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AdelaideanNews from the University of Adelaide www.adelaide.edu.au l Winter 2013 l FREE publication Patients at the heart of cancer research Celebrating 75 years of the Theatre Guild MAKING SURE NO CHILD IS LEFT BEHIND >ADELAIDEAN INSIDE THIS EDITION OF 06-07 10-11 ADELAIDEAN A new personal approach to treating cancer being pioneered by University of Adelaide researchers is giving victims a second chance of beating the disease. And we talk to the lead investigator on a data linkage research project that could change the way we take care of the youngest children in our community. 12-13 22-23 Also in this edition of Adelaidean we hear from the Deputy Vice Chancellor and Vice- >CONTENTS President (Academic) on the state of higher 03 Scholarship success for 12-13 Theatre Guild celebrates education in Australia, gifted students 75 years we visit the impressive, new dental simulation 04-05 Children the winners in 14-15 Food study for the gourmet laboratory and provide an data linkage project traveller insight into cutting-edge Simulation clinic fills gap in Melding music and words new technology called 06-07 16-17 dental training atomtronics . 18-19 App proves a game changer We also celebrate the 75th 08-09 A personal approach to for autistic children anniversary of the Theatre treating cancer Stop the chop Guild and talk to Anna 20-21 The university funding paradox Goldsworthy on her new 10-11 22-23 A perfect measure of success role at the Coetzee Centre for Creative Practice. Established in 1991, Adelaidean is the University of Adelaide’s free corporate magazine. -
The Australian Music Centre Website
A select guide to Australian music theatre In Repertoire 2 I Dear Reader This guide takes you on a journey through contemporary Australian music theatre works that are currently available for touring. These and additional works in repertoire can all be found in the data base on pages 24 - 25 with contact addresses and other information. A few significant works no longer in repertoire are mentioned in the overview essay on pages 22-23. Many more are documented in Arias, Recent Australian Music Theatre (Red House Editions, 1997). A sample listing of works in progress is reported on page 26. On the same page a basic set of references can be found. A longer list is available on the Australian Music Centre website http://www.amcoz.com.au/amc The Editor Editor Keith Gallasch Assistant Editors Kirsten Krauth, Virginia Baxter Design i2i design, Sydney Cover photographs Left Arena Theatre Company, Eat Your Young, photo Jeff Busby Right Top Melbourne International Festival of the Arts, The Ghost Wife, photo Jeff Busby Right Bottom Queensland Theatre Company, The Sunshine Club, photo Rob MacColl All other photography credits page 27 Produced by RealTime for the Australia Council, the Federal Government’s arts funding and advisory body Australia Council PO Box 788 Strawberry Hills NSW Australia 2012 61 2 9215 9000 fax 61 2 9215 9111 [email protected] http://www.ozco.gov.au RealTime PO Box A2246 Sydney South NSW, Australia 1235 61 2 9283 2723 fax 61 2 9283 2724 [email protected] http://www.rtimearts.com.au/~opencity/ February 2000 ISBN 0 642 47222 X With the assistance of the Australian Music Centre 3 music theatre opera music+installation+performance Introduction The remarkable growth of Australian music theatre as we enter the new millennium appears to be exponential, manifesting itself in many different and surprising ways - as chamber opera, as the musical, as installation or site specific performance, and as pervasive musical scores and sound design in an increasing number of plays. -
Introduction New Australian Opera
JOURNALJOURNAL OFOF RESEARCH ONLINE MusicA JOURNAL OF THE MUSIC COUNCIL OF AUSTRALIA From Overt to Covert: The Changing Role of Cultural Commentary in Australian Operatic Repertoire 1990–2009 Introduction TIMOTHY MC KENRY ecently composed Australian opera offers music researchers insight into not only aspects of art music practice, but also into ways in which music creators engage with the broader issues of culture and society. The last decade of the ■ Faculty of Arts and Sciences Rtwentieth century and the first decade of the twenty-first saw the discourse surrounding Australian Catholic University Australian culture contend with a variety of issues including postcolonial reassessments Fitzroy of Australian settler myths, reappraisals of the way Europeans have interacted with Victoria 3065 Indigenous Australians and contestations around how we should celebrate our culture Australia leading up to and following the