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'These 39 Arab Writers Are All Under the Age of 40. They Have Flung Open
JOUMANA HADDAD FAIZA GUENE ABDELKADER BENALI Joumana Haddad was born in Lebanon in 1970. She is Faiza Guene was born in France in head of the Cultural pages of the prestigious “An Nahar” Abdelkader Benali was born in 1975 in The Netherlands, 1985 to Algerian parents. She wrote her newspaper, as well as the administrator of the IPAF literary of Moroccan origins. Benali published his fi rst novel fi rst novel, “Kiffe kiffe demain” (Just like SAMAR YAZBEK prize (the “Arab Booker”) and the editor-in-chief of Jasad “Bruiloft aan zee” (Wedding by the Sea) in 1996, for Tomorrow) when she was 17 years old. magazine, a controversial Arabic magazine specialized in the which he received the Geertjan Lubberhuizen Prize. For It was a huge success in France, selling SAMER ABOU HAWWASH literature and arts of the body. Amongst her books, “Time his second novel, “De langverwachte” (The Long-Awaited, over 360,000 copies and translation for a dream” (1995), “Invitation to a secret feast” (1998), 2002), Benali was awarded the Libris Literature Prize. He Samer Abou Hawwash was born rights around the world. She’s also the “I did not sin enough” (2003), “Lilith’s Return” (2004), has since published the novels “Laat het morgen mooi in 1972 in the southern Lebanese author of “Du rêve pour les oufs” in “Conversations with international writers”, (2006), “Death weer zijn” (Let Tomorrow Be Fine, 2005) and “Feldman city of Sidon. Abou Hawwash has 2006 and “Les gens du Balto” in 2008. will come and it will have your eyes” and “Anthology of 150 en ik” (Feldman and I, 2006). -
David Joseph Wrisley METAFICTION MEETS MIGRATION: ART FROM
Mashriq & Mahjar 2 (2013), 99-119 ISSN 2169-4435 David Joseph Wrisley M ETAFICTION MEETS MIGRATION: ART FROM THE ARCHIVES IN RABEE JABER’S AMERIKA Abstract The subject of this article is Rabee Jaber’s novel Amerika (2009) recounting the migration of a group of Syro-Lebanese to the United States on the eve of the First World War. It demonstrates how metafictional techniques—ironic narrator figures, flashbacks, dream-like scenes—allow Jaber to address the fine, yet shifting, line between fiction and history in the accounts of Arab migrations to the Americas. The article explores the creative rewriting of an essential intertext for Jaber, Kafka’s Amerika (The Man Who Disappeared) and asserts that the novel’s reflective uncertainty pervades both the way that a historical past can be represented and the way that the past is presented to a contemporary Lebanese audience. The article concludes by suggesting that the contrast between the two main characters, Martā Ḥaddād and Alī Jābir, is not only indicative of distinct kinds of migration, but, more abstractly, points to contrasting ideas about reading and writing the past. Rabee Jaber is a prolific, Arabic-language Lebanese writer and Amerika is his sixteenth novel.1 Written in four parts and 126 short chapters, Amerika is set on the eve of the First World War at the moment of the so-called First Wave of the Syro-Lebanese migration from Mount Lebanon to the United States. Amerika is only one of Jaber’s historical novels written in the first decade of the twentieth-first century to feature characters in motion, leaving their birth land and settling into lives in faraway places. -
AWRAQ De Análisis Y Pensamiento Sobre El Mundo Árabe E Islámico Contemporáneo CONTENIDOS Pág
