Evening Concert Series

music.adelaide.edu.au/concerts 2 The Elder Conservatorium of Music WELCOME

Continuing a 137 year THE ELDER tradition of bringing great CONSERVATORIUM music to the community of HAS BEEN THE HEART South Australia, the faculty OF MUSICAL CULTURE and students of the Elder IN ADELAIDE FOR Conservatorium of Music OVER 130 YEARS. welcome you to our 2020 concert series.

We are delighted to have you join us, in the venerable and recently rejuvenated surroundings of Elder Hall, for a richly varied and exciting musical journey. Our program will, as always, showcase the finest of Adelaide’s musicians enriched by distinguished guests from interstate and overseas. We thank you for your continuing support of our activities as performers, creators, teachers, researchers and cultural ambassadors. We greatly value your role in the eternal partnership between music-makers and music-lovers.

Professor Graeme Koehne AO Director, Elder Conservatorium of Music

Concert Series 2020 3 LUNCHTIME CONCERT SERIES SEASON ONE

Friday 20 March Friday 3 April FROM START TO FINNISH À QUATRE MAINS Daniel Dodds violin Konstantin Shamray & Michael Ierace Kristian Chong piano piano four hands

Olli Mustonen Sonata for Violin and Piano Dvorˇák Slavonic Dances (selections) Beethoven Sonata for Piano and Violin Op. 30 Stravinsky Petrushka No. 2 in C minor “I had in my mind a distinct picture of a puppet, Finnish composer Olli Mustonen’s striking and suddenly endowed with life, exasperating the propulsive sonata for violin and piano is a piece patience of the orchestra with diabolical cascades for our time, while Beethoven’s beauty and of arpeggios. The orchestra in turn retaliates relevance never seem to fade. Two of Australia’s with menacing trumpet blasts.” This was finest chamber musicians grace the stage in the Stravinsky’s initial vision of Petrushka, which opening concert of the season. was subsequently shaped by Diaghilev and his Ballet Russes into one of the most popular Friday 27 March and enduring ballets of the twentieth century. ELDER CONSERVATORIUM Pianists Konstantin Shamray and Michael SYMPHONY ORCHESTRA Ierace bring Petrushka to life once again in this fiery version for piano four hands. Luke Dollman conductor Philippa McAuliffe harp* Friday 17 April Glière Harp Concerto in E-flat major, Op. 74* SHE GAVE HIM OLEANDER Beethoven Symphony No. 5, Op. 67 Derek Pascoe tenor saxophone The shimmering arpeggios of Glière’s harp Chris Martin piano concerto are the calm before the storm, prior to John Aue bass fate knocking at the door with the ominous first Lauren Henderson voice four notes of Beethoven’s fifth symphony. An evocative mixture of words and music encompassing jazz, folk and traditional songs in a contemporary setting. Four experienced musicians bring poetry from the likes of Robert Burns and A.E. Housman to life.

4 The Elder Conservatorium of Music All concerts in Elder Hall Doors open at 12:30pm Concert from 1:10 – 2:00pm Tickets $14 at the door Subscriptions available – see booking form for details

Friday 24 April Friday 1 May AUSTRALIAN STRING QUARTET SONGS OF THE CABARET Beethoven String Quartet in G major, Stephanie Acraman voice Op. 18 No. 2 Liam Wooding piano Beethoven String Quartet in F major, Op. 18 No. 1 William Bolcom Cabaret Songs

In the year of Beethoven’s 250th anniversary A result of over twenty years collaboration the Australian String Quartet look back to the between himself and poet Arnold Weinstein, composer’s early works. The string quartets of Bolcom’s Cabaret Songs draws inspiration opus 18 provide a taste of the romanticism that from a plethora of musical styles and forms, would follow, as the young composer deftly representing the melting pot that is American builds on the foundations of his forebears. culture and vernacular. Versatile vocalist Stephanie Acraman and exciting pianist Liam Wooding are a formidable pairing to tell these stories of the cabaret.

