DOCSLIB.ORG

Liminal Spaces: a Narrative Spirituality of the Bible Thomas J

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Liminal Spaces: a Narrative Spirituality of the Bible Thomas J Digital Commons @ George Fox University Doctor of Ministry Theses and Dissertations 3-1-2015 Liminal Spaces: A Narrative Spirituality of the Bible Thomas J. Rundel George Fox University, [email protected] This research is a product of the Doctor of Ministry (DMin) program at George Fox University. Find out more about the program. Recommended Citation Rundel, Thomas J., "Liminal Spaces: A Narrative Spirituality of the Bible" (2015). Doctor of Ministry. Paper 109. http://digitalcommons.georgefox.edu/dmin/109 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ George Fox University. It has been accepted for inclusion in Doctor of Ministry by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. GEORGE FOX UNIVERSITY LIMINAL SPACES: A NARRATIVE SPIRITUALITY OF THE BIBLE A DISSERTATION SUBMITTED TO THE FACULTY OF GEORGE FOX EVANGELICAL SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF MINISTRY BY THOMAS J RUNDEL PORTLAND, OREGON MARCH 2015 George Fox Evangelical Seminary George Fox University Portland, Oregon CERTIFICATE OF APPROVAL ________________________________ DMin Dissertation ________________________________ This is to certify that the DMin Dissertation of Thomas J. Rundel has been approved by the Dissertation Committee on February 16, 2015 for the degree of Doctor of Ministry in Leadership and Spiritual Formation. Dissertation Committee: Primary Advisor: Evan Howard, PhD Secondary Advisor: Carole Spencer, PhD Copyright © 2015 by Thomas J. Rundel All rights reserved. ii DEDICATION To my Dad . iii TABLE OF CONTENTS DEDICATION ................................................................................................................... iii TABLE OF CONTENTS ................................................................................................... iv ACKNOWLEDGEMENTS .............................................................................................. vii ABSTRACT ....................................................................................................................... ix PREFACE .......................................................................................................................... xi INTRODUCTION .............................................................................................................. 1 Liminal Space ......................................................................................................... 4 The Paradigm of the Three Themes ........................................................................ 7 A Problem in the Church ...................................................................................... 13 Lack of Acknowledgement ....................................................................... 14 Lack of Hospitality ................................................................................... 17 Lack of Education ..................................................................................... 18 The Ramifications: Unsustainable Church ........................................................... 19 CHAPTER ONE: THE DESERT/WILDERNESS ........................................................... 22 Word Study ............................................................................................... 23 Geography Study ...................................................................................... 25 Misconception of Desert ........................................................................... 27 The Desert Theme in the Bible ............................................................................. 27 Hagar ......................................................................................................... 28 Israel .......................................................................................................... 29 Jesus .......................................................................................................... 32 Common Elements ................................................................................................ 37 Solitude ..................................................................................................... 37 Encounter .................................................................................................. 38 Trajectory .................................................................................................. 39 Addressing the Problem ........................................................................................ 41 Acknowledgement .................................................................................... 42 Hospitality ................................................................................................. 43 Education .................................................................................................. 44 Conclusions ........................................................................................................... 45 CHAPTER TWO: THE PIT/GRAVE .............................................................................. 50 Word Study ............................................................................................... 53 Geography Study ...................................................................................... 54 Misconceptions of the Grave .................................................................... 55 The Theme of the Pit/Grave .................................................................................. 58 Joseph ........................................................................................................ 