DOCSLIB.ORG

「Jazz Vintage Vinyl Want List Vol.3」はwebでもご覧頂けます

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
「Jazz Vintage Vinyl Want List Vol.3」はwebでもご覧頂けます BLUE NOTE JAY JAY JOHNSON JAY JAY JOHNSON JIMMY SMITH JIMMY SMITH The Eminent Vol.1 The Eminent Vol.2 A New Sound A New Star Vol.1 A New Sound A New Star Vol.2 （BLP1505／LEX／DG／FLAT／額） （BLP1506／LEX／DG／FLAT／額） （BLP1512／LEX／DG／FLAT／額） （BLP1514／LEX／DG／FLAT／額） 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥20,000 10%UP→ ¥22,000 VINTAGE JAZZ VINYL WANT LIST VOL.3 - 2013 AUTUMN JAZZ VINYL WANT VINTAGE GIL MELLE HORACE SILVER HORACE SILVER KENNY DORHAM Patterns In Jazz And The Jazz Messengers Horace Silver Tiro & Art Blakey - At The Cafe Bohemia （BLP1517／LEX／DG／FLAT／額） （BLP1518／LEX／DG／FLAT／額） Sabu （BLP1524／LEX／DG／FLAT／額） （BLP1520／LEX／DG／FLAT／額） 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥100,000 10%UP→ ¥110,000 JIMMY SMITH CLIFFORD BROWN JIMMY SMITH JIMMY SMITH The Incredible Vol.3 Memorial Album At Club Baby Grand Vol.1 At Club Baby Grand Vol.2 （BLP1525／LEX／DG／FLAT／額） （BLP1526／LEX／DG／FLAT／額） （BLP1528／LEX／DG／FLAT／額） （BLP1529／LEX／DG／FLAT／額） 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥80,000 10%UP→ ¥88,000 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥25,000 10%UP→ ¥27,500 LEE MORGAN HORACE SILVER KENNY BURRELL HANK MOBLEY Indeed! 6 Pieces Of Silver Volume 2 And His All Stars （BLP1538／LEX／DG／FLAT／額） （BLP1539／LEX／DG／FLAT／額） （BLP1543／LEX／DG／FLAT／額） （BLP1544／63RD／23／DG／FLAT／額） 買取 買取 買取 買取 価格 ¥160,000 10%UP→ ¥176,000 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥50,000 10%UP→ ¥55,000 価格 ¥70,000 10%UP→ ¥77,000 表内の10％アップキャンペーン価格は、弊社のレコード買取アップキャンペーン期間中の価格例となります。 02 ※オリジナル盤の買取価格は、ジャケット・盤共にトップコンディションの価格で、2013年11月1日（金）現在のものです。 買取価格は市場の相場や各店舗の在庫状況により大きく変動する場合がございます。予めご了承下さい。 JIMMY SMITH JIMMY SMITH CLIFF JORDAN - JOHN GILMORE HANK MOBLEY A Date With Jimmy Smith Vol.1 A Date With Jimmy Smith Vol.2 Blowing In From Chicago Hank Mobley Quintet （BLP1547／63RD／23／DG／FLAT） （BLP1548／63RD／23／DG／FLAT） （BLP1549／63RD／23／DG／FLAT） （BLP1550／63RD／23／DG／FLAT） 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥35,000 10%UP→ ¥38,500 価格 ¥90,000 10%UP→ ¥99,000 価格 ¥140,000 10%UP→ ¥154,000 VINTAGE JAZZ VINYL WANT LIST VOL.3 - 2013 AUTUMN JAZZ VINYL WANT VINTAGE LOU DONALDSON CURTIS FULLER JOHN JENKINS SONNY CLARK Swing And Soul Bone And Bari With Kenny Burrell Sonny's Crib （BLP1566／63RD／DG／Rなし） （BLP1572／63RD／DG／Rなし） （BLP1573／63RD／DG／Rなし） （BLP1576／63RD／DG／Rなし） 買取 価格 ¥75,000 10%UP→ ¥82,500 両23付買取価格 買取 買取 買取 価格 ¥30,000 10%UP→ ¥33,000 価格 ¥40,000 10%UP→ ¥44,000 価格 ¥80,000 10%UP→ ¥88,000 ¥150,000 10%UP→ ¥165,000 JOHN COLTRANE BENNIE GREEN LOU DONALDSON ART BLAKEY Blue Train Back On The Scene Blues Walk Moanin' （BLP1577／63RD／DG／Rなし） （BLP1587／63RD／DG／Rなし） （BLP1593／63RD／DG／Rなし） （BLP4003／63RD／DG／Rなし） 買取 価格 ¥80,000 10%UP→ ¥88,000 片23付買取価格 買取 買取 買取 ¥200,000 10%UP→ ¥220,000 価格 ¥30,000 10%UP→ ¥33,000 価格 ¥40,000 10%UP→ ¥44,000 価格 ¥25,000 10%UP→ ¥27,500 BUD POWELL JIMMY SMITH JACKIE McLEAN STANLEY TURRENTINE The Scene Changes The Sermon Capuchin Swing Look Out （BLP4009／63RD／DG／Rなし） （BLP4011／63RD／DG／Rなし） （BLP4038／63RD／DG） （BLP4039／63RD／DG） 買取 買取 買取 買取 価格 ¥40,000 10%UP→ ¥44,000 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥25,000 10%UP→ ¥27,500 表内の10％アップキャンペーン価格は、弊社のレコード買取アップキャンペーン期間中の価格例となります。 03 BLUE NOTE ART TAYLOR ART BLAKEY ART BLAKEY DONALD BYRD A.T.'S Delight Meet You At The Jazz Corner Meet You At The Jazz Corner At The Half Note Cafe Vol.1 （BLP4047／63RD／DG） Of The World Vol.1 Of The World Vol.2 （BLP4060／両面63RD／両面DG） （BLP4054／両面63RD／両面DG） （BLP4055／両面63RD／両面DG） 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥25,000 10%UP→ ¥27,500 VINTAGE JAZZ VINYL WANT LIST VOL.3 - 2013 AUTUMN JAZZ VINYL WANT VINTAGE DONALD BYRD GRANT GREEN FREDDIE HUBBARD KENNY CLARKE At The Half Note Cafe Vol.2 Grant's First Stand Ready For Freddie The Golden Eight （BLP4061／両面63RD／両面DG） （BLP4064／両面63RD／両面DG） （BLP4085／NY／耳／RVG） （BLP4092／NY／耳／RVG） 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥15,000 10%UP→ ¥16,500 DONALD BYRD HERBIE HANCOCK HORACE SILVER FREDDIE ROACH Royal Flush Takin' Off The Tokyo Blues Down To Earth （BLP4101／NY／両面DG） （BLP4109／NY／両面DG） （BLP4110／NY／両面DG） （BLP4113／NY／耳／RVG） 買取 買取 買取 買取 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥15,000 10%UP→ ¥16,500 IKE QUEBEC JOE HENDERSON LEE MORGAN WAYNE SHORTER Bossa Nova Soul Samba Our Thing The Sidewinder Night Dreamer （BLP4114／NY／耳／RVG） （BLP4152／NY／両面DG） （BLP4157／NY／両面DG） （BLP4173／NY／耳／RVG） 買取 買取 買取 買取 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥25,000 10%UP→ ¥27,500 表内の10％アップキャンペーン価格は、弊社のレコード買取アップキャンペーン期間中の価格例となります。 04 HERBIE HANCOCK DEXTER GORDON BLUE MITCHELL DUKE PEARSON Empyrean Isles One Flight Up The Thing To Do Wahoo! （BLP4175／NY／耳／RVG） （BLP4176／NY／耳／RVG） （BLP4178／NY／耳／RVG） （BLP4191／NY／耳／RVG） 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥12,000 10%UP→ ¥13,200 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥12,000 10%UP→ ¥13,200 VINTAGE JAZZ VINYL WANT LIST VOL.3 - 2013 AUTUMN JAZZ VINYL WANT VINTAGE JACKIE McLEAN LARRY