14 October 2016 Lecture Brochure
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Etel Adnan CV PUBLICATIONS English
Etel Adnan CV PUBLICATIONS English – Books, Magazines, Anthologies French – Books, Magazines, Anthologies Arabic – Books, Magazines Italian – Books, Magazines German – Books Dutch – Books Urdu Portuguese Bosnian Turkish Bilingual Editions Theatrical & Musical Productions Awards and Honors ENGLISH BOOKS 1966. Moonshots. Beirut, LeBanon: BEYROUTH. Out of Print 1971. Five Senses for One Death. New York, NY: The SMith. Out of Print 1982. From A To Z. Sausalito, CA: The Post-Apollo Press. 1982. Sitt Marie-Rose. Trans. (froM the French) Georgina Kleege. Sausalito, CA: The Post-Apollo Press. Now in its 8th edition. 1985. The Indian Never Had A Horse & Other Poems. Illustrated BY Russell Chatham. Sausalito, CA: The Post-Apollo Press. 1986. Journey To Mount Tamalpais. Illustrated BY Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1989. The Arab Apocalypse. Trans. (froM the French) Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1990. The Spring Flowers Own & The Manifestations of the Voyage. Sausalito, CA: The Post- Apollo Press. 1993. Of Cities and Women: Letters To Fawwaz. Sausalito, CA: The Post-Apollo Press. 1993. Paris, When It’s Naked. Sausalito, CA: The Post-Apollo Press. 1997. There In the Light and the Darkness of the Self and of the Other. Sausalito, CA: The Post- Apollo Press. 2003. In/somnia. Sausalito, CA: The Post-Apollo Press. 2005. In the Heart of the Heart of Another Country. San Francisco, CA: City Lights Books. 2008. Seasons. Sausalito, CA: The Post-Apollo Press. 2009. Master of the Eclipse. Northampton, MA: Interlink Books. Winner of the Oakland Pen Award, 2010 2011. Etel Adnan: On Love and the Cost We Are Not Willing to Pay Today: 100 Notes, 100 Thoughts: DocuMenta Series 006. -
Azazeel : Historiographic Metafiction in the Contemporary Arabic Historical Novel)*(
Alternative Histories in Youssef Ziedan's Azazeel : Historiographic Metafiction in the Contemporary Arabic Historical Novel)*( Dr. Hala Mohamed Kamel Amin Assistant Professor - Department of English Faculty of Al-Alsun – Beni Suef University Abstract Drawing on Linda Hutcheon's theory, this article reads Azazeel as a historiographic metafiction. It argues that the novel not only denounces the so-called religious, or religiously-motivated, violence but also has an additional epistemological import, articulated in the novel's historiographic metafictional narrative which, in accordance with Hutcheon's theory, provides an alternative history that foregrounds the 'narrativity' of historical narratives and represents the past from a 'marginal' perspective to question the absolute authority of metanarratives, undermine monolithic notions of knowledge, and develop a balanced production and dissemination of knowledge. The article examines the novel's use of historiographic metafictional techniques which reflect its thematic content and its espousal of the postmodern ideology of diversity and pluralism. The article demonstrates that, without denying its heritage, Azazeel engages with the global postmodern condition, locates the Arabic historical novel within the wider context of world historical fiction, and opens up new avenues for research on historiographic metafiction. )*( Bulletin of the Faculty of Arts Volume 81 Issue 2 January 2021 74 Bulletin of the Faculty of Arts Volume 81 Issue 2 January 2021 السرديات التاريخية البديلة في رواية "عزازيل" للكاتب يوسف زيدان: ما وراء القص التاريخي في الرواية التاريخية العربية المعاصرة د/ هالة محمد كامل أمين مدرس- قسم اللغة اﻻنجليزية- كلية اﻷلسن- جامعة بنى سويف الملخص : تقدم المقالة قارءة في ضوء نظريات ليندا هتشون لرواية عزازيل للكاتب يوسف زيدان كمثال من اﻷدب العربي لما وارء القص التاريخي. -
Literary Networks and the Making of Egypt's Nineties Generation By