59 Daniel ........................................................................................................ 61 Jesus .......................................................................................................... 63 iv The Harrowing of Hell .............................................................................. 67 Common Elements ................................................................................................ 71 Helplessness .............................................................................................. 71 Faith .......................................................................................................... 72 Vindication ................................................................................................ 72 Addressing the Problem ........................................................................................ 73 Acknowledgment ...................................................................................... 73 Hospitality ................................................................................................. 74 Education .................................................................................................. 75 Conclusions ........................................................................................................... 75 CHAPTER THREE: EXILE/PILGRIMAGE ................................................................... 78 Word Study ............................................................................................... 79 Misconceptions of the Exile ...................................................................... 82 The Theme of Exile/Pilgrimage ............................................................................ 84 Adam and Eve ........................................................................................... 85 The Nation of Israel .................................................................................. 87 Jesus .......................................................................................................... 93 Common Elements, Unique Elements .................................................................. 97 Creation ..................................................................................................... 97 Failed Testing ............................................................................................ 98 Exiled to Till Land .................................................................................. 100 Uniqueness of Jesus ................................................................................ 101 Common Elements to All ........................................................................ 102 Addressing the Problem ...................................................................................... 103 Acknowledgement .................................................................................. 103 Hospitality ............................................................................................... 104 Education ................................................................................................ 104 Conclusions ......................................................................................................... 105 CHAPTER FOUR: LIMINALITY IN CHURCH HISTORY PART ONE: ITS ACKNOWLEDGEMENT ......................................................................................... 110 The Triad ............................................................................................................. 110 Advent as Liminal Space .................................................................................... 112 Lent and Holy Week as Liminal Space ............................................................... 117 Paschal Mystery
Load more

Recommended publications
  • Charlie Haden Page 11 News
    JazzWeek with airplay data powered by jazzweek.com • Sept. 8, 2005 Volume 1, Number 41 • $7.95 In This Issue: J@LC Sponsors Concert to Benefit Katrina Victims . 4 Wynton Marsalis Comments . 4 Harry Connick, Jr., Is Habitat Honorary Chair . 5 McBride Tapped for L.A. Phil Jazz Post . 9 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 23 Radio LIBERATION MUSIC ORCHESTRA Panels. 28 Q&A With Charlie Haden page 11 News. 4 Charts: #1 Jazz Album – Clayton-Hamilton Jazz Orch. #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR e’ve all watched in horror at the destruction caused Tad Hendrickson by Hurricane Katrina and reacted with some re- CONTRIBUTING EDITORS Wlief as friends, colleagues, and admired musicians Keith Zimmerman have been rescued. While our initial reaction may have Kent Zimmerman CONTRIBUTING WRITER/ been anger, and even perhaps focused on blame, now is PHOTOGRAPHER the time to help out and do what we can to help the peo- Tom Mallison ple of New Orleans and the whole affected Gulf Coast – PHOTOGRAPHY Barry Solof an area the size of Great Britain – to recover and rebuild. Founding Publisher: Tony Gasparre One station with a big task ahead is WWOZ in New ADVERTISING: Call (585) 328-3104 or email: [email protected] Orleans. On the station’s web site, wwoz.org, they are keeping a helpful list of musicians and WWOZ staffers SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, who have been found. And on WFMU’s web site (the link JazzWeek w/ Industry Access – Charter Rate: $249.00 per year is at wwoz.org) WWOZ station manager David Freed- To subscribe using Visa/MC/Discover/ man is keeping folks updated on the financial situation AMEX/PayPal go to: http://www.jazzweek.com/account/ and the plans for rebuilding the station and getting it back subscribe.html on the air.
