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JazzWeek with airplay data powered by jazzweek.com • July 13, 2005 Volume 1, Number 33 • $7.95 In This Issue: MESHELL Blue Note to Release Rare NDEGEOCELLO’S 1957 Monk & ’Trane ...... 4 NATURAL

Stubblefield, PROGRESSION Michelot and Other Passings . . . . 8 page 12 Jazzin’ Around podcasting Success . . . 10

Reviews . . . 16

Jazz Radio . 19

Smooth Radio...... 25

Radio Panels. . . . . 31 News...... 4

Charts: #1 Jazz – 7/6: John Scofield 7/13: David Hazeltine #1 Smooth /Single – 7/6: Nils #1 Smooth Album/Single – 7/13: JazzWeek This Week EDITOR Ed Trefzger MUSIC EDITOR Tad Hendrickson CONTRIBUTING EDITORS he internet era has seen some fads come and go – remember Keith Zimmerman “Push” technology or theglobe.com? They’re about as outdat- Kent Zimmerman Ted as the Lambada. But one new technology that I think is CONTRIBUTING WRITER/ going to be here for a long while is podcasting. PHOTOGRAPHER What’s podcasting? In a nutshell, it’s simply a way to provide Tom Mallison PHOTOGRAPHY prerecorded programming in a format that makes it easy to down- Barry Solof load to audio players or software. The “Pod” part refers to Apple’s iPod; former MTV veejay Adam Curry (the blonde guy with the PUBLISHER Farrah Fawcett haircut) pioneered using XML protocol for load- Tony Gasparre ing programs onto iPods only months ago. ADVERTISING: Contact Tony Gasparre Recently Apple added a podcasting directory and the ability (585) 235-4685 x3 or to retrieve podcasts in iTunes version 4.9, and its impact has been email: [email protected] felt already, as is witnessed in our article about Pittsburgh’s David SUBSCRIPTIONS: Prices in US Dollars: Jaye on page 10. Charter Rate: $199.00 per year, Before you jump into podcasting programs from your station, JazzWeek w/ Industry Access – Charter Rate: $249.00 per year though, be forewarned that webcasting royalties don’t apply yet to To subscribe using Visa/MC/Discover/ downloadable files like those in podcasts. Music rights for pod- AMEX/PayPal go to: http://www.jazzweek.com/account/ casting still need to be worked out. subscribe.html Hats off to David, though. He’s demonstrating that niche pro- grams made available widely will attract a significant audience. AIRPLAY MONITORING BY – Ed Trefzger, Editor

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2117 Buffalo Road Suite 317 Rochester, NY 14624 phone: (585) 235-4685 fax: (585) 235-4685 [email protected] Copyright ©2005 Yellow Dog Communications Inc. jazzweek.com • July 13, 2005 JazzWeek 2 Contents July 13, 2005

News ...... 4 Blue Note To Release 1957 Monk, Coltrane Carnegie Hall ...... 4 Passings ...... 8 Plaque Honoring Ella Fitzgerald Unveiled in Detroit ...... 9 Jazzin’ Around podcast Finds Success Via iTunes ...... 10 Koch Releases Smooth Best of Collection ...... 10 Birthdays ...... 11 4 Features Artist Q&A: Meshell Ndegeocello ...... 12 Reviews ...... 16 Ilona Knopfler ...... 16 Adam Rogers ...... 16 Dave Weckl Band ...... 17 Jazz Charts ...... 19 12 Jazz Album Charts ...... 20 Jazz Add Dates ...... 22 Jazz Current CDs ...... 23 Jazz Radio Panel ...... 31 Smooth Jazz Charts ...... 25 Smooth Album Chart ...... 26 Smooth Singles Chart...... 28 Smooth Current CDs ...... 30 19 Smooth Radio Panel ...... 31

Classifieds ...... 18

Cover photo: Meshell Ndegeocello by Marc Seliger, courtesy 25 Shanachie Records JazzWeek Volume 1 Issue 33 jazzweek.com • July 13, 2005 JazzWeek 3 News Blue Note To Release Rediscovered 1957 and Carnegie Hall Concert

ust minutes before the Jukebox early that year, and immediately began eral warnings, Davis finally ran out of Jury panel started at the 2005 working again around town. patience, and in April 1957 fired the JJazzWeek Summit on Friday, Monk had been on the verge of a saxophonist for his unreliability. June 24, permission came through to breakthrough since 1955. Having been Having squandered his best job allow those in attendance to hear a instrumental in the birth of bebop as to date, he returned home to Phila- track documented a performance few the house pianist at the Harlem club delphia, and in May of that year, he had ever heard. Minton’s Playhouse, as well as play- kicked his addiction cold turkey. Years On September 27, Blue Note Re- ing in the bands of Charlie Parker and later, Coltrane would also describe this cords will release that album, Theloni- , Monk was given his as a moment of spiritual reawakening, a ous Monk Quartet with John Coltrane: first opportunity to make his own re- path that would ultimately lead to per- Live at Carnegie Hall, a never-be- cords as a leader by Alfred Lion of haps his greatest achievement, A Love fore-heard jazz classic that documents Blue Note in 1946. After making a se- Supreme. And so it was with a renewed one of the most historically impor- ries of early recordings for Blue Note spirit and dedication that Coltrane re- tant working bands in all of jazz his- and then Prestige, he began to reach a turned to mid-1957, began tory, a band that was both short-lived wider audience upon his move to Riv- attending Monk’s informal workshops and, until recently, thought to be frus- erside in 1955. at his apartment, and eventually joined tratingly under-recorded. The concert, However, due to his inability to Monk’s quartet at the Five Spot in late which took place on Nov. 29, 1957, perform in New York during that time July. was preserved on newly-discovered period, and his unwillingness to travel, The Five Spot engagement was a tapes made by Voice of America for a mainstream recognition was still out of triumph. The club was packed with later radio broadcast. Those tapes were reach. So, upon the return of his caba- lines around the block every night dur- found stored at the Library of Con- ret card in 1957, Monk wasted no time ing what would become a five-month gress in Washington, D.C., earlier this in getting back on track. His first gig engagement. Monk was finally given year. was an open-ended engagement at the the recognition that he long deserved, 1957 was a pivotal year in the lives Five Spot Café in the East Village for and Coltrane, inspired by Monk’s mu- and careers of both Thelonious Monk which he hired a quartet that included sic and pedagogy, began developing at and John Coltrane. For Monk, 1957 the tenor saxophonist John Coltrane. an astounding rate. began auspiciously. For several years For Coltrane, 1957 began with the “My time with Monk brought me the pianist had been unable to perform lowest point of his career. He had been into association with a supreme ar- in ’s clubs and concert lifted from obscurity two years before chitect of music,” Coltrane said in a halls due to the loss of his cabaret card, when hired him into his Down Beat article. Coltrane also made but with the help of his manager Har- quintet, but by late 1956, Coltrane’s Blue Train, for Blue Note in Septem- ry Colomby and the patroness Nica de heroin addiction had started to inter- ber 1957, just two months before the Koenigswarter, he regained his card fere with his performance. After sev- continued ... jazzweek.com • July 13, 2005 JazzWeek 4 News

Monk, Coltrane Concert on Blue Note (continued)

Don Schlitten (courtesy Blue Note) Monk’s quartet at the Five Spot Cafe in 1957. (L-R: John Coltrane, Shadow Wilson, Thelonious Monk, Ahmed Abdul-Malik)

Carnegie Hall concert. ist Ahmed Abdul-Malik and drum- and closing with an incomplete sec- Monk and Coltrane had been mer Shadow Wilson, at the height of ond-take of “Epistrophy” that ends working together for a solid four their powers. when the tape runs out. months by the time they set foot on The quartet performed two short The concert, which was a bene- stage at Carnegie Hall. By all accounts, sets, with the repertoire largely culled fit for the Morningside Community Coltrane had been tentative early on in from Monk’s book. The first set con- Center in Harlem, boasted an amaz- the Five Spot run, challenged at first sists of “Monk’s Mood,” “Evidence,” ing line-up of artists that also included by Monk’s quirky melodies and chord “Crepuscule with Nellie,” “Nutty” and , Dizzy Gillespie, Ray changes, but the 51 minutes of mu- “Epistrophy.” In the they Charles, Chet Baker with Zoot Sims, sic captured in pristine sound quality stretched out a bit more, opening with and Sonny Rollins, and was recorded on Live at Carnegie Hall, present the “Bye-Ya,” followed by the sole standard for a later broadcast overseas by Voice quartet, which was completed by bass- “Sweet & Lovely,” then “Blue Monk” continued on page 7 jazzweek.com • July 13, 2005 JazzWeek 5 Our Deepest Appreciation for Your Professionalism, Support & Friendship

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Monk, Coltrane Concert on Blue Note (continued from page 5) of America. cords, and graced the cover of Time. Until now, remarkably little re- The month after the Carnegie Hall The tapes from that evening at corded documentation of Monk’s concert, the Five Spot run finally came Carnegie Hall were inadequately la- quartet with Coltrane has been known to an end, Coltrane left Monk’s quar- beled, filed away amongst the Voice to exist, a fact that makes this find- tet ignited from that spark of creativi- of America’s vast collection of record- ing all the more significant. The quar- ty, and proceeded to change the face of ings, and apparently forgotten until tet did record three tracks in the stu- jazz over the remaining 10 years of his January 2005 when Larry Appelbaum, dio for Riverside over the summer of life. Coltrane first reunited with Miles a supervisor and jazz specialist at the 1957, “Ruby My Dear,” “Trinkle, Tin- Davis to create such landmark record- Library of Congress, came upon them kle” and “Nutty,” which were released ings as Round About Midnight and Kind by chance during the routine process on Thelonious Monk with John Coltrane, of Blue, and then created his own land- of digitally transferring the Library’s and in 1993, Blue Note released an marks such as and A Love collection for preservation purpos- amateur recording, titled Live at the Supreme, the latter with his own classic es. Appelbaum noticed a set of tapes Five Spot-Discovery!, which was taken quartet featuring McCoy Tyner, Jim- simply labeled “sp. Event 11/29/57 from Naima Coltrane’s (John’s wife at my Garrison and Elvin Jones. Monk’s carnegie (#1),” with one the time) handheld recording device of star also continued to rise. The pianist of the tapes barring the sole marking Monk’s quartet in September 1958 af- eventually found another tenor saxo- “T. Monk.” All of the evening’s per- ter Coltrane had left the band but re- phonist that could embody his music formances – with the sole exception of turned temporarily to fill in for tenor in the person of Charlie Rouse, signed Billie Holiday’s performances – were saxophonist Johnny Griffin. JW with powerhouse label Columbia Re- present in the set. ������������

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jazzweek.com • July 13, 2005 JazzWeek 7 News Passings by sweetheart Katherine Gogel, sister 77, and had battled Alzheimer’s disease Joyce Pattillo, cousins Harry Stubblefield for many years. and Stephanie Barber, and by friends John Stubblefield Rolando Briceño and Yvonne, John quietly Tenor saxophonist John Stubblefield, Chris Griffin passed away into paradise, where he Chris Griffin, a member of Benny whose career included working with will compose brilliant works and perform Goodman’s renowned big band , Mary Lou Williams, music to fill the universe with love, hope section alongside Harry James and Ziggy , Tito Puente, Miles Davis, and joy. We will continue to be inspired Elman., died June 18, in Danbury, Conn., , and many others, died by John’s generosity of spirit, his for ever of melanoma. He was 89. Griffin also was July 4 of prostate cancer. He was 60, and glowing soul, and the vision of John’s lead trumpet for the “Ed Sullivan Show” had been hospitalized since April 2004. smiling face, which always lights up the and the “Jackie Gleason Show.” Stubblefield played with the Mingus Big lives of everyone he encountered.” Band for 13 years, and arranged three Stubblefield’s funeral will be held Friday, Tom Talbert songs for the group’s latest album, I Am July 15, in Little Rock, Ark. There will be a Tom Talbert, who arranged music for jazz Three (Sue Mingus/Sunnyside), which public viewing on the previous day at the greats such as , Stan Kenton he conducted from his wheelchair in Greater Center Star Baptist Church, with a and , died July 2 in Los October. Stubblefield completed a fourth celebration of his life at noon on Friday. Angeles after a stroke. He was 80. Talbert, arrangement for the group from his who was a self-taught pianist, wrote the hospital bed. Pierre Michelot soundtracks to television shows “Serpico” In May, Stubblefield was married to Pierre Michelot, a leading European bass and “Emergency,” and formed a big longtime companion Katherine Gogel. In player who performed with Miles Davis, band in his later years which performed a widely-circulated email announcing his throughout the 1990s. �������������������������������������� Bud Powell, , and Dizzy passing, she wrote, “Surrounded with love Gillespie, died in Paris on July 3. He was

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jazzweek.com • July 13, 2005 JazzWeek 8 News Plaque Honoring Ella Fitzgerald Unveiled at Detroit’s Charles H. Wright Museum of African American History