Número 9. Nueva época 1.er semestre de 2014 Número 9. Nueva época 1.er semestre de 2014 RevistaAWRAQ de análisis y pensamiento sobre el mundo árabe e islámico contemporáneo CONTENIDOS Pág. AWRAQRevista de análisis y pensamiento sobre el mundo árabe e CARTA DEL DIRECTOR 3 Número 9. Nueva época islámico contemporáneo 1. EL TEMA: ISLAM HOY Los fundamentos del poder en el islam. Dolors Bramon 5 Historia islámica en la Península Ibérica. Maribel Fierro 19 Las relaciones exteriores de España con el mundo árabe y musulmán durante el siglo XX. Miguel Hernando de Larramendi 39 El nuevo capital árabe: principales actores y oportunidades para España. Jacinto Soler Matutes 55 Desarrollo de la economía y banca islámica: evolución histórica y actualidad europea. Olivia Orozco de la Torre 85 semestre de 2014 Islam político: de la radicalidad a la moderación. Ferran Izquierdo Brichs 105 er 1. Musalas, mezquitas y minaretes: etnografía de las mezquitas en Europa. Jordi Moreras 121 Los orígenes de la institucionalización del islam en España: bases y fundamentos (1900-1992). Sol Tarrés y Javier Rosón 147 2. VARIOS El feminismo islámico. La articulación de un movimiento. Nasara Cabrera Abu 171 Sa‘di Yusuf ( ): desde el Creciente Fértil… hasta Berlín. Rosa-Isabel Martínez Lillo 187 3. LIBROS Rabee Jaber, Los drusos de Belgrado (Nieves Paradela) 201 Ferran Izquierdo Brichs, El islam político en el Mediterráneo. Radiografía de una evolución (Guillem Farrés Fernández) 207 Revista de análisis y pensamiento e islámico contemporáneo el mundo árabe sobre Los sumarios y artículos (en castellano y en las lenguas originales) están disponibles en: www.awraq.es ISSN 0214-834X PVP: 15 € AWRAQRevista de análisis y pensamiento sobre el mundo árabe e islámico contemporáneo AWRAQRevista de análisis y pensamiento sobre el mundo árabe e islámico contemporáneo Boletín de suscripción DIRECCIÓN Eduardo López Busquets, director general de Casa Árabe CONSEJO DE REDACCIÓN Enviar a: Karim Hauser Awraq. -
Come Fili Di Seta: Un'epopea Siro-Americana
COME FILI DI SETA: UN’EPOPEA SIRO-AMERICANA Daniela Ciani Forza* America e Amerika Come fili di seta dello scrittore libanese Rabee Jaber1, viene pubblicato in Italia da Feltrinelli nel 2011 per l’eccellente traduzione di Elisabetta Bartulli e Hamza Bahri; l’edizione araba originale esce nel 2009 con il titolo di (America)2; Gallimard lo pubblica nel giugno 2013 intitolandolo Amerika. Il titolo francese e quello italiano richiamano due questioni fondamentali del testo: il primo è il singolare rapporto che si stabilisce fra il Mahjar (la dia- spora siriana nel mondo) e l’America, il secondo è la tecnica narrativa scelta dall’autore. La traduzione italiana rimanda alla trama del romanzo così come alla sua struttura. Si tratta della storia di Marta Haddad, in cui s’intrecciano, all’interno di un fitto e policromo ordito, le vicissitudini che la conducono dal suo paesel- lo, arroccato sul Monte Libano, fino agli Stati Uniti. La narrazione si compone, pertanto, attorno ad un serrato gioco di frammenti storici e di finzione, di voci narranti che si alternano a quella di un narratore ‘omnisciente’, ma dichiarata- mente scettico sulla veridicità dei fatti narrati. * Università Ca’ Foscari Venezia. 1 Rabee Jaber (1972), laureato in fisica presso l’Università Americana di Beirut, è uno dei giovani più prolifici scrittori del mondo arabo. Autore di sedici romanzi è anche critico letterario e dal 2001 redattore di Afa¯q, il supplemento culturale del quotidiano libanese al- Hayat. Nel 2012 fu insignito dell’International Prize for Arabic Fiction per il romanzo The Druze of Belgrade: The Story of Hanna¯ Ya’qu¯b. -
147830212.Pdf
ARTICLES MAKING ORDINARY: RECUPERATING THE EVERYDAY IN POST-2005 BEIRUT NOVELS By Ghenwa Hayek In a pivotal scene in Sahar Mandour’s 2011 novel 32, the unnamed protagonist- narrator, a thirty-two year old author, announces to her friends while riding in a car that she intends to write a story. “Not a novel, just a story. An ordinary story (qissa ‘adiyya), like the stories of the ordinary days (ayyam ‘adiyya) in which we live.”1 Her friends Zumurrud, Shwikar and Zizi enthusiastically encourage her to write “our story, we who are living in Beirut today.”2 But when she eventually shares a completed draf with them, they respond with awkward silence. Te mortifed narrator confronts her embarrassed friends about their reactions, and they all agree that her story about a suicidal woman is beautiful, but sad. A disappointed Zumurrud elaborates: “I thought you would stick to the project you told us about in the car. I loved the idea of everyday life, since most of the novels that I read deal with the exceptional. I wanted to read about the ordinary, because it is ordinary!”3 Societies that emerge from violence value the ordinary.4 Yet cultural production emphasizing crisis and the spectacular ofen overshadows that which documents the ordinary. In Lebanon, critics and readers assign lit- Ghenwa Hayek is Assistant Professor of Modern Arabic Literature at the University of Chicago. 