Writing in Cairo: Literary Networks and the Making of Egypt’s Nineties Generation by Nancy Spleth Linthicum A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) in the University of Michigan 2019 Doctoral Committee: Associate Professor Carol Bardenstein, Chair Associate Professor Samer Ali Professor Anton Shammas Associate Professor Megan Sweeney Nancy Spleth Linthicum [email protected] ORCID iD: 0000-0001-9782-0133 © Nancy Spleth Linthicum 2019 Dedication Writing in Cairo is dedicated to my parents, Dorothy and Tom Linthicum, with much love and gratitude for their unwavering encouragement and support. ii Acknowledgements First and foremost, I would like to thank my committee for their invaluable advice and insights and for sticking with me throughout the circuitous journey that resulted in this dissertation. It would not have been possible without my chair, Carol Bardenstein, who helped shape the project from its inception. I am particularly grateful for her guidance and encouragement to pursue ideas that others may have found too far afield for a “literature” dissertation, while making sure I did not lose sight of the texts themselves. Anton Shammas, throughout my graduate career, pushed me to new ways of thinking that I could not have reached on my own. Coming from outside the field of Arabic literature, Megan Sweeney provided incisive feedback that ensured I spoke to a broader audience and helped me better frame and articulate my arguments. Samer Ali’s ongoing support and feedback, even before coming to the University of Michigan (UM), likewise was instrumental in bringing this dissertation to fruition. -
The American University in Cairo Press Centennial Catalog
The American University in Cairo Press Centennial Catalog New Books 2019 Cover: See The American University in Cairo: 100 Years, 100 Stories, pages 4 and 5 Letter from the Director It gives me great pleasure to join in marking the hundredth anniversary of the founding of our parent institution, the American University in Cairo, with the publication of this celebratory catalog of AUC Press books. Spanning two publication seasons, it features all titles published or forthcoming in 2019 and early 2020, not least The American Uni- versity in Cairo: 100 Years, 100 Stories by Andrew Humphreys (page 4). This engaging and attractive volume is a fitting tribute to AUC’s legacy and a valuable documentation of the people, history, and events that have helped shape the university. Suitably, this catalog also presents James Steele’s survey of the works and architectural philosophy of the principal architect of the Community Design Collaborative, the firm which led the design and construction of AUC’s New Cairo campus, Abdelhalim Ibrahim Abdel- halim: An Architecture of Collective Memory (page 3). Meanwhile Aidan Dodson builds on the success of Sethy I: King of Egypt, His Life and Afterlife (page 16) to bring us the next title in the AUC Press book series on key figures in ancient Egyptian history,Rameses III, King of Egypt, His Life and Afterlife (page 17). This year’s offerings of ancient Egypt titles also include Reg Clark’s Securing Eternity: Ancient Egyptian Tomb Security from Prehistory to the Pyramids (page 19), a study of the evolution of this aspect of tomb architecture over more than two millennia; and a wide-ranging collected volume on non- royal elite autobiographical texts and inscriptions, Living Forever: Self-Presentation in Ancient Egypt (page 19), edited by Hussein Bassir. -
'These 39 Arab Writers Are All Under the Age of 40. They Have Flung Open
JOUMANA HADDAD FAIZA GUENE ABDELKADER BENALI Joumana Haddad was born in Lebanon in 1970. She is Faiza Guene was born in France in head of the Cultural pages of the prestigious “An Nahar” Abdelkader Benali was born in 1975 in The Netherlands, 1985 to Algerian parents. She wrote her newspaper, as well as the administrator of the IPAF literary of Moroccan origins. Benali published his fi rst novel fi rst novel, “Kiffe kiffe demain” (Just like SAMAR YAZBEK prize (the “Arab Booker”) and the editor-in-chief of Jasad “Bruiloft aan zee” (Wedding by the Sea) in 1996, for Tomorrow) when she was 17 years old. magazine, a controversial Arabic magazine specialized in the which he received the Geertjan Lubberhuizen Prize. For It was a huge success in France, selling SAMER ABOU HAWWASH literature and arts of the body. Amongst her books, “Time his second novel, “De langverwachte” (The Long-Awaited, over 360,000 