Playlist - WNCU ( 90.7 Fmnorth Carolina Central University) Generated : 05/05/2010 02:04 Pm
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Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/12/2010 to 08/18/2010 Last Period (TP) = 08/05/2010 to 08/11/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Kenny Burrell Be Yourself HighNote 2010 15 15 0 1 39 Tomas Janzon Experiences Changes 2010 15 2 13 3 2 Curtis Fuller I Will Tell Her Capri 2010 13 11 2 3 23 Chris Massey Vibrainium Self-Released 2010 13 3 10 5 3 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 10 10 0 5 9 Buselli Wallarab Jazz Mezzanine Owl Studios 2010 10 5 5 Orchestra 7 16 Mark Weinstein Timbasa Jazzheads 2010 8 4 4 7 71 Amina Figarova Sketches Munich 2010 8 1 7 7 71 Steve Davis Images Posi-Tone 2010 8 1 7 10 5 Nnenna Freelon Homefree Concord 2010 7 8 -1 10 9 Fred Hersch Whirl Palmetto 2010 7 5 2 12 5 Tim Warfield A Sentimental Journey Criss Cross 2010 6 8 -2 12 8 Rita Edmond A Glance At Destiny T.O.T.I. 2010 6 6 0 12 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 6 4 2 12 23 The Craig Russo Latin Jazz Mambo Influenciado Cagoots 2010 6 3 3 Project 12 39 Radam Schwartz Songs For The Soul Arabesque 2010 6 2 4 12 71 Tamir Hendelman Destinations Resonance 2010 6 1 5 12 267 Buckwheat Zydeco Lay Your Burden Down Alligator 2009 6 0 6 12 267 Charlie Musselwhite The Well Alligator 2010 6 0 6 20 4 Jason Moran Ten Blue Note 2010 5 9 -4 20 7 Stephen Anderson Nation Degeneration Summit 2010 5 7 -2 20 16 Keith Jarrett -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
The Bad Ass Pulse by Martin Longley
December 2010 | No. 104 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com The THE Bad Ass bad Pulse PLUS Mulgrew Miller • Microscopic Septet • Origin • Event Calendar Many people have spoken to us over the years about the methodology we use in putting someone on our cover. We at AllAboutJazz-New York consider that to be New York@Night prime real estate, if you excuse the expression, and use it for celebrating those 4 musicians who have that elusive combination of significance and longevity (our Interview: Mulgrew Miller Hall of Fame, if you will). We are proud of those who have graced our front page, lamented those legends who have since passed and occasionally even fêted 6 by Laurel Gross someone long deceased who deserved another moment in the spotlight. Artist Feature: Microscopic Septet But as our issue count grows and seminal players are fewer and fewer, we must expand our notion of significance. Part of that, not only in the jazz world, has by Ken Dryden 7 been controversy, those players or groups that make people question their strict On The Cover: The Bad Plus rules about what is or what is not whatever. Who better to foment that kind of 9 by Martin Longley discussion than this month’s On The Cover, The Bad Plus, only the third time in our history that we have featured a group. This tradition-upending trio is at Encore: Lest We Forget: Village Vanguard from the end of December into the first days of January. 10 Bill Smith Johnny Griffin Another band that has pushed the boundaries of jazz, first during the ‘80s but now with an acclaimed reunion, is the Microscopic Septet (Artist Feature). -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
Record Dedicated to Serving the Needs of the Music & Record Worldindustry