DETROIT, Mich. – A plaque bearing the name of songstress Ella Fitzger- ald was recently added to the Ring of Genealogy in the Ford Freedom Ro- tunda at Detroit’s Charles H. Wright Museum of African American Histo- ry. The plaque was unveiled during a black-tie gala in the presence of hun- dreds of guests, celebrities, and digni- taries who gathered at the Museum to help celebrate the life, love, and lega- cy of Fitzgerald, this year’s Ford Free- dom Award recipient. Musical inno- vator Al Jarreau, who was among the guests that paid tribute to Fitzgerald for her ability to bring people together through song, was honored as the Ford Freedom Award Scholar. Rogers Foster “It’s wonderful when companies Singer ; Ziad Ojakli, group vice president of corporate affairs at Ford Motor like Ford recognize things that are go- Company; Sandra Ulsh, president of the Ford Motor Company Fund; and Christy Coleman, ing on in the community. Maybe this president and chief executive officer of the Charles H. Wright Museum of African Ameri- award is about what I ought to be do- can History congratulate Ella Fitzgerald’s son , Jr. and Al Jarreau after the ing as much as what I have done,” said awards presentation. Jarreau. “I am proud to join Ford in trying to encourage youth and young the same field as the Award recipient, in his own right, accepted the award people … in leading the way and try- carried forth the ideals of the recipient, on her behalf. “This award helps to ing to make a difference in people’s and has in his/her own way, furthered keep the memory of a truly great artist lives.” the achievements for a new genera- alive,” said Brown. “To know that she The Ford Freedom Award was cre- tion. is remembered and revered is special. ated in 1999 to honor those whose life Dubbed the “First Lady of Song,” It keeps all the things she did alive.” work and character have made a sig- Ella Jane Fitzgerald was the most pop- Jarreau also addressed more than nificant impact on our world. The Ford ular female jazz singer in the United 1,700 students, including the six win- Freedom Award is given posthumous- States for more than half a century. ners of the annual Ford Freedom ly to a distinguished individual who During her lifetime, she sold over 40 Award Essay Contest, at the Detroit dedicated his or her life to improving million and won 13 Grammy Music Hall during the annual Ford the African American community and awards. She performed at top venues Freedom Awards Scholar’s Lecture. the world in general. The Ford Free- all over the world, and her audiences He encouraged youth to stay in school, dom Award Scholar honor is given to were as diverse as her vocal range. to discover their passion, and to use a living individual who has excelled in Her son, Ray Brown, Jr., a musician their gifts to improve the quality of life for others. JW jazzweek.com • July 13, 2005 JazzWeek 9 News Jazzin’ Around podcast Koch Releases Bob James Smooth Best Finds Success Via iTunes of Collection Koch Records has released The Essen- ittsburgh broadcaster and educa- said Jaye. “I’m darn near speechless.” tial Collection: 24 Smooth Jazz Classics, tor David Jaye has a unique jazz By last Thursday afternoon, fewer a 2-CD chronological overview of leg- Pradio program; he broadcasts on than five days after being listed, more endary smooth jazz artist and multiple a station that isn’t licensed for music. than 11,000 people had downloaded Grammy Award winner Bob James. The station, located near Jaye’s Jaye’s July 3 show; by Monday after- During his long and prolific ca- home, is owned by a one-time student noon, that had topped 16,200. reer, James has released over 25 solo who said to his former teacher, “We’d Jaye has been webcasting his show albums and a whole host of collabo- love to have you do a jazz show, if you for the last year and half at edge1550. rations with such luminaries as Gro- could do it without playing any mu- com, where the program airs live from ver Washington, Jr., Hank Crawford, sic.” 10 a.m. to noon (ET) on Sundays and Earl Klugh, , and many Rather than presenting an obstacle refeeds at 6 p.m. and 10 p.m. that same others, all in addition to the many suc- for Jaye, it has instead cesses of his all-star band Fourplay. allowed him to pres- James has sold millions of records ent fair-use excerpts of since being discovered by the great music along with fea- in 1963, and this col- ture interviews and lection showcases his artistry at a spe- music news in a unique cial time in his career with his orig- format, the jazz mag- inal work with Creed Taylor and his azine show, which he groundbreaking work at his own label, calls Jazzin’ Around. Tappan Zee Records. The focus on “I can feature 25 material originally released from 1974 or 30 songs in a pro- through 1984 clearly differentiates The gram,” explained Jaye Essential Collection from 2001’s Res- by telephone. “I’ve re- toration anthology release, which fea- ferred to it as Ameri- tures more of his later recordings. ca’s most unique jazz program.” Native Language Taps Meyer The advent of pod- as Nat’l Dir. of Radio Promo casting is now expos- Native Language Music has named ing Jaye’s program David Jaye’s Jazzin’ Around is now found on Apple’s iTunes Cassandra Meyer its new National to an even larger au- podcast directory, where users can subscribe to automati- Director of Radio Promotions effec- dience. Jaye, and his cally download the show every week. tive July 1, 2005. station, WURP, The Meyer joined Native Language in Edge AM 1550, which has mostly a day. May 2002 upon graduation from Cal syndicated “hot talk” format, began Two major aspects of the program State Northridge’s Radio-Film-TV podcasting his program last month. will be adjusted, said Jaye. With the program with a Bachelor of Arts in A listing on Apple’s iTunes 4.9 pod- vast increase in listenership, they will Electronic Media Management. Since casting directory has seen downloads be looking to add sponsorship for the then she has been Promotions Coor- of his show jump dramatically, forcing program. And with a wider, world- dinator, assisting Native Language’s the station, which is owned by an In- wide audience, Jaye said he’ll look to Director of PR and Publicity Stephen ternet Service Provider, to add servers broaden the appeal of the show’s con- Cox in various publicity and promo- and bandwidth. tent beyond Pittsburgh. tions duties, as well as serving as Of- “I am stunned and duly amazed,” – Ed Trefzger fice Manager since June 2003. jazzweek.com • July 13, 2005 JazzWeek 10 News Birthdays July 21 July 29 Omer Simeon (1902) Charlie Christian (1916) July 13 Billy Taylor (1921) July 30 Leroy Vinnegar (1928) Helen Merrill (1930) James Spaulding (1937) Pete Escovedo (1935) Sonny Clark (1931) David Sanborn (1945) Plas Johnson (1931) Albert Ayler (1936) July 31 July 15 July 22 Roy Milton (1907) (1923) Al Haig (1924) Hank Jones (1918) Joe Harriott (1928) Bill Perkins (1924) (1931) July 16 (1934) Gap Mangione (1938) Cal Tjader (1925) Don Patterson (1936) Stanley Jordan (1959) Bobby Previte (1957) Al Di Meola (1954) Joshua Breakstone (1955) August 2 July 17 Nana Vasconcelos (1944) George Barnes (1921) July 23 Richie Kamuca (1930) August 3 Ray Copeland (1926) Lawrence Brown (1907) Steve Lacy (1934) Joe Morello (1928) Charlie Shavers (1917) Khan Jamal (1946) Ben Riley (1933) Eddie Jefferson (1918) L Subramaniam (1947) Nick Brignola (1936) Tony Bennett (1926) Loren Schoenberg (1958) Chico Freeman (1949) (1940) July 18 July 24 Roscoe Mitchell (1940) Dudu Pukwana (1938) Charles McPherson (1939) Greg Osby (1960) Jon Faddis (1953) July 19 August 4 Buster Bailey (1902) July 25 Louis Armstrong (1901) Jack Teagarden (1905) Johnny Hodges (1907) Herb Ellis (1921) Bobby Bradford (1934) Don Ellis (1934) Sonny Simmons (1933) Carmell Jones (1936) July 26 August 5 July 20 Erskine Hawkins (1914) Red Nichols (1905) Ernie Wilkins (1922) Louie Bellson (1924) Charles Tyler (1941) Charlie Persip (1929) Joanne Brackeen (1938) July 28 Delfeayo Marsalis (1965)

jazzweek.com • July 13, 2005 JazzWeek 11 Mephisto (courtesty Shanchie Records) Artist Q&A: Meshell Ndegeocello

here’s no doubt that Meshell is a restless artistic soul. Since emerging as a new star in the early ’90s on Madonna’s Maver- Tick label with Plantation Lullabies, she hasn’t let the audience or her label pigeonhole her. Never was this more abundantly clear on her recently released The Dance Of The Infidel, which featured an impressive cast of jazz musicians collectively called The Spir- it Of Jamia. Many will also recall her dropping by Ron Blake’s set in Syracuse even though her own gig was later that day a few hours away. Suffice to say, this woman lives to play bass. We caught up with her on the eve of her record release. – Tad Hendrickson continued ... jazzweek.com • July 13, 2005 JazzWeek 12 Artist Q&A: Meshell Ndegeocello (continued)

JazzWeek: You say that this music is in the spiritual groove, which theo- retically could be played by musicians who play in any number of different styles. What makes you think that jazz musicians are the best vehicle for ex- ecuting this musical vision? Meshell Ndegeocello: To me, any spiritual journey requires risk, honesty and a sincere searching. My choice of musicians is more about how they approach their playing, not what bin the record store puts them in. It’s not about ex- cluding any particular style: It is about finding cats who go out on a limb ev- ery time out, who are comfortable being naked and raw up there on stage, who “It would be a want to find something new each performance. That helps both the music and each musician grow. We become like a little crew of monks trying to reach mistake to look new heights. at this record as Did this record turn out as you originally envisioned it? a return or new My goal was to create a framework that allowed musicians to interpret freely and say something beautiful, funky, joyous, melancholy, prayerful. I am hap- attraction to py with how it turned out mainly because each player took the music to a new level far beyond what I could have ever conceived of on my own. The collabo- jazz ... [T]his is ration was what I envisioned and while this is what some like to critique about not a departure, the record, this is what I love most about it. just a natural Do you have a background in jazz? That gets into the definition of jazz, and I am not saying that just to be dif- progression.” ficult. I am a musician and a music-lover, so I listen to everything and play whatever I can. I come from an African-American cultural context and cer- tainly the music that we call jazz is an expressive product of all the history, struggle and experiences of that context. So do I have a background in jazz? Ah, yeah! In addition my father is a jazz saxophonist. It would be a mistake to look at this record as a return or new attraction to jazz – if you go back to my first album you find and Joshua Redman as players; I have done tracks in the past with Herbie Hancock and Lalah Hathaway. So this is not a departure, just a natural progression. What are some jazz records that you love that influenced this project? I wouldn’t say any particular record, more so the approach of bands like Weather Report, the Headhunters, the classic Coltrane Quartet as well as the post-Quartet bands, and clearly the post-cool Miles Davis formations. I would say the biggest influence would be the freedom, the trust in what each player has to say, the insistence on emotion in the playing. You’ve spoken about how nice it is to be playing in a group rather than out front. Why not be star of the show, so to speak? That’s just not how I conceive of making music, especially live music; it is al- ways collaborative, no matter who ultimately stands out front. Even Prince and continued ... jazzweek.com • July 13, 2005 JazzWeek 13 Artist Q&A: Meshell Ndegeocello (continued)

Stevie Wonder had to put together killing bands to go out live. But more spe- cific to this project, I am not a virtuoso bass player; I am sweating each night trying to keep up with my band. These cats are truly phenomenal and, even if I had that kind of ego, it would be ridiculous for me to prop myself up as the star of this band. Sure, I serve as a guide, I steer the general direction of the ship, but they paint all the beautiful scenery that we encounter on the journey. Can you talk about how this was recorded? We recorded the bulk of this album in four days in New York City. I would say 90% of it was just live tracking. We did have some horn over- dubs, mainly because of scheduling, and then the “Aquarium” track with Sabina was some- thing that we worked on in pieces. It was won- derful because I am used to spending 3-4 months recording an album, not to mention the months of writing before hand. Here, I just gave cats these cells, explained the emotional direc- tion and then pressed the record button! How fleshed out were the ideas you brought in? I came up with 1-3 minute cells that set the tone for the tunes. On a couple, I sent them off, like to Oliver Lake, Don Byron and Oran Col- trane, and asked them to write some horn parts which they then brought in on the day of the re- cording. Also, I worked with Michael Cain for a couple of days before the sessions on arrange- ments. It was wonderful to build a house like this. Is this record the first of ongoing series with these musicians or these kinds (jazz-oriented) musicians? One never knows what tomorrow brings, but I have really loved touring with the Spirit Music Jamia band, so I would love to do another project like this if they are down. I think the live experience has brought entirely new dimensions to the music we recorded and that we have found more of a musical identity over the last two years. The other wonderful thing about this band is that ev- erybody writes: Oliver, Michael, Ron Blake, I mean it would be wonderful to put together another project. It would be different and a great challenge. I’m a big fan of Comfort Woman and see this new one as another step that continued ... jazzweek.com • July 13, 2005 JazzWeek 14 Artist Q&A: Meshell Ndegeocello (continued)

builds on the work from that one. Is that an accurate assessment on my part? Thank you. If that’s what you feel, cool. I would like to think that my music builds upon my life experiences and therefore each album builds upon all the others. You just produced Ron Blake’s album and he plays on yours. What is your musical connection to Ron? I love Ron Blake! I think he has that rare combination of power and subtle- ty, emotion and technical proficiency, and he is also a wonderful writer. If you watch him live, he connects with everyone it seems, audiences just feel him, and that’s something that can’t be taught. It’s a gift. Ron and I met maybe eight or nine years ago and he said to me that he wanted to make some music together. I said cool and we finally got it together on this project. And then he graciously agreed to tour with the SMJ and while we were in Europe he asked me to produce his next solo project, which was absolutely a blessing. Matter of fact, that’s just what Ron is: a musical blessing. JW

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jazzweek.com • July 13, 2005 JazzWeek 15 Reviews and Picks

