Jazz 90.1 Top 100 for 2005
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Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis
JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival. -
Charlie Haden Page 11 News
JazzWeek with airplay data powered by jazzweek.com • Sept. 8, 2005 Volume 1, Number 41 • $7.95 In This Issue: J@LC Sponsors Concert to Benefit Katrina Victims . 4 Wynton Marsalis Comments . 4 Harry Connick, Jr., Is Habitat Honorary Chair . 5 McBride Tapped for L.A. Phil Jazz Post . 9 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 23 Radio LIBERATION MUSIC ORCHESTRA Panels. 28 Q&A With Charlie Haden page 11 News. 4 Charts: #1 Jazz Album – Clayton-Hamilton Jazz Orch. #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR e’ve all watched in horror at the destruction caused Tad Hendrickson by Hurricane Katrina and reacted with some re- CONTRIBUTING EDITORS Wlief as friends, colleagues, and admired musicians Keith Zimmerman have been rescued. While our initial reaction may have Kent Zimmerman CONTRIBUTING WRITER/ been anger, and even perhaps focused on blame, now is PHOTOGRAPHER the time to help out and do what we can to help the peo- Tom Mallison ple of New Orleans and the whole affected Gulf Coast – PHOTOGRAPHY Barry Solof an area the size of Great Britain – to recover and rebuild. Founding Publisher: Tony Gasparre One station with a big task ahead is WWOZ in New ADVERTISING: Call (585) 328-3104 or email: [email protected] Orleans. On the station’s web site, wwoz.org, they are keeping a helpful list of musicians and WWOZ staffers SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, who have been found. And on WFMU’s web site (the link JazzWeek w/ Industry Access – Charter Rate: $249.00 per year is at wwoz.org) WWOZ station manager David Freed- To subscribe using Visa/MC/Discover/ man is keeping folks updated on the financial situation AMEX/PayPal go to: http://www.jazzweek.com/account/ and the plans for rebuilding the station and getting it back subscribe.html on the air. -
DAVE HOLLAND THINKS BIG P10 More News
JazzWeek with airplay data powered by jazzweek.com • February 23, 2005 Volume 1, Number 14 • $7.95 In This Issue: JazzWeek Summit Registration Opens . 4 Summit Fellowships Announced . 5 Acts Sought for Summit . 5 Hendrickson Hired at Radio@AOL. 6 Reviews and Picks. 14 Jazz Radio . 16 Smooth Jazz Radio. 21 Radio Panels. 25 DAVE HOLLAND THINKS BIG p10 More News . 4 Charts: #1 Jazz Album – David ‘Fathead’ Newman #1 Smooth Album – Dave Koz #1 Smooth Single – Soul Ballet JazzWeek This Week EDITOR Ed Trefzger When JazzWeek first switched to monitored airplay data from Media- CONTRIBUTING EDITORS guide last November, the first jazz chart was a shocker to a lot of folks. This Keith Zimmerman week, we have good news. First, a little background ... Kent Zimmerman At one time, No. 1 albums on the chart had seen 700 or more spins; as Tad Hendrickson we cajoled those stations who were padding their stats a little bit to be more CONTRIBUTING WRITER accurate, that peak number dropped to around 500. Our last chart with re- Tom Mallison ported airplay had 484 spins at No. 1 for Matt Wilson’s Wake Up! (to What’s PHOTOGRAPHY Happening) on Palmetto. The following week, it had 223. Barry Solof While the panel was reduced to about 80 percent of its previous size, that should have accounted for a drop of about 96 spins. What it told us is PUBLISHER that stations were not playing CDs anywhere nearly as much as they said, or Tony Gasparre as much as many thought they should. ADVERTISING: Contact Tony Gasparre This week, David “Fathead” Newman tops the chart with 402 spins for (585) 235-4685 x3 or I Remember Ray – about 80 percent of the typical average of 500 or so before email: [email protected] the Mediaguide switch. -
Poetics, Time and Black Experimental Writing
