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Adelaidean August 2002
Adelaidean Volume 12 Number 7 News from the University of Adelaide August 2002 INSIDE National Information Roseworthy Science Week Day Information Day August 9-30 August 18 August 16 Space science Andy gives thumbs degree blasts up to space interest off in 2003 TWO new degrees—one in Space Students will also have opportunities to take Science and the other in Optics—are part in project work with established scientists expected to be in high demand at the in the field. University of Adelaide next year. "Direct exposure to professionals in the fields Both degrees offer a unique educational of space science and astrophysics will enable students to form mentoring relationships, and experience to students who want careers in give them a unique educational experience," these exciting fields. Dr Reid said. Details about the new degrees will be available "We expect interest in this new course to be at the University of Adelaide's Information very high." Day on Sunday, August 18, at the North Terrace campus. The new Bachelor of Science (Optics & Photonics) will not only provide an exciting The new Bachelor of Science (Space Science new career path in applied physics, but also and Astrophysics) aims to produce graduates help to address an expected shortfall in this that are well suited to careers in space and area of expertise in South Australia. astrophysical research. Photonics is the exploration and development Graduates are likely to follow career paths in a of the use of laser light in any endeavour, be it range of industries, putting into practice the scientific, technological, medical or artistic. -
Current Issue (PDF)
AdelaideanNews from the University of Adelaide www.adelaide.edu.au l Winter 2013 l FREE publication Patients at the heart of cancer research Celebrating 75 years of the Theatre Guild MAKING SURE NO CHILD IS LEFT BEHIND >ADELAIDEAN INSIDE THIS EDITION OF 06-07 10-11 ADELAIDEAN A new personal approach to treating cancer being pioneered by University of Adelaide researchers is giving victims a second chance of beating the disease. And we talk to the lead investigator on a data linkage research project that could change the way we take care of the youngest children in our community. 12-13 22-23 Also in this edition of Adelaidean we hear from the Deputy Vice Chancellor and Vice- >CONTENTS President (Academic) on the state of higher 03 Scholarship success for 12-13 Theatre Guild celebrates education in Australia, gifted students 75 years we visit the impressive, new dental simulation 04-05 Children the winners in 14-15 Food study for the gourmet laboratory and provide an data linkage project traveller insight into cutting-edge Simulation clinic fills gap in Melding music and words new technology called 06-07 16-17 dental training atomtronics . 18-19 App proves a game changer We also celebrate the 75th 08-09 A personal approach to for autistic children anniversary of the Theatre treating cancer Stop the chop Guild and talk to Anna 20-21 The university funding paradox Goldsworthy on her new 10-11 22-23 A perfect measure of success role at the Coetzee Centre for Creative Practice. Established in 1991, Adelaidean is the University of Adelaide’s free corporate magazine. -
She Speaks a Celebration of the Past, Present and Future of Women Composers in Australia and Beyond