Ilona Knopfler

Live The Life (Mack Avenue) IT’S A TOUGH gig being a jazz singer. Along with all the things that jazz musicians deal with, there is another set of hurdles that singers must jump over – the least of which is the mentality among some that “There’s too many singers” or “They’re not really jazz.” Ilona Knopfler went up against some of the precon- ceptions when she per- formed at JazzWeek Summit 2005’s muse- um shindig. She did her job well that night, working the relatively stiff room (private gigs Tom Mallison in big rooms aren’t ide- Ilona Knopfler performs at the Syracuse Jazz Fest. al) to bring some ener- gy to it and did a bet- phrasing, even when she moves over to French chanson and ter job at the festival. Brazilian bossa nova. Overall an excellent introduction to Here on Live The Life, the young singer, and one that we’ll be hearing more from the French chanteuse who now lives in Atlanta tours the in the future. – Tad Hendrickson songbook with lush arrangements by Jay Ashby and others Contact: Groov Marketing of Monk’s “Ask Me Now” (with lyrics by Jon Hendricks), Phone: (877) 476-6832 Dietz and Schwartz’s “Alone Together” and the Tommy Email: [email protected] Dorsey-penned title track. Her soft but clear voice works Release Date: July 19 well and she’s got enough internal rhythm to produce strong Add Date: July 18

Adam Rogers plexity and tangled rhythms of Dave Holland without the length that Holland’s tunes often have. Also featuring ten- Apparitions (Criss Cross) or Chris Potter, pianist Ed Simon, bassist and WHILE NEW YORK-BASED guitarist Adam Rogers is a regular drummer Clarence Penn, the tunes jump to attention with on the scene and has crisp playing all around, particularly by Potter on the hard appeared as a side- charging “Tyranny Of Fixed Numbers.” Those looking for man on more than something elegiac and soulful will find what they need 100 records, Appari- with “Persephone,” which has a nice narrative solo from the tions is only his third clean-toned guitarist that speaks volumes. This is definitely album as a leader. He something worth tracking down. – Tad Hendrickson puts his best foot for- Contact: Adam Rogers ward here by offer- Phone: (917) 562-0745 ing up a solid eight- Email: [email protected] Release Date: April 19 song program of Add Date: now originals that recalls the harmonic com- continued ... jazzweek.com • July 13, 2005 JazzWeek 16 215296A01 Reviews and Picks

Dave Weckl Band

Multiplicity (Stretch) ELECTRIC JAZZ CAN be a tricky proposition where players have to temper the wattage at their disposal with a strong sense of taste. Left unchecked, the music can become big, bombastic and wholly self-indulgent. Drum- mer Dave Weckl and his band (most tracks were collaboratively written by the band) strike a nice bal- ance on Multiplicity. Weckl, who is known for his work with 128003 CLIENTS 1 Chick18:43 Corea 9/24/02 among WV 110 DOLEV *128003* others, leads a quin- tet through tunes that range from the hard-hitting fusion of “Watch Your Step” to the moody and atmospheric “Inner Vision.” Generally re- garded as one of today’s great drummers, Weckl is all over his massive kit as he drives these tunes with harder style that is typical for a jazz drummer, but he never loses his sense of jazz swing or the funk groove on these tunes. – Tad Hendrickson Contact: Jane Dashow Phone: (212) 679-1445 Email: [email protected] Release Date: July 5 Add Date: July 11

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John Scofield Tops 7/6 Chart, David Hazeltine 7/13

Bill Charlap Added on 30 Stations on July 6 Chart

ohn Scofield’s That’s What I Say: The Music of Ray Charles (Verve) held onto Jthe at No. 1 spot on the July 6 chart, but was eclipsed on this week’s Jazz Album Chart by David Hazeltine’s Modern Stan- dards (Sharp Nine). Bill Cunliffe’s Imaginacion (Torii Re- cords) stayed at No. 2 both weeks. Bill Charlap Plays (Blue Note) was Most Added with 30 adds on the July 7 chart, while Melvin Sparks was Most ’s That’s What I Say (Verve) was No. Added with 19 adds for This Is It! (Savant) 1 again on the July 6 chart in its ninth week and July 13. dropped to No. 3 this week. Charlap had the highest debut of either week, hitting the chart at No. 11 on July 6.

Jazz Album Charts p. 20-21 Jazz Add Dates p. 22 Jazz Current CDs p. 23

David Hazeltine is the week’s No. 1 with his Jazz Radio Panel p. 31 Sharp Nine CD Modern Standards. jazzweek.com • July 13, 2005 JazzWeek 19 airplay data JazzWeek Jazz Album Chart July 6, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 John Scofield That’s What I Say: The Music of Ray Charles Verve Music Group 314 325 -11 9 51 0 2 2 3 2 Bill Cunliffe Imaginacion Torii Records 297 295 2 7 51 1 3 3 4 3 David Hazeltine Modern Standards Sharp Nine 267 281 -14 6 54 0 4 14 18 4 Terence Blanchard Flow Blue Note 237 174 63 4 47 1 5 4 2 1 Joe Lovano Joyous Encounter Blue Note 232 258 -26 9 49 0 6 12 13 6 Listen Here! Concord Jazz 231 188 43 4 46 6 7 7 10 7 Terry Gibbs Feelin’ Good: Live In Studio Mack Avenue 226 204 22 4 43 4 8 6 7 6 Joshua Redman Elastic Band Momentum Nonesuch 213 226 -13 5 43 3 9 11 29 9 Freddy Cole This Love Of Mine HighNote 194 193 1 3 48 5 10 16 31 10 Sean Jones Gemini Mack Avenue 189 171 18 4 44 8 11 NR NR 11 Bill Charlap Plays George Gershwin: The American Soul Blue Note 186 60 126 1 47 30 12 35 NR 12 Ahmad Jamal After Fajr Dreyfus Jazz 184 116 68 2 43 10 13 5 8 5 Hank Jones For My Father Justin Time 176 235 -59 6 40 1 14 10 6 3 Steve Hobbs Spring Cycle Random Chance 175 198 -23 9 37 1 15 22 32 15 Underground Memoirs HighNote 174 143 31 3 43 3 16 27 21 16 Peter Martin In The P.M. MAXJAZZ 173 136 37 7 43 2 17 9 5 1 Eldar Eldar Sony Classical 161 200 -39 13 41 0 18 24 20 13 Dave Brubeck Quartet London Flat, London Sharp Telarc Jazz 160 140 20 6 42 2 18 23 41 18 Javon Jackson Have You Heard Palmetto 160 141 19 3 43 4 20 8 22 8 Dreaming Wide Awake Verve/Forecast 159 203 -44 6 36 1 20 26 11 4 Keep It Simple Savant 159 138 21 12 39 1 22 13 9 1 Gary Burton Next Generation Concord Jazz 153 180 -27 13 43 0 22 14 19 14 The Frank & Joe Show 66 2/3 Hyena Records 153 174 -21 4 35 1 24 20 12 10 Marian McPartland & Friends 85 Candles-Live In New York Concord Jazz 152 147 5 11 34 3 25 19 15 3 Scott Hamilton/Bill Charlap Trio Back In New York Concord Jazz 149 151 -2 13 38 0 25 17 15 13 Dena DeRose A Walk In The Park MAXJAZZ 149 159 -10 7 40 1 27 31 36 27 Miguel Zenon Jibaro Marsalis Music/ Rounder 148 123 25 5 40 0 Records 28 33 34 28 City Rhythm Orchestra Vibrant Tones Limehouse Records 146 121 25 3 30 1 29 39 NR 29 24/7 Nagel Heyer 140 106 34 2 34 6 30 37 27 22 Ron Blake Sonic Tonic Mack Avenue 138 113 25 7 39 4 31 31 39 29 Calvin Keys Calvinesque‘ Silverado Records 137 123 14 6 28 2 31 18 14 7 Cheryl Bentyne Let Me Off Uptown Telarc Jazz 137 154 -17 11 28 0 33 36 33 27 Arturo Sandoval Live At The Blue Note Records 136 115 21 6 37 2 33 29 28 15 Alan Pasqua My New Old Friend Cryptogramophone 136 127 9 10 38 0 35 NR NR 35 Dave Stryker Big City Mel Bay 131 NR 131 1 32 26 36 25 45 25 The Bill Holman Band Live Jazzed Media 129 139 -10 4 38 5 37 48 NR 37 Harry Connick Jr. Occasion Marsalis Music/ Rounder 128 74 54 2 35 4 Records 38 NR NR 38 Roni Ben-Hur Signature Reservoir 125 64 61 1 29 6 39 28 26 25 Mary Stallings Remember Love Half Note Records 123 133 -10 6 38 1 40 30 24 10 Vic Juris A Second Look Mel Bay 119 125 -6 10 33 0 41 47 37 33 Kathy Kosins Vintage Mahogany Jazz 113 75 38 5 33 2 41 37 37 30 /Orchestra/Dynasty I Am Three Sunnyside 113 113 0 4 35 1 41 21 17 17 Luther Hughes Cannonball-Coltrane Primrose Lane 113 146 -33 10 22 0 44 43 35 22 Curtis Stigers I Think It’s Going To Rain Today Concord Jazz 103 89 14 12 30 0 45 42 43 33 Work Done HighNote 100 93 7 5 36 2 46 NR NR 46 The Bud Shank Quartet with Phil Woods Bouncing With Bud & Phil - Live At Yoshi’s Capri 98 52 46 1 30 12 47 NR NR 30 Jason Moran Same Mother Blue Note 95 NR 95 20 25 0 48 NR NR 48 Meshell Ndegeocello presents The Spirit Dance Of The Infidel Shanachie 88 43 45 1 14 1 Music Jamia 49 41 30 20 Dana Landry Journey Home Summit 86 97 -11 9 22 0 50 43 NR 43 Wayne Shorter Beyond The Sound Barrier Verve Music Group 85 89 -4 2 33 9

Most Added Increased Airplay Chartbound Bill Charlap Plays George Gershwin: The American Dave Stryker Big City (Mel Bay) +131 Roger Kellaway Remembering Bobby Darin (IPO Recordings) Paul Grabowsky Tales Of Time & Space (Sanctuary) Soul (Blue Note) +30 Bill Charlap Plays George Gershwin: The American Soul Lorraine Feather Dooji Wooji (Sanctuary) Dave Stryker Big City (Mel Bay) +26 (Blue Note) +126 Paul Anka Rock Swings (Verve Music Group) Roger Kellaway Remembering Bobby Darin Jason Moran Same Mother (Blue Note) +95 David Gibson The Path To Delphi (Nagel Heyer) The Mike Vax Big Band Next Stop - Live... On The Road (Summit) (IPO Recordings) +17 Ahmad Jamal After Fajr (Dreyfus Jazz) +68 Frank Mantooth Ladies Sing for Lovers (MCG/Heads Up) Paul Anka Rock Swings (Verve Music Group) +14 Terence Blanchard Flow (Blue Note) +63 John Goldman In Walked Pierre (Blujazz) The Bud Shank Quartet with Phil Woods Bouncing With Paul Serrato Excursions (Graffiti Productions) The Dave Weckl Band Multiplicity (Stretch/Concord) Bud & Phil - Live At Yoshi’s (Capri) +12

