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RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory. -
Artist Biographies
ARTIST BIOGRAPHIES Richard Gill AO | Artistic Director & Conductor in March 2019 Australian conductor and educator, Richard Gill, one of Australia's best-known and best-loved musical figures, is a significant and vital key member of ARCO. His career has taken him from teaching music in Sydney's western suburbs to Music Director of the Victorian Opera, Artistic Director of the Sydney Symphony Education Program, and along the way an involvement with almost every major opera company and orchestra in Australia. He is one of this country's pre-eminent conductors and a passionate advocate of music education. He specialises in opera, music theatre and vocal and choral training and his work in developing young musicians and creating opportunities for them is recognised world-wide. His appearances on the ABC’s “Spicks and Specks” and “Q&A” have made him a household name within and beyond Australia’s musical world. What truly distinguishes Richard is his passion and enthusiasm for spreading not just the joy of music, but its myriad benefits. He is Australia’s greatest musical educator, and many say one of the best in the world. His life's work - alongside his other roles - has been advocating music in our education system, and furthering the development of those who have gone on to choose music as a vocation. He brings music to life, and his knowledge and deep enjoyment of his subject is as inspiring and enlightening to a class of primary school students as it is to the cast of a major opera. The majority of Australia’s young contemporary professional musicians count Richard as a powerful influence on their musical development. -
Opera Australia's 60Th Anniversary Costume and Memorabilia
MEDIA RELEASE Own a piece of opera history: Opera Australia’s 60th anniversary costume and memorabilia exhibition and auction Exhibition | Saturday 24 – Thursday 29 June 2017 | The Opera Centre, Surry Hills, Sydney Auction | Friday 30 June – Saturday 1 July 2017 | The Opera Centre, Surry Hills, Sydney Opera Australia is diving into sixty years of costumes, accessories, artworks and memorabilia in an anniversary exhibition at The Opera Centre. The week-long event will culminate in an auction where the public can bid for an exclusive piece of Australia’s operatic story. This is the first time Opera Australia has opened its vaults to give thousands of opera fans the opportunity to get up close to over 2,000 items costumes, accessories, artworks and memorabilia worn and inspired by their idols. Highlights of the exhibition and auction include: Costumes from Baz Luhrmann’s famous 1990 production of La Bohème Dame Kiri Te Kanawa ONZ DBE AC’s costume for the role as ‘Violetta’ in the 1978 production of La Traviata Yvonne Kenny AM’s costume for the roles of ‘Sylva Varescu’ in the 2001 production of The Gypsy Princess, ‘Hanna’ in the 2004 production of The Merry Widow and ‘Armida’ in the 1999 production of Rinaldo Sigrid Thornton’s costume for the role of Desirée in 2009 production of A Little Night Music. Dame Heather Begg DNZM OBE’s costume for the role of ‘The Countess Di Coigny’ in the 2001 production of Andrea Chénier Cheryl Barker AO’s costume for the role of ‘Lauretta’ in 2007 production of Gianni Schicchi Opera Australia CEO Craig Hassall explained the motivation behind the historic move. -
The Performer As Classical Voice Teacher
THE PERFORMER AS CLASSICAL VOICE TEACHER: EVALUATING THE ROLE OF THE PERFORMER-TEACHER AND ITS IMPACT ON THE STUDENT LEARNING EXPERIENCE MARGARET SCHINDLER S368294 QUEENSLAND CONSERVATORIUM GRIFFITH UNIVERSITY in fulfilment of the requirement of the degree of Doctor of Musical Arts TABLE OF CONTENTS Table of Contents ..................................................................................................................................... i ABSTRACT ....................................................................................................................................... iii ACKNOWLEDGEMENTS .................................................................................................................. iv BOOK CHAPTERS AND PRESENTATIONS ......................................................................................... v STATEMENT OF AUTHENTICITY ...................................................................................................... vi Chapter One: Setting the Scene ................................................................................................ 1 1.1 Introduction .............................................................................................................................. 1 1.2 An auto-ethnography ................................................................................................................ 3 1.3 Rationale for this thesis .......................................................................................................... 10 Chapter Two: -