ADELAIDE She SYMPHONY ORCHESTRA Speaks SEASON 2021 June Presented in partnership with Saturday 19 the Elder Conservatorium of Music Elder Hall at the University of Adelaide Le Parc 2 She Speaks A celebration of the past, present and future of women composers in Australia and beyond. LUNCHTIME CHAMBER MUSIC CONCERT 10 Domestic Voices 1pm, Elder Hall SYMPOSIUM 15 Silent Women 4pm, Madley Studio EVENING ORCHESTRAL CONCERT 16 She Speaks 7pm, Elder Hall LATE EVENING CONCERT 19 When We Speak 9pm, Elder Hall Presented in partnership with the Elder Conservatorium of Music at the University of Adelaide 3 WELCOME You might say that She Speaks is part of the journey towards the fulfilment of a long-felt goal. A few years ago, I stumbled on ABC Classic’s inaugural long-weekend dedicated to music by women composers. As I listened to a huge variety of music by composers I barely knew, I was surprised, delighted and captivated by the extraordinary range of musical styles and expression across the centuries. I also ultimately felt a sense of shame and disappointment: Here I was, a university music graduate who had spent most of his professional life in the world of music, and I had scant knowledge of these composers or their work. Every musical organisation has a role to play in giving music by women an important place in our concert life, and here at the ASO we are resolved to make a difference to the status quo. So, this year, each of our Symphony Series concerts includes music by women. We have also created the Miriam Hyde Giving Circle, which, with your generosity, will make it possible for us to commission and perform more work by women. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/01/2010 12:44 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/01/2010 12:44 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/24/2010 to 11/30/2010 Last Period (TP) = 11/17/2010 to 11/23/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Cassandra Wilson Silver Pony Blue Note 2010 12 14 -2 2 4 Negroni's Trio Just Three Mojito 2010 10 9 1 2 12 The Marsalis Family Music Redeems Marsalis 2010 10 7 3 2 16 Bill O'Connell Rhapsody In Blue Challenge 2010 10 6 4 5 3 Houston Person Moment To Moment HighNote 2010 7 10 -3 5 4 Russell Malone Triple Play Max Jazz 2010 7 9 -2 5 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 7 9 -2 5 4 Kenny Burrell Be Yourself HighNote 2010 7 9 -2 5 16 Jane Monheit Home Emarcy 2010 7 6 1 5 19 Louis Hayes Lou's Idea American Showplace 2010 7 5 2 11 4 The Clayton Brothers The New Song And Dance ArtistShare 2010 6 9 -3 11 12 David Hardiman Portrait Of David Hardiman Self-Released 2010 6 7 -1 11 12 Tomas Janzon Experiences Changes 2010 6 7 -1 14 2 Kermit Ruffins Happy Talk Basin Street 2010 5 12 -7 14 9 James Moody Moody 4B IPO 2010 5 8 -3 14 9 Takuya Kuroda Bitter And High Self-Released 2010 5 8 -3 14 43 Larry Coryell Prime Picks HighNote 2010 5 2 3 18 9 Mary Stallings Dream HighNote 2010 4 8 -4 18 12 Either Orchestra Mood Music For Time Accurate 2010 4 7 -3 Travellers 18 19 Tom Rizzo Imaginary Numbers Origin 2010 4 5 -1 18 19 Royce Campbell Trio What Is This Thing Called? Philology 2010 4 5 -1 18 23 Dave Bass Gone Dave -
Original Compositions for Full Concert Band and Chorus Published in the United States
ORIGINAL COMPOSITIONS FOR FULL CONCERT BAND AND CHORUS PUBLISHED IN THE UNITED STATES by W. DAVID RICHARDSON (Under the Direction of Allen Crowell) ABSTRACT Compositions originally composed and published for full concert band and chorus seem to be plagued by a cyclic problem: the lack of information about the compositions discourages their performance, the lack of performances discourages their composition, the lack of composition discourages gathering information about the pieces. In an attempt to break this cycle, the document is an annotated bibliography of original compositions published in the United States for full concert band and SATB chorus. Each music publisher included in the Music Publishers Association of the United States of America (MPAUSA) directory was surveyed to discover compositions. After a review of literature, information is offered regarding specific delimitations for instrumentation and genre followed by survey procedures and data collection methods. Of the 683 publishers surveyed, 384 could not be reached, 274 did not have originally composed compositions for band and chorus, and 25 publishers held 42 originally composed works for full band and chorus. Each bibliography entry contains the title, composer, publisher, publication date, duration, movements/tempi, instrumentation, genre, text author/source, and full text for each piece meeting the delimitation criteria. This same information is listed for 10 significant works not quite meeting the delimitation criteria. INDEX WORDS: Concert Band, Chorus, SATB, Winds, Voices, Original Compositions, American publishers, Music, Annotated Bibliography, MPAUSA ORIGINAL COMPOSITIONS FOR FULL CONCERT BAND AND CHORUS PUBLISHED IN THE UNITED STATES by W. DAVID RICHARDSON B.S., David Lipscomb University, 1995 M.M.Ed., The University of Georgia, 1999 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2004 2004 W. -