    [Show full text]
  • Jazz 90.1 Top 100 for 2005
    Jazz 90.1 Top 100 For 2005 1) Eldar - Sony 2) Joshua Redman Elastic Band - Momentum 3) John Scofield - That’S What I Say:The Music Of Ray Charles - Verve 4) Joey Defranceso & Jimmy Smith - Legacy - Concord 5) Shelly Berg - Blackbird - Concord 6) Curtis Fuller - Keep It Simple - Savant 7) Thelonious Monk & John Coltrane - At Carnegie Hall - Blue Note 8) Paul Anka - Rock Swings - Verve 9) Eddie Palmieri - Listen Here - Concord 10) Wynton Marsalis - Live At The House Of Tribes - Blue Note 11) Gerald Wilson - In My Time - Mack Ave 12) One More - The Music Of Thad Jones - Ipo 13) Tierney Sutton - I’M With The Band - Telarc 14) Curtis Stigers - I Think It’S Going To Rain Today - Concord 15) Monty Alexander - Live At The Iridium - Telarc 16) Sonny Rollins - Without A Song The 9/11 Concert - Concord 17) City Rhythm Orchestra - Vibrant Tones - Limehouse. 18) Ahmad Jamal - After Fjar - Drefus Jazz 19) Terence Blanchard - Flow - Blue Note 20) Dave Brubeck - London Flat, London Sharp - Telarc 21) Joe Lovano - Joyous Encounter - Blue Note 22) Kevin Mahogany - Big Band - Zebra 23) Mulgrew Miller - Live At Yoshi’S Vol Two - Maxjazz 24) Frank Morgan - Raising The Standard - Live At The Jazz Standard Vol 2 - High Note 25) Arturo Sandoval - Live At The Blue Note - Half Note 26) Joe Locke - Rev - Elation - Sharp Nine 27) Frank Mantooth - Ladies Sing For Lovers - Mcg Jazz 28) George Benson - Live - Best Of George Benson - Grp 29) Houston Person - All Soul - Highnote 30) The Five Corners Qunitet - Chasin The Jazz Gone By - Milan 31) George Shearing, Mel Torme
    [Show full text]
  • Poetics, Time and Black Experimental Writing
    After the End of the World: Poetics, Time and Black Experimental Writing by Anthony Reed This thesis/dissertation document has been electronically approved by the following individuals: Farred,Grant Aubrey (Chairperson) Maxwell,Barry Hamilton (Minor Member) Villarejo,Amy (Minor Member) Culler,Jonathan Dwight (Additional Member) AFTER THE END OF THE WORLD: POETICS, TIME, AND BLACK EXPERIMENTAL WRITING A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Anthony Reed August 2010 © 2010 Anthony Reed AFTER THE END OF THE WORLD: POETICS, TIME, AND BLACK EXPERIMENTAL WRITING Anthony Reed, Ph. D. Cornell University 2010 "After the End of the World" is a study of the poetics of experimental writing, focusing on the work of W. E. B. Du Bois, Nathaniel Mackey, Suzan-Lori Parks and Kamau Brathwaite. By thinking form as a locus of political and conceptual contestation and transformation, I seek methods for conceiving politics in literature apart from its references or the identities of authors and characters. Writing in different genres, and with different political investments, each of these authors offers resources for re-imagining community as a project, for thinking the constitution of the self and political subject, and for conceiving politics and literary studies globally. Using a broad conception of literary experimentation as writing that departs from conventional forms and conventional thinking, I emphasize time of reading, among other times. Arguing that conceptions of time tend to be at the heart of political concerns throughout the sites of the African diaspora, this project challenges those notions of black writing that rest on the binary or oppression/resistance.