La Traviata Synopsis 5 Guiding Questions 7
1 Table of Contents An Introduction to Pathways for Understanding Study Materials 3 Production Information/Meet the Characters 4 The Story of La Traviata Synopsis 5 Guiding Questions 7 The History of Verdi’s La Traviata 9 Guided Listening Prelude 12 Brindisi: Libiamo, ne’ lieti calici 14 “È strano! è strano!... Ah! fors’ è lui...” and “Follie!... Sempre libera” 16 “Lunge da lei...” and “De’ miei bollenti spiriti” 18 Pura siccome un angelo 20 Alfredo! Voi!...Or tutti a me...Ogni suo aver 22 Teneste la promessa...” E tardi... Addio del passato... 24 La Traviata Resources About the Composer 26 Online Resources 29 Additional Resources Reflections after the Opera 30 The Emergence of Opera 31 A Guide to Voice Parts and Families of the Orchestra 35 Glossary 36 References Works Consulted 40 2 An Introduction to Pathways for Understanding Study Materials The goal of Pathways for Understanding materials is to provide multiple “pathways” for learning about a specific opera as well as the operatic art form, and to allow teachers to create lessons that work best for their particular teaching style, subject area, and class of students. Meet the Characters / The Story/ Resources Fostering familiarity with specific operas as well as the operatic art form, these sections describe characters and story, and provide historical context. Guiding questions are included to suggest connections to other subject areas, encourage higher-order thinking, and promote a broader understanding of the opera and its potential significance to other areas of learning. Guided Listening The Guided Listening section highlights key musical moments from the opera and provides areas of focus for listening to each musical excerpt. -
Opera Australia 2018 Annual Report
2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell. -
Richard Gill AO (1941 - 2018)
Having trouble viewing this email? You can view it online. Like | @LivePerfAust | Follow | Forward VALE Richard Gill AO (1941 - 2018) We are very saddened to hear of the passing of world-renowned composer, conductor and music educator Richard Gill AO. The inaugural Dean of the West Australian Conservatorium of Music and Founding Director of Victorian Opera died on Sunday 28 October after a year-long battle with cancer. Born in Sydney, Richard started his career as a music teacher. These humble beginnings led him to become one of Australia's greatest music advocates and educators. 'Richard spent a life systematically addressing the widespread shortcomings and neglect of music in Australia’s education system' the Australian Romantic & Classical Orchestra said in a statement posted on social media. For almost 50 years Richard's career compromised many prominent roles as Director of orchestral ensembles around Australia. Richard was Dean of the Western Australian Conservatorium of Music, Chorus Director for Opera Australia, Founding Music Director of Victorian Opera and Musical Director of the Sydney Chamber Choir. Richard also hosted music-education concerts and was a regular guest on TV quiz show Spicks and Specks. One of Richard's lasting legacies is the National Music Teaching Mentoring Program which commenced in 2015. With Richard as the Founder and Director, the program was established to give school teachers the skills and confidence to teach music in their classrooms. Richard will be remembered for his enormous contribution to the arts and his passion to inspire and educate the next generation. He is survived by his wife Maureen, children Claire and Anthony, and grandchildren Camille, Elise and Antoinette.Our thoughts and sincerest condolences are with Richard's family, friends and colleagues. -
LESLIE MARTIN - Curriculum Vitae