8 Ghenwa Hayek erary and cultural prestige to treatments of the civil war (1975-1990) and its memory.5 But, as Zeina Halabi has noted, in recent years a “fatigue of the memory discourse” has emerged in Lebanese fction and cinema.6 32 stages this frustration in the many arguments among the narrator and her friends over the stories she keeps writing about Beirut: tales of suicidal women, and of kidnapping and torture that her friends have read many times before. -
2013 University of Toronto Toronto, Ontario, Canada
Annual Meeting of the American Comparative Literature Association acla Global Positioning Systems April 4–7, 2013 University of Toronto Toronto, Ontario, Canada 2 TABLE OF CONTENTS Acknowledgments 4 Welcome and General Introduction 5 Daily Conference Schedule at a Glance 10 Complete Conference Schedule 12 Seminar Overview 17 Seminars in Detail 25 CFP: ACLA 2014 218 Index 219 Maps 241 3 ACKNOWLEDGMENTS The organization of the ACLA 2013 conference has been the work of the students and faculty of the Centre for Comparative Literature at the University of Toronto. They designed the theme and the program, vetted seminars and papers, organized the schedule and the program, and carried out the seemingly endless tasks involved in a conference of this size. We would like to thank Paul Gooch, president of Victoria University, and Domenico Pietropaolo, principal of St. Michael’s College, for their generous donation of rooms. Their enthusiasm for the conference made it possible. The bulk of the program organizing at the Toronto end (everything to do with the assignment of rooms and the accommodation of seminars—a massive task) was done by Myra Bloom, Ronald Ng, and Sarah O’Brien. The heroic job they performed required them to set aside their own research for a period. Alex Beecroft and Andy Anderson did the organizing at the ACLA end and always reassured us that this was possible. We would like to acknowledge the generosity of the Departments of Classics, English, Philosophy, Religion, the Centre for Medieval Studies, the Centre for Diaspora and Transnational Studies, and the Jackman Humanities Institute, all of which donated rooms; and the generous financial support accorded by the Faculty of Arts and Science, East Asian Studies, English, Philosophy, Medieval Studies, Classics, French, German, Diaspora and Transnational Studies (and Ato Quayson in particular), the Emilio Goggio Chair in Italian Studies, Spanish and Portuguese, and Slavic Studies. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Beirut's suspended now: Imaginaries of a precarious city Naeff, J.A. Publication date 2016 Document Version Final published version License Other Link to publication Citation for published version (APA): Naeff, J. A. (2016). Beirut's suspended now: Imaginaries of a precarious city. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:06 Oct 2021 2. THE DISPOSABLE CITY So you begin to wonder if Leonia's true passion is really, as they say, the enjoyment of new and different things, and not, instead, the joy of expelling, discarding, cleansing itself of a recurrent impurity. - Italo Calvino (1974: 114) It’s like a town that had to be discarded. - Rabih Mroué in Je veux voir (Hadjithomas and Joreige, 2008) This chapter explores depictions of ruins, debris, dumps and squander in various imaginaries of Beirut. -
Translations