    [Show full text]
  • ()I Ncà H I -Di I= Tv Is Changing
    #BXNCTCC SCH 3 -DIGIT 907 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #BL2408043# APR06 A04 B0100 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 JUNE FOR MORE THAN 110 YEA 4 2005 NASHVILLE'S DUO I)l' I\ A IVI I C; HOT NEW TWOSOMES TAKE AIM AT COUNTRY SUCCESS >P.26 ()I NCà H I -DI_I= TV IS CHANGING... WILL LABELS BE READY FOR THE NEXT WINDFALL? >P.24 ' IVIAROON5: 'I'H 1= SOULFUL I3A N I) l'H Ar COULD A BILLBOARD STARS SPECIAL FEATURE >P.29 MI 3 $ 9US $8.99CAN 3> LESS IS MORE FOR `SATAN' >P.22 11 74470 02552 www.americanradiohistory.com Your potential. Our passion.'" p l aysf o rs u re Windows Media Choose your music. Choose your device. Know it's going to work. When your cevice and music service are compatible with each other, all you have to dc is choose the music that's compatible with you. Look for the PlaysForSure logo on a wide range of devices and music services. For a complete list go to playsforsure.com 2005 Microsoft Corp arion AU nghts reserved. Microsoft. MSII, MSN logo, the PtaysForaire loge, the Windows logo, YIi sdonis Media, and Your potential. Our passion ° are either registered trademarks or trademarks of Microsoft Corporation m the United States anJ`or other countries The names of actual companies and prooucts mentioned herein may be the trademark of their respective owners. www.americanradiohistory.com Billbearal JUNE 4, 2005 VOLUME 117, NO. 23 - t#411. ON THE CHARTS ALBUMS PAGE ARTIST / TITLE l'I'ItONT SYSTEM DE A DOWN / TOP 5 News BILLBOARD 200 56 MEZMERIZE AUSON KRAUSS + UNION STATION / 6 Washington
    [Show full text]
  • Read Excerpt
    PROLOGUE DON’T SKIP THIS PART. C’est impor tant. (That’s French for exactly what you think.) In this world, some of us love and some of us write about it. And the best loves to write about, in my not- inexperienced opinion, are the doomed ones. Two feuding families: the Montagues and Capulets. Two teens in love: Romeo and Juliet. Yes, one a Montague, one a Capulet. Call them star- crossed if you want. Sounds like just the kind of pretty thing you want to read in your horoscope, but, alas, it’s just poet- speak for doomed. So doomed, in fact, you have to won der if the young beauties can even survive to the end. 207-66567_ch01_8P.indd 1 3/18/17 12:14 PM We’re in Paris, that picture- perfect paradise of everlasting passion. But if you think the City of Love is only for couples who wear their hearts on their sleeves for the world to see, vous pensez mal. Paris and its hidden spots are made for forbidden pairs rendezvousing in secret rooms for stolen moments. And that’s exactly what Romeo and Juliet are wont to do. Yes, two rich kids who can buy anything, stealing moments. Why should two such pretty youths have so much trou ble but for a kiss? Oh, for more than that, yes, but still . such sneaking shouldn’t be necessary. But it goes deep between two families, fueled by hate that’s brewed for years. Two families of fashion, Paris’s oldest profession ( after the really old one, anyway).
    [Show full text]
  • Reach Jazz Radio Advertise In
    JazzWeek with airplay data powered by jazzweek.com • Aug. 10, 2005 Volume 1, Number 37 • $7.95 In This Issue: 2005 Nesuhi Ertegun Jazz Hall of Fame Class. 4 JJA Active at Summer Festivals . 7 Verve Opens Vault on Sirius Pure Jazz . 8 Match for M. Brecker Sought at Newport . 11 Reviews and Picks . 17 Jazz Radio . 20 Smooth Jazz Radio. 27 Industry Q&A: Radio Panels. 32 BRAD STONE News. 4 page 13 Charts: #1 Jazz Album – Mulgrew Miller #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR Ed Trefzger MUSIC EDITOR his issue features a Q&A with one of the nicest guys Tad Hendrickson CONTRIBUTING EDITORS in jazz radio, KSJS’s Brad Stone. His station has Keith Zimmerman Ttwice won medium market station of the year in the Kent Zimmerman CONTRIBUTING WRITER/ three years we’ve had JazzWeek Awards, and his philoso- PHOTOGRAPHER phy and understanding of his market and his willingness Tom Mallison and desire to share his knowoledge shows why. PHOTOGRAPHY Barry Solof This week we roll out the long-promised college jazz Founding Publisher Tony Gasparre chart, albeit in “beta” form. All data is generated from Mediaguide stations. ADVERTISING: Call (585) 328-3104 or email: [email protected] Tony Gasparre has stepped aside from a day-to-day SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, role at JazzWeek and is getting a bit of deserved rest after JazzWeek w/ Industry Access – Charter some hectic months (and years) getting things launched. Rate: $249.00 per year To subscribe using Visa/MC/Discover/ I’ll be assuming the publisher’s role in addition to editor.