John Jenkins
1 The ALTOSAX of JOHN JENKINS Solographer: Jan Evensmo Last update: May 4, 2020 2 Born: Chicago, Jan. 3, 1931 Died: July 12, 1993 Introduction: I have to admit I had never heard of John Jenkins until into my mature years, but then I found his personal style very interesting and he certainly deserves his solography and recognition. Through a brief period of seven months in 1957, he participated in several recording sessions with the cream of his contemporaries, and he was obviously considered a great talent. Why he quit in the middle of success is not known. History: Jenkins initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949-1956. He played with Art Farmer in 1955 and led his own group at the Bee Hive in Chicago in December that year. In 1957 he played with Charlie Mingus and recorded two albums as a leader. He played as a sideman with Johnny Griffin, Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab and Wilbur Ware in 1957 (not the late 1950s and early 1960s as stated), but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman. After leaving the jazz world he worked as a messenger in New York and dabbled in jewelry; he sold brass objects at street fairs in the 1970s. After 1983 he began practicing again and playing live on street corners; shortly before his death he played with Clifford Jordan (Wikipedia). -
Playlist - WNCU ( 90.7 Fmnorth Carolina Central University) Generated : 05/05/2010 02:04 Pm
Playlist - WNCU ( 90.7 FMNorth Carolina Central University) Generated : 05/05/2010 02:04 pm WNCU 90.7 FM North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 04/29/2010 to 05/05/2010 Last Period (TP) = 04/22/2010 to 04/28/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Nnenna Freelon Homefree Concord 2010 10 22 -12 2 5 Rhoda Scott Beyond The Sea Doodlin 2010 7 5 2 2 14 Eric Frazier Live At Cecil's Jazz Club Vol. Self-Released 2009 7 3 4 2 4 2 Tom Harrell Roman Nights HighNote 2010 6 9 -3 4 5 Catherine Russell Inside This Heart Of Mine World Village / Harmonia 2010 6 5 1 Mundi Usa 4 294 Sly & The Family Stone Stand! Epic 1969 6 0 6 7 3 Avery Sharpe Trio Avery Sharpe Trio Live JKNM 2010 5 6 -1 7 8 John Basile No Apologies Stringtime Jazz 2010 5 4 1 7 25 Rufus Reid Out Front Motema 2010 5 2 3 10 5 Pharez Whitted Transient Journey Owl Studios 2010 4 5 -1 10 14 Joe Locke For The Love Of You E1 2010 4 3 1 10 25 Ehud Asherie Modern Life Posi-Tone 2010 4 2 2 10 25 The Vanguard Jazz Orchestra Monday Night Live At The Planet Arts 2008 4 2 2 Village Vanguard 10 59 Dianne Reeves A Little Moonlight Blue Note 2003 4 1 3 15 3 Sheryl Bailey A New Promise MCG Jazz 2010 3 6 -3 15 8 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 3 4 -1 15 8 The Jae Sinnett Trio Theatre J-Nett 2010 3 4 -1 15 8 Ella Fitzgerald & Louis The Complete Ella Fitzgerald Verve 1997 3 4 -1 Armstrong & Louis Armstrong On Verve 15 14 Karrin Allyson Footprints Concord 2006 3 3 0 15 14 Shirley Horn But Beautiful: The -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. Keith Jackson, DMA, Committee Chair Constinia Charbonnette, EDD David Taddie, Ph.D. Michael Vercelli, DMA Mitchell Arnold, DMA Music Morgantown, West Virginia 2019 Keywords: Hard Bop, Trombone, Jazz, Jazz Improvisation Copyright 2019 Emmett C. Goods The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964). Emmett C. Goods This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, Julian