Concert Series 2020 5 Friday 8 May Friday 29 May JAZZ AWARD WINNERS NATURAL MUSIC The 2020 Helpmann Academy Jazz Award Elder Conservatorium Chorale winners come together to share the joys, the Carl Crossin OAM conductor jazz and the decadence of 1920’s jazz. Enjoy the music of Louis Armstrong, Bix Beiderbecke, Jake Runestad Come to the Woods Jelly Roll Morton, Bessie Smith and Duke Luke Byrne Desert Sea/Where Sails Once Flew Ellington while our students show you how they earned their awards! Directed by Dr …and other inspiring choral music that Lyndon Gray. explores the beauty of nature – and the nature of beauty! Friday 15 May Friday 5 June ELDER CONSERVATORIUM CHAMBER VIOLIN DUO ORCHESTRA Adam Chalabi violin Elizabeth Layton director/violin Elizabeth Layton violin William Madden trumpet* Elder Conservatorium Chamber Orchestra Handel Concerto Grosso in G major, Op. 6 No. 1 Torelli Trumpet Concerto in D major* Leclair Sonata for two violins in A major, Op. 3 Mendelssohn String Symphony No. 2 in D major Prokofiev Sonata for two violins, Op. 56 Nielsen Little Suite for Strings, Op. 1 JS Bach Concerto for two violins in D minor

A chamber orchestra is a versatile ensemble, Leclair’s sonata for two violins in A major lithely dancing across a range of repertoire and contains all the expressiveness you’d expect styles. In this concert the Elder Conservatorium from the founder of the French school of violin, Chamber Orchestra tackle Handel’s Concerto while Prokofiev’s opus 56 flaunts bold contrasts Grosso, Mendelssohn’s lush String Symphony – lyrical one moment, acerbic the next. Bach’s and Nielsen’s more sombre Little Suite. Double Concerto is a masterful example of Trumpeter William Madden joins the group to music from the late baroque period. perform Torelli’s spirited trumpet concerto. Friday 12 June Friday 22 May DEDICATION WAITING… Andrew Haveron violin Anna Goldsworthy piano Duo Matrimonial Kreutzer La Molinara Heidi von Bernewitz viola Beethoven Violin Sonata No. 9, Kreutzer Robert Nairn double bass Join Duo Matrimonial, comprised of Heidi von Many will know the name Kreutzer from the Bernewitz and Robert Nairn, as they perform dedication of Beethoven’s prodigious violin a vital program of contemporary duos for sonata. One of the finest violinists of his day, double bass and viola. Featuring works by John Kreutzer was also a prolific composer who Hawkins, Elena Kats Chernin, Sándor Veress, wrote over 40 operas. Here, his La Molinara and a world premiere from Finnish composer variations feature alongside the grand work by Teppo Hauta-Aho. Beethoven that bears his name.

