable students to form mentoring relationships, and experience to students who want careers in give them a unique educational experience," these exciting fields. Dr Reid said. Details about the new degrees will be available "We expect interest in this new course to be at the University of Adelaide's Information very high." Day on Sunday, August 18, at the North Terrace campus. The new Bachelor of Science (Optics & Photonics) will not only provide an exciting The new Bachelor of Science (Space Science new career path in applied physics, but also and Astrophysics) aims to produce graduates help to address an expected shortfall in this that are well suited to careers in space and area of expertise in South Australia. astrophysical research. Photonics is the exploration and development Graduates are likely to follow career paths in a of the use of laser light in any endeavour, be it range of industries, putting into practice the scientific, technological, medical or artistic. -
She Speaks a Celebration of the Past, Present and Future of Women Composers in Australia and Beyond
ADELAIDE She SYMPHONY ORCHESTRA Speaks SEASON 2021 June Presented in partnership with Saturday 19 the Elder Conservatorium of Music Elder Hall at the University of Adelaide Le Parc 2 She Speaks A celebration of the past, present and future of women composers in Australia and beyond. LUNCHTIME CHAMBER MUSIC CONCERT 10 Domestic Voices 1pm, Elder Hall SYMPOSIUM 15 Silent Women 4pm, Madley Studio EVENING ORCHESTRAL CONCERT 16 She Speaks 7pm, Elder Hall LATE EVENING CONCERT 19 When We Speak 9pm, Elder Hall Presented in partnership with the Elder Conservatorium of Music at the University of Adelaide 3 WELCOME You might say that She Speaks is part of the journey towards the fulfilment of a long-felt goal. A few years ago, I stumbled on ABC Classic’s inaugural long-weekend dedicated to music by women composers. As I listened to a huge variety of music by composers I barely knew, I was surprised, delighted and captivated by the extraordinary range of musical styles and expression across the centuries. I also ultimately felt a sense of shame and disappointment: Here I was, a university music graduate who had spent most of his professional life in the world of music, and I had scant knowledge of these composers or their work. Every musical organisation has a role to play in giving music by women an important place in our concert life, and here at the ASO we are resolved to make a difference to the status quo. So, this year, each of our Symphony Series concerts includes music by women. We have also created the Miriam Hyde Giving Circle, which, with your generosity, will make it possible for us to commission and perform more work by women. -
The Australian Music Centre Website
A select guide to Australian music theatre In Repertoire 2 I Dear Reader This guide takes you on a journey through contemporary Australian music theatre works that are currently available for touring. These and additional works in repertoire can all be found in the data base on pages 24 - 25 with contact addresses and other information. A few significant works no longer in repertoire are mentioned in the overview essay on pages 22-23. Many more are documented in Arias, Recent Australian Music Theatre (Red House Editions, 1997). A sample listing of works in progress is reported on page 26. On the same page a basic set of references can be found. A longer list is available on the Australian Music Centre website http://www.amcoz.com.au/amc The Editor Editor Keith Gallasch Assistant Editors Kirsten Krauth, Virginia Baxter Design i2i design, Sydney Cover photographs Left Arena Theatre Company, Eat Your Young, photo Jeff Busby Right Top Melbourne International Festival of the Arts, The Ghost Wife, photo Jeff Busby Right Bottom Queensland Theatre Company, The Sunshine Club, photo Rob MacColl All other photography credits page 27 Produced by RealTime for the Australia Council, the Federal Government’s arts funding and advisory body Australia Council PO Box 788 Strawberry Hills NSW Australia 2012 61 2 9215 9000 fax 61 2 9215 9111 [email protected] http://www.ozco.gov.au RealTime PO Box A2246 Sydney South NSW, Australia 1235 61 2 9283 2723 fax 61 2 9283 2724 [email protected] http://www.rtimearts.com.au/~opencity/ February 2000 ISBN 0 642 47222 X With the assistance of the Australian Music Centre 3 music theatre opera music+installation+performance Introduction The remarkable growth of Australian music theatre as we enter the new millennium appears to be exponential, manifesting itself in many different and surprising ways - as chamber opera, as the musical, as installation or site specific performance, and as pervasive musical scores and sound design in an increasing number of plays. -