Translations A full list of IPAF winning, shortlisted and longlisted books available in translation is outlined below: Al-Sabiliat by Ismail Fahd Ismail English: Interlink Books (under the title The Old Woman and the River ) German: Hans Schiller-Verlag America by Rabee Jaber Italian: Feltrinelli French: Gallimard The American Granddaughter by Inaam Kachachi Chinese: Shanghai 99 English: Bloomsbury Qatar Foundation Publishing French: Liana Levi The Arch and the Butterfly by Mohammed Achaari English: Bloomsbury Qatar Foundation Publishing Italian: Fazi Editore Spanish: Turner A Rare Blue Bird that Flies with Me by Youssef Fadhel English: Hoopoe Fiction (under the title A Rare Blue Bird Flies with Me ) A Sky So Close to Us by Shahla Ujayli English: Interlink Books A Small Death by Mohammad Alwan Indonesian: Mizan Italian: Edizione e/io Kurdish: Naweh Nada Eweer 1 Persian: Dar Ruzna Azazeel by Youssef Ziedan Bosnian: Ljevak Croatian: Ljevak Czech: Albatros Media English (UK) Atlantic Books French: Albin Michel German: Random House Greek: Livanis Hebrew: Kinneret - Zmora Indonesian: Serambi Italian: Neri Pozza Polish: Barbelo Portuguese (Brazil): Editora Record Romanian: Trei Russian: AST Turkish: Epsilon Spanish: Turner The Baghdad Clock by Shahad Al Rawi Turkish: Asteria Kitap Indonesian: Prenada Media Group The Bamboo Stalk by Saud Alsanousi English: Bloomsbury Qatar Foundation Publishing Icelandic: Forlagid Iran: Al Nilofer Publishing House Romanian: Polirom The Beaver by Mohammed Hasan Alwan French: -
LUIS FERNANDO BERNABE PONS Generado Desde: Universidad De Alicante Fecha Del Documento: 17/05/2019 B20c244a39a51804fbb81340f0db0cab
LUIS FERNANDO BERNABE PONS Generado desde: Universidad de Alicante Fecha del documento: 17/05/2019 b20c244a39a51804fbb81340f0db0cab Este fichero electrónico (PDF) contiene incrustada la tecnología CVN (CVN-XML). La tecnología CVN de este fichero permite exportar e importar los datos curriculares desde y hacia cualquier base de datos compatible. Listado de Bases de Datos adaptadas disponible en http://cv.normalizado.org/ b20c244a39a51804fbb81340f0db0cab LUIS FERNANDO BERNABE PONS Apellidos: BERNABE PONS Nombre: LUIS FERNANDO DNI: Fecha de nacimiento: Sexo: Nacionalidad: País de nacimiento: C. Autón./Reg. de nacimiento: Ciudad de nacimiento: Dirección de contacto: Código postal: Ciudad de contacto: País de contacto: C. Autón./Reg. de contacto: Situación profesional actual Nombre de la entidad: Universidad de Alicante Tipo de entidad: Universidad Departamento, servicio, etc.: FILOLOGIAS INTEGRADAS Categoría/puesto o cargo: CATEDRATICO/A DE UNIVERSIDAD Ciudad de trabajo: Alicante, Comunidad Valenciana, España Teléfono: (34) 965963400 - 9450 Fax: () 965903400 - Correo electrónico: luis.bernab [email protected] Fecha de inicio: 08/03/2003 Modalidad del contrato: Funcionario/a Tipo de dedicación: Tiempo completo Cargos y actividades desempeñados con anterioridad Nombre de la entidad Categoría/puesto o cargo Fecha de inicio 1 Universidad de Alicante PROFESOR/A TITULAR UNIVERSIDAD 07/04/1997 2 Universidad de Alicante Profesor Titular de Universidad 01/04/1997 3 Universidad de Alicante PROFESOR/A INTERINO/A TITULAR 02/04/1996 UNIV. 4 Universidad de Alicante Profesor Titular de Universidad Interino 01/10/1995 5 Universidad de Alicante PROFESOR/A INTERINO/A TITULAR 01/10/1994 UNIV. 6 Universidad de Alicante AYUDANTE DE FACULTAD Y E.T.S. 01/10/1992 7 Universidad de Alicante AYUDANTE DE ESCUELA 01/01/1992 UNIVERSITARIA 8 Universidad de Alicante Profesor Ayudante de Universidad L.R.U. -
THIS ISSUE:SAUDI ARABIA the Giant with the Feet of Clay in the Shadow
VVolumeolume 9 - NumberNumber 3 AAprilpril – MMayay 22013013 ££44 | €€55 | UUS$6.5S$6.5 TTHISHIS ISSUEISSUE: SSAUDIAUDI ARABIAARABIA ● TThehe ggiantiant wwithith thethe feetfeet ooff cclaylay ● IInn tthehe sshadowhadow ooff rrevolutionsevolutions ● A ppowerfulowerful culturalcultural statement:statement: DressDress inin SaudiSaudi ArabiaArabia ● WWomenomen aappointedppointed toto tthehe MMajlisajlis Ash-ShuraAsh-Shura forfor thethe firstfirst timetime ● EExplorerxplorer SSt.t. JJohnohn PhilbyPhilby andand hishis collectioncollection ofof ‘many‘many ttreasures’reasures’ ● CContemporaryontemporary SaudiSaudi ArabianArabian artart inin LondonLondon ● RRiyadh’siyadh’s newnew undergroundunderground railwayrailway ● TThehe iinternationalnternational prizeprize forfor ArabicArabic fi ctionction ● PPLUSLUS RReviewseviews