copies and translation for a dream” (1995), “Invitation to a secret feast” (1998), 2002), Benali was awarded the Libris Literature Prize. He Samer Abou Hawwash was born rights around the world. She’s also the “I did not sin enough” (2003), “Lilith’s Return” (2004), has since published the novels “Laat het morgen mooi in 1972 in the southern Lebanese author of “Du rêve pour les oufs” in “Conversations with international writers”, (2006), “Death weer zijn” (Let Tomorrow Be Fine, 2005) and “Feldman city of Sidon. Abou Hawwash has 2006 and “Les gens du Balto” in 2008. will come and it will have your eyes” and “Anthology of 150 en ik” (Feldman and I, 2006). -
BATA Inaugural International Conference 24-25 June 2021
BATA Inaugural International Conference 24-25 June 2021 British Association of Teachers of Arabic (BATA) University of Leeds British Association of Teachers of Arabic (BATA) University of Leeds BATA Inaugural International Conference 24-25 June 2021 TEACHING, RESEARCH AND SCHOLARSHIP EXCELLENCE IN ARABIC LANGUAGE, LITERATURE, LINGUISTICS AND TRANSLATION 2 Conference Organiser Conference Partners 3 Conference Sponsors Conference Organising Committee - Prof. El Mustapha Lahlali (Conference Chair), University of Leeds - Prof. Daniel Newman (Conference Deputy Chair), University of Durham - Dr. Sara Al-Tubuly, Al-Maktoum College - Dr. Abdelghani Mimouni, University of Manchester - Dr. Mohamed Dayoub, University of Warwick - Mr. Mahammed Bouabdallah, University of Westminster - Dr. Salwa El-Awa, Swansea University Acknowledgement The Organising Committee would like to thank Mourad Diouri, University of Edinburgh, for his support, valuable advice and suggestions, including the design of the conference programme and promotional literature. 4 Welcome On behalf of the BATA Council and the Conference Organising Committee, I am very delighted to welcome you to the BATA Inaugural International Conference, hosted ONLINE by the University of Leeds, 24-25th June, 2021. Over the last year or so, a dedicated team of colleagues from different UK universities and schools have been working tirelessly to get the Association up and running, and I am very delighted that BATA is now functioning at full speed. BATA is designed to support, promote and enhance teaching, learning, scholarship and research in the fields of Arabic language, culture, linguistics, literature and translation. A wide range of activities has taken place over the last year, culminating in our upcoming BATA Inaugural International Conference, 24-25 June. -
The Role of Social Agents in the Translation Into English of the Novels of Naguib Mahfouz
Some pages of this thesis may have been removed for copyright restrictions. If you have discovered material in AURA which is unlawful e.g. breaches copyright, (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please read our Takedown Policy and contact the service immediately The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Vol. 1/2 Linda Ahed Alkhawaja Doctor of Philosophy ASTON UNIVERSITY April, 2014 ©Linda Ahed Alkhawaja, 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without proper acknowledgement. Thesis Summary Aston University The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Linda Ahed Alkhawaja Doctor of Philosophy (by Research) April, 2014 This research investigates the field of translation in an Egyptain context around the work of the Egyptian writer and Nobel Laureate Naguib Mahfouz by adopting Pierre Bourdieu’s sociological framework. Bourdieu’s framework is used to examine the relationship between the field of cultural production and its social agents. The thesis includes investigation in two areas: first, the role of social agents in structuring and restructuring the field of translation, taking Mahfouz’s works as a case study; their role in the production and reception of translations and their practices in the field; and second, the way the field, with its political and socio-cultural factors, has influenced translators’ behaviour and structured their practices. -
Award Ceremony 30Th September 2006 Press Folder