record Dedicated To Serving The Needs Of The Music & Record worldIndustry May 11, 1969 60c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD -.A.11111111." LOVE MI TONIGHT TON TOWS Tom Jones, clicking on Young -HoltUnlimited have JerryButlerhas a spicy Bob Dylan sings his pretty stateside TV these days, a new and funky ditty and moodyfollow-up in "I Threw ftAll Away" (Big shouldscoreveryheavily called "Young and Holtful" "Moody Woman" (Gold Sky, ASCAP), which has with"Love Me Tonight" (Dakar - BRC, BMI), which Forever-Parabut, BMI(,pro- caused muchtalkinthe (Duchess, BMI)(Parrot hassomejazzandLatin duced by Gamble -Huff (Mer- "NashvilleSkyline"elpee 40038(. init (Brunswick 755410). cury 72929). (Columbia 4-448261. SLEEPER PICKS OF THE WEEK TELLING ALRIGHT AM JOE COCKER COLOR HIM FATHER THE WINSTONS Joe Cocker sings the nifty The Winstons are new and Roy Clark recalls his youth TheFive Americans geta Traffic ditty that Dave will make quite a name for on the wistful Charles Az- lot funkier and funnier with Mason wrote, "FeelingAl- themselveswith"Color navour - Herbert Kretzmer, "IgnertWoman" (Jetstar, right" (Almo, ASCAP). Denny Him Father"(Holly Bee, "Yesterday,When I Was BMI(, which the five guys Cordell produced (A&M BMI), A DonCarrollPra- Young"(TRO - Dartmouth, wrote (Abnak 137(. 1063). duction (Metromedia117). ASCAP) (Dot 17246). ALBUM PICKS OF THE WEEK ONUTISNINF lUICICCIENS GOLD "Don Kirshner Cuts 'Hair' " RogerWilliams plays "MacKenna's Gold," one of Larry Santos is a newcomer is just what the title says "HappyHeart" andalso the big summer movies, has with a big,huskyvoice I hree Records from 'Hair' withHerbBernsteinsup- getsmuchivorymileage a scorebyQuincy Jones and a good way with tune- plying arrangements and from "Those Were the and singing byJoseFeli- smithing. -
The-Stinging-Fly-42V2-Sampler.Pdf
‘… God has specially appointed me to this city, so as though it were a large thoroughbred horse which because of its great size is inclined to be lazy and needs the stimulation of some stinging fly…’ —Plato, The Last Days of Socrates A sampler of work from Issue 42 Volume Two Summer 2020 Editor: Danny Denton Publisher: Declan Meade Assistant Editor: Sara O’Rourke Poetry Editor: Cal Doyle Eagarthóir Filíochta: Aifric MacAodha Reviews Editor: Lily Ní Dhomhnaill Online Editor: Ian Maleney Contributing Editors: Dan Bolger, Mia Gallagher, Lisa McInerney, Thomas Morris and Sally Rooney The Stinging Fly gratefully acknowledges the support of The Arts Council/An Chomhairle Ealaíon. A Note on Navigation: Please feel free to scroll freely through these pages. From the contents page – coming up next – you can also click through to particular stories, essays or poems. Click on the text in the box below, wherever it appears, and we will return you safely to the contents page. the stinging fly NEW WRITERS, NEW WRITING the stinging fly NEW WRITERS, NEW WRITING CONTENTS Danny Denton Editorial 4 Various Pandemic Notes from Contributors 5 FICTION Aude Enigma Of The Bend (translated by Cristy Stiles) 21 Robin Fuller Chinese Whispers 35 Niamh Campbell This Happy (an extract) 65 Yan Ge The Little House 74 Alex Bell Caledonia Whipping Boy 109 Philip Ó Ceallaigh My Life In The City 118 NONFICTION Ali Isaac The Word & The Kiss Are Born From The Same Body Part 47 Lisa McInerney Fantastic Babies: Notes on a K-pop Music Video 93 POETRY Celia Parra As I said I am (translated by Patrick Loughnane) 34 Dylan Brennan Desertion 64 Michael Dooley Eavesdropping 73 Nidhi Zak/Aria Eipe Featured Poet – Two poems 88 Ruth Wiggins O 92 Katie O’Sullivan Sonnet to a SoftBoy™ (He Microwaved My Heart) 107 Jess McKinney The Good Kind of Green 108 Emily S. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/01/2010 12:44 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/01/2010 12:44 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/24/2010 to 11/30/2010 Last Period (TP) = 11/17/2010 to 11/23/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Cassandra Wilson Silver Pony Blue Note 2010 12 14 -2 2 4 Negroni's Trio Just Three Mojito 2010 10 9 1 2 12 The Marsalis Family Music Redeems Marsalis 2010 10 7 3 2 16 Bill O'Connell Rhapsody In Blue Challenge 2010 10 6 4 5 3 Houston Person Moment To Moment HighNote 2010 7 10 -3 5 4 Russell Malone Triple Play Max Jazz 2010 7 9 -2 5 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 7 9 -2 5 4 Kenny Burrell Be Yourself HighNote 2010 7 9 -2 5 16 Jane Monheit Home Emarcy 2010 7 6 1 5 19 Louis Hayes Lou's Idea