Summary of Development Approved Applications February 2014 Summary of Development Approved Applications February 2014
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Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Brett Sheehy CONFESSIONS of a GATEKEEPER
Address To The Inaugural Currency House/ Australia Business Arts Foundation 2009 Arts And Public Life Breakfast 31 March At The Sofi tel, Melbourne On Collins Brett Sheehy CONFESSIONS OF A GATEKEEPER Hello and welcome everyone. I quickly want to thank Harold for introducing me today. Harold barely knew me when, in November 2001, he fl ew from Melbourne to Sydney to attend my fi rst ever festival launch in Customs House down at Sydney’s Circular Quay. His reason was simple - he loves the arts, I was a fairly new kid on the festival block, and he wanted to show his support. And that support has continues to this day, unabated. I appreciate it tremendously, and it’s a privilege to fi nally share a stage with him, in what is now, mutually, our hometown. So thank you Harold. These confessions of an arts gatekeeper which I’m going to share this morning are personal, frequently intuitive, born of 25 years of observation and experience in the arts, but also not absolutes – all are debatable, but not one, I think, is disprovable. An arts gatekeeper is really a kind of artistic ‘door bitch’, someone charged with the responsibility of deciding when the ‘velvet rope’ is lifted, and which art will, and will not, be seen by the public of Australia. And while the metaphor of the ‘velvet rope’ makes light of it here, the role is actually riven with anxiety and stress – so important do I think the responsibility is, and so potentially charged with hubris. Gatekeepers come in many guises – festival directors, artistic directors of theatre and dance companies, museum and gallery curators, music directors of opera houses and orchestras, arts centre programmers, book publishers and record producers. -
A New Masterplan for Adelaide's Riverbank Precinct
Sourceable Industry News & Analysis http://sourceable.net A New Masterplan for Adelaide’s Riverbank Precinct Author : kristen-avis The South Australian government has begun consultations on what should be done in four integral areas including Bonython Park, the old Royal Adelaide Hospital (RAH) site, the core entertainment area, and the biomedical precinct in order to link the CBD and North Adelaide to attract more activity and investment. Premier Jay Weatherill is confident of the potential of Adelaide’s Riverbank precinct, saying it “will be better than anything other major Australian cities have to offer,” offering Sydney’s Darling Harbour and Melbourne’s Docklands as comparisons. The precinct will include entertainment, retail, arts and sport facilities with work ranging from redevelopment of the Festival Centre to a $40 million footbridge across the Torrens, upgrades to the Adelaide Casino, and the redeveloped Adelaide Oval. Weatherill admits Adelaide has never fully used the river to its advantage but says the new plan will create a new identity for the city with a busy park in the middle of Adelaide. “The River Torrens winding through the heart of Adelaide is one of our city’s best assets,” he says. Adelaide Footbridge Construction Weatherill is inviting South Australians to voice their opinions on how to best revamp the area. Deputy Premier and Planning Minister John Rau says the implementation plan for the Riverbank precinct will be displayed at the Adelaide Convention Centre on June 30. 1 / 3 Sourceable Industry News & Analysis http://sourceable.net Developers hope to finalise a blueprint for the area by August. -
Country Arts SA Brings Biggest Season Yet to the Riverland
April 2017 Adelaide Cabaret Festival Roadshow is back - direct from the world’s best and biggest cabaret festival! Adelaide Festival Centre and Country Arts SA present Adelaide Cabaret Festival Roadshow, a spectacular variety evening of hand-picked sequined talent. Each year, Adelaide Cabaret Festival gathers artists from all over the world for 16 revolutionary nights. Featuring some of the most outrageous, raw, fierce (and fun!) performances around, Adelaide Cabaret Festival Roadshow brings festival favourites to you. Supported by a great band and the vivacious Eddie Bannon who will return for his third year hosting Adelaide Cabaret Festival Roadshow, artists performing include South Australian burlesque star Sapphire Snow, Cameron Goodall, Melissa Langton, Mark Jones, and the irreverent Tripod. Prepare yourself for a night of amazing musical prowess, impeccable comedic timing, and captivating characters. This is also your chance to experience the best emerging young talent from your region. The local Nathaniel O’Brien Class of Cabaret Scholarship recipient will grace the stage to impress and inspire. Adelaide Cabaret Festival Regional Roadshow is an annual event held in the lead up to Adelaide Cabaret Festival. The Roadshow brings renowned Australian cabaret artists to different regions in South Australia giving locals a taste of what the Festival offers. Expect unforgettable performances from some of the best cabaret artists around. Paul Roberts, spokesperson for Country Arts SA’s principal corporate partner SA Power Networks said: “The Adelaide Cabaret Festival Roadshow is a great night out. Book a table with friends and join in a gala evening that you won't forget!" Look out for an Adelaide Cabaret Festival car chock-full of cabaret artists heading to a region near you. -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