jazzweek.com • July 13, 2005 All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 20 airplay data JazzWeek Jazz Album Chart July 13, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 3 3 1 David Hazeltine Modern Standards Sharp Nine 278 267 11 7 51 0 2 2 2 2 Bill Cunliffe Imaginacion Torii Records 265 297 -32 8 49 1 3 1 1 1 John Scofield That’s What I Say: The Music of Ray Charles Verve Music Group 255 314 -59 10 52 0 4 11 NR 4 Bill Charlap Plays George Gershwin: The American Soul Blue Note 248 186 62 2 41 5 5 7 7 5 Terry Gibbs Feelin’ Good: Live In Studio Mack Avenue 247 226 21 5 44 4 6 4 14 4 Terence Blanchard Flow Blue Note 232 237 -5 5 51 7 7 10 16 7 Sean Jones Gemini Mack Avenue 225 189 36 5 44 2 8 9 11 8 Freddy Cole This Love Of Mine HighNote 218 194 24 4 45 2 9 8 6 6 Joshua Redman Elastic Band Momentum Nonesuch 216 213 3 6 42 4 10 6 12 6 Eddie Palmieri Listen Here! Concord Jazz 203 231 -28 5 48 1 11 12 35 11 Ahmad Jamal After Fajr Dreyfus Jazz 202 184 18 3 48 9 12 5 4 1 Joe Lovano Joyous Encounter Blue Note 198 232 -34 10 44 0 13 18 23 13 Javon Jackson Have You Heard Palmetto 193 160 33 4 49 5 14 13 5 5 Hank Jones For My Father Justin Time 174 176 -2 7 42 1 15 14 10 3 Steve Hobbs Spring Cycle Random Chance 172 175 -3 10 38 1 16 29 39 16 Brian Lynch 24/7 Nagel Heyer 161 140 21 3 36 5 17 20 8 8 Lizz Wright Dreaming Wide Awake Verve/Forecast 154 159 -5 7 31 1 18 25 17 13 Dena DeRose A Walk In The Park MAXJAZZ 147 149 -2 8 39 1 19 22 14 14 The Frank & Joe Show 66 2/3 Hyena Records 143 153 -10 5 36 1 20 15 22 15 Cedar Walton Underground Memoirs HighNote 142 174 -32 4 45 4 21 38 NR 21 Roni Ben-Hur Signature Reservoir 138 125 13 2 37 9 22 16 27 16 Peter Martin In The P.M. MAXJAZZ 134 173 -39 8 35 0 23 18 24 13 Dave Brubeck Quartet London Flat, London Sharp Telarc Jazz 132 160 -28 7 39 1 23 25 19 3 Scott Hamilton/Bill Charlap Trio Back In New York Concord Jazz 132 149 -17 14 33 0 25 30 37 22 Ron Blake Sonic Tonic Mack Avenue 131 138 -7 8 35 1 26 35 NR 26 Dave Stryker Big City Mel Bay 125 131 -6 2 37 8 27 28 33 27 City Rhythm Orchestra Vibrant Tones Limehouse Records 122 146 -24 4 35 7 28 39 28 25 Mary Stallings Remember Love Half Note Records 121 123 -2 7 36 0 28 24 20 10 Marian McPartland & Friends 85 Candles-Live In New York Concord Jazz 121 152 -31 12 25 0 30 31 18 7 Cheryl Bentyne Let Me Off Uptown Telarc Jazz 120 137 -17 12 27 1 31 NR NR 31 The Clayton-Hamilton Jazz Orchestra Live At MCG MCG Jazz 117 29 88 1 26 12 32 41 37 30 Mingus Big Band/Orchestra/Dynasty I Am Three Sunnyside 116 113 3 5 34 1 33 20 26 4 Curtis Fuller Keep It Simple Savant 110 159 -49 13 29 0 34 40 30 10 Vic Juris A Second Look Mel Bay 107 119 -12 11 30 2 35 41 47 33 Kathy Kosins Vintage Mahogany Jazz 103 113 -10 6 32 1 35 33 36 27 Arturo Sandoval Live At The Blue Note Half Note Records 103 136 -33 7 29 0 37 36 25 25 The Bill Holman Band Live Jazzed Media 101 129 -28 5 32 2 38 22 13 1 Gary Burton Next Generation Concord Jazz 99 153 -54 14 31 0 39 41 21 17 Luther Hughes Cannonball-Coltrane Primrose Lane 92 113 -21 11 22 1 39 31 31 29 Calvin Keys Calvinesque’ Silverado Records 92 137 -45 7 28 2 41 45 42 33 Sonny Stitt Work Done HighNote 89 100 -11 6 27 1 42 NR NR 42 Roger Kellaway Remembering Bobby Darin IPO Recordings 83 76 7 1 30 13 43 50 43 43 Wayne Shorter Beyond The Sound Barrier Verve Music Group 81 85 -4 3 30 0 43 46 NR 43 The Bud Shank Quartet with Phil Woods Bouncing With Bud & Phil - Live At Yoshi’s Capri 81 98 -17 2 24 5 43 NR NR 43 Lorraine Feather Dooji Wooji Sanctuary 81 69 12 1 27 3 46 44 43 22 Curtis Stigers I Think It’s Going To Rain Today Concord Jazz 77 103 -26 13 22 1 46 50 50 46 Jo Ann Daugherty Range Of Motion Blujazz 77 85 -8 3 18 1 48 33 29 15 Alan Pasqua My New Old Friend Cryptogramophone 74 136 -62 11 23 0 49 49 41 20 Dana Landry Journey Home Summit 71 86 -15 10 17 0 50 NR 46 46 SFJazz Collective SFJazz Collective Nonesuch 69 64 5 4 27 3

Most Added Increased Airplay Chartbound Melvin Sparks This Is It (Savant) +19 The Clayton-Hamilton Jazz Orchestra Live At MCG Beaux J Poo Boo All Things Are New (Summit) Paul Serrato Excursions (Graffiti Productions) Philip Catherine Meeting Colors (Dreyfus) +15 (MCG Jazz) +88 Sammy Figueroa & His Latin Jazz Explosion ... And Sammy Walked In Sammy Figueroa & His Latin Jazz Explosion ... And Bill Charlap Plays George Gershwin: The American Soul (Savant) Sammy Walked In (Savant) +14 (Blue Note) +62 Afro-Latin Jazz Orch. w/ Arturo O’Farrill Noche Inolvidable (Palmetto) Matt Criscuolo Lotus Blossom (Self-Produced) Roger Kellaway Remembering Bobby Darin (IPO Sean Jones Gemini (Mack Avenue) +36 Michael O’Neill The Long And Short Of It (Jazzmo) Recordings) +13 Javon Jackson Have You Heard (Palmetto) +33 The Dave Weckl Band Multiplicity (Stretch/Concord) The Clayton-Hamilton Jazz Orchestra Live At MCG Freddy Cole This Love Of Mine (HighNote) +24 Rachel Z Grace (Chesky) Ted Howe Ellington (Summit) (MCG Jazz) +12 The Mort Weiss Quartet The Four Of Us: Live At Steamers (SMS Jazz) jazzweek.com • July 13, 2005 JazzWeek 21 Jazz Radio Adds Here are upcoming add dates for new releases, and add dates that have passed during the last few weeks. This listing was current as of press time.

May 23, 2005 June 20, 2005 Anne Burnell – : Songs by (Spectrum Ahmad Jamal – After Fajr (Birdology/Dreyfus Jazz) Music) Bud Shank Quartet with Phil Woods – Bouncing With Bud & Phil - David Hazeltine – Modern Standard (Sharp Nine) Live At Yoshi’s (Capri Records) May 24, 2005 June 27, 2005 Dave Brubeck – London Flat, London Sharp (Telarc) Philip Catherine with Brussels Jazz Orchestra – Meeting Colours Tony DeSare – Want You (Telarc) (Dreyfus Jazz) Luciana Souza – Duos II (Sunnyside) Mort Weiss – The Four Of Us (Sms Jazz) May 25, 2005 Noah Baerman – Soul Force (Lemel Music) Sandro Albert – The Color Of Things (215 Records) Afro-Latin Jazz Orchestra with Arturo O’Farrill – Noché Inolvidable Tim Reis – Stones Project () (An Unforgettable Night) (Palmetto) May 30, 2005 July 11, 2005 Matthew Criscuolo – Lotus Blossom (self-produced) Dave Peck – Good Road (Lets Play Stella) Pearl Django – Chasing Shadows (Modern Hot Records) June 1, 2005 Cadwallader Asetta & Dixson – Quicker Than The Eye (Stanza USA Allen Won – The Jewel In The Lotus (Allen Won Records) Music) June 2, 2005 Chris McNulty – Dance Delicioso (Elefant Dreams) Celso Fonseca – Rive Gauche Rio (Six Degrees Records) The Clayton-Hamilton Jazz Orchestra – Live At MCG (MCG/Heads June 3, 2005 Up) Marc Pompe – Nobody Else But Me (Kopaesthetics) July 18, 2005 June 6, 2005 Sherman Irby – Faith (Black Warrior Records) Barbara Montgomery – Trinity Jim Self – Innerplay (Bassett Hound Music) Denise Donatelli – In The Company of Friends (Jazzed Media) August 1, 2005 Kathy Kosins – Vintage (Mahogany Jazz) Nnenna Frelon – Blueprint of a Lady (Concord Records) Paul Anka – Rock Swings () Poncho Sanchez – Do It! (Concord/Picante Records) Lizz Wright – Dreaming Wide Awake (Verve Records) August 8, 2005 The Frank and Joe Show – 66 2/3 (Hyena Records) Organissimo – This Is The Place (Big “O” Records) Mingus Big Band, Orchestra & Dynasty – I Am Three (Sunnyside/ Tim Reis – Stones Project (Concord Records) Sue Mingus Music) Rita Coolidge – And So Is Love (Concord Records) August 15, 2005 Mozayik – Haitian Creole Jazz (Zoho Music) Bill Mays Trio – Live At Jazz Standard (Palmetto) June 13, 2005 August 22, 2005 Wayne Shorter – Beyond The Sound Barrier (Verve Records) Joe Zawinul & The Zawinul Syndicate – Vienna Nights (BHM City Rhythm Orchestra – Vibrant Tones (Limehouse Records) Productions) Javon Jackson – Have You Heard (Palmetto Records) September 12, 2005 Eddie Palmieri – Listen Here! (Concord Picante Records) Maceo Parker – School’s In (BHM Productions) Frank Mantooth – Ladies Sing for Lovers (MCG/Heads Up) Kevyn Lettau – Bye Bye Blackbird (MCG/Heads Up) Roni Ben-Hur – Signature (Reservoir)

Note: JazzWeek industry subscribers may update this information online at jazzweek.com. Add dates may also be submitted via email to [email protected]. jazzweek.com • July 13, 2005 JazzWeek 22 Jazz Radio Currents Greg Abate Horace Is Here Koko Jazz Dena DeRose A Walk In The Park MAXJAZZ Afro-Latin Jazz Orchestra w/ Arturo Noche Inolvidable Palmetto Tony DeSare Want You Telarc O’Farrill Stefano di Battista Parker’s Mood Blue Note Sandro Albert The Color Of Things 215 Records Denise Donatelli In The Company of Friends Jazzed Media Monty Alexander Live At The Iridium Telarc Jazz Armen Donelian Full Moon Music: Grand Ideas, Vol. 3 Sunnyside Herb Alpert & The Tijuana Brass Lost Treasures Shout Factory Bob Dorough Sunday At Iridium Arbors Scott Amendola Band Believe Cryptogramophone Dave Douglas Mountain Passages Greenleaf Music Carl Amundson & The Modern Guitarists Blue Line Music Mark Dresser Time Changes Cryptogramophone Guitar Quintet Catherine Dupuis The Rules of the Road Bearheart Records Paul Anka Rock Swings Verve Music Group E.S.T. Seven Days of Falling 215 Records Grazyna Augucik The Light GMA Records Martin Eagle & Friends A Welcoming Beauty Hawksnest Babatunde Lea Suite Unseen: Summoner of the Motema Kahil El’Zabar’s Ritual Trio Live at the River East Art Center Delmark Ghost Eldar Eldar Sony Classical The Bad Plus Blunt Object: Live In Tokyo Sony John Ellis One Foot In The Swamp Hyena Records Noah Baerman Soul Force Lemel Music Connie Evingson Gypsy In My Soul Minnehaha Music Jeff Baker Monologue OA2 Records Lorraine Feather Dooji Wooji Sanctuary Billy Bang Vietnam: Reflections Justin Time Dale Fielder Baritone Sunride Clarion Jazz Denys Baptiste Let Freedom Ring Dune Records Amina Figarova Come Escape With Me Munich Records BeatleJazz With A Little Help From Our Friends Lightyear Sammy Figueroa & His Latin Jazz ... And Sammy Walked In Savant Beaux J Poo Boo All Things Are New Summit Explosion Opie Bellas Faces Bella Blue Celso Fonseca Rive Gauche Rio Six Degrees Roni Ben-Hur Signature Reservoir The Frank & Joe Show 66 2/3 Hyena Records The Marco Benevento/Joe Russo Reason to Buy the Sun Ropeadope Curtis Fuller Keep It Simple Savant Duo Tia Fuller Pillar Of Strength Wambutia Cheryl Bentyne Let Me Off Uptown Telarc Jazz Terry Gibbs Feelin’ Good: Live In Studio Mack Avenue Daniel Benzali Benzali Rio Kat David Gibson The Path To Delphi Nagel Heyer Shelly Berg Trio Blackbird Concord Jazz Rosario Giuliani More Than Ever Dreyfus Jazz Jeff Berlin Lumpy Jazz M.A.J. Records John Goldman In Walked Pierre Blujazz Big Neighborhood Neighbors Origin Paul Grabowsky Tales Of Time & Space Sanctuary Ron Blake Sonic Tonic Mack Avenue Drew Gress 7 Black Butterflys Premonition Terence Blanchard Flow Blue Note Remember Their Innocence Ejano Jane Ira Bloom Like Silver, Like Song Artist Share Rigmor Gustafsson & The Jacky Close To you HighNote(ACT) Bob Boguslaw & The Way Gabrielle’s Hand Summit Terrason Trio Salvatore Bonafede Journey To Donnafugata CAM Tord Gustavsen Trio The Ground ECM Debby Boone Reflections Of Rosemary Concord Michael Hackett Circles Summit When I Fall In Love Columbia Dan Haerle Trio Standard Procedure Blujazz Joe Bourne & The Gary Moran Trio Remembering Mr. Cole Jonaja Scott Hamilton/Bill Charlap Trio Back In New York Concord Jazz Ron Brendle Trio Photograph Lo Note Happy Apple The Peace Between Our Companies Sunnyside Zach Brock & The Coffee Achievers Chemistry Secret Fort Roderick Harper The Essence Of... RHM Brian Bromberg It’s About Time Artistry Donald Harrison Free Style Nagel Heyer Dave Brubeck Quartet London Flat, London Sharp Telarc Jazz John Hart Indivisible Hep Jazz Jimmy Bruno Solo Mel Bay Gabriel Mark Hasselbach Swingin’ Affair Wind Tunnel Michael Buble It’s Time 143 Records/Reprise David Hazeltine Modern Standards Sharp Nine Katie Bull Love Spook Corn Hill Indie Carol Heffler Exactly Peeka Records Anne Burnell Blues In The Night Spectrum Music Fred Hersch Ensemble Leaves Of Grass Palmetto Gary Burton Next Generation Concord Jazz Hiroshima Obon Heads Up Will Calhoun Native Lands Half Note Records Steve Hobbs Spring Cycle Random Chance Solo Telarc Jazz Dave Holland Big Band Overtime Dare2/Sunnyside Caribbean Jazz Project Here and Now: Live In Concert Concord Picante The Bill Holman Band Live Jazzed Media Amanda Carr Tender Trap Original Music The Hot Club of San Francisco Postcards From Gypsyland Lost Wax Music Organ Trio Out Of Nowhere Half Note Records Ted Howe Ellington Summit Philip Catherine Meeting Colors Dreyfus Luther Hughes Cannonball-Coltrane Primrose Lane Bill Charlap Plays George Gershwin: The Blue Note Abdullah Ibrahim A Celebratiom Enja/Justin Time American Soul Sherman Irby Faith BWR Ray Charles Genius Loves Company Concord Vijay Iyer Reimagining Savoy Jazz Corey Christiansen Awakening Mel Bay Javon Jackson Have You Heard Palmetto City Rhythm Orchestra Vibrant Tones Limehouse Records Christian Jacob Styne and Mine WilderJazz Chiara Civello Last Quarter Moon Verve/Forecast Ahmad Jamal After Fajr Dreyfus Jazz The Clayton-Hamilton Jazz Live At MCG MCG Jazz Orchestra Khan Jamal Peace Warrior Random Chance Jeff Coffin Bloom Compass Keith Jarrett Radiance ECM Anat Cohen Place & Time Anzic Records Gordon Johnson Trios Version 3.0 Tonalities Avishai Cohen Trio & Ensemble At Home Razdaz Randy Johnston Is It You? HighNote Freddy Cole This Love Of Mine HighNote Hank Jones For My Father Justin Time Collier & Dean Duets Origin Records Sean Jones Gemini Mack Avenue In Flux Savoy Jazz Vic Juris A Second Look Mel Bay Paul Combs’ Pocket Big Band Live At Chit Chat Sea Breeze Jazz Roger Kellaway I Was There - Roger Kellaway Plays IPO Recordings Eric Comstock Harbinger Records From The Bobby Darin Songbook Roger Kellaway Remembering Bobby Darin IPO Recordings Harry Connick Jr. Occasion Marsalis Music/ Rounder Records Calvin Keys Calvinesque’ Silverado Records Rita Coolidge And So Is Love Concord Chaka Khan Classikhan AGU Sanctuary Roz Corral Telling Tales Blujazz Records Guillermo Klein Una Nave Sunnyside Chris Cortez Mum Is The Word Blue Bamboo Kneebody Kneebody Koch Matt Criscuolo Lotus Blossom Self-Produced Ilona Knopfler Live The Life Mack Avenue Bill Cunliffe Imaginacion Torii Records Cliff Korman and the Brazilian Tinge Migrations Planet Arts Lars Danielsson Libera Me HighNote(ACT) Kathy Kosins Vintage Mahogany Jazz Daria Feel The Rhythm Jazz M Up Reed Kotler Tomo Torii Records Bobby Darin Live At The Desert Inn Concord Records Benny Lackner Trio Not The Same Nagel Heyer Jo Ann Daugherty Range Of Motion Blujazz Bireli Lagrene & Gipsy Project Move Dreyfus Jazz Dave’s True Story Nature Be Pop Records Dana Landry Journey Home Summit Orbert Davis Blue Notes 3 Sixteen Michelle Latimer Sings and Plays Cool Note Joey DeFrancesco w/Jimmy Smith Legacy Concord Jazz Sara Lazarus Give Me The Simple Life Dreyfus Jazz Jack DeJohnette & Foday Musa Music From The Hearts Of The Golden Beam / Suso Masters Kindred Rhythm Nguyen Le Quartet Walking On The Tiger’s Tail ACT Lea DeLaria Double Standards Telarc Bradley Leighton Just Doin’ Our Thang Pacific Coast Jazz Carolyn Leonhart New 8th Day Sunnyside jazzweek.com • July 13, 2005 JazzWeek 23 Jazz Radio Currents