YOUNG HANK MOBLEY BOBBY HUTCHERSON Action Unity A Caddy For Daddy Happenings （BLP4218／NY／RVG） （BLP4221／NY／RVG） （BLP4230／NY／RVG） （BLP4231／NY／RVG） 買取 買取 買取 買取 価格 ¥10,000 10%UP→ ¥11,000 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥12,000 10%UP→ ¥13,200 価格 ¥10,000 10%UP→ ¥11,000 DONALD BYRD SAM RIVERS GRANT GREEN KENNY DREW Mustang! A New Conceptrion Street Of Dreams New Faces New Sounds （BLP4238／NY／RVG） （BLP4249／NY／RVG） （BLP4253／NY／RVG） （BLP5023／LEX／DG／FLAT／額） 買取 買取 買取 買取 価格 ¥10,000 10%UP→ ¥11,000 価格 ¥10,000 10%UP→ ¥11,000 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥40,000 10%UP→ ¥44,000 WYNTON KELLY GEORGE WALLINGTON CLIFFORD BROWN FATS SADI New Faces New Sounds Showcase Clifford Brown Quartet The Swinging （BLP5025／LEX／DG／FLAT／額） （BLP5045／LEX／DG／FLAT／額） （BLP5047／LEX／DG／FLAT／額） （BLP5061／LEX／DG／FLAT／額） 買取 買取 買取 買取 価格 ¥30,000 10%UP→ ¥33,000 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥70,000 10%UP→ ¥77,000 価格 ¥20,000 10%UP→ ¥22,000 表内の10％アップキャンペーン価格は、弊社のレコード買取アップキャンペーン期間中の価格例となります。 05 PRESTIGE ELMO HOPE SONNY ROLLINS JACKIE McLEAN ELMO HOPE Meditations With The Modern Jazz Quartet, Lights Out! Informal Jazz （PRLP7010／レモンYELLOW／NYC／DG） Art Blakey, Kenny Drew （PRLP7035／レモンYELLOW／NYC／DG） （PRLP7043／YELLOW／NYC／DG） （PRLP7029／レモンYELLOW／NYC／DG／ 誤植ジャケ（LP7020表記）） 買取 買取 買取 買取 価格 ¥28,000 10%UP→ ¥30,800 価格 ¥70,000 10%UP→ ¥77,000 価格 ¥40,000 10%UP→ ¥44,000 価格 ¥68,000 10%UP→ ¥74,800 VINTAGE JAZZ VINYL WANT LIST VOL.3 - 2013 AUTUMN JAZZ VINYL WANT VINTAGE PHIL WOODS JACKIE McLEAN HANK MOBLEY THELONIOUS MONK Pairing Off 4, 5 And 6 Mobley's Message Thelonious Monk With Sonny （PRLP7046／YELLOW／NYC／DG） （PRLP7048／YELLOW／NYC／DG／FLAT） （PRLP7061／YELLOW／NYC／DG） Rollins （PRLP7075／YELLOW／NYC／DG） 買取 買取 買取 買取 価格 ¥30,000 10%UP→ ¥33,000 価格 ¥70,000 10%UP→ ¥77,000 価格 ¥48,000 10%UP→ ¥52,800 価格 ¥25,000 10%UP→ ¥27,500 MILES DAVIS SONNY ROLLINS KENNY BURRELL / DONALD JOHN COLTRANE Walkin' Saxophone Colossus BYRD Coltrane （PRLP7076／YELLOW／NYC／DG） （PRLP7079／YELLOW／NYC／DG） All Day Long （PRLP7105／YELLOW／NYC／DG） （PRLP7081／YELLOW／NYC／DG） 買取 買取 買取 買取 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥130,000 10%UP→ ¥143,000 価格 ¥30,000 10%UP→ ¥33,000 価格 ¥70,000 10%UP→ ¥77,000 CURTIS FULLER MAL WALDRON JACKIE McLEAN TOMMY FLANAGAN New Trombone Mal-2 Alto Madness Overseas （PRLP7107／YELLOW／NYC／DG） （PRLP7111／YELLOW／NYC／DG） （PRLP7114／YELLOW／NYC／DG） （PRLP7134／YELLOW／NYC／DG） 買取 買取 買取 買取 価格 ¥45,000 10%UP→ ¥49,500 価格 ¥50,000 10%UP→ ¥55,000 価格 ¥50,000 10%UP→ ¥55,000 価格 ¥140,000 10%UP→ ¥154,000 表内の10％アップキャンペーン価格は、弊社のレコード買取アップキャンペーン期間中の価格例となります。 