6 The Elder Conservatorium of Music LUNCHTIME CONCERT SERIES SEASON TWO

Friday 14 August When, Blue Moon and Have You Met Miss CHOPIN ETUDES Jones will be presented in both contemporary and mainstream jazz styles by this talented Roy Howat piano group of young musicians, under the direction of James Muller. Keyboard Research Fellow at the Royal Academy of Music in London, Roy Howat has recently edited a selection of Chopin Friday 4 September Etudes for renowned publisher Edition REIMAGININGS Peters. Today he performs those sparkling, Joe Chindamo piano timeless etudes, intermixed with related Zoë Black violin pieces from Ravel, Chabrier and others. The boundaries between classical and Friday 21 August jazz are broken down in an innovative and thrilling program from virtuoso violinist Zoë ELDER CONSERVATORIUM Black and one of Australia’s greatest jazz SYMPHONY ORCHESTRA pianists, Joe Chindamo. Featuring original Luke Dollman conductor compositions by Joe Chindamo. Lauren McCormick New Work Shostakovich Symphony No. 10, Op. 93 Friday 11 September ELDER CONSERVATORIUM The spectre of Stalinist Russia looms over CHAMBER ORCHESTRA this mighty work premiered in the year of the dictator’s death. Its savage scherzo is Gustavo Quintino double bass* said to be a portrait of Joseph Stalin, while Elizabeth Layton violin / director the composer’s own enduring defiance is Mozart Divertimento in F major embodied in the third and fourth movements Bottesini Double Bass Concerto No. 2 in liberally stamped with his musical signature. B minor* Also featuring a new work by emerging Dag Wirén Serenade Op. 11 Adelaide composer Lauren McCormick. Giovanni Bottesini earned himself the Friday 28 August nickname “the Paganini of the double bass”, and while his double bass concerto does MY FUNNY VALENTINE contain challenging technical elements, the Join our Jazz Honours students as they work is also full of warmth and feeling. The celebrate the works of one the greatest song- good vibrations continue in the upbeat works writing teams of all time – Richard Rodgers by Mozart and Swedish composer Dag Wirén and Lorenz Hart. Songs like My Funny that bookend this uplifting program. Valentine, The Lady is a Tramp, Where or

Concert Series 2020 7 Friday 18 September Friday 9 October ELDER CONSERVATORIUM WIND ORCHESTRA BROUGHT TO LIGHT Luke Dollman conductor Elizabeth Layton violin Bailey Coates clarinet* Michael Ierace piano Holst First Suite in E flat, Op. 28, No. 1 JS Bach arr. Siloti Schoenberg Theme and Variations, Op. 43a Sonatas for violin and piano Connor Fogarty Clarinet Concerto* Sonata No. 1 in B minor, BWV 1014 (world premiere) Sonata No. 2 in A major, BWV 1015 Sonata No. 3 in E major, BWV 1016 Two cornerstones of the wind band repertoire, and perhaps a third in the Alexander Siloti was a Russian pianist, making! Holst’s jaunty First Suite will have conductor and composer who studied you tapping your toes in accompaniment. under Tchaikovsky and Liszt. His artful Schoenberg’s Theme and Variations exploits transcriptions of these Bach sonatas were the many colours of the chameleon-like wind only recently discovered. Let our Head of ensemble. Honours composition student Classical Performance, Elizabeth Layton and Connor Fogarty’s clarinet concerto receives celebrated pianist Michael Ierace draw you in its world premiere. with these exquisite works.

Friday 25 September Friday 16 October CATHERINE FRASER TRIO KEEP THE MUSIC PLAYING Catherine Fraser violin The Adelaide Connection Rachel Johnston cello Anita Wardell director Trent Arkleysmith guitar The Adelaide Connection’s SATB and SSAA The Catherine Fraser Trio are steeped in choirs present some of their favourite jazz choir the Scottish fiddle tradition, performing music with arrangements by Phil Mattson, repertoire from the wealth of Scottish Paris Rutherford, Kerry Marsh and more! collections, some dating as far back as the 1690s, as well as writing and arranging their Friday 23 October own contemporary compositions. ELDER CONSERVATORIUM Friday 2 October SYMPHONY ORCHESTRA SUITE LATINA Luke Dollman conductor Charles Bodman Rae conductor+ Oliver Fartach-Naini guitar Tae-sung Park piano* Maria Zhdanovich flute** Máximo Diego Pujol Suite Adelaires Richard Charlton Suite Latina John Polglase with waves written* Hector Ayala Serie Americana Lukas Foss Renaissance Concerto** Charles Bodman Rae Concerto for Orchestra+ Written as a tribute to the city of Adelaide (world premiere) after the composer’s visit in 2014, the beautiful Suite Adelaires looks at the city Old and new collide in Lukas Foss’ through a Latin-American lens; and in a work Renaissance Concerto for flute and orchestra dedicated to Oliver Fartach-Naini, Richard – the composer describing the 1985 work Charlton turns an antipodean eye to the as “a handshake across centuries”. John music of South America. Polglase’s with waves written is a fantasia for piano and strings. Head of Composition at