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The University of Adelaide Alumni Magazine WINTER 2011 A cut above the average surgeon LIFE IMPACT – THE UNIVERSITY OF ADELAIDE LUMEN - The University of Adelaide Alumni Magazine Registered by Australia Post No 56500/00097 The University of Adelaide Alumni Magazine Message from the Vice-Chancellor he impact of medical research is profound – even more so when it touches your own life. Last year, I was one of the more than 10,500 Tpeople across Australia diagnosed with melanoma. Being of fair- skinned northern hemisphere origins, it probably comes as no surprise that I have not responded well to the effects of the harsh southern hemisphere sun. Now I am fortunate. My skin cancer has been resolved quickly and successfully thanks to the latest treatment and the expertise of skilled clinicians, and as a result of many decades of dedicated medical research. As a scientist and leader of a research-intensive University, and now as a patient, I have the paradoxical experience of being an instigator and benefi ciary of the research process. But I am not alone. There would not be one person in Australia who hasn’t been directly affected by medical research at some point. THE UNIVERSITY OF ADELAIDE At Adelaide, our research outcomes have a signifi cant impact on the health and wellbeing of The Lumen masthead is derived the community. Our graduates are making a genuine impact every day, across all corners from the University of Adelaide of the globe. motto “Sub Cruce Lumen” – the In this edition of Lumen you will read stories of extraordinary achievement and dedication light (of learning) under the – people like Assoc Professor Susan Neuhaus, a medical graduate and now decorated (Southern) Cross. -
Register of Accompanists
Register of Accompanists 2009–2010 Listed by area, postcode and full alphabetical listing 1 Published May 2009 Compiled by the Accompanists’ Guild of South Australia Inc. www.accompanist.org.au accguildsa at museco.id.au (08) 8431 6030 This Register has been produced with the support of Arts SA Acknowledgements In addition to acknowledging the contribution by many of our affiliates to our programs AGSA is indebted to The SA Government, Departments for the Arts Allans Music The Adelaide City Council Pilgrim Uniting Church in the City ABC Classic FM Radio 5MBS Winston Music Our many individual donors 2 Contents 4 Foreword 8 The Accompanists’ Guild of S.A. Inc. 10 General Information 11 Guidelines for Payment of Accompanists 12 List of Accompanists by Area 14 Work Preferences – Legend 15 Alphabetical Listing of Accompanists 28 Glimpses of the Guild’s past 41 Order Form for Copies of Register 42 Application for Membership of A.G.S.A. 3 Foreword Our Guild has much to be proud of. It was the first association of accompanists to be formed in Australia and is one of the few Guilds of accompanists in the world. It was from our example that Guilds were established in Queensland and NSW, and a Register of Accompanists, which includes guitarists and conductors, was published in 2004 in the Northern Territory. In 2009 the Australian Capital Territory is preparing to launch its Guild. It is to be hoped that Victoria, Western Australia and Tasmania will establish Guilds in the future. AGSA has provided accompanying services for thousands of individuals and music organizations over the past quarter century. -
Introduction New Australian Opera
JOURNALJOURNAL OFOF RESEARCH ONLINE MusicA JOURNAL OF THE MUSIC COUNCIL OF AUSTRALIA From Overt to Covert: The Changing Role of Cultural Commentary in Australian Operatic Repertoire 1990–2009 Introduction TIMOTHY MC KENRY ecently composed Australian opera offers music researchers insight into not only aspects of art music practice, but also into ways in which music creators engage with the broader issues of culture and society. The last decade of the ■ Faculty of Arts and Sciences Rtwentieth century and the first decade of the twenty-first saw the discourse surrounding Australian Catholic University Australian culture contend with a variety of issues including postcolonial reassessments Fitzroy of Australian settler myths, reappraisals of the way Europeans have interacted with Victoria 3065 Indigenous Australians and contestations around how we should celebrate our culture Australia leading up to and following the centenary of Federation. That these competing views of society should directly impact the operatic repertoire of the same period is an under- researched issue in Australian music. In the years leading up to the centenary of Federation, many Australian operas sought [email protected] to engage with the materials of the nation’s history: from the events surrounding the death of Azaria Chamberlain to the building of the Sydney Opera House and to the shipwreck of the Batavia on an island off what is now Western Australia, major operatic productions overtly engaged in social commentary designed to challenge prevailing notions of Australian cultural identity. Since 2002, however, Australian opera has increasingly employed classical myth and European literature as the impetus for www.jmro.org.au libretto and plot, eschewing an overt focus on Australian cultural material. -