06 PRESTIGE 傍系含む RED GARLAND MILES DAVIS RED GARLAND JOHN WRIGHT Red In Bluesville Workin' Soul Junction South Side Soul （PRLP7157／YELLOW／NJ／DG） （PRLP7166／YELLOW／NJ／DG） （PRLP7181／YELLOW／NJ／DG） （PRLP7190／YELLOW／NJ／DG） 買取 買取 買取 買取 価格 ¥13,000 10%UP→ ¥14,300 価格 ¥16,000 10%UP→ ¥17,600 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥15,000 10%UP→ ¥16,500 VINTAGE JAZZ VINYL WANT LIST VOL.3 - 2013 AUTUMN JAZZ VINYL WANT VINTAGE ERIC DOLPHY ERIC DOLPHY JOHN COLTRANE ERIC DOLPHY At The Five Spot Vol.2 In Europe Vol.1 Black Pearls Memorial Album （PRLP7294／YELLOW／NJ） （PRLP7304／YELLOW／NJ） （PR7316／YELLOW／NJ） （PR7334／紺／サイドロゴ） 買取 買取 買取 買取 価格 ¥23,000 10%UP→ ¥25,300 価格 ¥12,000 10%UP→ ¥13,200 価格 ¥12,000 10%UP→ ¥13,200 価格 ¥10,000 10%UP→ ¥11,000 ROY HAYNES TOMMY FLANAGAN ART TAYLOR KENNY DORHAM We Three The Cats Taylor's Tenors Quiet Kenny （NJLP8210／紫／DG） （NJLP8217／紫／DG） （NJLP8219／紫／DG） （NJLP8225／紫／DG） 買取 買取 買取 買取 価格 ¥22,000 10%UP→ ¥24,200 価格 ¥35,000 10%UP→ ¥38,500 価格 ¥45,000 10%UP→ ¥49,500 価格 ¥150,000 10%UP→ ¥165,000 JEROME RICHARDSON JOHN JENKINS/CLIFFORD ERIC DOLPHY ROLAND ALEXANDER Roamin' With Richardson JORDAN/BOBBY TIMMONS At The Five Spot Vol.1 Pleasure Bent （NJLP8226／紫／DG） Jenkins, Jordan, Timmons （NJLP8260／紫／DG） （NJLP8267／紫／DG） （NJLP8232／紫／DG） 買取 買取 買取 買取 価格 ¥45,000 10%UP→ ¥49,500 価格 ¥35,000 10%UP→ ¥38,500 価格 ¥50,000 10%UP→ ¥55,000 価格 ¥20,000 10%UP→ ¥22,000 表内の10％アップキャンペーン価格は、弊社のレコード買取アップキャンペーン期間中の価格例となります。 07 RIVERSIDE ERNIE HENRY BILL EVANS KENNY DREW ZOOT SIMS Presenting New Jazz Conceptions Kenny Drew Trio Zoot! （RLP12-222／白／DG／FLAT） （RLP12-223／白／DG／FLAT） （RLP12-224／白／DG／FLAT） （RLP12-228／白／DG／FLAT） 買取 買取 買取 買取 価格 ¥45,000 10%UP→ ¥49,500 価格 ¥200,000 10%UP→ ¥220,000 価格 ¥200,000 10%UP→ ¥220,000 価格 ¥42,000 10%UP→ ¥46,200 VINTAGE JAZZ VINYL WANT LIST VOL.3 - 2013 AUTUMN JAZZ VINYL WANT VINTAGE THELONIOUS MONK KENNY DREW KENNY DORHAM WITH SONNY WILBUR WARE Thelonious Himself This Is New ROLLINS The Chicago Sound （RLP12-235／白／DG／FLAT） （RLP12-236／白／DG／FLAT） Jazz Contrasts （RLP12-252／青大／DG／PAT） （RLP12-239／白／DG／FLAT） 買取 買取 買取 買取 価格 ¥20,000 10%UP→ ¥22,000 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥15,000 10%UP→ ¥16,500 価格 ¥20,000 10%UP→ ¥22,000 KENNY
Load more

Recommended publications
  • QUASIMODE: Ike QUEBEC
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
    [Show full text]
  • Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
    Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
    CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey.