WELCOME! Award Ceremony 30th September 2006 Press Folder Press Folder Table of Contents A World Prize for the Art of Reportage – the Lettre Ulysses Award Page 3 At a Glance The Short List 2006 Page 5 Overview of Texts and Books The Short List 2006 Page 6 The Authors: Biographical and Bibliographical Summaries The Long List 2006 Page 11 An Overview of the Texts Selected by the Jury The Jury Page 12 Independent, Experienced, Polyglot The Jurors Page 13 Biographical and Bibliographical Summaries The Lettre Ulysses Award 2003 - 2005 Page 21 The First Three Years Media Coverage 2003- 2005 Page 22 Press Reactions Comments on the Genre of Literary Reportage Page 26 Statements from the Jurors The Trophy 2006 Page 28 The Artist The Poster 2006 Page 28 The Artist The Organizers Page 29 Initiators, Supporters and Project Partners Aventis Foundation Page 31 Reasons for Supporting the Lettre Ulysses Award www.lettre-ulysses-award.org Page 32 The Website Contact: Foundation Lettre International Award, Frank Berberich, Esther Gallodoro Elisabethhof, Portal 3b, Erkelenzdamm 59/61, D-10999 Berlin Tel.:+49 (0) 30-30 87 04 52, Fax: +49 (0) 30-283 31 28 Mail: [email protected] Website: www.lettre-ulysses-award.org 2 A World Prize for the Art of Reportage – the Lettre Ulysses Award At a Glance What is the Lettre Ulysses Award? . The Lettre Ulysses Award was initiated in 2003 and is the first and only world prize for reportage literature. It is awarded annually for the world’s best pieces of literary reportage, which have been published within the preceding two years. -
Antón Shammás (March 2019)
shammas - 1 Antón Shammás (March 2019) Professor of Modern Middle East Literature Departments of Middle East Studies and Comparative Literature The University of Michigan 4111 Thayer Building, 202 S. Thayer St. Ann Arbor, MI 48104 <[email protected]> https://umich.academia.edu/AntonShammas Employment, Fellowships 1997- present: Professor of Modern Middle East Literature, Department of Middle East Studies and Department of Comparative Literature, University of Michigan. 2010-2011: Fellow, Institute for the Humanities, University of Michigan. Fall 1999: Acting Chair, Program in Comparative Literature, University of Michigan. 1996: Visiting Literary Translator, The International Institute, University of Michigan. 1989-1998: Intermittently, Adjunct Professor in the Departments of English, Near Eastern Studies, and Program in Comparative Literature, University of Michigan. 1988-1989: A Visiting Fellow, Institute for the Humanities, University of Michigan. 1987-1988: A Rockefeller Fellow, The Center for Middle Eastern and North African Studies, University of Michigan. 1982-1987: Free-lance journalist and columnist for the Hebrew newspapers Kol- Ha‘īr, Jerusalem, and Ha‘īr, Tel-Aviv, Israel. 1970-1975: Editor of the monthly, Arabic literary magazine Al-Sharq, Jerusalem. Education 1968-1972 The Hebrew University in Jerusalem: English and Arabic literatures, and History of Art. Published Essays, Articles, and Book Reviews: https://umich.academia.edu/AntonShammas “Bāb al-Wa’rah” (Arabic fiction), Majallat al-Dirasāt al-Filistīniyyah (Journal of Palestine Studies), Beirut, No. 116, Autumn 2018, p. 41-62. “Torture into Affidavit, Dispossession into Poetry: On Translating Palestinian Pain,” Critical Inquiry, Vol. 44 No. 1, 2017. https://www.academia.edu/26021858/Torture_into_Affidavit_Dispossession_into _Poetry_On_Translating_Palestinian_Pain_Critical_Inquiry_44_Autumn_2017_ “The Drowned Library” (Arabic), Majallat al-Dirasāt al-Filistīniyyah (Journal of Palestine Studies), Beirut, No. -
Civilization Sequence Program