After the End of the World: Poetics, Time and Black Experimental Writing by Anthony Reed This thesis/dissertation document has been electronically approved by the following individuals: Farred,Grant Aubrey (Chairperson) Maxwell,Barry Hamilton (Minor Member) Villarejo,Amy (Minor Member) Culler,Jonathan Dwight (Additional Member) AFTER THE END OF THE WORLD: POETICS, TIME, AND BLACK EXPERIMENTAL WRITING A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Anthony Reed August 2010 © 2010 Anthony Reed AFTER THE END OF THE WORLD: POETICS, TIME, AND BLACK EXPERIMENTAL WRITING Anthony Reed, Ph. D. Cornell University 2010 "After the End of the World" is a study of the poetics of experimental writing, focusing on the work of W. E. B. Du Bois, Nathaniel Mackey, Suzan-Lori Parks and Kamau Brathwaite. By thinking form as a locus of political and conceptual contestation and transformation, I seek methods for conceiving politics in literature apart from its references or the identities of authors and characters. Writing in different genres, and with different political investments, each of these authors offers resources for re-imagining community as a project, for thinking the constitution of the self and political subject, and for conceiving politics and literary studies globally. Using a broad conception of literary experimentation as writing that departs from conventional forms and conventional thinking, I emphasize time of reading, among other times. Arguing that conceptions of time tend to be at the heart of political concerns throughout the sites of the African diaspora, this project challenges those notions of black writing that rest on the binary or oppression/resistance. -
Kenny G Tops Albums, Boney James Singles
JazzWeek with airplay data powered by jazzweek.com • April 20, 2005 Volume 1, Number 22 • $7.95 In This Issue: JazzWeek Summit Showcase . 4 WAER Feted at Syracuse Jazz Fest. 6 Upcoming CD Release News. 9 Johnson Leaves WRTI . 9 Reviews and Picks. 17 Jazz Radio . 19 CURTIS STIGERS Smooth Jazz Radio. 24 Q&A page 13 Radio Panels. 28 News. 4 Charts: #1 Jazz Album – Monty Alexander #1 Smooth Album – Kenny G #1 Smooth Single – Boney James JazzWeek This Week EDITOR Ed Trefzger ’ve caught Curtis Stigers live a few times now, and I have CONTRIBUTING EDITORS Keith Zimmerman to admit that I’ve become a big fan. His performances are Kent Zimmerman Inothing like, but remind me completely of, Tony Bennett, Tad Hendrickson in that Curtis is the consummate entertainer. CONTRIBUTING WRITER An interesting story about Curtis Stigers isn’t covered in Tom Mallison PHOTOGRAPHY the Q&A with Tad Hendrickson in this issue, but it involves Barry Solof a favorite songwriter and performer of mine – especially from my college radio days – Nick Lowe. Back in 1992, before his PUBLISHER Tony Gasparre jazz record days, Curtis recorded Lowe’s “(What’s So Fun- ADVERTISING: Contact Tony Gasparre ny ‘Bout) Peace, Love and Understanding” on the soundtrack (585) 235-4685 x3 or album for The Bodyguard, a tune Lowe had written in the email: [email protected] mid-70’s, and which became an anthem for Elvis Costello SUBSCRIPTIONS: Prices in US Dollars: (you know, Diana Krall’s hubby?) Despite the fact the song Charter Rate: $199.00 per year, wasn’t in the movie, the soundtrack CD sold 15 million cop- JazzWeek w/ Industry Access – Charter Rate: $249.00 per year ies, and Lowe, who was a bit down on his luck, reaped a $1 To subscribe using Visa/MC/Discover/ million windfall, which made it possible to revive his career AMEX/PayPal go to: http://www.jazzweek.com/account/ on Lowe’s own terms. -
LESTER BOWIE Brass Memories
JUNE 2016—ISSUE 170 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LESTER BOWIE brASS MEMories REZ MIKE BOBBY CHICO ABBASI REED PREVITE O’FARRILL Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JUNE 2016—ISSUE 170 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Rez Abbasi 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Mike Reed 7 by ken waxman General Inquiries: [email protected] On The Cover : Lester Bowie 8 by kurt gottschalk Advertising: [email protected] Encore : Bobby Previte by john pietaro Calendar: 10 [email protected] VOXNews: Lest We Forget : Chico O’Farrill 10 by ken dryden [email protected] LAbel Spotlight : El Negocito by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD Reviews 14 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Miscellany 41 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 42 Andrew Vélez, Ken Waxman Contributing Writers Tyran Grillo, George Kanzler, Matthew Kassel, Mark Keresman, Eric Wendell, Scott Yanow Jazz is a magical word. -