Jay Leonhart Cool Sons of Sound Wallace Roney Prototype HighNote Kevyn Lettau Bye Bye Blackbird MCG/Heads Up Linda Ronstadt Hummin’ to Myself Verve Music Group Dave Liebman Dialogues Zoho Music Kurt Rosenwinkel Deep Song Verve Music Group Lincoln Center Jazz Orchestra A Love Supreme Palmetto Kermit Ruffins Throwback Basin Street Charles Lloyd Jumping The Creek ECM Sakesho We Want You To Say Heads Up Mike Longo and the New York State Oasis CAP David Sanborn Closer Verve Music Group of the Art Jazz Ensemble Arturo Sandoval Live At The Blue Note Half Note Records Flipside Narada Jazz Rebecca Sayre This Is Always Becca Los Hombres Calientes Vol 5: Carnival Basin Street Diane Schuur w/ Caribbean Jazz Schuur Fire Concord Records Joe Lovano Joyous Encounter Blue Note Project Sylvain Luc Ambre Dreyfus Jazz John Scofield That’s What I Say: The Music of Ray Verve Music Group Brian Lynch 24/7 Nagel Heyer Charles The Leslie Maclean Trio That’s Time Enough KippieJosh Jazz The Jim Seeley/Arturo O’Farrill Zoho Music Kevin Mahogany Big Band Zebra Records/Ma- Quintet hogany Jazz Paul Serrato Excursions Graffiti Productions Frank Mantooth Ladies Sing for Lovers MCG/Heads Up SFJazz Collective SFJazz Collective Nonesuch Thomas Marriott Individuation Origin The Bud Shank Quartet with Phil Bouncing With Bud & Phil - Live At Capri Wynton Marsalis Unforgivable Blackness: The Rise Blue Note Woods Yoshi’s and Fall of Jack Johnson Shapes The Big Picture Burnin’ Down The Veronica Martell The Art Of Intimacy Apria House Productions Peter Martin In The P.M. MAXJAZZ Avery Sharpe Trio Dragonfly JKNM Scott Martin Menudo and Gritz SCM Live: Volume four HighNote Will Martin Morning Saguaro Beach Archie Shepp & Left Alone Revisited: Tribute To Billie Synergy Music Hugh Masekela Revival Heads Up Holiday Mark Masters Ensemble Porgy & Bess Redefined! Capri Wayne Shorter Beyond The Sound Barrier Verve Music Group Irvin Mayfield & The Orleans Jazz Strange Fruit Basin Street Ben Sidran Quartet Bumpin’ At The Sunside! Nardis Orchestra Jeff ‘Siege’ Siegel Magical Space Consolidated Artists Kate McGarry Mercy Streets Palmetto Herb Silverstein & Friends Beach Walker Silvertunes Music Chris McNulty Dance Delicioso Elefant Dreams Productions Marian McPartland Jazz w/ Steely Dan Concord Doctor Lonnie Smith Too Damn Hot Palmetto Marian McPartland & Friends 85 Candles-Live In New York Concord Jazz Keely Smith Vegas ‘58 - Today Concord Charles McPherson w/ Strings A Tribute To Charlie Parker Clarion Jazz Luciana Souza Duos II Sunnyside Medeski Martin & Wood End of The World Party Blue Note Melvin Sparks This Is It Savant Pablo Mendendez Havana Blues Mambo Zoho Music Mary Stallings Remember Love Half Note Records Pat Metheny Group The Way Up Nonesuch The Stamm/Soph Project Live At Birdland NYC Jazzed Media Raul Midon State of Mind Manhattan Records Patches Stewart Blow Koch Silver Rain Koch Records Curtis Stigers I Think It’s Going To Rain Today Concord Jazz Mingus Big Band/Orchestra/Dynasty I Am Three Sunnyside Sonny Stitt Work Done HighNote Grachan Moncur III Exploration Capri Kevin Stout & Brian Booth Tales Of The Tetons Jazzed 5 Records Monk’s Music Trio Think Of One CMB Records Dave Stryker Big City Mel Bay Barbara Montgomery Trinity MMB Andy Summers The X Tracks Fuel 2000 Jason Moran Same Mother Blue Note Bill Tapia Duke Of Uke Moon Room Records Mozayik Haitian Creole Jazz Zoho Music Times 4 Seductivity Rhombus Oliver Mtukudzi Nhava Heads Up Mel Torme, & George The Classic Concert Live Concord Jazz Myanna One Never Knows Bridge Street Records Shearing Dwight Trible Living Water Passin’ The Vibe Ted Nash & Odeon La Espade de la Noche Palmetto Steve Turre The Spirits Up Above HighNote The Marty Nau Group At The Bouquet Chorale Summit Two Siberians Out of Nowhere Heads Up Jacqui Naylor East/West Birdland - Yoshi’s Ruby Records Belinda Underwood Underwood Uncurling Cosmik Muse Meshell Ndegeocello presents The Dance Of The Infidel Shanachie Rekords Spirit Music Jamia Manuel Valera Forma Nueva MAVO Records Shelley Neill entree blue Cobalt Blue Various Artists Blue Note Perfect Takes Blue Note Ed Neumeister Quartet New Standards Meistero The Mike Vax Big Band Next Stop - Live... On The Road Summit Calvin Newborn New Born Yellow Dog Steve Venz Scoop Daal Jazz David ‘Fathead’ Newman I Remember Brother Ray HighNote The Chris Walden Big Band Home Of My Heart Origin Records Russ Nolan Two Colors Rhinoceruss Ken Walker Sextet Terra Firma Synergy Music Nouvelle Vague Peacefrog Cedar Walton Underground Memoirs HighNote Hod O’Brien Live At Blues Alley: Reservoir Doug Wamble Bluestate Marsalis Music/ Arturo O’Farrill Live In Brooklyn Zoho Music Rounder Records Michael O’Neill The Long And Short Of It Jazzmo Wasilewski, Kurkiewicz & Trio ECM Octobop After Dark Mystic Lane Produc- Miskiewicz tions Harry Watters Out Of A Dream: Love Songs Summit Darek Oles Like A Dream Cryptogramophone The Dave Weckl Band Multiplicity Stretch/Concord One More Music of IPO Recordings Mark Weinstein Algo Mas/Cuban Roots Jazz Heads Eddie Palmieri Listen Here! Concord Jazz The Mort Weiss Quartet The Four Of Us: Live At Steamers SMS Jazz Alan Pasqua My New Old Friend Cryptogramophone Judy Wexler Easy On The Heart Rhombus Jim Payne Energie Savant Kenny Wheeler What Now? CAM Jim Pearce Washington Square Park Oak Avenue Kenny Wheeler & John Taylor Where Do We Go From Here? CAM Publishing Wesla Whitfield In My Life HighNote Pearl Django Chasing Shadows Modern Hot Records Scott Whitfield Jazz Orchestra The Minute Game Summit To Etta With Love HighNote Joe Williams Havin’ A Good Time! Hyena Records Madeleine Peyroux Careless Love Rounder Abram Wilson Jazz Warrior Dune Records Enrico Pieranunzi (W/ Charlie Special Encounter CAM Haden, Paul Motian) Allen Won Quartet The Jewel In The Lotus Self-Produced Leslie Pintchik So Glad To Be Here Ambient Phil Woods Groovin’ To Marty Paich Jazzed Media John Pizzarelli Knowing You Telarc Jazz Victor Wooten Soul Circus Vanguard Marc Pompe You Must Believe In Swing Cadence Jazz Lizz Wright Dreaming Wide Awake Verve/Forecast Michel Portal & Richard Galliano Dreyfus Jazz Savina Yannatou & Primavera En Sumiglia ECM The Devere Pride Trio ... As In A Morning Sunrise The Davis Group Solonico Altered State Heads Up Dafnis Prieto About The Monks Zoho Music Dave Young Mainly Mingus Justin Time Flora Purim Flora’s Song Narada Jazz Ruth Young This Is Always Nagel Heyer Nelson Rangell My American Songbook Vol. 1 Koch Rachel Z Chesky Joshua Redman Elastic Band Momentum Nonesuch Miguel Zenon Jibaro Marsalis Music/ Twana Rhodes Thru The Night Nagel Heyer Rounder Records Marc Ribot Spiritual Unity PI Recordings Roditi / Ignatzek / Rassinfosse Light In The Dark Nagel Heyer jazzweek.com • July 13, 2005 JazzWeek 24 Smooth Jazz Radio

Nils Is No. 1 7/6, Richard Elliot 7/13

Paul Hardcastle Has 31 Adds on July 13 Charts

acific Coast Highway (Baja) from Nils held onto the No. 1 spot on the July 6 JazzWeek PSmooth Jazz Album Chart and also stayed on top of the Smooth Singles chart with “Pacif- ic Coast Highway”. Richard Elliot’s Metro Blue (Artizen) and its single “People Make the World Go ’Round” topped the July 13 charts. Paul Hardcastle was added on 31 stations on the July 13 chart with the single “Serene” from 4 (Trippin ’N’ Rhythm), and the CD and single each had the biggest jump in airplay: 155 spins. “Serene” debuted at No. 29. Pacific Coast Highway and the title track from Nils (Baja) are the No. 1 album and single for 7/6.