LESLIE MARTIN - Curriculum Vitae ADDRESS: 12 Walker Street, Corinda, Qld 4075 Contact: 0416043785 Email: [email protected] VOICE: Lyric Coloratura Soprano Training: Graduate Certificate of Music Studies – Vocal Pedagogy Griffith University, Conservatorium of Music Graduate Diploma of Music – Opera Performance Griffith University, Conservatorium of Music Graduate Diploma of Music - Voice Griffith University, Conservatorium of Music Diploma of Operatic Art Sydney University, Conservatorium of Music Australian Academy of Music Theatre PROFESSIONAL THEATRE (Roles): Norina Don Pasquale Arosa Musik Theater Annabel The Song Bird Opera Queensland Ensemble Sweeney Todd (Gale Edwards, Director) Opera Queensland First Bridesmaid Le Nozze di Figaro The Australian Opera Lola’s friend Cavalleria Rusticana The Australian Opera Acolyte Tosca The Australian Opera Il paggio Rigoletto The Australian Opera Midinette Il Tabarro The Australian Opera Monkey/Star Grandma’s Shoes The Australian Opera Workshop 1st Handmaiden Turandot The Australian Opera MOVIES A Heartbeat Away Big Ideas Daydream Believer Exchange Lifeguards The Distant Home TELEVISION G.P. Brides of Christ Home and Away Mondo Piccolo Secret Weapon Minder The Paper Man COMMERCIALS Playskool Talking Animal Keyboard (Lead) St George AGC Submission BNZ Tooheys Dry Quarantine Campaign (SBS) Burger Rings Rugby League 1993 Season Neighbours TRAINING VIDEOS Sheraton-Wentworth LESLIE MARTIN - Curriculum Vitae PROFESSIONAL THEATRE (Opera Chorus): Opera Queensland The Damnation of Faust The Pearl Fishers -
VICTORIAN OPERA 2016 2016 Highlights
VICTORIAN OPERA 2016 2016 Highlights An audience of over 59,000. A fully-staged opera with Circus OZ. Three new works: Voyage to the Moon, Banquet of Secrets and the Family Opera The Pied Piper. Over 4,900 students and teachers engaged through Welcome Education Workshops and Performances. Victorian Opera operated its first live-streamed In eleven years, over 300,000 concert, The Darkest Night. audience members have experienced a performance Victorian Opera extended its reach nationally with a by Victorian Opera – over coproduction with Musica Viva touring in Melbourne, 20,000 of those attending Sydney, Canberra, Perth, Adelaide and Brisbane. regional performances. On the international scene, 12,317 New Zealanders saw Victorian Opera’s coproduction with New Zealand Opera, Sweeney Todd, in Auckland, Wellington and Christchurch. During our short history, we have created 17 new Australian works and collaborated with some of Australia’s leading Victorian Opera received City of Melbourne’s companies, venues and learning institutions. We employ Melbourne Award. hundreds across the theatre industry and recruit some of the finest singers from Australia and around the world. We are committed to the accessibility of opera through tactile The National Opera Review recommended Victorian tours, and audio described and relaxed performances. Opera joins the Australian Major Performing Arts Group (AMPAG). We have inspired over 500 young singers through our Youth Opera Program and developed over 30 emerging artists. Our vision – to create a state opera company that is a state icon and a national leader. 2 | Victorian Opera 2016 Annual Report Victorian Opera 2016 Annual Report | 3 State Icon, National Leader In 2016, Victorian Opera continued to joyously comic and tragically dark “We continued to re- grow, develop and define itself as a double bill: Laughter and Tears. -
Rusalkadvorˇák Cheryl Barker CHAN 10449(3) Opera Australia Richard105 Hickox
RUSALKADvorˇák Cheryl Barker CHAN 10449(3) Opera Australia Richard105 Hickox CCHANHAN 110449(3)0449(3) BBooklet.inddooklet.indd 1104-10504-105 220/11/070/11/07 117:01:587:01:58 Antonín Dvořák (1841 – 1904) RUSALKA An opera in three acts Libretto by Jaroslav Kvapil, after Undine by Friedrich Heinrich de la Motte Fouqué A production by Opera Australia recorded live at the Lebrecht Music & Arts Photo Library Sydney Opera House in March 2007 Wood Nymphs Sarah Crane soprano Taryn Fiebig soprano Dominica Matthews mezzo-soprano Water Sprite Bruce Martin bass Rusalka Cheryl Barker soprano Ježibaba Anne-Marie Owens mezzo-soprano Prince Rosario La Spina tenor Gamekeeper / Huntsman Barry Ryan baritone Kitchen Boy Sian Pendry soprano Foreign Princess Elizabeth Whitehouse soprano Wedding Guests; Water Nymphs Opera Australia Chorus Michael Black chorus master Kate Golla assistant chorus master Australian Opera and Ballet Orchestra Richard Hickox Stephen Mould assistant conductor Antonín Dvořák Aubrey Murphy concertmaster 3 CCHANHAN 110449(3)0449(3) BBooklet.inddooklet.indd 22-3-3 220/11/070/11/07 117:01:017:01:01 Opera Australia Chorus soprano Chloris Bath mezzo Caroline Clack tenor Dean Bassett cello Zoltan Szabo cor anglais Andrew Malec trombone Gregory van der Struik Helen Borthwick Jane Dunstan David Corcoran Eszter Mikes-Liu* William Farmer Annabelle Chaff ey Vanessa Lewis Warren Fisher Henry Urbanavicius** clarinet Peter Jenkin Nigel Crocker Angela Brewer Ke-Lu Ma David Lewis Margaret Iddison Richard Rourke* Lisa Cooper Lynette Murray Kent McIntosh