American Showplace 2010 7 5 2 11 4 The Clayton Brothers The New Song And Dance ArtistShare 2010 6 9 -3 11 12 David Hardiman Portrait Of David Hardiman Self-Released 2010 6 7 -1 11 12 Tomas Janzon Experiences Changes 2010 6 7 -1 14 2 Kermit Ruffins Happy Talk Basin Street 2010 5 12 -7 14 9 James Moody Moody 4B IPO 2010 5 8 -3 14 9 Takuya Kuroda Bitter And High Self-Released 2010 5 8 -3 14 43 Larry Coryell Prime Picks HighNote 2010 5 2 3 18 9 Mary Stallings Dream HighNote 2010 4 8 -4 18 12 Either Orchestra Mood Music For Time Accurate 2010 4 7 -3 Travellers 18 19 Tom Rizzo Imaginary Numbers Origin 2010 4 5 -1 18 19 Royce Campbell Trio What Is This Thing Called? Philology 2010 4 5 -1 18 23 Dave Bass Gone Dave -
Original Compositions for Full Concert Band and Chorus Published in the United States
ORIGINAL COMPOSITIONS FOR FULL CONCERT BAND AND CHORUS PUBLISHED IN THE UNITED STATES by W. DAVID RICHARDSON (Under the Direction of Allen Crowell) ABSTRACT Compositions originally composed and published for full concert band and chorus seem to be plagued by a cyclic problem: the lack of information about the compositions discourages their performance, the lack of performances discourages their composition, the lack of composition discourages gathering information about the pieces. In an attempt to break this cycle, the document is an annotated bibliography of original compositions published in the United States for full concert band and SATB chorus. Each music publisher included in the Music Publishers Association of the United States of America (MPAUSA) directory was surveyed to discover compositions. After a review of literature, information is offered regarding specific delimitations for instrumentation and genre followed by survey procedures and data collection methods. Of the 683 publishers surveyed, 384 could not be reached, 274 did not have originally composed compositions for band and chorus, and 25 publishers held 42 originally composed works for full band and chorus. Each bibliography entry contains the title, composer, publisher, publication date, duration, movements/tempi, instrumentation, genre, text author/source, and full text for each piece meeting the delimitation criteria. This same information is listed for 10 significant works not quite meeting the delimitation criteria. INDEX WORDS: Concert Band, Chorus, SATB, Winds, Voices, Original Compositions, American publishers, Music, Annotated Bibliography, MPAUSA ORIGINAL COMPOSITIONS FOR FULL CONCERT BAND AND CHORUS PUBLISHED IN THE UNITED STATES by W. DAVID RICHARDSON B.S., David Lipscomb University, 1995 M.M.Ed., The University of Georgia, 1999 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2004 2004 W. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2010 By
MISSISSIPPI LEGISLATURE REGULAR SESSION 2010 By: Senator(s) Horhn, Baria, Browning, To: Rules Butler, Chassaniol, Dawkins, Fillingane, Frazier, Jackson (11th), Jackson (15th), Jackson (32nd), Jones, Kirby, Montgomery, Powell, Stone SENATE CONCURRENT RESOLUTION NO. 530 1 A CONCURRENT RESOLUTION RECOGNIZING AND SALUTING JACKSON JAZZ 2 ARTIST CASSANDRA WILSON UPON THE OCCASION OF THE MISSISSIPPI BLUES 3 TRAIL MARKER IN HER HONOR WHICH IS MISSISSIPPI'S 100TH MARKER. 4 WHEREAS, on January 7, 2010, the 100th Mississippi Blues 5 Trail Marker will be dedicated to honor national jazz artist 6 Cassandra Wilson at the Sam M. Brinkley Middle School located at 7 Ridgeway Street and Albemarle Road in Jackson, Mississippi; and 8 WHEREAS, "There's no question that the 100th marker on the 9 Mississippi Blues Trail is a fitting tribute to one of the 10 greatest voices in American arts," Governor Haley Barbour said. 11 "Cassandra Wilson's collection of blues, jazz standards and 12 musical style sets her apart from other artists. She is truly one 13 of Mississippi's musical treasures"; and 14 WHEREAS, Mississippi, the Birthplace of America's Music, is a 15 destination