    [Show full text]
  • Savoy and Regent Label Discography
    Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 03/16/2011 03:30 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 03/16/2011 03:30 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 03/08/2011 to 03/15/2011 Last Period (TP) = 02/28/2011 to 03/07/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 3 Ernestine Anderson Nightlife: Live At Dizzy's HighNote 2011 16 16 0 Club Coca-Cola 2 1 Russell Malone Triple Play Max Jazz 2010 15 18 -3 2 2 Jeremy Pelt Talented Mr. Pelt HighNote 2011 15 17 -2 2 8 Luther Hughes & The Things Are Getting Better Primrose Lane 2011 15 11 4 Cannonball-Coltrane Project 5 6 Kurt Elling The Gate Concord Jazz 2011 12 13 -1 6 12 Tom Rizzo Imaginary Numbers Origin 2010 11 9 2 7 4 Tomas Janzon Experiences Changes 2010 10 15 -5 7 7 Matt Nelson Nostalgiamaniac Chicago Sessions 2010 10 12 -2 7 22 Jazzvox Jazzvox Presents: In Your OA2 2011 10 7 3 Own Backyard 10 12 Mark Weinstein Jazz & Brasil Jazzheads 2010 9 9 0 10 12 Bob Sheppard Close Your Eyes BFM Jazz 2010 9 9 0 10 22 Brian Lynch Unsung Heroes Hollistic 2010 9 7 2 13 8 Louis Hayes Lou's Idea American Showplace 2010 8 11 -3 13 22 Geoffrey Keezer & Peter Mill Creek Road SBE 2011 8 7 1 Sprague 13 25 Either Orchestra Mood Music For Time Accurate 2010 8 6 2 Travellers 16 12 Suzanne Pittson Out Of The Hub: The Vineland 2010 7 9 -2 Music Of Freddie Hubbard 16 19 Cassandra Wilson Silver Pony Blue Note 2010 7 8 -1 16 25 Gene Ludwig Love Notes Of Cole Porter Big O 2011 7 6 1 16 50 Fred Hersch Alone At The Vanguard Palmetto 2011 7 2 5 20 5
    [Show full text]
  • The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
    Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H.
    [Show full text]
  • Down Bea MUSIC '65 10Th YEARBOOK $1
    down bea MUSIC '65 10th YEARBOOK $1 The Foundation Blues By Nat Hentoff Jazzmen As Critics By Leonard Feather The Academician Views De Jazz Musician ,By Malcolm E. Bessom The Jazz Musician Views The Academiciau By Marjorie Hyams Ericsson Jazz 1964: Good, Bad, Or Indifferent? Two Views Of The Year By Don DeMicheal And Tom Scanlan Articles by Stanley Dance, Vernon Duke, Don Heckman, George Hoefer, Dan Morgenstern, Pete Welding, and George Wiskirchen, C.S.C., Plus Many Other Features GUITARS Try a Harmony Soon ELECTRIC AT YOUR GUITARS gt AMPLIFIERS Favorite Music Dealer MANDOLINS BANJOS UKULELES Write for FREE full-color catalog •Address: Dept. 0Y5 Copyright 1964. The Harriony Co. Chicago 60632, U.S.A. introduces amajor current in Meateeee titiVe as COLTRANE presents SHEPP Highlighting a release of 12 distinguished new albums, is the brilliant debut A-68 J. J. JOHNSON - PROOF POSITIVE recording of ARCHIE SHEPP, who was discovered and introduced to us by A-69 YUSEF LATEEF LIVE AT PEP'S JOHN COLTRANE. We think you will agree that the young saxophonist's lucid A-70 MILT JACKSON - JAll 'N' SAMBA style and intuitive sense of interpretation will thrust him high on the list of A-71 ARCHIE SHEPP - FOUR FOR TRANE today's most influential jazz spokesmen. A-73 SHIRLEY SCOTT - EVERYBODY LOVES ALOVER A-74 JOHNNY HARTMAN - THE VOICE THAT IS As for COLTRANE himself, the 1964 Downbeat Poll's 1st place Tenor Man has A-75 OLIVER NELSON - MORE BLUES AND THE again produced a performance of unequalled distinction. ABSTRACT TRUTH Other 1st place winners represented by new Impulse albums are long-time favor- A-76 MORE OF THE GREAT LOREZ ALEXANDRIA ites J.J.