    [Show full text]
  • Benny Carter
    Benny Carter Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz alto saxophonist, trumpeter, composer, arranger, and bandleader. He was a major figure in jazz from the 1930s to the 1990s, and was recognised as such by other jazz musicians who called him King. As a youth, Carter lived in Harlem around the corner from Bubber Miley who was Duke Ellington's star trumpeter. Carter was inspired by Miley and bought a trumpet, but when he found he couldn't play like Miley he traded the trumpet in for a saxophone. Carter began playing professionally at 15. He first recorded in 1928 and formed his first big band the following year. He played with Fletcher Henderson in 1930 and 1931, then briefly led McKinney's Cotton Pickers before returning to lead his own band in 1932. He also arranged for Henderson and Duke Ellington during these years and wrote two hits, "Blues in My Heart" and "When Lights are Low." By the early 1930s he and Johnny Hodges were considered the leading alto players of the day. Carter also quickly became a leading trumpet soloist, having rediscovered the instrument. He recorded extensively on trumpet in the 1930s. In 1935 he moved to Europe, where he became staff arranger for the British Broadcasting Corporation dance orchestra and made several records. He returned to the United States in 1938 and led a big band and sextet before moving to Los Angeles in 1943 to write for movie studios. Carter continued writing and performing into his 90s. He arranged for Louis Armstrong, Ray Charles, Ella Fitzgerald, Peggy Lee, and Sarah Vaughan, among many others.
    [Show full text]
  • CONVENTION 2014 ‘Whatever You Do for the Least of My Brethren, You Do for Me.’ – Matthew 25:40 “Catholic Daughters… Ain’T YOU Something!”
    FALL 2014 SHARECatholic Daughters of the Americas CONVENTION 2014 ‘Whatever you do for the least of my brethren, you do for me.’ – Matthew 25:40 “Catholic Daughters… ain’t YOU something!” “My exclamation of gratitude for your service and support to Labouré could not have been more prophetic at the national convention! “In the first six months of this year Catholic Daughters helped Labouré deliver 7 future sisters and 3 future priests into their formation programs, and that was BEFORE many even knew we were a CDA national charity. I am excited to see what Catholic Daughters can do now that they know.” Labouré founder Cy Laurent ~Cy Laurent pictured with Sr. Catherine Marie OPD (our second of 253 aspiring vocations Together we have prayed for these Vocations. delivered to the Church). Together we can deliver them! January — June, 2014 July — December, 2014 DELIVERED ? Help us deliver YES! I will support educated, qualified young people seeking new Catholic religious life through prayer and donations of: vocations by $25 $50 $100 $______ (your choice) making a tax-deductible Donate at LaboureSociety.org or mail a tax-deductible donation to: donation today! Labouré Society, 1365 Corporate Center Curve, Suite 104, Eagan, MN 55121 LaboureSociety.org BRIDGE TO MIRACLES 651.452.1160 National Regent’s Message Sharing Gifts of Knowledge, Prayer and Action Dear Sisters in faith, This will be the last issue I will be addressing you in this form. The past two years have been rich in memories and experiences. I have often said the Catholic Daughters of the Americas is a gift that needs to be given away.