8 The Elder Conservatorium of Music the Elder Conservatorium, Charles Bodman Friday 6 November Rae conducts the premiere of his latest work, AUSTRALIAN STRING QUARTET Concerto for Orchestra. Lauren McCormick New Work Friday 30 October Ravel String Quartet in F major TOP CLASS Our 2020 lunchtime concert series draws In what has become an annual tradition we to a close with the treasured Australian bring you the next generation of classical String Quartet performing a new work music talent. Top performing students of the by honours composition student Lauren Elder Conservatorium make their mark on McCormick alongside Ravel’s gripping the Elder Hall stage. and brilliant String Quartet.

Concert Series 2020 9 INTIMATE BEETHOVEN ELDER MINI-FESTIVAL

Over three immersive days, we celebrate Beethoven’s masterful chamber music, alongside the artistic riches of the Faculty of the Elder Conservatorium.

10 The Elder Conservatorium of Music Photo by Shane Reid Welcome to the inaugural Elder Mini-Festival, Intimate Beethoven.

For this unique collaboration, we bring Thursday 23 April, 1:10pm together two of Australia’s most celebrated SPRING PASSION ensembles, both of which trace their origins to this institution: the Australian String Beethoven Bagatelles, Op. 119 (selection) Quartet and Seraphim Trio. They are joined Konstantin Shamray piano by the distinguished faculty of the Elder Piano School: Lucinda Collins, Konstantin Beethoven Violin Sonata No. 5 in F major, Op. Shamray and Anna Goldsworthy. 24, Spring In this musical journey, we move from Francesca Hiew violin Beethoven’s dazzlingly inventive Trio Op. 1 Lucinda Collins piano no. 2 – the first work he ever published – to his favourite of the late quartets, Op. 131, Thursday 23 April, 3:00pm dating from the final year of his life, of which Schubert allegedly said ‘after this, what is left DAVID MALOUF ON LATE STYLE for us to write?’. Along the way, we survey Join us for a free public lecture by writer and two of his brilliant violin sonatas, featuring virtuoso late stylist, David Malouf exploring ASQ’s Francesca Hiew and Seraphim Trio’s the quality of lateness in Beethoven’s third Helen Ayres; the magisterial ‘Archduke’ Trio, period. Hosted by acclaimed pianist and which represents a culmination of the genre; memoirist Dr Anna Goldsworthy. Presented two of his first published string quartets, in collaboration with the JM Coetzee Centre from the Op. 18; and the concentrated for Creative Practice. masterworks of his late piano Bagatelles. A public masterclass and a public lecture Thursday 23 April, 7:00pm by the renowned writer, David Malouf, SERAPHIM TRIO & AUSTRALIAN presented by the J.M. Coetzee Centre for STRING QUARTET Creative Practice, complete this compelling portrait of the composer at his most intimate Beethoven Piano Trio Op. 97, Archduke and searching. Beethoven String Quartet in C-sharp minor, Op. 131 Wednesday 22 April, 7:00pm SERAPHIM TRIO Friday 24 April, 1:10pm* AUSTRALIAN STRING QUARTET Helen Ayres violin Tim Nankervis cello Dale Barltrop violin 1 Anna Goldsworthy piano Francesca Hiew violin 2 Stephen King viola Beethoven Violin Sonata Op. 12 No. 1 Sharon Grigoryan cello Beethoven Variations on ‘Ich bin der Schneider Kakadu,’ Op. 121a Beethoven String Quartet in G major, Beethoven Piano Trio Op. 1 No. 1 Op. 18 No. 2 Beethoven String Quartet in F major, Thursday 23 April, 10:30am Op. 18 No. 1 MASTERCLASS * This concert is also part of the Lunchtime Concert Series. A free, public masterclass featuring the Australian String Quartet and local Bookings now available - see page 18 students exploring selected movements from Beethoven’s string quartets.