CIVILIZATION SEQUENCE PROGRAM A. SUMMARY OF PROGRAMS The number of students taking CVSP courses each year (including the summer) has remained around 3,500 since 2005-06. Demand has been greater this year for the core Sequence-I courses (64 sections of CVSP 201, 202 and 205 with about 26 students each) than Sequence-II (43 sections of CVSP 203 and 204). We have the capacity to offer another five sections of CVSP 205 and four sections of CVSP 203 in Fall and Spring semesters. Beyond that, it is difficult to see how we could meet any increase in student demand since the capacity of Bathish auditorium, where we hold common lectures, limits us to ten sections of a core course. We are conscious that CVSP is at the heart of the General Education policy of the university and has a correspondingly great obligation continually to improve the quality of our offerings. The ongoing process of reviewing the reading lists of our core courses CVSP 201 to 206 has led this year to two proposals. The readings in CVSP 201 were reduced to eight by taking Thucydides out of the previous list of readings and by substituting Antigone for Oedipus and Crito for The Apology . The idea behind these two moves was both to enable more time to be spent on each reading and to expand the pool of possible readings, for slow rotation into and out of those selected in any one year, since each reading reverberates differently with others: Antigone worked well as an alternative to Oedipus ; Crito perhaps less so, although some teachers valued its accessibility for students. -
A N N Otated B Ook S R Eceived
A n n otated B ook s R eceived A SUPPLEMENT TO Tran slation R ev iew Volume 23, No. 1–2, 2018 THE UNIVERSITY OF TEXAS AT DALLAS CONTRIBUTORS Linda Snow Stephanie Tamayo Shelby Vincent All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas 800 West Campbell Road, JO 51 Richardson, TX 75080-3021 Telephone: 972-883-2093 Fax: 972-883-6303 [email protected] Annota ted B ooks R eceived is a supplement of T ra nsla tion Review, a publication of The Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2018 by The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity /affirmative action employer. Annotated Books Received — vol. 23.1–2 ANNOTATED BOOKS RECEIVED 23.1 – 2 TABLE OF CONTENTS Albanian ............................................................................................................. 1 Arabic .................................................................................................................. 1 Arabic, French, and Dutch …………………………………………………………… 3 Arabic and Persian …………………………………………………………………… 3 Bulgarian……………………………………………………………………..……...… 4 Catalan………………………………………………………………...……………..… 4 Chinese ................................................................................................................. 5 Croatian ................................................................................................................ 6 Czech………………………………………………………………………………..…… 8 Danish………………………………………………………………………………….… -
David Joseph Wrisley METAFICTION MEETS MIGRATION: ART FROM
Mashriq & Mahjar 2 (2013), 99-119 ISSN 2169-4435 David Joseph Wrisley M ETAFICTION MEETS MIGRATION: ART FROM THE ARCHIVES IN RABEE JABER’S AMERIKA Abstract The subject of this article is Rabee Jaber’s novel Amerika (2009) recounting the migration of a group of Syro-Lebanese to the United States on the eve of the First World War. It demonstrates how metafictional techniques—ironic narrator figures, flashbacks, dream-like scenes—allow Jaber to address the fine, yet shifting, line between fiction and history in the accounts of Arab migrations to the Americas. The article explores the creative rewriting of an essential intertext for Jaber, Kafka’s Amerika (The Man Who Disappeared) and asserts that the novel’s reflective uncertainty pervades both the way that a historical past can be represented and the way that the past is presented to a contemporary Lebanese audience. The article concludes by suggesting that the contrast between the two main characters, Martā Ḥaddād and Alī Jābir, is not only indicative of distinct kinds of migration, but, more abstractly, points to contrasting ideas about reading and writing the past. Rabee Jaber is a prolific, Arabic-language Lebanese writer and Amerika is his sixteenth novel.1 Written in four parts and 126 short chapters, Amerika is set on the eve of the First World War at the moment of the so-called First Wave of the Syro-Lebanese migration from Mount Lebanon to the United States. Amerika is only one of Jaber’s historical novels written in the first decade of the twentieth-first century to feature characters in motion, leaving their birth land and settling into lives in faraway places.