River Torrens Heavy Vehicle Bypass Prescribed Routes for Heavy Vehicles in Adelaide CBD and North Adelaide
INF19-005 RTHVB River Torrens Heavy Vehicle Bypass Prescribed routes for heavy vehicles in Adelaide CBD and North Adelaide This fact sheet provides information on permitted heavy Bridges subject to the restriction: vehicle routes and load restrictions for heavy vehicles Albert Bridge weighing over 26 tonnes in the City of Adelaide. Adelaide Bridge From 27 September 2019 all vehicles that exceed 26 tonnes Victoria Bridge will be restricted from crossing three road bridges over the river Torrens in the Adelaide CBD and North Adelaide. The Adelaide City Ring Route (R1) is the best way for large and heavy vehicles to avoid the restricted bridges and move between Adelaide CBD and North Adelaide. Barossa, Clare Valley & Gawler FITZROY TCE Yam Daisy D Park/ J R E Denise Norton Park/ Kantarilla F Pardipardinyilla T (Park 3) F LEFEVRE Bragg Park/ K TCE C (Park 2) C E R O Ngampa Yerta A P R T (Park 5) O P S B T RD E TCE O E RD R No heavy vehicles I IN NORTH RD RD North Course P D A Reservoir Park/ IN M D Kangatilla (Park 4) E M Lefevre Park / Nantu Wama (Park 6) O weighing over ' C O ON TCE J WEST N TCE EAST RT E O A N T B AR P M F B LEFEVRE TCE N A F The Olive Groves/ I L C E M R K RDKuntingga L O L A 26 tonnes S TCE ST L ST (Park 7) T N LDERS T ST N RD CHI ST VER M GO I Glover North Playspace L The Olive Groves/ L Parngutilla S TCE TCE Port Adelaide ST (Park 8) N ST YNTE Semaphore K TCE UXTO T R B ST Adelaide City Ring A M J X ST P Wellington E SE I N R S L Square/ O T N SU L ST S Mary Lee Park Kudnartu G I S TCE ST N HILL ST R RTH RCHE IN ESWO -
2022 Adelaide Festival Awards for Literature Guidelines
ADELAIDE FESTIVAL AWARDS FOR LITERATURE 2022 GUIDELINES ADELAIDE FESTIVAL AWARDS FOR LITERATURE 2022 CONTENTS About the Awards 3 2022 National Awards for Published Works 4 2022 Awards for South Australian Writers 5 2022 Fellowships for South Australian Writers 6 How to Apply 7 Opening date March 2021 Closing date 5.00pm, Wednesday 30 June 2021 ADELAIDE FESTIVAL AWARDS FOR LITERATURE 2 ABOUT THE AWARDS The Adelaide Festival Awards for Literature (AFAL) are presented every two years during Adelaide Writers’ Week as part of the Adelaide Festival. Introduced in 1986 by the Government of South Australia, the awards celebrate South Australia’s writing culture by offering national and State-based literary prizes, as well as fellowships for South Australian writers. The awards are managed by the State Library of South Australia. The awards provide an opportunity to highlight the importance of our unique South Australian writers and contribute to and support community engagement with literature. Award winners will be invited to attend the award presentation. The State Library will arrange for interstate/intrastate return economy airfares to Adelaide, two nights accommodation, and transport to and from the airport for winning authors to attend the award presentation to be held during Writers’ Week in March 2022. Nominations for the 2022 Adelaide Festival Awards for Literature will close on Wednesday 30 June 2021. • Entries are acknowledged within one month of receipt. • Incomplete or late nominations will not be accepted. • Any breach of nomination conditions will render a nomination invalid. • Nominated publications will not be returned after the judging process. Publications will be added to the State Library Collection. -
A Christmas Celebration
A Christmas Celebration 10-12 December Festival Theatre A Christmas Celebration Welcome Luke Dollman Conductor It would be a joy to present this concert for you at the Mitchell Butel MC/Vocals/Creative Director end of any year, but right now that joy is tinged with Johanna Allen Vocals an awareness of what a challenging journey 2020 has The Idea of North Vocal quartet been. This is a season to be especially grateful that Freddy Ramly-Peck The Little Drummer Boy we are together again, in the company of the ASO, Mietta Brookman The Sugar Plum Fairy conductor Luke Dollman and the wonderful artists who will bring you magical Christmas entertainment. Duration Approx. 1 hr 20 mins, no interval 2020 has been a test of resilience, and a test of inventiveness too. Although the possibility of live performance evaporated in March, the ASO quickly GRUBER recognised the opportunities the online space Silent Night presented, and since then the musicians have kept the music-making alive through a series of virtual HURST concerts. Your response to these performances has A Welcome to Christmas been tremendously encouraging and you will see on the ASO website that new online performances GILLESPIE/COOTS (arr. YOUNG) continue to be available to you. Santa Claus is Coming to Town Adelaide Festival Centre took the first careful steps CAPPEAU/ADAM towards bringing live music back after the shutdowns, O Holy Night with a series of concerts at the redeveloped Her Majesty’s Theatre, and has continued to pioneer the HAIRSTON ( arr. TWIST) safe return of artists and audiences to venues. -
Womadelaide 1992 – 2016 Artists Listed by Year/Festival
WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble -
The Australian Music Centre Website
A select guide to Australian music theatre In Repertoire 2 I Dear Reader This guide takes you on a journey through contemporary Australian music theatre works that are currently available for touring. These and additional works in repertoire can all be found in the data base on pages 24 - 25 with contact addresses and other information. A few significant works no longer in repertoire are mentioned in the overview essay on pages 22-23. Many more are documented in Arias, Recent Australian Music Theatre (Red House Editions, 1997). A sample listing of works in progress is reported on page 26. On the same page a basic set of references can be found. A longer list is available on the Australian Music Centre website http://www.amcoz.com.au/amc The Editor Editor Keith Gallasch Assistant Editors Kirsten Krauth, Virginia Baxter Design i2i design, Sydney Cover photographs Left Arena Theatre Company, Eat Your Young, photo Jeff Busby Right Top Melbourne International Festival of the Arts, The Ghost Wife, photo Jeff Busby Right Bottom Queensland Theatre Company, The Sunshine Club, photo Rob MacColl All other photography credits page 27 Produced by RealTime for the Australia Council, the Federal Government’s arts funding and advisory body Australia Council PO Box 788 Strawberry Hills NSW Australia 2012 61 2 9215 9000 fax 61 2 9215 9111 [email protected] http://www.ozco.gov.au RealTime PO Box A2246 Sydney South NSW, Australia 1235 61 2 9283 2723 fax 61 2 9283 2724 [email protected] http://www.rtimearts.com.au/~opencity/ February 2000 ISBN 0 642 47222 X With the assistance of the Australian Music Centre 3 music theatre opera music+installation+performance Introduction The remarkable growth of Australian music theatre as we enter the new millennium appears to be exponential, manifesting itself in many different and surprising ways - as chamber opera, as the musical, as installation or site specific performance, and as pervasive musical scores and sound design in an increasing number of plays. -
Adelaide Festival Centre
Heritage of the City of Adelaide ADELAIDE FESTIVAL CENTRE King William Road The first Adelaide Festival of Arts was held in 1960 as a brave - and successful - attempt to promote Adelaide's role as a centre for arts within Australia. The festival became a biennial event, the focus of which is now the Festival Centre itself built above Elder Park and the banks of the River Torrens. This site has long been associated with entertainment since the creation of the Torrens Lake and Elder Park with its rotunda in 1881. The Festival Centre complex covers the site of the City Baths, Cheer-up Hut and Advertiser Sound Shell as well as the Government Printery, and Lands Department stables. #B E AC 11# D :\P H O TO _ CThe D construction \IM AG of Ethe S \IM G 0037.P C D 632631322 835 866419572 867734186 P B 4 0 12 6 377 249 0 Festival Centre represented a milestone in South Australian history as a dramatic expression of the South Australian part in Australian cultural development and of local political commitment to that development. It was built by the state government as the centre for performing arts in South Australia and was officially opened on 2 (CD Ref 2835/37) June 1973. The architects were Hassell and Partners and the builders A.V. Jennings Industries (Australia) Limited. The Festival Centre is an unashamedly modern complex notable for its bold structuralistic approach to form. The multi-purpose Festival Theatre, the more intimate drama theatre (Playhouse), the experimental theatre (Space) and the Amphitheatre are integrated successfully by roof form and the formality of the dominant octagonal module. -
Conditions of Hire – 2020-2021
Conditions of Hire – 2020-2021 General Event Equipment Suppliers Insurance Adelaide's Park Lands are a great location for a variety of The equipment suppliers shall have and maintain for the events including wedding ceremonies. A map of the Park period of the event booking, a policy of insurance against Lands is available to view at: risks to the public in relation to the event. Depending on the https://www.cityofadelaide.com.au/city-business/business- equipment supplied for the ceremony the Applicant may be support/city-spaces-and-venues-for-hire/weddings-in-the- asked to supply a copy of suppliers Public Liability Insurance adelaide-park-lands/ Certificate of Currency, minimum $20 million, noting the event and City of Adelaide as an interested party prior to the event • No deposit is required when the application is received. date. Full payment of the site fee is required within 8 weeks of confirmation of the tentative booking. • The submission of an application form does not imply Refund and Wet Weather Policy the booking is confirmed. This is a registration of interest Please be aware refunds cannot be made in the event of only. inclement weather or cancellation of the ceremony. Alteration • By signing the Park Lands Wedding Ceremony Booking of the booking to another date can be requested. Application Form, the Applicant states they have read and understood the Park Lands Weddings Ceremony Cleaning and Remediation Conditions of Hire and agrees to comply with all conditions set out therein. The area is to be left in a clean and tidy condition to the • Bookings are subject to availability and City of satisfaction of COA.