Concert Series 2020 11 EVENING CONCERT SERIES

Saturday 18 April, 6:30pm A GRAND CROSSROADS: THE GLORY OF THE ENGLISH BAROQUE Adelaide Baroque Music by Handel, Purcell, Avison, Hellendaal and more. The elegance of the late 17th century permeates this exciting program of baroque gems from the land of the rose. Leaders in historically informed performance practice, Adelaide Baroque will be joined by countenor Max Reibel for this enthralling concert.

Saturday 23 May, 6:30pm Saturday 13 June, 6:30pm and SKETCHES OF SPAIN Sunday 14 June, 3:00pm Elder Conservatorium Wind Orchestra TITAN Band of the South Australia Police Elder Conservatorium Symphony Luke Dollman conductor Orchestra & Adelaide Youth Orchestra David Polain conductor Dustan Cox saxophone* Luke Dollman & Keith Crellin OAM conductors Tianyou Ma violin* Miles Davis Sketches of Spain* Paul Hart Circus Ring Tchaikovsky Violin Concerto in D major, Bizet arr. Takahashi Carmen Suite Op. 35* Mahler Symphony No. 1 in D major, Titan Inspired by Rodrigo’s iconic Concierto de Aranjuez, Miles Davis’ and Gil Evan’s masterful Brilliant young violinist Tianyou Ma takes on work Sketches of Spain takes centre stage in Tchaikovsky’s virtuosic violin concerto with this program celebrating the evocative sounds the Adelaide Youth Orchestra, conducted of the wind orchestra. This languid and by Keith Crellin OAM. For Mahler’s dreamy soundscape is contrasted with the monumental first symphony – Titan – the operatic drama of Bizet’s Carmen Suite, with Elder Conservatorium Symphony Orchestra Paul Hart’s light-hearted Circus Ring serving and Adelaide Youth Orchestra join forces as a delightfully cheeky palate cleanser. under the baton of Luke Dollman in a performance of immense proportions.

12 The Elder Conservatorium of Music Saturday 11 July, 6:30pm Cox, and Australian pianist Leigh Harrold. FLUTESONG Schubert’s Introduction and Variations reimagines the vocal line of his most famous Michael Cox flute song cycle, while Chopin’s variations (written Leigh Harrold piano in the composer’s formative years) borrow Schubert Introduction and Variations on a their theme from a Rossini opera. Jolivet’s Theme from die Schöne Mullerin, D802 exhilarating Chant de Linos and Debussy’s Beethoven Variations on a Scottish air Bonnie Chansons de Bilitis pay homage to the Laddie, Highland Lassie, Op. 107 No. 2 poets and orators of Ancient Greece and a Schubert arr. Boehm Am Meer (By the Lake) world premiere by composer and Adelaide Boehm Fantasy on Scottish Airs Chamber Singers director Carl Crossin OAM Debussy Three movements from Chansons lends the concert its name. de Bilitis Chopin Variations on non più mesta from Monday 13 July, 6:30pm Rossini’s La Cenerentola Carl Crossin Flutesong (world premiere) ASQ DAY Ian Clark Zoom Tube The Australian String Quartet spend the Messiaen Vocalise day in Elder Hall working with local up- André Jolivet Chant de Linos and-coming performers, culminating in a combined evening concert. This is your Celebrate the primal connection between chance to hear the stars of the future being the flute and the human voice with one of expertly guided by the stars of the present. Britain’s foremost flute players, Michael