Spring Awakening a Smash
The Center of the Brass Playing Universe For one weekend in Spring Semester 2013, with Rich Tozier. Their appearances came important, the students of the UMaine Jazz wouldn’t let the the University of Maine, with only slight ex- about though combined efforts of the Col- Ensemble, a foretaste of their coming con- Mnozils go. In aggeration, could have been considered the lins Center for the Arts, who booked Mnozil cert the following Sunday. Trumpeter Thom- response to their center of the brass playing universe. From Brass for 2012-2013 concert season, School as Gansch also joined the group for a couple excitement, the group then the 25th to the 28th of April, UMaine stu- of the Performing Arts and Cultural Affairs, of solos with his friend Bryan Davis. performed their world- famous version of dents were treated to live concert appear- who funded the Bryan Davis appearances, Saturday the 27th was filled with Mnozil Queen’s Bohemian Rhapsody, inviting the au- ances and master classes from some of the and Associate Professor of Music Dr. Jack Brass master classes. Over 150 people from dience to sing with them at the end, bring- greatest brass musicians in the world. Burt, whose goal it was to bring these per- Maine, and as far away as Washington, D.C. ing to a close both an incredible concert and formers to UMaine. and Montreal, Quebec attended classes by an inspiring weekend of great music. The cult Austrian brass septet, Mnozil Brass, the great musicians and entertainers. and English jazz trumpeter Bryan Davis On Thursday, April 25 it began with Bryan made separate artist residencies in the Class Davis’ performance with the UMaine Jazz On Sunday the packed house at the Collins of 1944 Hall. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Liminal Spaces: a Narrative Spirituality of the Bible Thomas J
Digital Commons @ George Fox University Doctor of Ministry Theses and Dissertations 3-1-2015 Liminal Spaces: A Narrative Spirituality of the Bible Thomas J. Rundel George Fox University, [email protected] This research is a product of the Doctor of Ministry (DMin) program at George Fox University. Find out more about the program. Recommended Citation Rundel, Thomas J., "Liminal Spaces: A Narrative Spirituality of the Bible" (2015). Doctor of Ministry. Paper 109. http://digitalcommons.georgefox.edu/dmin/109 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ George Fox University. It has been accepted for inclusion in Doctor of Ministry by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. GEORGE FOX UNIVERSITY LIMINAL SPACES: A NARRATIVE SPIRITUALITY OF THE BIBLE A DISSERTATION SUBMITTED TO THE FACULTY OF GEORGE FOX EVANGELICAL SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF MINISTRY BY THOMAS J RUNDEL PORTLAND, OREGON MARCH 2015 George Fox Evangelical Seminary George Fox University Portland, Oregon CERTIFICATE OF APPROVAL ________________________________ DMin Dissertation ________________________________ This is to certify that the DMin Dissertation of Thomas J. Rundel has been approved by the Dissertation Committee on February 16, 2015 for the degree of Doctor of Ministry in Leadership and Spiritual Formation. Dissertation Committee: Primary Advisor: Evan Howard, PhD Secondary Advisor: -