Evening Concert Series
music.adelaide.edu.au/concerts 2 The Elder Conservatorium of Music WELCOME Continuing a 137 year THE ELDER tradition of bringing great CONSERVATORIUM music to the community of HAS BEEN THE HEART South Australia, the faculty OF MUSICAL CULTURE and students of the Elder IN ADELAIDE FOR Conservatorium of Music OVER 130 YEARS. welcome you to our 2020 concert series. We are delighted to have you join us, in the venerable and recently rejuvenated surroundings of Elder Hall, for a richly varied and exciting musical journey. Our program will, as always, showcase the finest of Adelaide’s musicians enriched by distinguished guests from interstate and overseas. We thank you for your continuing support of our activities as performers, creators, teachers, researchers and cultural ambassadors. We greatly value your role in the eternal partnership between music-makers and music-lovers. Professor Graeme Koehne AO Director, Elder Conservatorium of Music Concert Series 2020 3 LUNCHTIME CONCERT SERIES SEASON ONE Friday 20 March Friday 3 April FROM START TO FINNISH À QUATRE MAINS Daniel Dodds violin Konstantin Shamray & Michael Ierace Kristian Chong piano piano four hands Olli Mustonen Sonata for Violin and Piano Dvorˇák Slavonic Dances (selections) Beethoven Sonata for Piano and Violin Op. 30 Stravinsky Petrushka No. 2 in C minor “I had in my mind a distinct picture of a puppet, Finnish composer Olli Mustonen’s striking and suddenly endowed with life, exasperating the propulsive sonata for violin and piano is a piece patience of the orchestra with diabolical cascades for our time, while Beethoven’s beauty and of arpeggios. The orchestra in turn retaliates relevance never seem to fade. -
THE WELL-TEMPERED CLAVIER Book 1, Part 3
THE WELL-TEMPERED CLAVIER Book 1, Part 3 Thursday 15 June 6pm, Salon PRESENTED BY Melbourne Recital Centre ARTISTS Anna Goldsworthy piano PROGRAM JOHANN SEBASTIAN BACH (1685 - 1750) Prelude and Fugue No.17 in A-flat, BWV 862 LUDWIG VAN BEETHOVEN (1770 - 1827) Piano Sonata in C minor, No.8, Op.13 ‘Pathetique’ Second movement: Adagio cantabile JOHANN SEBASTIAN BACH Prelude and Fugue No.18 in G-sharp minor, BWV 863 Prelude and Fugue No.19 in A, BWV 864 WOLFGANG AMADEUS MOZART (1756 - 1791) Piano Sonata in D, K. 576, First movement: Allegro JOHANN SEBASTIAN BACH Prelude and Fugue No.20 in A minor, BWV 865 Prelude and Fugue No.21 in B-flat, BWV 866 Prelude and Fugue No.22 in B-flat minor, BWV 867 FRÉDÉRIC CHOPIN (1810 - 1849) Piano Sonata No.2 in B-flat minor, Op.35, Third movement: March funebre, Lento JOHANN SEBASTIAN BACH Prelude and Fugue No.23 in B, BWV 868 Prelude and Fugue No.24 in B minor, BWV 869 ABOUT THE ARTIST Described by The Australian as a ‘musical ambassador', Anna Goldsworthy is one of Australia’s most versatile artists. Celebrated as a pianist, she is acclaimed also as a memoirist, essayist, playwright, librettist and festival director. As a pianist, Anna performs extensively throughout Australia and internationally. Solo appearances include at the Teatro Colon for the Buenos Aires International Music Festival, for the Orchestra of Colours in Athens, at the Melbourne Festival and in the Adelaide Symphony Orchestra’s Masters Series. An accomplished chamber player, Anna is a founding member of Seraphim Trio. -
Read Ebook {PDF EPUB} Everything I Knew by Peter Goldsworthy Everything I Knew by Peter Goldsworthy
Read Ebook {PDF EPUB} Everything I Knew by Peter Goldsworthy Everything I Knew by Peter Goldsworthy. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6595aa74bc551665 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Peter Goldsworthy. Peter Goldsworthy grew up in various Australian country towns, finishing his schooling in Darwin. After graduating in medicine from the University of Adelaide in 1974, he worked for many years in alcohol and drug rehabiiltation. Since then, he has divided his time equally between writing and general practice. He has won major literary awards across a range of genres: poetry, short story, the novel, in opera, and most recently in theatre. His novels have sold over 400,000 copies in Australia alone, have been translated into many European and Asian languages; Three Dog Night , won the FAW Christina Stead Award'; in 2003 his first novel Maestro was voted by members of the Australian Society of Authors one of the Top 40 Australian books of all time. -