centenary of Federation. That these competing views of society should directly impact the operatic repertoire of the same period is an under- researched issue in Australian music. In the years leading up to the centenary of Federation, many Australian operas sought [email protected] to engage with the materials of the nation’s history: from the events surrounding the death of Azaria Chamberlain to the building of the Sydney Opera House and to the shipwreck of the Batavia on an island off what is now Western Australia, major operatic productions overtly engaged in social commentary designed to challenge prevailing notions of Australian cultural identity. Since 2002, however, Australian opera has increasingly employed classical myth and European literature as the impetus for www.jmro.org.au libretto and plot, eschewing an overt focus on Australian cultural material. -
Read Ebook {PDF EPUB} Everything I Knew by Peter Goldsworthy Everything I Knew by Peter Goldsworthy
Read Ebook {PDF EPUB} Everything I Knew by Peter Goldsworthy Everything I Knew by Peter Goldsworthy. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6595aa74bc551665 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Peter Goldsworthy. Peter Goldsworthy grew up in various Australian country towns, finishing his schooling in Darwin. After graduating in medicine from the University of Adelaide in 1974, he worked for many years in alcohol and drug rehabiiltation. Since then, he has divided his time equally between writing and general practice. He has won major literary awards across a range of genres: poetry, short story, the novel, in opera, and most recently in theatre. His novels have sold over 400,000 copies in Australia alone, have been translated into many European and Asian languages; Three Dog Night , won the FAW Christina Stead Award'; in 2003 his first novel Maestro was voted by members of the Australian Society of Authors one of the Top 40 Australian books of all time. -
MICKEY DEWAR: CHAMPION of HISTORY ACROSS MANY GENRES Aboriginal History Incorporated Aboriginal History Inc
IN SEARCH OF THE NEVER-NEVER MICKEY DEWAR: CHAMPION OF HISTORY ACROSS MANY GENRES Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, 9 Fellows Road (Coombs Building), ANU, Acton, ACT, 2601, or [email protected]. WARNING: Readers are notified that this publication may contain names or images of deceased persons. IN SEARCH OF THE NEVER-NEVER MICKEY DEWAR: CHAMPION OF HISTORY ACROSS MANY GENRES EDITED BY ANN MCGRATH Published by ANU Press and Aboriginal History Inc. The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462680 ISBN (online): 9781760462697 WorldCat (print): 1091598232 WorldCat (online): 1091598371 DOI: 10.22459/ISNN.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press. Cover photograph by Ed Dunens, flic.kr/p/oQCZwB. This edition © 2019 ANU Press and Aboriginal History Inc. -
IN SEARCH of the NEVER‑NEVER Looking for Australia in Northern Territory Writing Mickey Dewar
IN SEARCH OF THE NEVER-NEVER Looking for Australia in Northern Territory Writing Mickey Dewar For Geoff, Maureen, Adrienne and Carol CONTENTS Acknowledgments 51 Introduction 53 1 Writing the landscape 59 2 The people 69 3 Looking for gold 97 4 Race relations 113 5 The atomic Territory 139 6 Sex and the Dreamtime 167 7 Welcome to wilderness 193 8 Poor bugger all of us 211 Select Territory bibliography 235 ACKNOWLEDGMENTS A great many people assisted me in this project and I feel myself privileged that I had so much personal and professional support. In particular I am grateful to the Northern Territory University and the Museum and Art Gallery of the Northern Territory. Both institutions support and see as a priority, research and publications into Northern Territory history. My thanks also to the Australia Foundation for Culture and the Humanities. The Foundation’s support of research and publications, such as this one, is greatly appreciated. I would like to thank the following people for assistance with this research topic, in particular David Carment and Alan Powell, but also Lyn Riddett, Christine Doran, Mark Davies, Carmel Gaffney, Donald Campbell, Julie Wells, Val Hawkes, Suzanne Parry, Kerin Coulehan, Juan Federer, Bill Perrett, Jim Jose, Tim Rowse, Barbara James, Suzanne Spunner, John Avery, Trish Hoyne, Colleen Pyne, Yvonne Forrest, Elaine Glover, Annette Ford, Janet Chaloupka, Robbie Braithwaite, Sheila Forrest, Jenny Armour, Michael Loos, Terry Knight, staff of NTUniprint, Jacky Healy, Daena Murray, Ann Webb, and everyone else kind enough to let me bore them to death on this subject (but there would be too many to list!).