Concert Series 2020 13 Saturday 8 August, 6:30pm Saturday 26 September, 6:30pm SHADES OF BLUE FAUST: A MORTAL’S TALE Adelaide Wind Orchestra Ashley Hribar piano Bryan Griffiths conductor A selection of works inspired by the 1926 Nuno Silva clarinet* silent film Faust, reflecting the story of Joan Tower Fascinating Ribbons the alchemist Dr Faust, his struggle with RR Bennett Symphonic Songs for Band mortality, his encounter with the demon Ticheli Blue Shades Mephistopheles and his journey into Shaw Concerto for Clarinet* the unknown. With music by Debussy, Rachmaninov, Liszt and more, and The Adelaide Wind Orchestra conjures up arrangements by Ashley Hribar, this program George Gershwin’s bustling Brooklyn with is certain to delight and surprise. a program of works inspired by the Jazz Age, including Joan Tower’s Fascinating Saturday 17 October, 6:30pm Ribbons and Frank Ticheli’s Blue Shades. In the second half of the program Nuno Silva, GUITARISSIMO Principal Clarinet of the Lisbon Metropolitan Elder Conservatorium Guitar Ensemble Orchestra, joins in for a rendition of Artie and Classical Guitar Students Shaw’s lively Clarinet Concerto. Guitarissimo is an important and treasured event for Adelaide’s music lovers and guitar Saturday 12 September, 6:30pm aficionados. Directed by Oliver Fartach- SONGS FROM THE GREAT SOUTHLAND Naini, the classical guitar students of Originally developed as a piano trio the Elder Conservatorium will present a concert for the Australian Piano Pedagogy stylistically diverse program of solo and Conference, Songs from the Great South Land chamber music ranging from the Renaissance is Mark Simeon Ferguson’s tribute to the and Baroque through to modern times. great pop, rock and light classical songs of Australia. For one night only the concept Friday 30 October, 6:30pm expands in scope, adding the might of ELDER CONSERVATORIUM WIND ORCHESTRA jazz staff James Muller, Lyndon Gray and Dustan Cox, along with the thrilling voices Li Fangfang guest conductor of the Adelaide Connection. Works by Percy David Maslanka Symphony No. 9 (excerpt) Grainger, Elena Kats-Chernin, Nick Cave, with additional works to be announced Silverchair and Kylie will be reimagined through jazz eyes in an exploration of the International conductor and founder of the sounds of Australia. Curator and pianist Beijing Wind Orchestra, Li Fangfang, leads Mark Simeon Ferguson. the Elder Conservatorium Wind Orchestra in a performance centred on Maslanka’s vast Symphony No. 9. Presented as part of the 2020 OzAsia Festival.

14 The Elder Conservatorium of Music EVENING CONCERT SERIES BOOKING FORM

Step 1: Pick your concerts Use the following table to choose your concerts, ticket types, and number of tickets. Calculate the cost using the single concert price if you’ve chosen fewer than 4 concerts, or the subscription price for 4 or more concerts. Save over 20% by purchasing a subscription. Turn the page to choose your seating preference and enter your payment details.

Concert Type No. Single Subscription Total Cost Cost

Saturday 18 April – 6:30pm Adult $30 $22.50 $ ADELAIDE BAROQUE Concession $25 $19 $ General admission seating Student $19 $14.50 $ Adult $30 $22.50 $ Saturday 23 May – 6:30pm Concession $25 $19 $ SKETCHES OF SPAIN Student $19 $14.50 $ Saturday 13 June – 6:30pm Adult $35 $26 $ TITAN Concession $25 $19 $ For bookings to the Sun 14 June performance phone AdYO on 8361 8896 Student $19 $14.50 $ Adult $30 $22.50 $ Saturday 11 July – 6:30pm Concession $25 $19 $ FLUTESONG Student $19 $14.50 $ Monday 13 July – 6:30pm Adult $25 $19 $ ASQ DAY Concession $20 $15 $ General admission seating Student $15 $12 $ Adult $30 $22.50 $ Saturday 8 August – 6:30pm Concession $25 $19 $ SHADES OF BLUE Student $19 $14.50 $ Adult $30 $22.50 $ Saturday 12 September – 6:30pm SONGS FROM THE GREAT Concession $25 $19 $ SOUTHLAND Student $19 $14.50 $ Saturday 26 September – 6:30pm Adult $30 $22.50 $ FAUST: A MORTAL’S TALE Concession $25 $19 $ General admission seating Student $19 $14.50 $ Saturday 17 October – 6:30pm Adult $25 $19 $ GUITARISSIMO Concession $20 $15 $ General admission seating Student $15 $12 $ Adult $30 $22.50 $ Friday 30 October – 6:30pm ELDER CONSERVATORIUM Concession $25 $19 $ WIND ORCHESTRA Student $19 $14.50 $ GRAND TOTAL $ Step 2: Choose your seating Personal Details

Refer to the seating map below to Title: ...... indicate your preferred seating: First Name:...... 1st preference:...... Family Name:......