Smooth Albums p. 26-27 Smooth Singles p. 28-29 Smooth Current CDs p. 30 Richard Elliot has the top album, Metro Blue (Arti- Smooth Radio Panel p. 31 zen), and the top single, “People Make the World Go ’Round,” on the July 13 charts. jazzweek.com • July 13, 2005 JazzWeek 25 airplay data JazzWeek Smooth Album Chart July 6, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 2 1 Nils Pacific Coast Highway Baja 733 746 -13 24 33 0 2 3 7 2 Richard Elliot Metro Blue Artizen 730 689 41 4 33 0 3 2 1 1 Michael Lington Stay With Me Rendezvous 720 724 -4 35 33 0 4 5 4 4 Spin Narada Jazz 697 646 51 16 33 0 5 4 3 1 Kenny G At Last...The Duets Album Arista 682 689 -7 30 34 0 6 7 6 6 Paul Taylor Nightlife Peak 658 609 49 17 31 0 7 6 5 1 Capitol 612 640 -28 35 33 0 8 8 NR 8 Norman Brown West Coast Coolin’ Warner Bros. 564 529 35 2 34 0 9 10 10 9 When I’m With You Shanachie 562 484 78 21 29 0 10 9 8 2 Pure Warner Bros. 491 524 -33 35 34 0 11 12 11 1 Various Artists Forever, For Always, For Luther GRP 436 455 -19 30 32 0 12 14 13 1 Wayman Tisdale Hang Time Rendezvous 417 384 33 35 29 0 13 11 9 4 Livin’ Large EMI 412 463 -51 35 33 0 14 13 12 9 Anita Baker My Everything Blue Note 392 397 -5 27 31 0 15 15 14 3 Paul Brown Up Front GRP 363 380 -17 30 31 0 16 17 16 14 Jeff Lorber Flipside Narada Jazz 327 312 15 23 27 0 17 18 17 17 Jonathan Rendezvous (Red) 317 310 7 5 24 0 18 16 15 13 3rd Force Driving Force Higher Octave 303 319 -16 23 27 0 19 19 59 19 Average White Band Greatest And Latest Liquid 8 297 269 28 3 26 1 20 21 18 14 Nick Colionne Just Come On In Will Keys 296 264 32 35 31 0 21 20 20 19 Ken Navarro Love Coloured Soul Positive Music 270 268 2 21 26 0 22 25 22 4 Tim Bowman This Is What I Hear Liquid 8 240 225 15 27 28 0 23 22 25 6 Marion Meadows Player’s Club Heads Up 237 233 4 35 28 0 24 26 28 5 Chris Botti A Thousand Kisses Deep Columbia 236 210 26 35 32 0 25 23 19 14 David Sanborn Closer Verve 228 232 -4 25 23 0 26 24 21 18 Joyce Cooling This Girl’s Got To Play Narada Jazz / Virgin 209 228 -19 30 28 0 27 27 24 1 Soul Ballet Dream Beat Dream 215 198 208 -10 35 31 0 28 29 29 10 Chris Botti When I Fall In Love Columbia 179 194 -15 30 24 0 29 32 30 1 Kickin’ It Up GRP / VMG / UMG 175 185 -10 35 30 0 30 33 35 9 Confidential Columbia 167 165 2 30 26 0 31 37 31 4 Come As You Are GRP 162 150 12 35 27 0 32 30 26 16 Fourplay Journey BMG 162 188 -26 35 24 0 33 35 32 18 Pieces Of A Dream No Assembly Required Heads Up 156 163 -7 35 17 0 34 36 33 33 Seal Seal IV Warner Bros. 155 156 -1 27 28 0 35 34 36 5 Irreplaceable GRP / VMG / UMG 148 164 -16 35 30 0 36 40 42 29 Daryl Hall & John Oates Our Kind Of Soul U-Watch 145 132 13 27 29 0 37 42 47 37 Michael Buble It’s Time 143 / Reprise 138 131 7 5 8 0 38 45 44 18 Praful One Day Deep Rendezvous 132 125 7 35 26 0 39 50 39 30 Various Artists Rendezvous Lounge, Vol.1 Rendezvous 131 108 23 35 17 0 40 39 48 39 Nelson Rangell My American Songbook Vol. 1 Koch 130 132 -2 19 14 1 41 48 49 26 Richard Smith Soulidified A440 128 113 15 30 27 0 42 44 41 36 Alexander Zonjic Seldom Blues Heads Up 126 127 -1 30 14 1 43 41 43 20 Dan Siegel Inside Out Native Language 126 132 -6 35 22 0 44 51 50 44 Kem Album II Universal / Motown 125 102 23 6 12 3 45 43 38 31 Pamela Williams Sweet Saxations Shanachie 124 129 -5 23 11 0 46 38 40 14 Marc Antoine Mediterraneo Rendezvous 122 133 -11 35 29 0 47 46 53 46 Walter Beasley For Her Heads Up 111 124 -13 7 10 1 48 52 54 31 Esperanto Warner Bros. 110 97 13 30 22 0 49 47 46 25 The Ramsey Lewis Trio Time Flies Narada Jazz 107 122 -15 30 19 0 50 61 61 50 Candy Dulfer Right In My Soul Eagle 105 69 36 30 28 0

Most Added Increased Airplay Chartbound Kem Album II (Universal / Motown) +3 Chuck Loeb When I’m With You (Shanachie) +78 Chieli Minucci The Juice (Shanachie) (7 more CDs at +1) Steve Cole Spin (Narada Jazz) +51 Brian Bromberg Choices (A440) Curtis Stigers I Think It’s Going To Rain Today (Concord) Paul Taylor Nightlife (Peak) +49 Raul Midon State Of Mind (Manhattan) Richard Elliot Metro Blue (Artizen) +41 Lalah Hathaway Outrun The Sky (AgU / Sanctuary) Candy Dulfer Right In My Soul (Eagle) +36 Chaka Khan Classikhan (Sanctuary) David Lanz The Good Life (Decca) Bobby Caldwell Perfect Island Nights (Sin-Drome) Sweet Talk (Peak)

jazzweek.com • July 13, 2005 All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 26 airplay data JazzWeek Smooth Album Chart July 13, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 2 3 1 Richard Elliot Metro Blue Artizen 761 730 31 5 34 0 2 1 1 1 Nils Pacific Coast Highway Baja 738 732 6 25 33 0 3 3 2 1 Michael Lington Stay With Me Rendezvous 704 720 -16 36 33 0 4 5 4 1 Kenny G At Last...The Duets Album Arista 656 682 -26 31 32 0 5 4 5 4 Steve Cole Spin Narada Jazz 652 697 -45 17 30 0 6 7 6 1 Dave Koz Saxophonic Capitol 650 612 38 36 32 0 7 6 7 6 Paul Taylor Nightlife Peak 635 658 -23 18 29 0 8 9 10 8 Chuck Loeb When I’m With You Shanachie 622 562 60 22 30 0 9 8 8 8 Norman Brown West Coast Coolin’ Warner Bros. 566 564 2 3 34 0 10 10 9 2 Boney James Pure Warner Bros. 500 490 10 36 34 0 11 11 12 1 Various Artists Forever, For Always, For Luther GRP 472 436 36 31 34 1 12 12 14 1 Wayman Tisdale Hang Time Rendezvous 439 417 22 36 32 0 13 13 11 4 Euge Groove Livin’ Large EMI 371 412 -41 36 33 0 14 14 15 3 Paul Brown Up Front GRP 359 363 -4 31 32 0 15 16 18 15 Jonathan Butler Jonathan Rendezvous (Red) 337 317 20 6 33 0 16 15 17 14 Jeff Lorber Flipside Narada Jazz 317 327 -10 24 28 0 17 18 19 17 Average White Band Greatest And Latest Liquid 8 298 297 1 4 27 1 18 20 20 18 Ken Navarro Love Coloured Soul Positive Music 292 270 22 22 25 0 19 17 16 13 3rd Force Driving Force Higher Octave 285 303 -18 24 26 0 20 22 22 6 Marion Meadows Player’s Club Heads Up 257 237 20 36 29 0 21 19 21 14 Nick Colionne Just Come On In Will Keys 257 296 -39 36 29 0 22 21 25 4 Tim Bowman This Is What I Hear Liquid 8 240 240 0 28 28 0 23 23 26 5 Chris Botti A Thousand Kisses Deep Columbia 218 236 -18 36 30 0 24 25 24 18 Joyce Cooling This Girl’s Got To Play Narada Jazz / Virgin 206 209 -3 31 28 0 25 24 23 14 David Sanborn Closer Verve 205 228 -23 26 22 0 26 26 27 1 Soul Ballet Dream Beat Dream 215 197 198 -1 36 32 0 27 27 29 10 Chris Botti When I Fall In Love Columbia 172 179 -7 31 25 0 28 28 32 1 Gerald Albright Kickin’ It Up GRP / VMG / UMG 169 175 -6 36 29 0 29 31 30 16 Fourplay Journey BMG 161 162 -1 36 22 0 30 30 37 4 Mindi Abair Come As You Are GRP 159 162 -3 36 26 0 31 29 33 9 Peter White Confidential Columbia 157 167 -10 31 28 0 32 32 35 18 Pieces Of A Dream No Assembly Required Heads Up 156 156 0 36 17 0 33 NR NR 33 Paul Hardcastle 4 Trippin ’N’ Rhythm 155 0 155 1 31 31 34 33 34 5 George Benson Irreplaceable GRP / VMG / UMG 148 148 0 36 30 0 35 38 41 20 Dan Siegel Inside Out Native Language 141 126 15 36 22 0 36 34 45 18 Praful One Day Deep Rendezvous 139 132 7 36 27 0 37 37 44 36 Alexander Zonjic Seldom Blues Heads Up 121 126 -5 31 14 0 38 43 47 25 The Ramsey Lewis Trio Time Flies Narada Jazz 121 107 14 31 21 0 39 41 46 39 Walter Beasley For Her Heads Up 118 111 7 8 15 0 40 42 52 31 Rick Braun Esperanto Warner Bros. 118 110 8 31 22 0 41 35 39 35 Nelson Rangell My American Songbook Vol. 1 Koch 117 130 -13 20 13 1 42 36 48 26 Richard Smith Soulidified A440 116 128 -12 31 24 0 43 47 60 43 Chieli Minucci The Juice [Single] Shanachie 110 81 29 6 9 1 44 NR NR 44 Brian Culbertson It’s On Tonight GRP / Verve 106 0 106 1 28 27 45 40 38 14 Marc Antoine Mediterraneo Rendezvous 104 122 -18 36 24 0 46 45 54 16 Kim Waters In The Name Of Love Shanachie 100 93 7 31 22 0 47 46 53 11 Queen Latifah The Dana Owens Album AM / UMG 99 84 15 31 18 0 48 39 43 31 Pamela Williams Sweet Saxations Shanachie 91 124 -33 24 9 0 49 48 59 33 Hil St Soul Copasetik & Cool Shanachie 74 79 -5 36 23 0 50 54 63 23 Greg Adams Firefly 215 72 59 13 31 12 0