Priester and Grachan Moncur III from 1955 through 1964. In part one of this study, each musician is presented through their improvisational connections to J.J. Johnson, the leading trombonist of the Bebop era. His improvisational signatures are then traced through to the musical innovations of the Hard-Bop Trombone Era. Source material for this part of the study includes published books, dissertations, articles, online sources, discographies and personal interviews. Part two of this paper analyzes selected solos from each of the four subjects to identify the defining characteristics of the Hard-Bop Trombone Era. Evidence for these claims is bolstered by interviews conducted with the four men and their protégés. In a third and final part, a discography has been compiled for each artists during the defined era. Through historical analysis of these four artists’ music and recording of first-hand accounts from the artists themselves, this document attempts to properly contextualize the Hard-Bop Trombone Era as unique and important to the further development of the jazz trombone. -
Volume Xxi-Number 49 August 20, 1960
The Cash Bojr VOLUME XXI-NUMBER 49 AUGUST 20, 1960 Billy Vaughn, a newcomer lo the world of golf, tees off Dot Records’ “’Billy Vaughn Month” promotion while Dot president, Kaiuly ood, looks on approvingly. Vaughn, a charter inemher of the Dot label, has become one of the record industry’s most con- sistent hit makers with albums and singles riding the charts continually. Currently the maestro is sitting pretty in the singles field with “Cook For A Star” and is right up among the leading albums with his “Theme From A Summer I’laec” smash. Mis latest album, just issued, is tagged “(ireat Golden Hits.” CONNIE'S I 12th SMASH HIT IN A ROW! Attractively packaged in 4-color sleeve for impulse sales. SINGS MY HEART HAS A MIND OF ITS OWN MALAGUENA K12923 CONNIE'S LATEST STAR POWER LP . .CONNIE FRANCIS SINGS SE3853 E3853 SPANISH AND LATIN AMERICAN FAVORITES (Mono) (Stereo' ONE BLOW-UP SUITABLE FOR FRAMING OF THE ABOVE PHOTO OF GEORGE COLON ER WILL BE GIVEN ABSOLUTELY FREE TO THE FIR ST 8 DISTRIBUTORS ORDERING SOM OR MORE OFTHE RECORD BELOW! "I KNOW IT'S SUMMER, BUT "SHORTNIN' BREAD" BY PAUL CHAPLAIN & HIS EMERALDS-HARPER RECORDS #100 IS SELLING JUST LIKE THIS WAS DECEMBER. IT'S THE ORIGINAL, AND JUST ABOUT THE HOTTEST RECORD IN THE COUNTRY." DISTRIBUTED NATIONALLY BY GONE RECORDS HARPER RECORDS 1650 BROADWAY. NEW YORK, N.Y. The Cash Bqx—August 20, 1960 5 — The Cash Box Best Selling Monaural & Stereo Albums COMPILED BY The Gash Box FROM LEADING RETAIL OUTLETS • Alto available in Stereo Also available in EP MONRURM -A* STEREO Pos. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • July 25, 2011 Volume 7, Number 33 • $7.95
JazzWeek with airplay data powered by jazzweek.com • July 25, 2011 Volume 7, Number 33 • $7.95 Jazz Album No. 1: Chick Corea, Stanley Smooth Album No. 1: Dave Koz, Hello Clarke, Lenny White, Forever (Concord) Tomorrow (Concord) World Music No. 1: Amina Alaoui, Arco Iris Smooth Single No. 1: Sade, “Still In Love (ECM) With You” (Epic) Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays July 25 August 4 August 12 Johnny Hodges (1907) Louis Armstrong (1901) Earl Coleman (1925) Don Ellis (1934) Herb Ellis (1921) Pat Metheny (1954) July 26 Sonny Simmons (1933) August 13 Erskine Hawkins (1914) August 5 George Shearing (1919) Louie Bellson (1924) Red Nichols (1905) Benny Bailey (1925) Charlie Persip (1929) August 6 Mulgrew Miller (1955) Joanne Brackeen (1938) Luis Russell (1902) August 14 July 28 Buddy Collette (1921) Stuff Smith (1909) Delfeayo Marsalis (1965) Abbey Lincoln (1930) Lorez Alexandria (1929) July 29 Dorothy Ashby (1932) Eddie Costa (1930) Charlie Christian (1916) Roberto Baden-Powell (1936) August 15 Charlie Haden (1937) Oscar Peterson (1925) July 30 Byard Lancaster (1942) James Spaulding (1937) August 16 David Sanborn (1945) August 7 Mal Waldron (1926) Idrees Sulieman (1923) July 31 Bill Evans (piano)