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/01/2010 12:44 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/01/2010 12:44 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/24/2010 to 11/30/2010 Last Period (TP) = 11/17/2010 to 11/23/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Cassandra Wilson Silver Pony Blue Note 2010 12 14 -2 2 4 Negroni's Trio Just Three Mojito 2010 10 9 1 2 12 The Marsalis Family Music Redeems Marsalis 2010 10 7 3 2 16 Bill O'Connell Rhapsody In Blue Challenge 2010 10 6 4 5 3 Houston Person Moment To Moment HighNote 2010 7 10 -3 5 4 Russell Malone Triple Play Max Jazz 2010 7 9 -2 5 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 7 9 -2 5 4 Kenny Burrell Be Yourself HighNote 2010 7 9 -2 5 16 Jane Monheit Home Emarcy 2010 7 6 1 5 19 Louis Hayes Lou's Idea American Showplace 2010 7 5 2 11 4 The Clayton Brothers The New Song And Dance ArtistShare 2010 6 9 -3 11 12 David Hardiman Portrait Of David Hardiman Self-Released 2010 6 7 -1 11 12 Tomas Janzon Experiences Changes 2010 6 7 -1 14 2 Kermit Ruffins Happy Talk Basin Street 2010 5 12 -7 14 9 James Moody Moody 4B IPO 2010 5 8 -3 14 9 Takuya Kuroda Bitter And High Self-Released 2010 5 8 -3 14 43 Larry Coryell Prime Picks HighNote 2010 5 2 3 18 9 Mary Stallings Dream HighNote 2010 4 8 -4 18 12 Either Orchestra Mood Music For Time Accurate 2010 4 7 -3 Travellers 18 19 Tom Rizzo Imaginary Numbers Origin 2010 4 5 -1 18 19 Royce Campbell Trio What Is This Thing Called? Philology 2010 4 5 -1 18 23 Dave Bass Gone Dave
    [Show full text]
  • John Coltrane Black Pearls Mp3, Flac, Wma
    John Coltrane Black Pearls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Pearls Country: US Style: Hard Bop, Post Bop MP3 version RAR size: 1737 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1227 mb Rating: 4.2 Votes: 154 Other Formats: APE VQF ADX AAC ASF MP1 MP3 Tracklist Hide Credits Black Pearls A1 13:05 Written-By – Billy Graham* Lover Come Back To Me A2 7:25 Written-By – Hammerstein*, Romberg* Sweet Sapphire Blues B 18:20 Written-By – R. Weinstock* Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Bass – Paul Chambers Drums – Art Taylor Liner Notes [Apr. 1964] – Michael Gold Piano – Red Garland Recorded By – Rudy Van Gelder Supervised By [Supervision] – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Donald Byrd Notes Blue center labels with trident on right. Jacket manufactured without "Stereo" printed on front cover; instead has a "Stereo" sticker. Recorded in Hackensack, NJ, May 23, 1958. Barcode and Other Identifiers Matrix / Runout (Side A runout): STEREO PRST·7316·A· VAN GELDER Matrix / Runout (Side B runout): STEREO PRST·7316·B· VAN GELDER Other versions Title Category Artist Label Category Country Year (Format) PR 7316, PRST John Black Pearls Prestige, PR 7316, PRST US 1964 7316 Coltrane (LP, Album) Prestige 7316 Black Pearls Prestige, PR 7316, P-7316, John PR 7316, P-7316, (LP, Album, Prestige, Germany Unknown OJC-352 Coltrane OJC-352 RE) Prestige Black Pearls John DOL729 (LP, Album, DOL DOL729 Europe 2013 Coltrane RE, 140) Prestige, Black Pearls Original
    [Show full text]