andand eventsevents inin LondonLondon VVolumeolume 9 - NumberNumber 3 AAprilpril – MMayay 22013013 ££44 | €€55 | UUS$6.5S$6.5 TTHISHIS ISSUEISSUE: SSAUDIAUDI AARABIARABIA ● TThehe ggiantiant wwithith tthehe feetfeet ofof cclaylay ● IInn tthehe sshadowhadow ooff rrevolutionsevolutions ● A ppowerfulowerful cculturalultural statement:statement: DDressress iinn SaudiSaudi ArabiaArabia ● A hhugeuge ssteptep fforward’:orward’: WWomenomen aappointedppointed ttoo tthehe MMajlisajlis aas-Suras-Sura forfor tthehe firstfirst timetime ● EExplorerxplorer SSt.t. JJohnohn PPhilbyhilby aandnd hhisis ccollectionollection ooff ‘‘manymany ttreasures’reasures’ ● CContemporaryontemporary SSaudiaudi ArabianArabian aartrt iinn LLondonondon ● RRiyadh’siyadh’s -
Spring | Summer 2013 April
N D SpriNg | Summer 2013 APRIL MAY JUNE June & July 2013 titles continue on inside back cover JUNE (CONTINUED) CONTENTS Aira, César The Hare..........................................15 Auster, Paul The Red Notebook..............................21 Berssenbrugge, Mei-mei Hello, the Roses...................................4 Bodor, Ádám The Sinistra Zone................................12 Bolaño, Roberto The Insufferable Gaucho.........................6 The Unknown University..........................7 Borges, Jorge Luis Professor Borges..................................9 Doestoevsky, Fyodor Two Crocodiles...................................20 H. D. Vale Ave............................................16 Gander, Forrest Eiko & Koma......................................17 Hernández, Felisberto Two Crocodiles...................................20 Isherwood, Christopher Mr Norris Changes Trains .......................2 Jaber, Rabee JULY The Mehlis Report................................14 Krasznahorkai, László Seiobo There Below............................13 Lustig, Alvin Postcards..........................................11 Pizarnik, Alejandra A Musical Hell....................................17 Roth, Joseph The Emperor’s Tomb.............................5 Sarrazin, Albertine Astragal............................................1 Tarn, Nathaniel Beautiful Contradictions.......................16 Thomas, Dylan Under Milk Wood...............................18 Walser, Robert A Little Ramble....................................3 West, Nathanael Miss Lonelyhearts...............................19 -
David Joseph Wrisley METAFICTION MEETS MIGRATION: ART FROM
Mashriq & Mahjar 1, no. 2 (2013), 99-119 ISSN 2169-4435 David Joseph Wrisley M ETAFICTION MEETS MIGRATION: ART FROM THE ARCHIVES IN RABEE JABER’S AMERIKA Abstract The subject of this article is Rabee Jaber’s novel Amerika (2009) recounting the migration of a group of Syro-Lebanese to the United States on the eve of the First World War. It demonstrates how metafictional techniques—ironic narrator figures, flashbacks, dream-like scenes—allow Jaber to address the fine, yet shifting, line between fiction and history in the accounts of Arab migrations to the Americas. The article explores the creative rewriting of an essential intertext for Jaber, Kafka’s Amerika (The Man Who Disappeared) and asserts that the novel’s reflective uncertainty pervades both the way that a historical past can be represented and the way that the past is presented to a contemporary Lebanese audience. The article concludes by suggesting that the contrast between the two main characters, Martā Ḥaddād and Alī Jābir, is not only indicative of distinct kinds of migration, but, more abstractly, points to contrasting ideas about reading and writing the past. Rabee Jaber is a prolific, Arabic-language Lebanese writer and Amerika is his sixteenth novel.1 Written in four parts and 126 short chapters, Amerika is set on the eve of the First World War at the moment of the so-called First Wave of the Syro-Lebanese migration from Mount Lebanon to the United States. Amerika is only one of Jaber’s historical novels written in the first decade of the twentieth-first century to feature characters in motion, leaving their birth land and settling into lives in faraway places.