Most Added Increased Airplay Chartbound Paul Hardcastle 4 (Trippin ’N’ Rhythm) +31 Paul Hardcastle 4 (Trippin ’N’ Rhythm) +155 Terence Blanchard Flow (Blue Note) Brian Culbertson It’s On Tonight (GRP / Verve) +27 Brian Culbertson It’s On Tonight (GRP / Verve) +106 To The Bone Spread Love Like Wildfire (Narada) Temptation (Narada Jazz) Terence Blanchard Flow (Blue Note) +24 Chuck Loeb When I’m With You (Shanachie) +60 Raul Midon State Of Mind (Manhattan) Jeff Golub Temptation (Narada Jazz) +14 Terence Blanchard Flow (Blue Note) +56 Jeff Kashiwa Peace Of Mind (Native Language) Brian Bromberg Choices (Artistry) +4 Jeff Golub Temptation (Narada Jazz) +51 Garry Goin Goin’ Places (Compendia) Will Donato Espana [Single] (Generation) Manuel Valera Forma Nueva (Mavo) Various Artists A Smooth Jazz Romance (Native Language) jazzweek.com • July 13, 2005 JazzWeek 27 airplay data JazzWeek Smooth Singles Chart July 6, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Nils Pacific Coast Highway Baja 733 746 -13 24 64 0 2 2 5 2 Richard Elliot People Make The World Go ’Round Artizen 730 689 41 4 65 0 3 3 2 2 Steve Cole Thursday Narada Jazz 697 646 51 16 63 0 4 5 4 4 Paul Taylor Nightlife Peak 658 609 49 17 58 0 5 4 3 2 Michael Lington Two Of A Kind (w/ Chuck Loeb) Rendezvous 638 645 -7 35 60 0 6 6 6 6 Chuck Loeb Tropical Shanachie 562 484 78 21 58 0 7 9 18 7 Norman Brown West Coast Coolin’ Warner Bros. 393 370 23 3 63 0 8 8 9 8 Kenny G & Earth Wind, & Fire The Way You Move Arista 376 371 5 26 59 1 9 12 11 9 Jeff Lorber Ooh La La Narada Jazz 327 312 15 23 53 0 10 7 7 1 Boney James Stone Groove (w/ Joe Sample) Warner Bros. 322 373 -51 34 60 0 11 13 13 11 Jonathan Butler Fire And Rain Rendezvous (Red) 317 310 7 5 46 0 12 11 10 10 3rd Force Believe In Me Higher Octave 303 319 -16 23 52 0 13 17 65 13 Average White Band Work To Do (Nu-Jazz Mix) Liquid 8 297 269 28 3 50 1 14 15 14 14 Paul Jackson, Jr. Never Too Much GRP 290 284 6 20 51 0 15 14 12 2 Kenny G & David Sanborn Pick Up The Pieces Arista 281 290 -9 30 60 0 16 10 8 3 Euge Groove XXL EMI 281 369 -88 35 52 0 17 16 21 16 Dave Koz Love Changes Everything Capitol 277 283 -6 34 52 1 18 18 15 14 Ken Navarro You Are Everything Positive Music 269 266 3 21 48 0 19 20 20 19 Wayman Tisdale Ready To Hang Rendezvous 247 245 2 12 42 1 20 21 17 11 Anita Baker How Does It Feel Blue Note 235 232 3 27 41 0 21 19 16 5 Paul Brown Moment By Moment GRP 228 249 -21 30 53 0 22 25 23 1 Tim Bowman Summer Groove Liquid 8 206 194 12 27 49 0 23 23 22 1 Soul Ballet Cream 215 198 208 -10 35 52 0 24 22 19 1 Dave Koz Let It Free Capitol 190 219 -29 35 48 0 25 24 26 5 Marion Meadows Sweet Grapes Heads Up 179 197 -18 35 48 0 26 35 29 1 Wayman Tisdale Ain’t No Stoppin’ Us Now Rendezvous 169 136 33 35 44 0 27 28 24 16 David Sanborn Tin Tin Deo Verve 165 163 2 25 38 0 28 27 27 1 Gerald Albright To The Max GRP / VMG / UMG 163 171 -8 35 51 0 29 29 31 11 Nick Colionne It’s Been Too Long Will Keys 161 158 3 35 40 0 30 33 28 3 Mindi Abair Come As You Are GRP 157 145 12 35 46 0 31 26 25 15 Fourplay Fields Of Gold BMG 155 177 -22 35 37 0 32 31 33 5 Chris Botti Back Into My Heart Columbia 151 153 -2 35 48 0 33 32 32 2 Norman Brown Up ’N’ At ‘Em Warner Bros. 148 145 3 35 46 0 34 39 40 29 Paul Brown 24/7 GRP 134 129 5 30 47 0 35 34 36 3 George Benson Softly, As In A Morning Sunrise GRP / VMG / UMG 134 139 -5 35 44 0 36 47 42 31 Nick Colionne High Flyin’ Will Keys 131 105 26 30 44 0 37 37 39 36 Seal Love’s Divine Warner Bros. 128 130 -2 27 40 0 38 40 37 28 Alexander Zonjic Leave It With Me Heads Up 126 127 -1 30 25 1 39 30 30 10 Chris Botti No Ordinary Love Columbia 125 155 -30 30 34 0 40 56 53 17 Euge Groove Livin’ Large EMI 125 89 36 35 45 0 41 38 34 26 Pamela Williams Fly Away With Me Shanachie 124 129 -5 23 20 0 42 49 48 42 Kem I Can’t Stop Loving You Universal / Motown 119 102 17 6 22 3 43 48 44 24 Daryl Hall & John Oates I’ll Be Around U-Watch 119 103 16 27 36 0 44 43 41 15 Dan Siegel In Your Eyes Native Language 119 123 -4 35 34 0 45 46 52 45 Nelson Rangell Don’t You Worry ‘Bout A Thing Koch 118 112 6 11 23 1 46 41 38 26 Joyce Cooling Camelback Narada Jazz / Virgin 115 125 -10 30 31 0 47 44 45 2 Boney James Here She Comes Warner Bros. 110 118 -8 35 41 0 48 42 51 42 Walter Beasley Coolness Heads Up 109 124 -15 7 17 1 49 45 43 22 The Ramsey Lewis Trio The In Crowd Narada Jazz 103 116 -13 30 32 0 50 59 62 28 Rick Braun Daddy-O Warner Bros. 100 84 16 30 34 0

Most Added Increased Airplay Chartbound Kem “I Can’t Stop Loving You” (Universal / Motown) +3 Chuck Loeb “Tropical” (Shanachie) +78 Candy Dulfer “Finsbury Park, Cafe 67” (Radio Mix) (Eagle) Boney James “2:01 AM” (Warner Bros.) +3 Steve Cole “Thursday” (Narada Jazz) +51 Chieli Minucci “The Juice” (Shanachie) Michael Buble “Home” (143 / Reprise) Marion Meadows “Suede” (Heads Up) +2 Paul Taylor “Nightlife” (Peak) +49 Chris Botti “Indian Summer” (Columbia) (12 more singles at +1) Richard Elliot “People Make The World Go ’Round” Brian Bromberg “Choices” (A440) (Artizen) +41 “Any Love” (GRP) Marion Meadows “Suede” (Heads Up) Euge Groove “Livin’ Large” (EMI) +36 Boney James “2:01 AM” (Warner Bros.) Bobby Caldwell “Can’t Get Over You” (Sin-Drome) Tim Bowman “Dance” (Liquid 8) jazzweek.com • July 13, 2005 All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 28 airplay data JazzWeek Smooth Singles Chart July 13, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 2 2 1 Richard Elliot People Make The World Go ’Round Artizen 761 730 31 5 34 0 2 1 1 1 Nils Pacific Coast Highway Baja 738 732 6 25 33 0 3 3 3 2 Steve Cole Thursday Narada Jazz 652 697 -45 17 30 0 4 4 5 4 Paul Taylor Nightlife Peak 635 658 -23 18 29 0 5 6 6 5 Chuck Loeb Tropical Shanachie 622 562 60 22 30 0 6 5 4 2 Michael Lington Two Of A Kind (w/ Chuck Loeb) Rendezvous 612 638 -26 36 32 0 7 7 9 7 Norman Brown West Coast Coolin’ Warner Bros. 399 393 6 4 32 0 8 8 8 8 Kenny G & Earth Wind, & Fire The Way You Move Arista 386 376 10 27 32 0 9 11 13 9 Jonathan Butler Fire And Rain Rendezvous (Red) 337 317 20 6 33 0 10 14 15 10 Paul Jackson, Jr. Never Too Much GRP 324 290 34 21 32 4 11 9 12 9 Jeff Lorber Ooh La La Narada Jazz 317 327 -10 24 28 0 12 17 16 12 Dave Koz Love Changes Everything Capitol 308 277 31 35 29 0 13 10 7 1 Boney James Stone Groove (w/ Joe Sample) Warner Bros. 301 321 -20 35 31 0 14 13 17 13 Average White Band Work To Do (Nu-Jazz Mix) Liquid 8 298 297 1 4 27 1 15 18 18 14 Ken Navarro You Are Everything Positive Music 291 269 22 22 25 0 16 12 11 10 3rd Force Believe In Me Higher Octave 285 303 -18 24 26 0 17 19 20 17 Wayman Tisdale Ready To Hang Rendezvous 270 247 23 13 23 2 18 16 10 3 Euge Groove XXL EMI 266 281 -15 36 33 0 19 15 14 2 Kenny G & David Sanborn Pick Up The Pieces Arista 242 281 -39 31 32 0 20 20 19 5 Paul Brown Moment By Moment GRP 228 228 0 31 31 0 21 21 25 1 Tim Bowman Summer Groove Liquid 8 206 206 0 28 28 0 22 22 23 1 Soul Ballet Cream 215 197 198 -1 36 32 0 23 24 24 5 Marion Meadows Sweet Grapes Heads Up 185 179 6 36 28 0 24 23 22 1 Dave Koz Let It Free Capitol 175 190 -15 36 27 0 25 25 35 1 Wayman Tisdale Ain’t No Stoppin’ Us Now Rendezvous 166 169 -3 36 28 0 26 31 31 5 Chris Botti Back Into My Heart Columbia 160 151 9 36 28 0 27 27 27 1 Gerald Albright To The Max GRP / VMG / UMG 158 163 -5 36 28 0 28 29 33 3 Mindi Abair Come As You Are GRP 156 157 -1 36 26 0 29 NR NR 29 Paul Hardcastle Serene Trippin ’N’ Rhythm 155 0 155 1 31 31 30 30 26 15 Fourplay Fields Of Gold BMG 154 155 -1 36 21 0 31 28 29 11 Nick Colionne It’s Been Too Long Will Keys 152 161 -9 36 23 0 32 26 28 16 David Sanborn Tin Tin Deo Verve 144 165 -21 26 21 0 33 32 32 2 Norman Brown Up ’N’ At ‘Em Warner Bros. 138 148 -10 36 27 0 34 34 34 3 George Benson Softly, As In A Morning Sunrise GRP / VMG / UMG 134 134 0 36 28 0 35 33 39 29 Paul Brown 24/7 GRP 129 134 -5 31 29 0 36 40 43 15 Dan Siegel In Your Eyes Native Language 124 119 5 36 20 0 37 37 30 10 Chris Botti No Ordinary Love Columbia 123 125 -2 31 24 0 38 36 40 28 Alexander Zonjic Leave It With Me Heads Up 121 126 -5 31 14 0 39 44 42 39 Walter Beasley Coolness Heads Up 118 109 9 8 15 0 40 45 45 22 The Ramsey Lewis Trio The In Crowd Narada Jazz 112 103 9 31 18 0 41 41 46 41 Nelson Rangell Don’t You Worry ‘Bout A Thing Koch 111 118 -7 12 12 1 42 43 44 2 Boney James Here She Comes Warner Bros. 111 110 1 36 25 0 43 54 67 43 Chieli Minucci The Juice Shanachie 110 81 29 6 9 1 44 42 41 26 Joyce Cooling Camelback Narada Jazz / Virgin 108 115 -7 31 18 0 45 48 54 14 Dave Koz All I See Is You Capitol 108 94 14 36 30 0 46 NR NR 46 Brian Culbertson Hookin’ Up GRP / Verve 106 0 106 1 27 27 47 35 47 31 Nick Colionne High Flyin’ Will Keys 104 131 -27 31 24 0 48 47 36 1 Richard Elliot Your Secret Love GRP 103 98 5 31 25 0 49 53 51 19 Praful Sigh Rendezvous 102 83 19 36 25 0 50 38 56 17 Euge Groove Livin’ Large EMI 101 125 -24 36 26 0