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We will issue the best available seating Telephone:...... from your preferences at the time of booking. Email:......

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GB 7 8 9 10 11 12 13 14 15 16 17 GB Gallery Landing H1 Gallery Landing GA 7 8 9 10 11 12 13 14 15 16 17 18 GA Please debit my: Visa Mastercard

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W 7 8 9 10 11 12 13 14 15 16 17 18 W 6 19 20 3 4 5 21 22 1 2 23 24 W V 7 8 9 10 11 12 13 14 15 16 17 V W Card number: 19 4 5 6 20 21 2 3 22 23 24 V 1 V U 7 8 9 10 11 12 13 14 15 16 17 18 U 19 4 5 6 20 21 2 3 22 23 24 U 1 U T 7 8 9 10 11 12 13 14 15 16 17 T 19 4 5 6 20 21 2 3 22 23 24 T 1 T S 7 8 9 10 11 12 13 14 15 16 17 18 S 19 4 5 6 20 21 2 3 22 23 24 S 1 S R 7 8 9 10 11 12 13 14 15 16 17 R 19 4 5 6 20 21 2 3 22 23 24 R 1 R Q 7 8 9 10 11 12 13 14 15 16 17 18 Q 19 4 5 6 20 21 2 3 22 23 24 Q 1 D E F Q P 7 8 9 10 11 12 13 14 15 16 17 P 6 19 20 3 4 5 21 22 Tiered Stalls Tiered 1 2 23 24 Stalls Tiered P O 7 8 9 10 11 12 13 14 15 16 17 18 O P 5 6 19 20 21 2 3 4 22 23 Card holder’s name:...... 1 24 O N 7 8 9 10 11 12 13 14 15 16 17 N O 6 19 20 3 4 5 21 22 1 2 23 24 N M 7 8 9 10 11 12 13 14 15 16 17 18 M N 19 20 21 Wheelchair & 22 23 24 M M Disabled Seating To Lift EXIT EXIT Signature: ...... Wheelchair & L 7 8 9 10 11 12 13 14 15 16 17 18 L 19 20 21 Disabled Seating 22 23 24 L L K 7 8 9 10 11 12 13 14 15 16 17 K 19 4 5 6 20 21 2 3 22 23 24 K 1 K J 7 8 9 10 11 12 13 14 15 16 17 18 J 19 4 5 6 20 21 2 3 22 23 24 J 1 J H 7 8 9 10 11 12 13 14 15 16 17 H 19 4 5 6 20 21 2 3 22 23 24 H 1 H Expiry: / G 7 8 9 10 11 12 13 14 15 16 17 18 G 6 19 20 3 4 5 21 22 1 2 23 24 G F 7 8 9 10 11 12 13 14 15 16 17 F G 5 6 19 20 21 2 3 4 22 23 Floor Stalls 1 A B 24 Floor Stalls F C F E 7 8 9 10 11 12 13 14 15 16 17 18 E 6 19 20 3 4 5 21 22 1 2 23 24 E D 7 8 9 10 11 12 13 14 15 16 17 D E 6 19 20 3 4 5 21 22 1 2 23 24 D C 7 8 9 10 11 12 13 14 15 16 17 C D CVC Number: Last 3 digits on reverse of card

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TOTAL: $...... Step 3: Complete payment details Date: / Please complete the payment details and return the form using the included reply paid envelope, or by mailing to: Total price includes GST. This form will be a tax invoice for GST upon completion of payment to the University of Concert Series Manager Adelaide, Adelaide SA 5005. ABN: 61 249 878 937 Elder Conservatorium of Music The University of Adelaide, SA 5005