MICKEY DEWAR: CHAMPION of HISTORY ACROSS MANY GENRES Aboriginal History Incorporated Aboriginal History Inc
IN SEARCH OF THE NEVER-NEVER MICKEY DEWAR: CHAMPION OF HISTORY ACROSS MANY GENRES Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, 9 Fellows Road (Coombs Building), ANU, Acton, ACT, 2601, or [email protected]. WARNING: Readers are notified that this publication may contain names or images of deceased persons. IN SEARCH OF THE NEVER-NEVER MICKEY DEWAR: CHAMPION OF HISTORY ACROSS MANY GENRES EDITED BY ANN MCGRATH Published by ANU Press and Aboriginal History Inc. The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462680 ISBN (online): 9781760462697 WorldCat (print): 1091598232 WorldCat (online): 1091598371 DOI: 10.22459/ISNN.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press. Cover photograph by Ed Dunens, flic.kr/p/oQCZwB. This edition © 2019 ANU Press and Aboriginal History Inc. -
Register of Accompanists 2019-20
Register of Accompanists 2019-20 Listed by area/postcode and full alphabetical listing 2 THE ACCOMPANISTS’ GUILD OF SA Published January 2019. Web version updated 19/9/2019. Compiled by the Accompanists’ Guild of South Australia Inc. www.accompanist.org.au Assistant Secretary: 0411 271 215 Acknowledgements: For their ongoing support for AGSA projects the Guild is indebted to: The Elder Conservatorium of Music, University of Adelaide Pilgrim Uniting Church in the City Recitals Australia Radio 5MBS 99.9 FM Individual donors Affiliates: Accompanists’ Guild of NSW Accompanists’ Guild of Queensland ANATS: Australian Association of Teachers of Singing AUSTA: Australian Strings Association Australian Double Reed Society SA Flute Society of South Australia Music Teachers’ Association of SA ADRSSA: Australian Double Reed Society SA Inc REGISTER OF ACCOMPANISTS 3 Contents Foreword .......................................................................................................................... 4 About the Accompanists’ Guild of SA Inc. .............................................................. 6 Personnel ......................................................................................................................... 7 Guidelines for Payment of Accompanists ............................................................. 9 General Information – The Register .................................................................... 10 List of Accompanists by Area/Postcode ............................................................. 11 -
IN SEARCH of the NEVER‑NEVER Looking for Australia in Northern Territory Writing Mickey Dewar
IN SEARCH OF THE NEVER-NEVER Looking for Australia in Northern Territory Writing Mickey Dewar For Geoff, Maureen, Adrienne and Carol CONTENTS Acknowledgments 51 Introduction 53 1 Writing the landscape 59 2 The people 69 3 Looking for gold 97 4 Race relations 113 5 The atomic Territory 139 6 Sex and the Dreamtime 167 7 Welcome to wilderness 193 8 Poor bugger all of us 211 Select Territory bibliography 235 ACKNOWLEDGMENTS A great many people assisted me in this project and I feel myself privileged that I had so much personal and professional support. In particular I am grateful to the Northern Territory University and the Museum and Art Gallery of the Northern Territory. Both institutions support and see as a priority, research and publications into Northern Territory history. My thanks also to the Australia Foundation for Culture and the Humanities. The Foundation’s support of research and publications, such as this one, is greatly appreciated. I would like to thank the following people for assistance with this research topic, in particular David Carment and Alan Powell, but also Lyn Riddett, Christine Doran, Mark Davies, Carmel Gaffney, Donald Campbell, Julie Wells, Val Hawkes, Suzanne Parry, Kerin Coulehan, Juan Federer, Bill Perrett, Jim Jose, Tim Rowse, Barbara James, Suzanne Spunner, John Avery, Trish Hoyne, Colleen Pyne, Yvonne Forrest, Elaine Glover, Annette Ford, Janet Chaloupka, Robbie Braithwaite, Sheila Forrest, Jenny Armour, Michael Loos, Terry Knight, staff of NTUniprint, Jacky Healy, Daena Murray, Ann Webb, and everyone else kind enough to let me bore them to death on this subject (but there would be too many to list!).