for music lovers. The Mississippi Blues Trail program 16 was created to recognize the talents of the state's countless 17 musicians. When completed, the trail will include more than 100 18 sites that together will offer an unforgettable journey into Blues 19 history; and 20 WHEREAS, the Mississippi Blues Trail markers are funded in 21 part by a grant from the National Endowment for the Humanities and 22 by support from the Jackson Convention and Visitors Bureau, the 23 Mississippi Department of Transportation, Delta State University 24 and the Mississippi Development Authority; and 25 WHEREAS, although often categorized as a jazz artist, 26 Wilson's music spans many genres, including the blues. -
John Jenkins
1 The ALTOSAX of JOHN JENKINS Solographer: Jan Evensmo Last update: May 4, 2020 2 Born: Chicago, Jan. 3, 1931 Died: July 12, 1993 Introduction: I have to admit I had never heard of John Jenkins until into my mature years, but then I found his personal style very interesting and he certainly deserves his solography and recognition. Through a brief period of seven months in 1957, he participated in several recording sessions with the cream of his contemporaries, and he was obviously considered a great talent. Why he quit in the middle of success is not known. History: Jenkins initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949-1956. He played with Art Farmer in 1955 and led his own group at the Bee Hive in Chicago in December that year. In 1957 he played with Charlie Mingus and recorded two albums as a leader. He played as a sideman with Johnny Griffin, Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab and Wilbur Ware in 1957 (not the late 1950s and early 1960s as stated), but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman. After leaving the jazz world he worked as a messenger in New York and dabbled in jewelry; he sold brass objects at street fairs in the 1970s. After 1983 he began practicing again and playing live on street corners; shortly before his death he played with Clifford Jordan (Wikipedia). -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 09/01/2010 09:57 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 09/01/2010 09:57 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/25/2010 to 08/31/2010 Last Period (TP) = 08/18/2010 to 08/24/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 267 James Moody Moody 4B IPO 2010 14 0 14 2 2 Kenny Burrell Be Yourself HighNote 2010 9 13 -4 2 6 Steve Davis Images Posi-Tone 2010 9 8 1 4 6 Hilario Duran Motion Alma 2010 8 8 0 4 267 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 0 8 4 267 The Marsalis Family Music Redeems Marsalis 2010 8 0 8 7 1 Curtis Fuller I Will Tell Her Capri 2010 7 14 -7 7 267 Danilo Perez Providencia Mack Avenue 2010 7 0 7 7 267 Jim Rotondi 1000 Rainbows Posi-Tone 2010 7 0 7 10 16 Fred Hersch Whirl Palmetto 2010 6 5 1 10 78 Dr. Lonnie Smith Spiral Palmetto 2010 6 1 5 10 267 Mauricio De Souza Here. There... Pulsa 2010 6 0 6 13 3 Tomas Janzon Experiences Changes 2010 5 10 -5 13 4 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 5 9 -4 13 12 Nnenna Freelon Homefree Concord 2010 5 6 -1 13 16 Dave Bass Gone Dave Bass 2010 5 5 0 13 22 John Fedchock Live At The Red Sea Jazz Capri 2010 5 4 1 Festival 13 267 The Vanguard Jazz Orchestra Up From The Skies: Music Of Planet Arts 2006 5 0 5 Jim McNeely 13 267 Larry Goldings & Harry Allen When Larry Met Harry Cafe Society 2010 5 0 5 20 4 Chris Massey Vibrainium Self-Released 2010 4 9 -5 20 8 Mark Weinstein Timbasa Jazzheads 2010 4 7 -3 20 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 4 5 -1 20 22 Tamir Hendelman Destinations Resonance 2010 4 4 0 20 27 Pharez Whitted Transient Journey Owl Studios 2010 4 3 1 20 267 Ted Hogarth Live At The Jazz Showcase Jazz Showcase 2010 4 0 4 20 267 Sharon Jones & The I Learned The Hard Way Daptone 2010 4 0 4 Dap-Kings 27 8 Rita Edmond A Glance At Destiny T.O.T.I.