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#BXNCTCC SCH 3 -DIGIT 907 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #BL2408043# APR06 A04 B0100 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 JUNE FOR MORE THAN 110 YEA 4 2005 NASHVILLE'S DUO I)l' I\ A IVI I C; HOT NEW TWOSOMES TAKE AIM AT COUNTRY SUCCESS >P.26 ()I NCà H I -DI_I= TV IS CHANGING... WILL LABELS BE READY FOR THE NEXT WINDFALL? >P.24 ' IVIAROON5: 'I'H 1= SOULFUL I3A N I) l'H Ar COULD A BILLBOARD STARS SPECIAL FEATURE >P.29 MI 3 $ 9US $8.99CAN 3> LESS IS MORE FOR `SATAN' >P.22 11 74470 02552 www.americanradiohistory.com Your potential. Our passion.'" p l aysf o rs u re Windows Media Choose your music. Choose your device. Know it's going to work. When your cevice and music service are compatible with each other, all you have to dc is choose the music that's compatible with you. Look for the PlaysForSure logo on a wide range of devices and music services. For a complete list go to playsforsure.com 2005 Microsoft Corp arion AU nghts reserved. Microsoft. MSII, MSN logo, the PtaysForaire loge, the Windows logo, YIi sdonis Media, and Your potential. Our passion ° are either registered trademarks or trademarks of Microsoft Corporation m the United States anJ`or other countries The names of actual companies and prooucts mentioned herein may be the trademark of their respective owners. www.americanradiohistory.com Billbearal JUNE 4, 2005 VOLUME 117, NO. 23 - t#411. ON THE CHARTS ALBUMS PAGE ARTIST / TITLE l'I'ItONT SYSTEM DE A DOWN / TOP 5 News BILLBOARD 200 56 MEZMERIZE AUSON KRAUSS + UNION STATION / 6 Washington -
31 #1 Jazz – 7/6: John Scofield 7/13: David Hazeltine #1 Smooth Album
JazzWeek with airplay data powered by jazzweek.com • July 13, 2005 Volume 1, Number 33 • $7.95 In This Issue: MESHELL Blue Note to Release Rare NDEGEOCELLO’S 1957 Monk & ’Trane . 4 NATURAL Stubblefield, PROGRESSION Michelot and Other Passings . 8 page 12 Jazzin’ Around podcasting Success . 10 Reviews . 16 Jazz Radio . 19 Smooth Jazz Radio. 25 Radio Panels. 31 News. 4 Charts: #1 Jazz – 7/6: John Scofield 7/13: David Hazeltine #1 Smooth Album/Single – 7/6: Nils #1 Smooth Album/Single – 7/13: Richard Elliot JazzWeek This Week EDITOR Ed Trefzger MUSIC EDITOR Tad Hendrickson CONTRIBUTING EDITORS he internet era has seen some fads come and go – remember Keith Zimmerman “Push” technology or theglobe.com? They’re about as outdat- Kent Zimmerman Ted as the Lambada. But one new technology that I think is CONTRIBUTING WRITER/ going to be here for a long while is podcasting. PHOTOGRAPHER What’s podcasting? In a nutshell, it’s simply a way to provide Tom Mallison PHOTOGRAPHY prerecorded programming in a format that makes it easy to down- Barry Solof load to audio players or software. The “Pod” part refers to Apple’s iPod; former MTV veejay Adam Curry (the blonde guy with the PUBLISHER Farrah Fawcett haircut) pioneered using XML protocol for load- Tony Gasparre ing programs onto iPods only months ago. ADVERTISING: Contact Tony Gasparre Recently Apple added a podcasting directory and the ability (585) 235-4685 x3 or to retrieve podcasts in iTunes version 4.9, and its impact has been email: [email protected] felt already, as is witnessed in our article about Pittsburgh’s David SUBSCRIPTIONS: Prices in US Dollars: Jaye on page 10. -
Read Excerpt
PROLOGUE DON’T SKIP THIS PART. C’est impor tant. (That’s French for exactly what you think.) In this world, some of us love and some of us write about it. And the best loves to write about, in my not- inexperienced opinion, are the doomed ones. Two feuding families: the Montagues and Capulets. Two teens in love: Romeo and Juliet. Yes, one a Montague, one a Capulet. Call them star- crossed if you want. Sounds like just the kind of pretty thing you want to read in your horoscope, but, alas, it’s just poet- speak for doomed. So doomed, in fact, you have to won der if the young beauties can even survive to the end. 207-66567_ch01_8P.indd 1 3/18/17 12:14 PM We’re in Paris, that picture- perfect paradise of everlasting passion. But if you think the City of Love is only for couples who wear their hearts on their sleeves for the world to see, vous pensez mal. Paris and its hidden spots are made for forbidden pairs rendezvousing in secret rooms for stolen moments. And that’s exactly what Romeo and Juliet are wont to do. Yes, two rich kids who can buy anything, stealing moments. Why should two such pretty youths have so much trou ble but for a kiss? Oh, for more than that, yes, but still . such sneaking shouldn’t be necessary. But it goes deep between two families, fueled by hate that’s brewed for years. Two families of fashion, Paris’s oldest profession ( after the really old one, anyway).