16 The Elder Conservatorium of Music LUNCHTIME GOLD PASS BOOKING FORM

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If you would like to save time Title: ...... and money, why not purchase a Gold Pass? First Name:...... With a Gold Pass, your admission to Lunchtime concerts is pre-paid, Family Name:...... and you save up to 30% on the price of entry. Address:...... We recommend Gold Pass holders arrive by 1pm – entrance may not ...... Postcode:...... be guaranteed if arriving later that that time. Telephone:...... Please indicate below the number and type of Gold Passes you would like Email:...... to purchase. Complete the payment details, then tear off and return the Payment form using the included reply paid envelope, or by mailing to: I enclose a cheque made payable to Concert Series Manager ‘The University of Adelaide’ Elder Conservatorium of Music The University of Adelaide, SA 5005 Please debit my: Visa Mastercard Card number: Full Year Pass: 20 Mar – 6 Nov Admission to all 25 Lunchtime Concerts No. of Gold Passes: _____ @$220 each Card holder’s name:...... Total: $______

Signature: ...... Season One Pass: 20 Mar – 12 Jun

Admission to all 12 Season One Expiry: / Lunchtime Concerts No. of Gold Passes: _____ @$120 each. CVC Number: Last 3 digits on reverse of card Total: $______

Season Two Pass: 14 Aug – 6 Nov TOTAL: $...... Admission to all 13 Season Two Lunchtime Concerts Date: / No. of Gold Passes: _____ @$120 each Total: $______Total price includes GST. This form will be a tax invoice for GST upon completion of payment to the University of Adelaide, Adelaide SA 5005. ABN: 61 249 878 937

Concert Series 2020 17 INTIMATE BEETHOVEN BOOKING FORM

We look forward to welcoming you to Elder Hall in April for the Initimate Beethoven mini-festival. We’re thrilled to offer a ‘Beethoven Festival Pass”, giving access to all six fantastic events. The pass represents great value, with a saving of up to $20 on the individual ticket price. General admission tickets will be available at the door unless previously sold out. Seating for all concerts is general admission only. Please indicate below the tickets and/or passes you would like to purchase, then enter your payment details on the reverse page (combining the payment total with your Gold Pass booking if applicable). Return the form using the included reply paid envelope, or by mailing to: Concert Series Manager Elder Conservatorium of Music The University of Adelaide, SA 5005

Event Ticket No. Cost Total Wednesday 22 April – 7:00pm Adult $30 $ SERAPHIM TRIO Concession $25 $ Thursday 23 April – 10:30am General Admission FREE $ MASTERCLASS Thursday 23 April – 1:10pm General Admission $14 $ SPRING PASSION Thursday 23 April – 3:00pm General Admission FREE $ DAVID MALOUF ON LATE STYLE Thursday 23 April – 7:00pm Adult $30 $ SERAPHIM TRIO + ASQ Concession $25 $ Friday 24 April – 1:10pm Beethoven Festival Pass or Lunchtime Gold Pass only. AUSTRALIAN STRING QUARTET General Admission available at the door ($14) GRAND TOTAL $ or

BEETHOVEN FESTIVAL PASS Adult $68 $ Access to all events listed above Concession $50 $ GRAND TOTAL $

18 The Elder Conservatorium of Music Evening Concert Information Box office: Open one hour prior to each performance. Concert bar: Wine, bottled water, and orange juice are available to purchase before the concert and during the interval. Concert duration: Concerts are approximately two hours duration, including a 20 minute interval. Disabled access: Lift access is available from the eastern side of Elder Hall. Parking: Available in the University car park, entry via Gate 23 off North Tce. Fees from $1.50 per hour. Wherever possible, latecomers will be admitted at a suitable break in the performance. The unauthorised use of cameras, audio and video equipment is not permitted. Please ensure mobile phones are switched off or in flight mode. Food and drink is not permitted in the auditorium (water excepted).