    [Show full text]
  • THE ADVENT HOPE for HUMAN HOPELESSNESS
    6 iblical erspectives THE ADVENT HOPE for HUMAN HOPELESSNESS A THEOLOGICAL STUDY OF THE MEANING OF THE SECOND ADVENT FOR TODAY Samuele Bacchiocchi FOREWORD by Dr. Richard Lesher President, Andrews University iblical erspectives 4990 Appian Way Berrien Springs Michigan 49103, USA BOOKS BY THE SAME AUTHOR THE CHRISTIAN AND ROCK MUSIC is a timely symposium that defines the biblical principles to make good musical choices. THE SABBATH UNDER CROSSFIRE refutes the common arguments used to negate the continuity and validity of the Sabbath. IMMORTALITY OR RESURRECTION? unmasks with compelling Biblical reason- ing the oldest and the greatest deception of all time, that human beings possess immortal souls that live on forever. THE MARRIAGE COVENANT is designed to strengthen your Christian home through a recovery of those biblical principles established by God to ensure happy, lasting, marital relationships. THE ADVENT HOPE FOR HUMAN HOPELESSNESS offers a scholarly, and comprehensive analysis of the biblical teachings regarding the certainty and imminence of Christ’s Return. FROM SABBATH TO SUNDAY presents the results of a painstaking research done at a Vatican University in Rome on how the change came about from Saturday to Sunday in early Christianity. THE SABBATH IN THE NEW TESTAMENT summarizes Bacchiocchi’s exten- sive research on the history and theology of the Lord’s Day and answers the most frequently asked questions on this subject. WINE IN THE BIBLE shows convincingly that the Bible condemns the use of alcoholic beverages, irrespective of the quantity used. CHRISTIAN DRESS AND ADORNMENT examines the Biblical teachings regarding dress, cosmetics, and jewelry. An important book designed to help Christians dress modestly, decently, and reverently.
    [Show full text]
  • May June 2005
    May/June 2005 Issue 274 Free 30th Anniversary Year www.jazz-blues.com The Legendary Rhythm & Blues Cruise REVIEWED A Full Week on the High Seas with Taj Mahal, Dr. John, Shemekia Copeland, Little Charlie & The Nightcats, Lil’ Ed & The Blues Imperials, Derek Trucks Band, Susan Tedeschi, Chubby Carrier, Corey Harris, Kenny Neal, Anson Funderburgh, Bernard Allison, Tommy Castro & More...Plus Special Guests! May/June 2005 • Issue 274 Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin REVIEWED Pilar Martin Contributors By Bill Wahl Michael Braxton, Mark Cole, Chris Hovan, Nancy Ann Lee, David McPherson, Tim Murrett, Regular readers of Jazz & Blues thing that I am able to experience about Peanuts, Mark Smith, Duane Report are familiar with the fact that we once every six or seven years. I’m going Verh and Ron Weinstock. seldom print lengthy reviews of festivals. on the Legendary Rhythm & Blues Cruise It is our policy to rather run previews of aboard a Holland America Line ship. Or Check out our new, updated web such events, such as last issue’s fea- at least I think I am...it’s all up to the page. Now you can search for CD ture on the Tri-C JazzFest. We feel that weather Reviews by artists, Titles, Record it is more important to give the space to Having spent a week in Puerto Rico Labels or JBR Writers. Twelve years events coming up so our readers can six years ago, I have been wanting to re- of reviews are up and we’ll be going attend them, rather than telling them turn to the Caribbean.
    [Show full text]
  • Recorded Jazz in the Early 21St Century
    Recorded Jazz in the Early 21st Century: A Consumer Guide by Tom Hull Copyright © 2016 Tom Hull. Table of Contents Introduction................................................................................................................................................1 The Consumer Guide: People....................................................................................................................7 The Consumer Guide: Groups................................................................................................................119 Reissues and Vault Music.......................................................................................................................139 Introduction: 1 Introduction This book exists because Robert Christgau asked me to write a Jazz Consumer Guide column for the Village Voice. As Music Editor for the Voice, he had come up with the Consumer Guide format back in 1969. His original format was twenty records, each accorded a single-paragraph review ending with a letter grade. His domain was rock and roll, but his taste and interests ranged widely, so his CGs regularly featured country, blues, folk, reggae, jazz, and later world (especially African), hip-hop, and electronica. Aside from two years off working for Newsday (when his Consumer Guide was published monthly in Creem), the Voice published his columns more-or-less monthly up to 2006, when new owners purged most of the Senior Editors. Since then he's continued writing in the format for a series of Webzines -- MSN Music, Medium,
    [Show full text]
  • Discographie Leader/Co-Leader
    Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
    [Show full text]