Most Added Increased Airplay Chartbound Paul Hardcastle “Serene” (Trippin ’N’ Rhythm) +31 Paul Hardcastle “Serene” (Trippin ’N’ Rhythm) +155 Marion Meadows “Suede” (Heads Up) Brian Culbertson “Hookin’ Up” (GRP / Verve) +27 Brian Culbertson “Hookin’ Up” (GRP / Verve) +106 Boney James “2:01 AM” (Warner Bros.) Down To The Bone “Tiburon” (Narada) Terence Blanchard “Flow, Part III” (Blue Note) +26 Chuck Loeb “Tropical” (Shanachie) +60 Jeff Golub “Simple Pleasures” (Narada Jazz) Terence Blanchard “Benny’s Tune” (Blue Note) +25 Jeff Golub “Simple Pleasures” (Narada Jazz) +51 Terence Blanchard “Benny’s Tune” (Blue Note) Jeff Golub “Simple Pleasures” (Narada Jazz) +14 Paul Jackson, Jr. “Never Too Much” (GRP) +34 Terence Blanchard “Flow, Part III” (Blue Note) Jeff Kashiwa “Ecstasy” (Native Language) Greg Adams “The Crossing” (215) “Sunrise” (Blue Note / EMI) jazzweek.com • July 13, 2005 JazzWeek 29 Smooth Jazz Radio Current Albums 3rd Force Driving Force Higher Octave Chaka Khan Classikhan AGU Sanctuary Mindy Abair Come As You Are GRP Records Greg Adams Firefly 215 Records Dave Koz Saxophonic Capitol Sandro Albert The Color Of Things 215 Records Pattie LaBelle Timeless Journey Island /Def Jam Gerald Albright Kickin’ It Up GRP David Lanz The Good Life Decca Herb Alpert & The Tijuana Brass Lost Treasures Shout Factory Ronnie Laws Everlasting Holland Group Marc Antoine Mediteraneo Rendevous Michael Lington Stay With Me Rendevous Marc Antoine The Very Best of Marc Antoine Verve Music Group Liquid Soul Evolution Shanachie Average White Band Greatest And Latest Liquid 8 Chuck Loeb eBop Shanachie Anita Baker My Everything Blue Note Chuck Loeb When I’m WIth You Shanachie Brazil Chill A440 Music Group Jeff Lorber Flipside Narada Jazz Walter Beasley Go With The Flow N-Coded Music Torcuato Mariano Diary 215 Records Walter Beasley For Her Heads Up Eric Marienthal Sweet Talk Peak Pete Belasco Deeper Compendia Hugh Masekela Revival Heads Up Regina Belle Lazy Peak Keiko Matsui Wildflower Narada / Benoit Freeman Project 2 Peak Maysa Smooth Sailing Encoded George Benson Irreplaceable GRP Michael McDonald Motown Motown Matt Bianco Matt’s Mood Universal Music Michael McDonald Motown Two Motown Group Marion Meadows Player’s Club Heads Up Theo Bishop Newport Nights Native Language Raul Midon State of Mind Manhattan Records Terence Blanchard Flow Blue Note Marcus Miller Silver Rain Koch Records Debby Boone Reflections Of Rosemary Concord Chieli Minucci Night Grooves Shanachie Chris Botti A Thousand Kisses Deep Columbia Chieli Minucci Jewels JVC Chris Botti When I Fall In Love Columbia Embrace N-Coded Music Tim Bowman This Is What I Hear Liquid 8 Najee Classic Masters Capitol Jeff Bradshaw Bone Deep Hidden Beach Ken Navarro All The Way Shanachie Rick Braun Esperanto Warner Bros. Ken Navarro Love Coloured Soul Positive Music Ultimate Toni Braxton LaFace Meshell Ndegeocello presents The Dance Of The Infidel Shanachie Braxton Brothers Rollin Peak Spirit Music Jamia Bridge To Havana (f. Gladys Knight) Bridge To Havana Pyramid Grady Nichols Sophistication Compendia Brian Bromberg Choices A440 Music Group Grady Nichols Sneak Compendia Norman Brown West Coast Coolin’ Warner Bros. Nils Pacific Coast Highway Baja/TSA Records Paul Brown Up Front GRP O’2L Doyle’s Brunch Peak Michael Buble It’s Time 143 Records/Reprise Andrew Oh Silk Ark Music Alex Bugnon Southern Living Narada Jazz Steve Oliver 3-D Koch Records Jonathan Butler Jonathan Rendezvous (Red) Renee Olstead Renee Olstead 143 Records/Reprise Cabo Frio Island Dance Kezia Records Pieces Of A Dream No Assembly Required Heads Up Jonathan Cain Bare Bones Reality/AAO Music Doc Powell 97th & Columbus Heads Up Bobby Caldwell Perfect Island Nights Sin-Drome Doc Powell Cool Like That Heads Up Sergio Caputo That Kind of Thing Idiosyncrasy Music Praful One Day Deep Rendezvous/N-Coded Larry Carlton Sapphire Blue Bluebird Nelson Rangell Look Again A440 Music Group Craig Chaquico Midnight Moon Higher Octave Nelson Rangell My American Songbook Vol. 1 Koch Ray Charles Genius Loves Company Concord The Rippingtons Let It Ripp Peak Club 1600 Ridin, High N-Coded Music Smokey Robinson My World: The Definitive Collection Motown Steve Cole NY LA Warner Bros. Linda Ronstadt Hummin’ to Myself Verve Music Group Steve Cole Spin Narada Jazz David Sanborn Time Again Verve Music Group Nick Colionne Just Come On In Three Keys Music David Sanborn Closer Verve Music Group Rita Coolidge And So Is Love Concord Seal IV Warner Bros. Joyce Cooling This Girl’s Got to Play Narada Jazz Seal Best: 1991-2004 Warner Bros. Couch Potato Allstars Jazz For Couch Potatoes Shanachie Dan Siegel Inside Out Native Language Brian Culbertson Come On Up Warner Bros. Simply Red Home Simply Red Eric Darius Night On The Town Higher Octave Richard Smith Soulidfied A440 Music Group Will Downing Emotions GRP Jimmy Sommers Love Life Higher Octave Carol Duboc All Of You Gold Note Soul Ballet Dream Beat Dream 215 Records George Duke Duke BPM / Navarre Special EFX Party Shanachie Richard Elliot Ricochet GRP Spyro Gyra The Deep End Heads Up Richard Elliot Metro Blue Artizen Stanley B. All For Love Tommy Emmanuel Endless Road Favored Nations Wonder Stevie The Definitive Collection Motown Fattburger Work To Do Shanachie Patches Stewart Blow Koch Fourplay Journey RCA / Victor Curtis Stigers I Think It’s Going To Rain Today Concord Jazz A. Ray Fuller The Weeper A Ray Artists Music Andy Summers The X Tracks Fuel 2000 Garry Goin Goin’ Places Compendia Paul Taylor Steppin’ Out Peak/Concord Jeff Golub Soul Sessions GRP Paul Taylor Nightlife Peak Al Green The Absolute Best EMI J. Thompson Romantic Night AMH Records Euge Groove Living Large Narada Wayman Tisdale Hang Time Rendevous Onaje Allan Gumbs Remember Their Innocence Ejano Nester Torres Sin Palabras Heads Up Hall & Oates Our Kind Of Soul U-Watch Two Siberians Out of Nowhere Heads Up Paul Hardcastle The Jazzmasters 4 Trippin’ N’ Rhythm Urban Knights Urban Knights V Narada Records Dance With My father J Records Everette Harp All For You A440 Music Group Various Artists Forever, For Always, For Luther GRP Gabriel Mark Hasselbach Gabriel... First Name Basis Wind Tunnel Various Artists Wedding Songs: A Body & Soul Time Life Hil St. Soul Copasetik & Cool Shanachie Collection Hiroshima The Bridge Heads Up Various Artists Princess Diaries 2 : Royal Engage- Walt Disney Hiroshima Obon Heads Up ment [Original Soundtrack] Incognito Who Needs Love Narada Jazz Various Artists Rendezvous Lounge, Vol.1 Rendevous Paul Jackson Jr. Still Small Voice Blue Note Vlad Vladosphere Unis Boney James Pure Warner Bros. Andre Ward Steppin Up Orpheus Jazz Crusanders Soul Axess True Life Kim Waters Someone To Love You Shanachie Marcus Johnson Urban Groove Marimelj Entertain- Kim Waters In The Name Of Love Shanachie ment Kirk Whalum Into My Soul Warner Bros. Ronny Jordan At Last N-Coded Music Peter White Confidential Columbia Ronny Jordan After 8 N-Coded Music The Journey Within GRP Jeff Kashiwa Peace Of Mind Native Language Pamela Williams Sweet Saxations Shanachie Kem Kemistry Motown Jim Wilson River Hillsboro Kem Album II Motown Victor Wooten Soul Circus Vanguard Kenny G At Last...The Duets Album Arista Yellowjackets Altered State Heads Up Alicia Keys The Diary Of Alicia Keys J Records Alexander Zonjic Seldom Blues Heads Up jazzweek.com • July 13, 2005 JazzWeek 30 Jazz Station Panel Smooth Station Panel Call letters Frequency Market Rank Call letters Frequency Market Rank CJRT-FM* 91.1 Toronto, ON N/A KAJZ-FM 101.7 Albuquerque, NM 71 KANU-FM 91.5 Topeka, KS 195 KBZN-FM 97.9 Salt Lake City - Ogden - Provo, UT 31 KBEM-FM 88.5 - St. Paul, MN 16 KEZL-FM 96.7 Fresno, CA 68 KCCK-FM* 88.3 Cedar Rapids, IA 204 KHJZ-FM 95.7 Houston - Galveston, TX 7 KCLU-FM 88.3 , CA 2 KCSM-FM 91.1 San Francisco, CA 4 KIFM-FM 98.1 San Diego, CA 17 KEWU-FM 89.5 Spokane, WA 93 KJCD-FM 104.3 Denver - Boulder, CO 22 KFSR-FM 90.7 Fresno, CA 68 KJZI-FM 100.3 Minneapolis - St. Paul, MN 16 KIOS-FM 91.5 Omaha, NE - Council Bluffs, IA 73 KJZY-FM 93.7 San Francisco, CA 4 KIPO-FM* 89.3 Honolulu 62 KKSF-FM 103.7 San Francisco, CA 4 KJZZ-FM 91.5 Phoenix, AZ 15 KKSJ/KTSJ-FM 105.9 Lafayette, LA 102 KKJZ-FM 88.1 Los Angeles, CA 2 KLJT-FM 102.3 Tyler-Longview, TX 148 KLCC-FM 89.7 Eugene-Springfield, OR 171 KMGQ-FM 97.5 Santa Barbara, CA 204 KMHD-FM 89.1 Portland, OR 24 KMUW-FM 89.1 Wichita, KS 95 KOAI-FM 107.5 Dallas - Ft. Worth, TX 5 KNTU-FM 88.1 Dallas - Ft. Worth, TX 5 KOAS-FM 105.7 Las Vegas, NV 38 KPLU-FM 88.5 - Tacoma, WA 14 KRVR-FM 105.5 Stockton, CA 82 KRTU-FM 91.7 San Antonio, TX 30 KSKX-FM 105.5 Colorado Springs, CO 97 KSDS-FM 88.3 San Diego, CA 17 KSMJ-FM 97.7 Bakersfield, CA 83 KSJS-FM 90.5 San Jose, CA 33 KSSJ-FM 94.7 Sacramento, CA 26 KSMF-FM* 89.1 Ashland, OR 207 KTWV-FM 94.7 Los Angeles, CA 2 KSUT-FM* 91.3 Ignacio, CO N/A KWJZ-FM 98.9 Seattle - Tacoma, WA 14 KTSU-FM 90.9 Houston - Galveston, TX 7 KUAZ-FM 89.1 Tucson, AZ 63 KYOT-FM 95.5 Phoenix, AZ 15 KUNR-FM* 88.7 Reno, NV 231 WBRH-FM 90.3 Baton Rouge, LA 84 KUNV-FM 91.5 Las Vegas, NV 38 WEIB-FM 106.3 Hartford - New Britain - Middletown, CT 50 KUT-FM 90.5 Austin, TX 7 WFJZ-FM 106.7 Ft. Wayne, IN 105 KUVO-FM 89.3 Denver - Boulder, CO 22 WFSK-FM 88.1 Nashville, TN 44 KXJZ-FM 88.9 Sacramento, CA 26 WGPR-FM 107.5 Detroit, MI 10 WAER-FM* 88.3 Syracuse, NY 79 WJAB-FM 90.9 Huntsville, AL 116 WBEZ-FM 91.5 Chicago, IL 3 WBFO-FM 88.7 Buffalo - Niagara Falls, NY 52 WJJZ-FM 106.1 Philadelphia, PA 6 WBGO-FM 88.3 New York, NY 1 WJSJ/WSJF-FM 105.5 Jacksonville, FL 49 WCLK-FM 91.9 Atlanta, GA 11 WJZA/WJZK-FM 103.5 Columbus, OH 35 WCMU/WUCX-FM 89.5/90.1 Mount Pleasant – Saginaw/Bay City/Midland, MI 131 WJZI-FM 93.3 Milwaukee - Racine, WI 32 WCPN-FM 90.3 Cleveland, OH 25 WJZL/WJZO-FM 93.1 Louisville, KY 55 WDCB-FM* 90.9 Chicago, IL 3 WJZR-FM 105.9 Rochester, NY 54 WDET-FM 101.9 Detroit, MI 10 WJZW-FM 105.9 Baltimore, MD 20 WDNA-FM 88.9 Miami - Ft. Lauderdale - Hollywood, FL 12 WJZZ-FM 107.5 Atlanta, GA 11 WDUQ-FM 90.5 Pittsburgh, PA 23 WEAA-FM 88.9 Baltimore, MD 20 WLOQ-FM 103.1 Orlando, FL 39 WEMU-FM* 89.1 Ypsilanti, MI 10 WLVE-FM 93.9 Miami - Ft. Lauderdale - Hollywood, FL 12 WFNX-FM 101.7 , MA 133 WNUA-FM 95.5 Chicago, IL 3 WFSS-FM 91.9 Fayetteville, NC 128 WNWV-FM 107.3 Cleveland, OH 25 WGBH-FM 89.7 Boston, MA 8 WPMJ-FM 94.3 Peoria, IL 149 WGLT-FM 89.1 Peoria, IL 149 WQCD-FM 101.9 New York, NY 1 WGMC-FM 90.1 Rochester, NY 54 WSJT-FM 94.1 Tampa - St. Petersburg - Clearwater, FL 21 WGVU-FM 88.5 Grand Rapids, MI 67 WSJW-FM 92.7 Harrisburg - Lebanon - Carlisle, PA 80 WHRV-FM 89.5 Norfolk - Virginia Beach - Newport News, VA 40 WICN-FM* 90.5 Worcester,MA 8 WSMJ-FM 104.3 Baltimore, MD 20 WJSU-FM 88.5 Jackson, MS 123 WVAS-FM 90.7 Montgomery, AL 152 WMOT-FM 89.5 Nashville, TN 44 WVMV-FM 98.7 Detroit, MI 10 WNCU-FM 90.7 Raleigh - Durham, NC 43 WXJZ-FM 100.9 Gainesville - Ocala, FL 87 WRTI-FM 90.1 Philadelphia, PA 6 WYJZ-FM 100.9 Indianapolis, IN 41 WSHA-FM 88.9 Raleigh - Durham, NC 43 Music Choice National N/A WSIE-FM 88.7 St. Louis, MO 19 WTEB-FM 89.3 Greenville,NC 87 WUAL-FM 91.5 Tuscaloosa, AL 133 WUCF-FM 89.9 Orlando, FL 39 Airplay of all stations, except as noted, is monitored by Mediaguide. WUMR-FM 91.7 Memphis, TN 48 WUSF-FM 89.7 Tampa - St. Petersburg - Clearwater, FL 21 To apply to become a member of a station panel, email WVPR/WVPS-FM 94.3 Burlington, VT-Plattsburgh, NY 220 [email protected] WWOZ-FM 90.7 New Orleans, LA 46 WWSP-FM* 89.9 Wausau-Stevens Point, WI 198 WXUT/WXTS-FM 88.3 Toledo, OH 85 Music Choice National Distribution N/A *Denotes station not monitored by Mediaguide. Station submits a weekly airplay report. Sirius* National Distribution N/A jazzweek.com • July 13, 2005 JazzWeek 31